11658 TR 1000-1150; Film viewings: T 1600-1850 Eren Odabasi
This course offers a survey of key films, filmmakers, and
cinematic trends that have shaped film history outside North America until 1960. The period between 1920-1960, marked by two major World Wars, saw the emergence of influential cinematic movements such as German Expressionism, French Poetic Realism, and Italian Neo-Realism. We will unpack the social, historical, and political factors that informed these waves in European filmmaking. Additionally, we will expand the framework beyond Western Europe by studying important directors from Southeast Asia, the Far East and Latin America, rejecting the Euro-centric approaches that have traditionally dominated the field.
In our analyses of canonical classics from several different
regions and time periods, we will discuss many different aspects of film culture ranging from various distribution and exhibition models to the invention of sound and other technological advances, or evolving spectatorship practices. Through a series of (re)discoveries from global film history, we will observe how well-known filmmakers of today are deeply indebted to the pioneers of the past. TEXTBOOK: The Oxford History of World Cinema, edited by Geoffrey Nowell-Smith. Oxford, New York: Oxford University Press, 1996.
This is a very large reader covering the entire film history, I
highly recommend using the e-book version instead of purchasing an expensive copy. The e-book is available through Western Libraries.
FILMS (Tentative List):
• Limite, dir. Mario Peixoto, 1931
• Rules of the Game, dir. Jean Renoir, 1939 • Marius, dir. Alexander Korda, 1931 • I Was Born, But…, dir. Yasujiro Ozu, 1932 • Rome, Open City, dir. Roberto Rossellini, 1945 • Nosferatu, dir. F.W. Murnau, 1922 • Passion of Joan of Arc, dir. Carl Theodor Dreyer, 1928 • Ugetsu, dir. Kenji Mizoguchi, 1953 • The Music Room, dir. Satyajit Ray, 1958
All the films will be available online for streaming.