from Black Sabbath - Paranoid

Paranoid
Words and Music by Anthony Iommi, John Osbourne, William Ward and Terence Butler

G5 D5 E5
10fr 10fr 12fr

134 13 13

Intro
Fast Rock q = 164
E5 µ E5 µ

       
Gtr. 1 (dist.) *Gtrs.

                                 

 
1&2

     
     
f

   

 12 14 12 14 12 14 12 14
12 14
12 14
12
14
  12 14 12 14 12 14 12 14
12 14
12 14
12
14

12 12 12 12 12 12
*Gtr. 2 (dist.). played f . Composite arrangement

 Verse
             
E5 D5

G5 D5 E5 Em7

          
        


1. Fin - ished with my wom - an ’cause she could - n’t help me with my mind.
4. Make a joke and I will sigh and you will laugh and I will cry.


 
Rhy. Fig. 1


                    
            
 
P.M. 
12
12 12
12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 12 12 12 12 12 12 12 12 10 12 14
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 12

              
E5 D5

G5 D5 E5
     
            
Peo - ple think I’m in - sane be - cause I am frown - ing all the time.
Hap - pi - ness I can - not feel and love to me is so un - real.


End Rhy. Fig. 1


                
               
          


P.M.   

12
12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 12 12 12 12 12 12 12 12 10 12 14
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 12 0 0

© Copyright 1970 (Renewed) Westminster Music Ltd., London, England

TRO - Essex Music International, Inc., New York, controls all publication rights for the U.S.A. and Canada
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
Used by Permission 1
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
 Interlude
3rd time, Gtr. 2: w/ Rhy. Fill 1
E5 C5 D5 E5

   
    
   


                

P.M. 
 
 14 14 10 10 12 14

12 12 8 8 10 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

Verse
1st time, Gtrs. 1 & 2: w/ Rhy. Fig. 1
2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas., 2 times)

          

E5 D5 G5 D5 E5 Em7
         
            
2. All day long I think of things but noth - ing seems to sat - is - fy.
5. And so as you hear these words tell - ing you now of my state.

T o Coda 

           
E5 D5

G5 D5 E5
         
           


Think I’ll lose my mind if I don’t find some - thing to pac - i - fy.
I tell you to en - joy life, I wish I could but it’s too late.

 
Bridge

             

E D

          
Can you help me? Thought you were my friend.

      
  
Gtrs. 1 & 2

  
    




13 16 14 11
14 16 14 12
14 12
12 10

Rhy. Fill 1


Gtr. 2

        



 
P.M. 

14 14 14 12
12 12 12 12 12 12 12 12 12 12 12

2
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
 E D

           
         
Whoa, yeah!

 
 
   
 

      



string
noise



13 11
14 X 12
14 X 12
12 X 10

Interlude


E5 D5 G5 D5 E5 Em7

  
  
                          
                   
 

P.M. 

 12
12 
 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 X X 12 12 12 12 12 12 12 12
12
12
10 12 14
12
12 
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 X X 10 10 10 10 10 10 10 10 10 12

Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1

          
E5 D5

G5 D5 E5 Em7
           
           
3. I need some - one to show me the things in life that I can’t find.

          
E5 D5

G5 D5 E5
          
           
I can’t see the things that make true hap - pi - ness, I must be blind.

Guitar Solo


Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas., 4 times)
E5 D5 G5 D5 E5 Em7

             
*Gtr. 3 (dist.)

       
**

    
1 1/2

9 9 7 7 9 9 7 9 7
9 7 5 7 5 7 5
5 7 7 7 7 7
*With heavily distorted ring modulation effect in right channel. **Played ahead
of the beat.

3
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
 E5 D5
      
      
 
     
   
1 1

8 10 10 10 8 10 10 8 10 8
7 9 9 7 8 9 9 9
5 7 7 9

G5 D5 E5 Em7 E5

  
          loco
8v a

        
      
1 1 1
1 1/2 1 1/2
12 15 15 15 15 12 15 12
12 15 15 15 15 15 12 15
7 9 9 9 14 0

        
D5 G5 D5 E5 Em7 E5

              
8v a loco

         


1/4 1 1/2
 1
15 12 12
15 15 12 12 15 12
14 14 14 12 12 14 14 12 14 12 14 12 12
14 14 14 14 12
14

Interlude D.S. al Coda

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas., 2 times)


Gtr. 3 tacet

     
D5 G5 D5 E5 Em7
   
         

12
12 12 12 14 14 12 14 12 14
12 10 12 10 12 14
12

 Coda
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 7 meas.)


* G5 D5 E5

Gtr. 2   


 

Gtr. 1

 
 



1/4

2
3 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.

4
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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