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100 LEGENDARY ROCK DRUM FILLS | t rh iL Sad MENUS TC 100 Legendary Rock Drum Fills by Jason Prushko rn Fin Fl3 Fl BIS: FIle BL BLS Fil FIL 10 BL FI? FIIs Fils Fill 15 Fil 16 Fill 17 Fill 18 FL 19 Fin 20 CD Contents 2] Fill 21 fai) Fin at Fill 61 2) Fill 2 Fill @ 23) Fill a Fill 24) Fil 24 44) Fula Fill 6 25) Fill 25 45, Fills Fill 6S 85 26 Fill 26 46) Fill 46 (66| Fil 66 85) 27) Fill 47. Fill 47 67] Fill 67 87 28) Ful 26 48 '08| Fill 68 88 29) Fill 29, 49 (69) Fill 69 80 0 70) Fill 70 % SI 71 Fill 71 OL 72| FULTZ a 73) Fill 73 8 7a) Fill 74 4 175) Fill 75 95) 176) Fil 76 95 77 Fil 77 m7 38) Fil 38 58 78) Fill 78 98 39) Fil 39 59. Fill 59 79) Fill 79 Db) 40) Fil 40 (60) Fin oo '80) Fill 80 Ful si Fill 82 3) Fill 83, ill 84 Fill 85 Fill $6 Fill 87 Fl 88 Fil $9 190 Fill 91 Fil 92 Fill 93 Fill 4 Fill 95 Fill 96 Fill 97 Fill 98 Fill 99 and il 100 6 2012 BY MEL BAY PUBLICATIONS, INC, PACIFIC. MO €2089 AL UGITS RESERVED. NTEPNATIONAL COPYAIGH SECORES BM MADE AND PANTEDIN USA "No par ofthis pubteston nay be opreduced in wine orm par, or ved I ebeval system, oF Yansmite nay fem by en ee eer esto pony temaracx Sbarwin abet wn Pe ole pth Visit us on the Web at www.melbay.com — E-mail us at email@melbay.com Table of Contents Introduction Going Around the Drum Kit. Hand-to-Foot Fills . Space in Fills Broken-Up Beats as Fills ....... Odd Time Fills. About the Author, Introduction This book goes through the most legendary and useful drum fills in rock music. Step-by-step we will break down a variety of drum fills ranging from busy fills to syncopated fills using clever spacing. You will be presented with a great variety of fills, focusing on hand-to-feet fills, tom fills, broken-up beats into fills, filling in odd times, and using rudiments to create an endless pallet of creation when approaching a drum fill in rock music, Being able to think of “time” in any feel, be it quarter note, 8th note, 16th note, and triplet is very important in having a truly endless variety of fills. Combining that with endless ways of orchestrating those feels around the drum set is what this book will teach you. Starting with simple effective fills, this book will get increasingly challenging, but once you've finished you will have a great grasp of filling in a rock setting. The goal is to be able to play these fills slow and fast. The audio has all the fills played at 100 beats per minute so you can clearly hear what is going on in each fill, Feel free to play along and increase your tempos once you have a grasp of the examples. Going Around the Drum Kit Examples 1-20 will focus on going around the drum kit different ways, using both hands and feet ‘combined to create a full-sounding fill. These styles of fills can be heard in bands such as Led Zeppelin, Aerosmith, Jimi Hendrix, The Who, and Nirvana. oak Example 1 Rack tom, ' Snare drum f 2 Floor tom. a= = * 1 Bass drum Example 2 Rack tom — Snare drum = ra - J ; | Floor tom. = 2 = Bass drum ee? Example 3 Rack tom Snare drum i = Floor tom a = £ = * * | Bass drum ret 4) Example 4 Rack tom. Snare drum Floor tom Bass drum oes Example 5 Rack tom —— Snare drum + - Phorm Wp eee 1 Bass drum ) Example 6 Rack tom. Snare drum Floor tom, Bass drum ) Example 7 Rack tom Snare drum Floor tom, Bass drum ones Example 8 Rack tom Snare dh . - Sar iun ae St | Bes dani — Example 9 Rack tom. Snare drum 2 Poorom EAE F Bass drum Te Te 10) Example 10 Rack tom. — ~ Snare drum Foriom, AEQ-=—* —— es ] Bass drum — aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. oe Rack tom. Snare drum Floor tom Bass drum 7 Example 26 he Rack tom TT] ] Snare drum = orion IER = = 2 Bass drum ') Example 27 Rack tom. Snare drum, Floor tom) Bass drum ? Example 28 a Rack tom. Snare drum Floor tom, Bass drum 29] Example 29 Sa Fase 30) Example 30 Rack tom Snare drum Floor tom Bass drum aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. Mae Example 46 Snare dun ae z z ? J | Floor tom Bass drum aad Rack tom Snare drum Floor tom Bass drum 7) Example 47 Rack tom. Snare drum = Floor iom =| Bass drum 48| Example 48 |" rs re re rs I Pyevex 49) Example 49 Rack tom Snare dt => ee. ———— e — | Bass drum mple 50 Rack tom Snare drum Floor tom, Bass drum 12 aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. nae) Example 76 Rack tom. Snare drum Floor tom, Bass drum oak 7) Example 77 Hi-Hat Rack tom Snare drum Floor tom: Bass drum oe Hi-Hat Rack tom = Snare drum = Floor tom. Bass drum 78| Example 78 Pa Soire drum ee = SS= = 1 Floor tom Bass drum oo 79] Example 79 Sr {PAE s0 | Example 80 Rack tom Snare drum Floor tom. Bass drum 18, aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book. aa You have either reached a page that is unavailable for viewing or reached your viewing limit for this book.

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