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A Fool For Your Stockings: Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
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A Fool For Your Stockings: Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
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from ZZ Top - Degüello
A Fool for Your Stockings
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Gtr. 1: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
3 3
Free time =
*D7
Gtr. 1
(clean)
f
w/ fingers
1/2 let ring 1/2 **let ring
10 10
10 10 4
12 12 10 4 5 4 5 4 5 4 5 4 5 5 12 12 10 4
12 4 5 4 5 4 5 4 5 4 5 5 12 4
0 0 0
*Chord symbols reflect basic harmony. **6th string only
let ring
5 7 7 8 7 5 7 5
5 4 5 4 5 5 7 7 8 7 5 7 5
5 4 5 4 5 5 7 7 8 7 5 7 5
5 4 5 4 5 7 5
7 6 5 3
Moderately slow q = 77 __ =
3
Gtr. 1 tacet Gtr. 4 tacet
Am7
3
1. Is it
†
Gtr. 4 (clean)
mp
1 1
10 13 15 15
†Played as even eighth-notes.
***Gtrs. 2 & 3 (clean)
mf
w/ fingers
0 0 0 0
1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0
2 2 2
0 0 0
***Composite arrangement
Copyright © 1979 Music Of Stage Three
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
Verse
Gtr. 2 tacet
Am7 Dm7/A Am7 Dm7/A Am7 Dm7/A
3 3 3
*
3 3
you a - gain out - side just bang - in’ on the front door? You said you had e - nough, now you’re
Rhy. Fig. 1
Gtr. 3
0 1 0 1 0 1
1 1 1 1 1 1
0 2 0 2 0 2
2 2 2
0 0 0
*Swing behind the beat.
Am7 Dm7/A Dm7 C/D Dm7 C/D
3 3
3 3
com - in’ back for more. But that’s al - right, I said that
End Rhy. Fig. 1 Rhy. Fig. 2
0 1 1 0 1 0
1 1 1 1 1 1
0 2 2 0 2 0
0
0 0
Am7 Dm7/A Am7 Dm7/A C
3 3
3
3
that’s al - right. I may not want to ad - mit it,
End Rhy. Fig. 2 Rhy. Fig. 3
0 1 0 1 0 0 0 0
1 1 1 1 1 1 1 1
0 2 0 2 0 0 0 0
2
0 3 3 3 3
Bm7 E9sus4 Am7 Dm7/A Am7 Dm7/A
3
3 3 3 3
I’m just a fool for your stock - ings I be - lieve. 2. Now, I
Gtr. 2
3
8 10
9
Gtr. 3
End Rhy. Fig. 3
let ring
let ring
2 2 2 0 1 0 1
3 3 3 1 1 1 1
2 2 2 0 2 0 2
2 2
2 0 0 0
0
2
Verse
Gtr. 2 tacet
Gtr. 3: w/ Rhy. Fig.1 (1st 3 meas.)
Am7 Dm7/A Am7 Dm7/A Am7 Dm7/A
3
3
*
3 3 3
don’t mind when you send mon - ey and bring your girl - friends with you. But how could one be so thought - less, to try
*Sung as even eighth-notes.
Am7 Dm7/A Dm7 C/D Dm7 C/D
3
3
3 3 3
and have, ah, less than two? But that’s al - right, I said that that’s
Gtr. 3
0 1 1 0 1 0
1 1 1 1 1 1
0 2 2 0 2 0
0
0
Am7 Dm7/A Am7 Dm7/A C
3
**
3 3
3
al - right, ba - by. I may not want to ad - mit it,
0 1 0 1 0 0 0 0
1 1 1 1 1 1 1 1
0 2 0 2 0 0 0 0
2
0 3 3 3 3
**Sung as even eighth-notes.
Bm7 E9sus4 Am7 Dm7/A
3 3
3
I’m just a fool for your stock - ings I be - lieve, ba - by.
Gtr. 2
3
3 5
5 7
5 7
Gtr. 3
let ring
let ring
2 2 0 0 1
3 3 1 1 1 1
2 2 0 0 0 2
2
2 0 0
0
3
Guitar Solo
Gtr. 3 tacet
Am7
Gtr. 2
3 3 3 3 3 3
1/4
5 6 5 5 5 5 6 5 5 3 3 5 5 6 5 5 5
7 8 7 7 5 5 5 7 7 8 7 7 5 5 5 7 7 8 7 5 7 7
7 8 7 5 7 5 5 5 7 7 8 7 5 7 5 5 5 7 7 8 7 5 7 5 5 7
C/D
Gtr. 2
3 3 3 3 3
3 3 3 3 3
1/2 1/4 1/2
5 6 5 5 3 5
7 8 7 7 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 5 7
7 8 7 7 5 7 7 5 7 7 5 5 7
Gtr. 3 Rhy. Fig. 4 End Rhy. Fig. 4
0 0 0 0
1 1 1 1
0 0 0 0
Am7 C
3 3 3 3 3 3
1/2
5 6 5 5 3 3 3 5 5 6 5 5
7 8 7 7 5 5 5 7 7 8 7 7 5 8
7 8 7 5 7 5 5 5 7 7 8 7 5 7 5 7 5 7 7 9 9 7 5 7
7 7 7
0 0 0 0
1 1 1 1
0 0 0 0
3 3 3
4
Bm7 E9sus4 Am7
3
3 3
3 3
5
1/4
3 5
10 5 7
5 7 7 8 7 5 7 5 7 5 9 7 5 5 7
5 7 7 7 7 5 7
7
let ring
let ring
2 2 0 0 0
3 3 1 1 1 1
2 2 0 0 0 0
2
2 0 0
0
Gtr. 3 tacet
Gtr. 2
3 3 3 3
3
1/4 1/4
5 6 5 5 3 3 3 5 5 6 5 3 5 6 5 5 3 3 3
7 8 7 7 5 5 5 7 7 8 7 5 7 8 7 X 5 5 5
7 8 7 5 7 5 5 5 7 7 8 5 7 5 7 8 7 5 7 5 5 2 5
7
Gtr. 3: w/ Rhy. Fig. 4
C/D
3
3 3
3 3 3 3 3
1/4
1/2 1/2
5 6 5 3 3
7 8 7 5 5 8 8 8 8 8 8 8 8 8 8
7 8 5 7 5 5 7 7 5 7 5 7
7
7
Am7 C
*
Gtr. 2
5
3 3
1/2 1/4 1 1 1/2 2
10 10 13 16 13 13 13 13 13 13
5 7 5 7 5
7 7 7 5 3 5
3 5 3
*Played behind the beat.
Gtr. 3
0 0 0 0
1 1 1 1 1 1
0 0 0 0 0 0
3 3 3
5
Gtr. 3: w/ Rhy. Fig. 3 (last 3 meas.) Gtr. 2 tacet
Bm7 E9sus4 Am7 Dm7/A Am7 Dm7/A
3
3. Now, I’m
Gtr. 2 6
6
3
3
5
1/2
5 8 5
7 7 7 5 7 5 5 7
7 7 5 7 5
7 7 7 5 3 5 5
3 5
Verse
Gtr. 3: w/ Rhy. Fig. 1
Am7 Dm7/A Am7 Dm7/A Am7 Dm7/A
3
3 3 3 3 3
tell - in’ ev - ’ry - bod - y, well, it seems too good to be true. But sweet things can al - ways get sweet - er. I
Gtr. 3: w/ Rhy. Fig. 2 Gtr. 2 tacet
Am7 Dm7/A Dm7 C/D Dm7 C/D
3
3
3 3 3
know mine did, how ’bout you? Yes, it’s al - right. I said, yeah, I
Gtr. 2
Gtr. 3: w/ Rhy. Fig. 3
Am7 Dm7/A Am7 Dm7/A C
*
3 3
3 3
said yes it is. That’s al - right. I may not want to ad - mit it,
*Sung as even eighth-notes.
Bm7 E9sus4 Am7 Dm7/A Am7 Dm7/A
3 3
3 3 3
I’m just a fool for your stock - ings I be - lieve. Have mer - cy.
Gtr. 2
3
5
5 7
5 7
6
Outro-Guitar Solo
Am7
3 3 3 3
1/4
5 6 5 5 3 3 5 5 6 5 3 5
7 8 7 7 5 5 7 7 8 7 5 1 13 5 7
7 8 7 5 7 5 5 5 7 7 8 5 7 5 1 5 7
3
3 3 3
3
1/4
5 6 5 5 5 5 6 5 12 5 0
7 8 7 7 8 7 7 8 7
7 8 7 7 5 7 7 8 7 5 7
5 7
3 3 3 3
14 14
7 8 7 5 7 5 15 5 7 15 5
7 8 7 5 7 5 5 7 7 8 7 5 7 5 5
Begin fade
3
3 3 3 3
3
5 6 5
5 7 7 8 7
7 8 7 5 7 5 7 8 5 7 7 8 7 5 7 5 7
7 7 7
5 7
Fade out
3 3 3 3 3 3 3 3
3
1
1/4
3 3 7
7 8 7 7 3 4 5 7 8 7 10 7 8 7 8 8 8 7
7 8 7 5 7 0 5 7 8 7 5 7 9 5 5 7 7 8 7 7 5 7
7 7
7
from ZZ Top - Rio Grande Mud
Apologies to Pearly
Words and Music by Billy F Gibbons, Frank Lee Beard, Dusty Hill and Bill Ham
Gtr. 1: Open E tuning:
(low to high) E-B-E-G#-B-E
__ =
A
3
Moderately fast q = 137
μ *E
Gtr. 1 (dist.)
3 3 3 3 3 3 3 3
f
w/ slap-back delay
w/ slide
10 12 12 12 12 12 12 12 10 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12
11 12 12
12
Gtr. 2 (slight dist.)
mf
P.M.
2
0 0
4
0 0
2
0 0
4
0 0
2
0 0
4
0 0
2
0 0
4
0 0
*Chord symbols reflect basic harmony.
A
3
3 3
P.H.
12 5 12
12 5 4 4 5 4 10 12 11
11 12 12 11 12 4 5 5 12
12
Pitch: C
P.M.
2 4 2 4 6 7 9 7 9 7 9 7 9
0 0 0 0 0 0 0 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Copyright © 1972 Music Of Stage Three and Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
E B
8va
loco
3 3 3
steady gliss.
*
12 12 15 17 18 7
10 11 10 12 6 6 6
11 10 10 11 8 6 7 6 7 6.5
12 18
*Slide positioned halfway
between 6th & 7th frets.
P.M.
2 4 2 4 2 4 2 4 9 11 9 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 0
A E E7 F# F E Bb B7
12 14
5 11 12 12 11 9 11 11 7 10 12
4 5 5 2 3 2 3 0 11 12 10 11 11 7
2 3 0
P.M. P.M. P.M. P.M. P.M.
0 0 0
4 3 2 1 3 2 2 2
6 6 X X X X X X X X
7 9 7 9 7 7 5 4 3 2 0 1 2 2 2
5 5 5 5 5 5 5 0 0 0 0 0 0
B
A E
3
steady gliss. steady gliss. 3
14 15 15 9 12 12
10 12 11 11 12 5 5
11 10 11 10 10 11 11 10 9 7 6 4
12 4
3
3
2 2 2 2 2 X 2 2 1 1 1 1 1 1 1 1
2 2 2 2 2 X 2 2 2 X X X X X X X X
3 4 0 2 2 2 2 2 2 2 2
3 4 0 0 0 0 0
2
A B
3
3 3 3 3 3
steady gliss. steady gliss.
14
5 5 14 13 12 13 12 7 7 7 7
4 3 4 5 5 4 3 3 10 5 7 6 5 6 7 6 5 5 6 5 6 3
5 7 7
2
2 2 2 2 2 2 2 4 4 4 4 4 2 4 4
2 2 2 2 2 2 2 4 4 4 4 4 2 4 4
0 0 0 0 2 2
C
Gtr. 1 tacet
E μ E μ Aμ E
Gtr. 3 (dist.)
let ring let ring
f 3 3
w/ slap-back delay
1/2 1 1/2 1/4
14 14 12 14 14 14 14 12 12
14 0 14 12 12 12 12 11
14 13 12 10 12 10 12 14 14 14 13 12 10 10
12
Gtr. 2
2
2 2
0 7
0
C#7 F#7 B7 E E7 F# F E B7
1
1 1/2
12 14 12
15 15 14 12 12
14 12 11 14 12 9 9
14 12 9 9 11
14 0
12
X X 0
X 6 X 4 X 0 0 0 0
9 X 4 X 3 X 2 X 1 4 3 2 1 2 2 2
9 6 2 X 4 X X X X X 1 1 1
7 4 4 X 2 5 4 3 2 2
2 0
3
D
A E
3 3
1/2 1/2 1 1 1/2
12
12 12 12 12 15 12 12 15 12
11 11 9 9 11 9 9 11 9 14 14 14 12 7
11 11 14 8 9
3
3
3
3
0
2 2
2 2 2 2 2 2 2 1 X X X 1 1 0 1 2 0 1 1
2 2 2 2 2 2 2 2 2 2 2 2 X X X 0 0 2 2 0
0 0 0 3 4 0 2 X X X 2 2 2 2
3 4 0 0 0
A B B7
3
3 3 3 3
1/2 1/2 w/ pick & finger
12 12 10 12 14
9 9 9 12 9 11 11 9
9 10 11 9 11 11 7 9 9 9 7 7 9 9 11
1/2
4 4 X
2 2 2 2 2 2 2 2 4 4 4 4 4 4 2 2 X
2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 X
0 3 0 0 2 2 2 2
E μ E μ A μ
1/4
12
12 12
14 12
14 12 12 12 12 12 12 12
14 13 12 10 11 12 14 12 14 12 14 12 14
12 12
9 2
9 2
7 7 0
4
E7#9 C#7#9 F#7 B7
1
12 12
12 0 14 12 12 12
12 12 12 12 14 10 11 14 11 14
12 14 11 14 12 14 12 14
3
8 5 5 4 4 4
9 0 6 3 2 2 2 2
4
7 4 4 2
2
E E7 F# F E7 B7
3
3
1
1/2 1/2 1/2
12
14 12 12 12 14 14 14 14
13 14 12 14 14 14 14
4
4 3 2 0 1 0 2 2 2
X X X 0 0 1
5 4 3 2 0 2 2
F
A
3 3 3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
3 3
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 3 4 0 0 3 4
5
E7
3 3 3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
12 12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
P.M.
0 0
0 0
0 1 1 0 1 1 1 1 1 1
0 0 0 0 0 0 0 0
2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
12 12 12 12 12 12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
2 2 2 4 2 2 2 2
2 2 2 4 2 2 2 2
0 0 0
3
3
1/4
12
11 12 14 12 14 12
11 14 15 14 12
14 14 12 10 12
12
0
6 4 6 4 4 4 6 4
6 4 6 4 4 4 6 4
2 2
6
G
E A
3 3 3
3 3 3 3
1
12 14 14
12 15 12 12 14 14
12 14 14 12 14 14 13 12 14 12 14
12 14 12 14 14 14 14 12 14
12 14 14 14 0
9 9 9 9 9 11 9 2 2 2 2 0
9 9 11 9 9 9 11 9 2 2 2 2 0
7 7 7 7 7 7 0
A#º7
E C#7
3 3
3 3
3
1
12
12 15 12 12 14 14
14 14 12 14 14 13
14 14 14 12 12 11 14 11
14
6 6 6 6 0
5 5 5 5 0 X 6 6
6 6 6 6 6 0 9 X 4 4
9 6 6
7 4
F#7 B7 E7 F# F E B9
3/4
grad. bend
1/2
1/4
1/2 1/4
12 15
12 12 14
12 14 12 9 13
14 14
2 4 4 2
3 2 2 4 4 3 2 1 X 2
2 4 4 X X X X X X 1
4 2 5 5 4 3 2 X 2
2 0
7
H
A E
3 3 3
let ring
7 8 7 8 8 7 8 8 10 8
8 9 8 9 9 8 9 7 9 7 9 9 9 7 9 7 9 9 7
3
w/ pick
& fingers
5 0
5 0
2 2 2 3 2 2 2 2 1 1 0
2 2 2 2 2 2 2 2 2 2 0 0
0 0 0 3 4 0 0 0 0 0 0 X 2
3 4 X 0 0
A
3 3
10 8 8 10 8
9 9 7 9 7 9 7 9 7 9 7 9 7
3
3 3
0 0
0 1 2 0 1 X 2 2 2 2 2 2 2 2 2 X
0 X 2 2 2 2 2 2 2 2 X
0 3 4 0 0
B
3
1/2
8 9 12 9 12
9 11
9 9 9 9
4 4 4 4 X 4 4 4
4 6 4 4 4 X 4 4 4
2 2 2
8
I
E μ E μ A μ
3 3
3 3
1 1/4
12
12 15 12 12 12 12 12
14 14 12 9 14 14 14 12 11
14 12 12 14
14 14 12 10 11
12
0
0
1
2 2 2
2 0
0
A#º7 μ E C#7 F#7 B7 B7sus4
3
3 3
12 15 12
14 14 12 12
14 12 12 12 15 14 12 11 14 12 13
14 11 11 11 14 14 14 14
let ring
6 X 4 5
5 6 9 9 4 X 3 2 2
5 9 9 6 X 2 4 4
X 7 4 2
6 2
E7 F# F E B9
3 3 3 3 3 3 3
12 12 12
15 13 15 15 13 15 15 13 15 15 13 15 15 14 15 15 14 15 14 15 14 15 14 15 15
14 16 14 16 16 14 16 16 14 16 16 14 16 16 14 16 16 15 16 16 15 16 15 16 15 16 15 16 16
14
2
4 X 3 2 1 2
X X X X X 1
5 X 4 3 2 2
9
J
A E
3 3 3 3
3
1
17 17 17 17 17 17 17 17
15 17 14 15 14 14 12 12 12 14
14 14
3
2 2 2 2 2 2 2 2 1 0 1 1 1
2 2 2 2 2 2 4 2 2 2 2 2
0 0 3 4 0 0
0
A
3 3
1/2
3
1/4 1/2
12
12 15 12 12
14 14 12 12 12 14 12
14 11 14 11 14 11 14 11 14
3
3
5
1 1 1 1 X 2 2 2 2 2 2 2 2
2 2 2 2 X 2 2 2 2 2 2 2 2
0 0 3 4 0
0
3 3 3
3
1/4
12 12 12
9 11 14 12 11 14 12
14 14 14 12
14 13 12 10 10
4 4 4 4 4 4 2
4 4 4 4 4 4 2
2 2 2
0
10
K
E μ E μ A μ
3
3 3
3
3 3
1/4 1/4 1/2 1/4
12
12 15 12 11
12 14 14 12 14 11 12 13
12 14 14 12 14
12 14 0 0
9 2
9 9 2
7
0
A#º7 μ E C#7 F#13 B7 B7sus4
3
3 3 3
1/2
12 14 12
12 X 14 12 12
14 12 11 12 15 14 12 11 14 12
14 11 14 14 14 14
let ring
5 6 4 4 5
6 9 4 3 2
5 9 X 6 2 4
7 X 4 2
2
E7 F# F E F F# E7 μ
rit.
10 11
14 12 12 11 10 9 11 12
12 14 13 12 11
3
rit.
4 4 3 2 1 2 3 3 4 4 4 4
X X X X X X X
5 5 4 3 2 3 4 4 5
11
from ZZ Top - `Tejas
Arrested for Driving While Blind Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
G7 Bb7 C7 F5
5fr 8fr 10fr 3fr
__ =
132 132 132 13
Intro 3
Moderately fast q = 134
μ C *** G5
1. Well,
Gtr. 3 (dist.)
3
f
1
rake
5 3
X
X
X
*Gtrs. 1 & 2 (dist.)
3
3
**
P.M.
f
1
0 0
5 3 2
5 4 3 1 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Two gtrs. arr. for one. **Vibrato to bottom two notes only
***Chord symbols reflect basic harmony.
Verse
Gtr. 3 tacet 2nd time, Gtr. 4: w/ Rhy. Fill 1
2nd time, Gtr. 4: w/ Rhy. Fill 1
G5 Bb7 G5
3
driv - in’ down the high - way at night and you’re feel - in’ that Wild Tur - key’s
oth - er night, with noth - in’ to do, we broke a case of proof one - o - two
Gtr. 4 (clean)
† p
w/ chorus
w/ fingers
9
10
8
†2nd time, played mf
Rhy. Fig. 1
Gtrs. 1 & 2
3
P.M. P.M.
1
3 3 3 3 3 3 3 3 3 3 3 2 3 3 3 3 3 3 3 3 2
Rhy. Fill 1
Gtr. 4
6
7
5
Copyright © 1976 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
F7 C7
3
bite, don’t give John - ny Walk - er a ride, ’cause Jack
and start - ed itch - in’ for that won - der - ful feel of
mf
w/ chorus
w/ fingers
11 11
5 12 12
3 10 10
End Rhy. Fig. 1
let ring
P.M.
1 0
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 0
1 1 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
2nd time, Gtrs. 1 & 2: w/ Fill 2
G7 Bb7 D5
3 3
Black is right by his side. You might get tak - en to the jail - house and
roll - in’ in an au - to - mo - bile. You could say we was out of our mind
Fill 1 End Fill 1
let ring
3
5 5 5
6 9
7 10
5 8
5 5
3
3
let ring
P.M. P.M.
5 5 5 5 5
1 3 4 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3
Fill 2
Gtrs. 1 & 2
3
let ring
P.M.
5 5 5 5
5 5 5 5 5 5 5 5
2
1. Gtr. 4 tacet
Em7 C G7
3
find you’ve been ar - rest - ed for driv - in’ while blind. 2. Now, just the
Gtr. 3
5 6
5 7 5
5 5 3
3
let ring let ring
P.M.
4
7 X 5 5 0
5 5 X 5 5 0 0 3
5 7 7 X 3 1 2
3 3 3 3 3 3 3 3 3 3 0 1
2.
Em7 C G7
3
and let me tell you we were fly - in’ while blind.
Gtr. 3
w/ pick
let ring
3
6 6
7
5
3
let ring let ring
P.M.
7 X 5 5 5
5 5 X 5 5 5 0 3
5 7 7 X 3 1 2
3 3 3 3 3 3 3 3 3 3
3
Guitar Solo
G7 Bb7 G7
Gtr. 4
Gtr. 3
let ring
let ring let ring
let ring
let ring let ring let ring let ring
3 3 3 3 3 3 3 3 3
6 6 6 6 6 6 6
5 5 5
Rhy. Fig. 3
Gtrs. 1 & 2
3
P.M. P.M.
1
3 3 3 3 3 3 3 3 3 3 3 2 3 3 3 3 3 3 3 3 2
F5 C7 Bb7
let ring
let ring let ring
let ring let ring P.M.
8 8 8 8 8 3
11 11 11 11 6
5 5 10 10 10 6
End Rhy. Fig. 3
let ring
P.M.
1
10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8
1 1 8 8 8 8 8 8 8 8 6 6 6 6 6 6 6 6
4
Gtr. 4: w/ Fill 1
G7 Bb7 D5
let ring
3
3
let ring rake
let ring
3 3 3 3 3
6 6 10 12 10
5 5 12 X 10
X 12 12 11 10 10
X
3
3
let ring
P.M. P.M.
5 5 5 5 5
1 3 4 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3
Em7 C G7
Gtr. 4
Gtr. 3
3 3 3 3 3 3 3 3
3
1/2 1/2 let ring
1/2
6 3 6 3
3 3 6 6 6 6 6 6 6 6 6
5 5 3 7 7 7 7 7 7 7 7 7 7
5
Gtrs. 1 & 2
3
P.M.
let ring
5 5 0
5 5 X 5 5 0 0 3
5 7 3 1 2
3 3 3 3 3 3 3 3 3 3 0 1
Gtrs. 1 & 2: w/ Rhy. Fig. 3
G7 Bb7 G7
Rhy. Fig. 4
Gtr. 4
Gtr. 3 3
3
3 3 3 3 3 3 3
3 3
let ring let ring
1/2 1/4
3 6 3 3
6 6 6 6 6 6 6 6 3 3 3 3 3
7 7 7 7 7 7 7 7 5 3 5 0 5 3 5 5 3
5 5 5
5
F5 C7 Bb7
3
3 3
let ring let ring let ring
let ring
P.M.
P.M. 1/4 1/4 P.M. 1 P.M.
8 8 8 8 8 8
11 11 11 11 11 8 11 8 8 8 3
0
3 3
5 3 1 1
3
Gtr. 4: w/ Fill 1
G7 Bb7 D5
End Rhy. Fig. 4
Gtr. 4
Gtr. 3
let ring let ring
3
3 3
let ring
let ring rake
3 3 3 3
6 6 6 10 12 10
5 5 10 10
X 12 11 10 10
X
Gtrs. 1 & 2
3
P.M. P.M.
7 7 7 7 7 7
1 3 4 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3
Em7 C G7
Gtr. 4
3. Then they
Gtr. 3
3
3 3 3
1/2 1/2 P.M.
1/2
6 3 6 3
3 3 3 6 6
5 5 3 7 7 7 5 3
5 0 3
2
3
Gtrs. 1 & 2
3
P.M.
let ring let ring
7 0
5 5 0 5 5 0 0 3
5 7 7 3 3 1 2
3 3 3 3 3 3 3 3 3 3 0 1
6
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gtr. 3 tacet
Gtr. 4: w/ Rhy. Fig. 4
G7 Bb7 G7
3
had us up a - gainst the wall, hey, it’s on - ly blood grain al - co - hol
Gtr. 5 (clean)
p
w/ fingers
3 5 3 3 5 3 3 5 3
3 5 3 3 5 3 3 5 3
F7 C7
3
and there ain’t no cause for a - larm, we ain’t
1 8 10 8 8
1 8 10 8 8
Gtr. 4: w/ Fill 1
G7 Bb7 D5
3
3
out to do no - bod - y no harm. How could an - y - one be so un -
Gtr. 5
Fill 3 End Fill 3
let ring
3
5 5 5 5
3 5 3 3 5 3
3 5 3 3 5 3
5 5 5
Gtrs. 1 & 2
3
3
P.M. P.M.
1 3 4 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3
7
Gtr. 5 tacet
Em7 C G9
3
kind to ar - rest a man for driv - in’ while blind?
*Gtrs. 4 & 5
let ring
8 8 10
5 10
10 5 9
*Composite arrangement
Gtrs. 1 & 2
3
let ring let ring
P.M.
5 5 0 5 5 0 0 3
5 7 7 3 1 2
3 3 3 3 3 3 3 3 3 3
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 4: w/ Rhy. Fig. 4
G7 Bb7 G7
Gtr. 3
3 3
3 3
P.M. P.M.
1 1
5 3 3 5 5 3 5 3
5 3 5 5 5 5
5 5
3
F7 C7 Bb7
1/4 1/2
3 6 6
3 6 8 6 8 8 8 8
7 7 7 7 7
3
Gtr. 4: w/ Fill 3
G7 Bb7 D5
Gtr. 3
3
3 3
rake
8 6
8 6 6 10
7 7 5 3 4 5 3 X 10
5 5 5 X 12 11 10 10
Gtrs. 1 & 2
3
3
P.M. P.M.
1 3 4 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3
8
Gtr. 4 tacet
Em7 C μ
3
3
3
3
1/2
6
6 8 8 6
7 7 0
5 4 3 2 1 0
4 3 2 1
3 3
P.M.
let ring let ring
5 5 0 5 5 5 4 3 2 1 0
5 7 3 4 3 2 1 4
D5 Eb5 D5 C#5
**
*
9 10 10
10
12
*Switch to neck pickup. **Played behind the beat.
Rhy. Fig. 5 End Rhy. Fig. 5
P.M.
7 7 7 7 7 7 7 8 7 7 7 7 7 7 6
4 5 5 5 5 5 5 5 6 5 5 5 5 5 5 4
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)
D5 Eb5 D5 C#5 D5 Eb5
Gtr. 3
3
*** 3
1 1 T
10
12 12 10 12 17 12 12 10 12 10 11 10 12 10
10 10 12
***Vibrato executed w/ left hand ring finger at 12th fret.
D5 C#5 D5 Eb5 D5 C#5
let ring
3 3 3 3
10 12 10
10 10 10 10 10 10 12 10 12 X 12
10 12 12 12 12 12 12 12 12 X
9
D5 Eb5 D5 C#5 D5 Eb5
3 3
3
1/2 let ring
12 12 10 10 10 10 10
10
10 11 10 10 11 10 12 10 12 12 10 12 12 12 10 12 10 12
12 12 12 12
D5
C#5 D5 Eb5
C#5
3 3
3
let ring
10 10 10 10 10 13 10 13
10
10 12 10 12 10 12 10 12 10 12 10 10 12 10 12 12 13
12 12 12 12 12
D5 Eb5 D5 C#5 D5 Eb5
8va
1 slight P.H. 1/2
T
13 10 10 10 10 13 15 20 15 15 13 15 13 13 13
10 10 13 15 X X 15
X
X
0
D5 C#5 D5 Eb5 D5 C#5
loco
3 3 3 3 3
3 3
1/4
13 13
14 14 12 12 10
12 12 12 10 10 10 10 10
12 11 10 8 10 12 10 12 10 12 10 12
Begin fade
D5 Eb5 D5 C#5 D5 Eb5
3 3 3 3 3 3 3
3
3
3
1
12 12 10
10 10 10 10 10 10 10
10 12 10 12 10 12 10 12 10 12 10 12 10 12 12 10 8 10 8
10
D5 C#5 D5 Eb5 D5 C#5 D5 Eb5
3 3 3 3
1 1/2 1 3 1
12 10 12 12 10 12 10 12 10 12 10 12 12 10 12 10
12 12 12 12
Fade out
D5 C#5 D5 Eb5 D5 C#5
3
10
12 10 10 10 10 10 10
10 12 12 10 8 10 12 10 12 10 12 10 12 10 10 12 10
10
from ZZ Top - Rio Grande Mud
Bar-B-Q
Words and Music by Billy F Gibbons and Bill Ham
Am Dm
9fr 14fr
213 213
Gtr. 3: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Fast q = 174 __ =
3
*Am7 Am
Gtr. 3 (dist.)
mf
w/ fingers
Gtr. 2 (dist.)
3
f
w/ chorus & slight delay
8
9 9 7 5 7 9 9 7 5
7 7 5 5
5 7 7 3
Gtr. 1 (dist.)
mf
sim.
P.M. throughout
2 2
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 0 0
3 3 3 3
*Chord symbol reflects overall harmony.
3 3
3 3
grad. bend
1 1/4
5
8 6 8 5
7 5 7 9 9 7 5 7 5
7 7 3
P.M.
2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 X 3 0 0 0 0 0 0 3 0 0
3 3 3 3
Copyright © 1972 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
Am
3
f
3
3
P.M.
1
1 1/2
6 8 8 8
5 7 9 9 7 5 7 5 5 9 9 7 5
7 7 5
2 2 2 2 2
X 2 2 2 2 2 2 2 2 2 2 2
3 3 0 0 0 0 3 0 0 0 0 0
3 3 3 3
3 3
1/2
1
5
5 8 5 9 10
5 8 9 9 7 5 7
7 7
7 5 7 3
Rhy. Fig. 1 End Rhy. Fig. 1
2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 0
3 3 3
2
1. No, ba -
3
P.M.
1/2 1/4
1 1/2
8 8
10 10 10 5
5 8 7 7 5
7
7 5 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 0
3 3 3 3
Verse
Gtr. 2 tacet
3
- by, tell me why don’t you? Well,
P.M.
1/4
5 7
3 3
Rhy. Fig. 2
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 3 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0 3
3 3 3
3
Dm Am
Gtr. 3
3
3
now, ba - by, tell me why don’t you? Ah, ba -
Gtr. 1
2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 3 0 0 0 2 2 2 2 2 2 2 2 0
3 3 0 0 3 0 0 0 0 0 0 3 0 0 0 3
3
Dm Am
(cont. in notation)
3
3
- by, tell me why don’t you? 2. No, ba -
End Rhy. Fig. 2
2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 3 0 0 0 2 2 2 2 2 2 2 2 2
3 3 0 0 3 0 0 0 0 0 0 3 0 0 0 0
3 3
Verse
Gtr. 1: w/ Rhy. Fig. 2 (1st 8 meas.)
*Am
- by, want to make me some? Oh,
Gtr. 2
P.M.
8 10
0
Gtr. 3
3
(cont. in slashes)
10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 5
5 7
*Chord symbols reflect implied harmony.
4
Dm Am
Gtr. 3
now, ba - by, want to make me some? Oh, ba -
Gtr. 2
3
1 1/2
1 1/4 1
10 13 13 13 10 13 10 10 10
Dm Am
Gtr. 3
(cont. in notation)
3
3
- by, want to make me some?
Gtr. 2
grad. bend
1 3/4
1 1/4 1 1/2
1
1/2 1 1/2
13 13 13 13 10 10
Gtr. 1 Rhy. Fill 1 End Rhy. Fill 1
2 2 2 2 2 2 2 2
0 0 3 0 0 0 3 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
3 3 0 0 0 0 0 0 0 0 3 0 0 0 0
3 3 3
5
Guitar Solo
3
Gtr. 1: w/ Rhy. Fig. 2
Am
Gtr. 2
P.M.
3
1 1 1
5
8 8 5 8 5 5
9 9 7 5 7 7 5 9 9 7 5 7 7 7 5
7 5
7
Gtr. 3
3
3
w/ pick (cont. in slashes)
w/ thumb
10 10 0 X 10 10 10 10 10 10 10
9 9 X 9 9 9 9 9 9 9
10 10 5 X 10 10 10 10 10 10 10
0 0 0 0 5 7
Dm Am
Gtr. 3
Gtr. 2
grad. bend
2
1/4 1
8 10 10 10 10 10 10 13 13 13 13 10 13 10
9 9 9 11 12 9 7 5
Dm Am
(cont. in notation)
3 3 3
1 1/4 1 1/2
8 5 5 8 10 10 10 10 8 10 10
7 7 5 5 7 7 5 7 9
0 7 7 4
Gtr. 2 tacet
*Am Am7
8va
loco
8va 8va
8va
8va loco
Gtr. 2 loco loco loco 8va loco
3 3 3 3 3 3 3
slight slight P.H.
P.H. slight P.H. P.H. P.H. P.H. P.H. P.H.
P.H.
7
12 12 12 12 12 12 12 X 12 X 12 12 12 X X X 9 X X X 7
Pitch: D D B B
Gtr. 3
3 3 3 3 3 3 3 3
w/ thumb
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 7 5 2 1
*Chord symbols reflect implied harmony (next 12 meas.).
6
Dm Am
loco
8va
3 3
3 3 3 3
3
slight
P.H. P.H. P.H. slight P.H. P.H. slight P.H.
9 9 9 9 9 7 7 7 7 5 5 5 5 5 5 5 5 5 4 5 4 5
Pitch: B A E
3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7 7 7 7 7
B G Am7
8va
15ma
15ma 3
8va loco
3 3
3
P.H. slight P.H. P.H. P.M.
4 4 4 4 4 4
7 7 7 7 7 7 7 7 X 5 4 5
Pitch: A F# D#
3 3 3 3
(cont. in slashes)
9 9 9 9 9 9 5 5 5 5 5 5 7 5 7 5 7 5 7 5
Gtr. 1: w/ Rhy. Fill 1 Gtr. 1: w/ Rhy. Fig. 2 (last 10 meas.)
Am
Gtr. 3
w/ pick
Gtr. 2
3 3
let ring
1/2 1/2
1 1 1
16 17 5
17 17 17 5 8 5 8 8 5 5
17 17 17 14 14 17 14 5 6 7 7 5
7
Dm Am
Rhy. Fig. 3 End Rhy. Fig. 3
3
3 3
grad. bend
let ring 1 1/2
1 1
1
5 5 5 5 5 8 8 5 8 5
5 8 5 8 5 8 5
5 5 5 7 7 7
7 7 7 7
Dm Am
Rhy. Fig. 4 End Rhy. Fig. 4
3 3
2
1 1/2
5 5
10 10 13 13 13 10 13 10 10 10 4 5 5 5 5
10 12 9 7 5 7 5
7 7 4
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 3: w/ Rhy. Fig. 3 (2 times)
Am
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
let ring let ring
5 5
5 5 8 8 5 5 8 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
Dm Am
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5
Dm Am
3. No, ba -
3
3 3 3 3 3 3 3 3
grad. bend P.M. 3
1 1 1
5
5 5 8 5 5 5 8 5 5 5 5 5 8 8 5 5 8 8 5 7 7 7 5 5
7 7 7 7 7 5 5
7 7 7 7 5 7 7
5 7 3
8
Verse
Gtr. 1: w/ Rhy. Fig. 2
Am
Gtr. 3
- by, tell me why don’t you? Oh,
Gtr. 2
3
1 1/2
1 1/2
X 5 X 5 8 8 5 5
X 5 X 5 5 7 7 5
X 5 X 5 7 7 5
7 X 7 X 7
Dm Am
3
3
now, babe, tell me why don’t you
P.M.
5 5 5 5
5 5 5 5 10 10
7 7 7 9
Dm Am
make me some of your fine fa - mous Bar - B - Q?
3
1 1/2
10 13 13 10 13 10 10
9
Outro-Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1 (12 times)
Am
Gtr. 2
3
1/2
1/4
8
8 10 10 8 5
9 9 9 9 7 5 7 5
7 5
5 7
Gtr. 3
8 8
9 9 7 9
3
3
3
slight P.M.
1/4 1/2
8 7 5
9 9 7 5 5
5 7 5 5 5 5 5 X 7 5 7
5 7 5 7 7 5 3
8 8 8
9 9 9
3 3
slight P.M.
1/2
5 5 8
8 8 8 8 10 8 10
9 9 7 5 9 9 7 5 7 9 7 10
7
8 8 8
9 9 9
10
Gtr. 3 tacet
Gtr. 2
3 3 3 3 3
3 1 1/2
12 11 10 10 10 12
8 10 8 10 8 8 5 8 10 10 13 13 10
7 9 7 10 7 9 X X 7 9 9 9 11
7
Gtr. 3
8 8 8
9 9 9
Gtr. 1
3 3 3
2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 3 4 0 0 3 4 0 0 3 0 0 0 0 0 0 3 0 0 0 3 4
3 3
Gtr. 3 tacet
Gtr. 2
P.M.
1 1 1 1
10 X 10 10 10 12 10 12
10 10 10 10 10 10 10 10 10 X X 12 12 12 10 X 10 10 10 10 X
11 12 12 12 X 12 12
Gtr. 1
3 3
3
2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 0 3 0 0 0 3 4 0 0 3 0 0 0 0 0 0 3 0 0 0 3 4
3 3
1/2
1 1/2 steady slight P.M.
gliss.
1 1 1
10 10 10 10 10 10 13 13 13 10 13 10 10 3 10 10 13 6
12 12 7 11 7
Rhy. Fig. 5 End Rhy. Fig. 5
3 3
2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 3 0 0 0 3 4 0 0 3 0 0 0 0 0 0 3 0 0 0 3 4
3 3 3
11
Gtr. 1: w/ Rhy. Fig. 5 (4 times)
Gtr. 2
3 3
P.M. P.M. let ring
1 1/2
1 1
10 10 10 10 X 10 10 10 10 X 13 13 13 10 10 X 10 10 10 10 10 10 10
11 11 12 11 12 11 11 11
3 3 3 3 3 3 3
3
let ring P.M. slight P.M.
5 8 5 5 5 5
10 10 10 10 10 10 10 10 5 5 5 5 5 8 8 5 5 5 5 8 5 5 5 8 5
11 11 11 9 7 5
7 5 7 7
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
slight P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5
Rhy. Fill 2 End Rhy. Fill 2
Gtr. 1
3
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 0 0 3 0 0 0 0 0 0 3 4 0 0 3 0 0 0 0 0 0 0 0 0 0
3 3 3 3
Begin fade
Gtr. 1: w/ Rhy. Fig. 1 (5 times)
Gtr. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
slight P.M.
5 5 5 5 5 5
5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5
Fade out
Gtr. 1: w/ Rhy. Fill 2 Gtr. 1: w/ Rhy. Fig. 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
slight P.M.
5 5 5 5 5 5
5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5 5 5 8 5
12
from The Best of ZZ Top
Beer Drinkers & Hell Raisers
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderate Blues Rock q = 144
Gm7 μ
Gtr. 3 (dist.)
mf
8 8 8 8 8 8 8 8
7 7 7 7 7 7 7 7
Gtr. 2 (clean)
Riff A End Riff A
mf
P.M.
3 0 3
3 4 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1
Gtr. 1 (dist.)
Rhy. Fig. 1 End Rhy. Fig. 1
P.M.
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 0
3 4 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1
Verse
Gtr. 1: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 3: w/ Rhy. Fill 2
Gtr. 2: w/ Riff A (3 times)
3rd time, Gtr. 4 tacet
Gm7
1. And if you see me walk - in’ down the line with my fa - v’rite hon - ky -
2. The crowd gets loud when the band gets right, steel gui - tar cry - in’ through
3. The joint was jump - in’ like a cat on hot tin. Lord, I thought the floor was
Gtr. 3
8 8 8 8 8 8
7 7 7 7 7 7
Rhy. Fill 2
Gtr. 3
8 8 8
7 7 7
Copyright © 1979 Stage Three Songs
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
2nd time, Gtr. 3: w/ Rhy. Fill 2 2nd time, Gtr. 3: w/ Rhy. Fill 2
- tonk in mind. Well, I’ll be here a - round sup - per - time with my
the night. Yeah, try - in’ to cov - er up the cor - ner fight, but
gon - na give in. A sound - in’ a lot like a house con - gres - sio - nal, ’cause
Riff B End Riff B
8 8 8 8 8 8
7 7 7 7 7 7
Chorus
μ Cm7
can of din - ner and a bunch of fine. Oh, beer drink - ers and hell
ev - ’ry - thing’s cool ’cause they’s just tight. Beer drink - ers and hell
we’re ex - per - i - men - tal and pro - fes - sion - al. Beer drink - ers, hell
Riff C1
Gtr. 3
13 13 13 13 13
12 10 12 12 12 12 12
Riff C
Rhy. Fill 1A
Gtr. 2
End Rhy. Fill 1A
P.M. P.M.
5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Rhy. Fig. 2
Rhy. Fill 1
Gtr. 1
End Rhy. Fill 1
P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
8 8 8 8 8
5 3 8 8 8 8 8
3 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
2
Gm7
Dm7
Cm7
rais - ers, yeah. Mm, oh, oh, oh,
rais - ers, yeah. Oh, ba - by, don’t you wan - na come with
rais - ers, yeah. Mm, well,
8 8 8 8 8 15 15 13 13
7 7 7 7 7 14 14 12 12
P.M.
5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3 3 10 10 10 10 8 8
3 3 3 3 3 10 10 10 10 8 8
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 10 10 10 10 10 10 8 8 8 8 8 8 8 8
1. 2.
T o Coda
Gm7 μ
μ
me? Ah, play it boy!
End Riff C1
8 8 8 8
7 7 7
7
End Riff C
P.M.
P.M.
3 4 5
3 0
3
3 4 5
3 0
3
3 3 3 3 3 3 3 3 3 1 3 1
End Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M.
3
3
3
3
3
3
3
3 4 5
3 0
3
3 3 4 5 3 0
3
3 3 3 3 3 3 3 3 1 1
3
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
Gtr. 2: w/ Riff A (3 times)
Gtr. 3: w/ Riff B (3 times)
Gm7
Gtr. 4
(dist.)
f
1/4 1
6 8 6 6 3
8 8 8 8 8 8 8 6 6 3 6 8
7 7 5 3 3 5
5 5
1/4
1
1
6 6 6 8
8 8 8 6 8 8 8 6 8 8 8
7 7 7 7
Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A Gtr. 1: w/ Rhy. Fig. 2
Gtrs. 2 & 3: w/ Riffs C & C1
μ Cm7
6
P.M. semi-harm.
1 1 hold bend
0
0 5 3 5 5 5 5 3 0 5
5 3 5 5 X 3 X 5 5 3 0
3
Gm7
*
1
hold bend
T*
1 1/4
3
6 3 6 3 6 3 3
5 5 3 5 3 5 10 10 5 5 5 3 5 5 3
5 5
*Vib. executed w/ L.H.
Dm7
Cm7
Gm7
3
3 3 3 3 3
1 1 1 1
1
3 3 6 3
3 3 3 3
5 3 5 5 5 5 5 5 5 5 3 3 5 5
3 4 5
5 5
4
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
Gtr. 2: w/ Riff A (3 times)
Gtr. 3: w/ Riff B (3 times)
μ Gm7
3
1/4 1/4
3 3 6 6 6 6 6
3 3 6 8 8 8 6 8 8
3 3 7 7 7
5
5 5
grad. bend hold bend
1 T 1
1
6 8 13 8 8 6 8 8 8 6 8
8 8 8 6 8 8
Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A Gtr. 1: w/ Rhy. Fig. 2
Gtrs. 2 & 3: w/ Riffs C & C1
μ Cm7
6
P.M.
1 1
3
0 3 6 8
0 5 3 5 3 5 5 5 0 5 3 0 5 5
5 3 3 5 5 3 0
3
Gm7 Dm7
P.H.
*Harm.
1
1
6 6 8 6
8 6 8 8 8 8 8 6 8 6 6
7 7 7 7 7 7
Pitches: E F# *Harmonic & open 3rd string sound simultaneously.
D.S. al Coda
Cm7 Gm7
P.S.
1 1/2 1 1/2 1 1/2
10 10 10 10
8 11 8 8 11 8 8 11 8 8 8 8
7 9 10 10 10
X
5
Coda
Outro-Guitar Solo
Gtr. 1: w/ Rhy. Fig. 2 (lsat meas.) Gtr. 1: w/ Rhy. Fig. 1 (till fade)
Gtr. 3: w/ Riff C1 (last meas.) Gtr. 2: w/ Riff A (till fade)
Gtr. 3: w/ Riff B (till fade)
loco
μ Gm7
8v a
Gtr. 2
Gtr. 4
3 3 3
P.S.
P.M.
1 1 1 1 1 1 1 1
15 15 15 15 15 15 15 3
18 18 18 18 18 18 18 18 3
10
3 0 3
3 4 5
3 1 X
hold bend hold bend sim.
1 T 1 T 1 T 1 T 1 T
6 8 13 8 13 8 13 8 13 8 13
6 8 8
7
1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T 1 T
8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13 8 13
1 1/2
1 T 1 T 1 T 1 T 1 T 1 T
8 13 8 13 8 13 8 13 8 13 8 13 8 (8) 8 6
8 8 6 8 6 8 6 8 6 8 6 8 6
7 7 7 7 7
3
1 1 1 1/2
8 6 8 6 6 5
7 7 5 3 5 3 5 5 3 3 5 5 5 5 5 3
5 3 5 5 3 3 5 5 5 5
5
6
3
3
3
5
5 3 5 3 3 5 7
5 5 3 3 5 5 5 5
5 5 4 3 1 1 3 1 3 5
3
Begin fade
3
3 3 3
3
6 6 6 8 6 8 8 6
6 8 8 8 6 8 8 8 6 8 8 8 6 8 6 5
7 7 7 7 5 3 5 3
5
3 3
3
3
3 3 3
3
1 1/2 1/2
5 3 3
5 3 5 5 3 5 5 5 5 3 3
5 5 3 5 3
5 5 5 4 3 2 1 3 3 1
3
3 3 3
3
1/2
1
1
6 6 6 6 8 6 8 8
6 8 8 8 8 8 8
3 5 5 5 7 7 7
5 5
1 3 5 5
3 3
Fade out
hold bend hold bend sim.
1 T 1 T 1 T 1 T 1 T 1/2 1/2
8 13 8 13 8 13 8 13 8 13 8 8 6 6
8 8 8 8 8
7
from ZZ Top - Fandango!
Blue Jean Blues
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Slowly q. = 45
μ ** Bm G
Gtr. 1 (slight dist.)
3 3
mp
w/ pick & finger w/ pick
let ring let ring
0 0
7 9 7
7 8 9 9 7 5 7
5 7 7 5
*Gtr. 2 (clean)
p
3
4
4
0 2 0
3 3
*Doubled throughout **Chord symbols reflect implied harmony.
Bm G Bm G
3 3 3 grad. release
1/2 1
10
9 7 9 7 9 7 9 9 7 9
9 9 9 9 9
3 3
4 4
4 4
2 0 2 0
3 3
Copyright © 1975 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
Verse
Gtr. 1 tacet
Bm G Bm G
3
4
4
3 3
1. I done ran in - to my ba - by, and fi - n’lly found my old blue jean.
Rhy. Fig. 1
Gtr. 2
3 3
4 4
4 4
2 0 2 0
3 3
Bm G Bm
Gtr. 1
rake
3 3
1 1/2
10
9 9 9 7 9 7 9 7 9 7 9 7 9 7 9 7
X 9 7 9 7
8 7 5
Gtr. 2
3
3 3
4 4
4 4
2 0 2
3 2 2 1
Em G
3 3
3 3
4
I done ran in - to my ba - by, and fi - n’lly found my old blue jean.
3
7 8 7 5
3
let ring let ring
7
8 8
9 9
9 9
7 7 0
0 2 2 1 0 3
2
Bm G Bm G
3 3
1 1/2
7
10
9 9 9 9 9 7 9 7 9 7 9 7 9 7
9 7
9
3 3
4 4
4 4
2 0 2
3 3
F#5 Bm G
3
I could tell that they was mine from the oil and the gas - o - line.
rake
grad. release
1/2
9 9 7 9
X
X
End Rhy. Fig. 1
4
4
4 5 2 0
2 3
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1
Bm G Bm G
Gtr. 1
3 3 3 3 3 3 3 rake
1/2 1/2 1
7 10 7
7 7 7 10 10
7 7 9 9 9 7 9 9 7 X
9 9 9 9 9 9 9 9 7 X
3
Bm G
3 3 3 3
1/2 1/2
7
10 10 10 7 10
9 9 7 9 7 9 9 9 7 9
9 9 9
Bm
3 3 3 rake
1/2 1/2
7
7 7 9 9 9 7 9 9 7
9 9 9 9 7 7 9 X
9 X
Em
3 3 5 3 3
1/2
7 10 7
9 7 7
9 8 7 9 9 7 9 7 7 7 9 7 9
9 9 9 9 9 9 9
G Bm G
3 3
3 3 3 3
rake
1 1 1
1/2
12 12 10 12 12 12
12 12 12
9 9 7 9 7 9 9 9 7 9 9 7 9 7
9 9 X
X
Bm G
3
3 3 3
1/2 1/2
9 9 9 7 9 7 9 9 7 9 9 9 9 9
9 9 9 9 7
7 9 7 5
F#5 Bm G
3 3 3 3 3 1
10 12 10 10
7 7 7 10 12 12 12 12
9 9 9 7 9 7 9 9 9
9 9
4
Interlude
Bm μ Bm G Bm G
Gtr. 1
3 3
w/ reverb
w/ pick &
1
1 finger
12
0 0
9 7 9
9 7 9 7
9 7 5 7 9
Gtr. 2
3 3 3
4 4 4
4 4 4
2 2 0 2 0
3 3
Verse
Gtr. 2: w/ Rhy. Fig. 1
Bm G Bm G
4
5 3 3
2. If I ev - er get back my blue jean, Lord, how hap - py could one man be.
Gtr. 1
3
7 7 7 7
Bm G Bm
3
3 3 3 3 3 rake
1
7 7 7 7 7 7 7 7 7 7 10 10 7
7 9 7 X 9
9 9 9 9 9 9 9 9 9 9 9 9 9 0
Em G
3 3
5
If I ev - er get back my blue jean, Lord, how hap - py could one man be?
3
1/2
7 9 9 9 9 7 9
5
Bm G Bm G
rake
1
10
X
X
F#5 Bm G
3
3
3
3
’Cause if I get back those blue jeans, you know my ba - by be bring - ing ’em home
10
Guitar Solo
Bm G Bm G
to me.
3 3 3 3
3
w/ slapback delay 3 3 3
1 1/4
1/2 1/2
14 13 12 12 7 10 10 7
15 15 12 10 10
7 9 9 7 9 7 7 9 9
9 9 7 9 9
9
Riff A End Riff A
Gtr. 2
2 0 2 0
3 3
6
Gtr. 2: w/ Riff A (till fade)
Bm G
Gtr. 1
3 3 3 3 3 3 3
3 3 3
1 1 1 1 1 1 1
1/2 1/2 1/2 1/2 1/2 1/2 1/2
10
9 7 9 7 9 9 9 7 9 7 9
9
Bm G Bm G
3 3
3 3 3
0
1 1
1/2
12 12
0
12 10
9 9 9 7 9 7 0
9 9 9 9 7
9 7 5
7
Bm G Bm G
15ma
loco
3 3 3 3 3 3 3
P.H.
1/2
1 1/2 1 1/2 1 1 1 1
12 12 10 12
19 19 19 19 18 17 15 17 15 17 15 17 15 17 15 17 17 17 12
16 16 16 16 16
Pitch: B
Bm G
3 3 3 3 3 3 3 3
P.M. T
1 hold bend
1 1/2
10 7
7 10 0
9 9 7 7 9 9 9 9 7 9 7 9 7 9 9 12 9 9 7 9 7
9 9 9 9
Bm G Bm G
3 3
3
3 3
string noise pick against string rake w/ pick
& finger
1 hold bend
1/2
T
0 0
9 12 X 9 9 7 9 7
X 9 9 9 7 9
X 9 9 7 5 7
X 5 7 5 7 5 7 5 7
7
Bm G
3 3 3 3 3
let ring
0 0 0 0 0 0 0 0 0 0 0 0
7 9 7 7 7 7 7 7 7 7 7 7 7 7 7
9 7 5 7 9 9 7 5 7 5 7
Begin fade
Bm G
3
let ring w/ pick
0 0 0
0 0 0 0 0 0 0 7
7 9 7 9 7
7 9 7 9 9 7 9 7
5 7 9 9
Bm G
3 3 3 3 3 3
1/2 1 1/2
7 7
10 7 7 7 10 7
9 9 7 9 7 9 9 X 7 9 7
9 9 9 9 9 9 7
Bm G
3 3 3
1 1/4
1/2 1/4
10 7 7 7 10 10 10 7
10 7 0 7 10 7
9 9 7 9 7 9 0
9
Bm G
3 3
3 3 3
1
7
9 9 7 9 7 6
9 9 9 7 7
9 9 7 5 5 7 5 7 7 8
Fade out
Bm G
3
3 3 3
3 3
7 7 7
7 7 9 7
7 9 9 9 9 9 7 9 9 9
7 5 7 5 7 7 9
7
8
from ZZ Top’s First Album
Brown Sugar
Words and Music by Billy F Gibbons
Intro
__ = 3
Free time
** E
*Gtr. 1 (dist.) 3 3
mf
f mf
f
mp mp
P.M.
let ring
1 1/4 1/4 1
0 X 0
0 0
2 2 0 X 2 2 0
2 2 2
0
0 3 3
*Set vol. knob at 3/4 volume.
**Chord symbols reflect basic harmony.
3
My friends they all told me,
3 3
mp mf f
P.M.
let ring
1/2 1/2
0 2 0 0 2 2
2 0 2 0
3 0 3 3
3
3
man, there’s some - thin’ gon - na change your life.
3
3
3
3
slight
P.H.
3 5 5 3 5 3
2 4 4 4 4 2 0 0 2 0 0
2 2 0 2 0 0
2
Copyright © 1970 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
Slow q = 76
A
3
My friends they all told me,
3
mp f mf
P.M.
P.M. P.M.
1/2 1/2 1/2
let ring
2 2 X 2 2 4 4 2 2 4
0 2 0 X 0 0 0 0 0 0 0 3
3 0 3 3
Free time
E
3 3
man, there’s some - thin’ gon - na change your life.
f
f mf mp
P.M.
1/2 1/2 1/2
X
3 5 5 X
3 4 4 X
2 2 4 4 2 2 4 4 2
0 0 0 0 0 0 0 0 0
0 3 3 3
q = 76
B7
Got - ta have that brown sug - ar,
3
mf
f mp mf
P.M.
1/2 1/2 1/2
2 2 2 4 4 4 4 4 4 6
0 0 5 6 0 0 0
3 3 3
Free time
A E
3
man, it just gon - na change my life.
mp
f
* mf
P.M. P.M. P.M.
1/2 1/2 let ring
2 2 4 4 5 5 4 4 4 2 2 0 2
0 0 0 0 0 0 0 0 2 4 4 2 0 2 0
0 0 0 0 0 3 3 3 0 0
*P.M. 5th string only.
2
3
3 3
3
f
3
mf
P.M.
let ring
1/2 1/2
3 5 5 3 5 3
2 4 4 4 4 2 0 2 0
2 2
0 0 0
0 3 3 3 0
q = 76
B7 A
3
3
3 3 3
Man, I got - ta have that brown sug - ar, man, it just gon - na make me feel so
P.M.
f mp
P.M.
1/2
2
2 4 X 4 4 4 4 4 6 2 2 4 4 2 4
0 X 0 5 6 0 0 0 0 0 0 0 0 0 0 2
3 3 0
Free time
E
right. Oo.
f
mf
mf
P.M. P.M. P.M.
1/2 1/2 1/4 1/4
2
2 0 X
2 2 0 X
X X 2 X 0 2 0 2 2 X 0 0
X 0 X 0 X 3 3 3 X 0 3 3 3 0
f
X 3 5
X 3 5 5 5 5 5 2 3
X 3 4 4 3 4 4 2 0 2
2
3
=
Oh yeah.
3 3 3
f
mf 1/2 1
let ring
12
15 15 12
0 2 0 0 15 14 12 14
2 0 2 0 0 2
2 0 2 0
3 0
Moderately q = 107
E G5 D5 E G5 D5
Play 3 times
1. There’s
Gtr. 3 (dist.)
f
P.M. P.M.
12 X 6 7
12 X X 7
6 6
12 X 6 6 7 12 X X 6 7
0 0 0 0
Gtr. 1
**Gtrs. 1 & 2
*
P.M. P.M.
12 12 12
X
X
X
X 0 5 7
X
X
X
X 0 5 7
0 0 X X 3 0 0 X X 3
*Vol. swell to full volume. **Two gtrs. arr. for one.
Verse
E G5 D5
some - thin’ make me feel good, and it’s gon - na change my life.
Rhy. Fig. 1
P.M.
P.M.
12 X X 6 7
5 12 X X 6 7
0 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 0
P.M.
P.M.
P.M.
0 2 2 0 2 2 X X
X X 0 5 7
0 0 0 0 0 0 3 0 0 0 0 0 0 3 0 0 X X 3
4
2nd time, Gtrs. 1 & 2: w/ Fill 1
E G5 D5 E
Oh, There’s some - thin’ make me feel good, and it’s gon - na change my
P.M. P.M. P.M.
12 X X 6 7
12 X X 6 7 5
0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 3 0
P.M. P.M. P.M.
X X 2 2
X X 0 5 7 2 2
0 0 X X 3 0 0 0 0 0 0 0 3 0 0 0 0 0 0 0 3
T o Coda
G5 D5 E G5 D5 B5 B6 B5 B6 B5
life.
Oh, I got - ta have some of that brown sug - ar,
End Rhy. Fig. 1
P.M. P.M. P.M.
12 X 6 6 7 11 12 X X 6 7 4 4 4
12 X 6 6 7 11 12 X X 6 7 4 4 4 4
2 2 2
0 0 0 0
P.M. P.M. P.M.
X X X X
X X 0 5 7 X X 0 5 9 9 11 11 9 9 11 9
0 0 X X 3 0 0 X X 3 5 7 7 7 7 7 7 7 7
Fill 1
Gtrs. 1 & 2
P.M. P.M.
0 2 0 2 0 2 2
0 0 0 0 0 3 0 0 0 0 0 0 3
5
A5 A6 A5 E G D5 E G5 D5
got to try it be - fore I die.
let ring
P.M. P.M. P.M.
1/2
4 2 2 X X 6 7 11 12 X X 6 7
2 4 2 4 2 2 2 X X 6 7 11 12 X X 6 7
0 0 0
3 0 0 3 0 0
P.M. P.M. P.M.
X X X X
7 7 9 9 7 7 7 X X 0 5 7 X X 0 5 7
5 5 5 5 5 5 5 3 0 0 X X 3 0 0 X X 3
Verse
Gtr. 3: w/ Rhy. Fig. 1
E G5 D5
2. Man, it sure do save me, when there’s no place left for me.
Gtrs. 1 & 2
P.M. P.M. P.M.
2 2 X X
2 2 X X 0 5 7
0 0 0 0 0 0 0 3 0 0 0 0 0 0 0 3 0 0 X X 3
E G5 D5 E
Man, it sure do save me, when there’s no place left for
P.M. P.M. P.M.
X X 2
X X 0 5 7
0 0 X X 3 0 0 0 0 0 0 0 3 0 0 0 0 0 3
6
G5 D5 E G5 D5 B5 B6 B5 B6 B5
me. Got - ta have some of that brown sug - ar,
P.M.
P.M.
P.M.
X X X X
X X 0 5 7 X X 0 5 9 9 11 11 9 9 11 9
0 0 X X 3 0 0 X X 3 5 7 7 7 7 7 7 7 7
A5 A6 A5 E G5 D5 E G5 D5
’cause it’s just gon - na set me free.
Gtr. 3
1/2 P.M.
P.M.
2 11 12 X X 6 7 11 12
11 12 X X 6 7 11 12
3 0 3 0
3 0 0 0 0
Gtrs. 1 & 2
let ring
P.M. P.M.
0 X X X X
7 7 9 9 7 7 9 7 7 X X 0 5 7 X X 0 5 7
5 5 5 5 5 5 5 5 0 0 X X 3 0 0 X X 3
Guitar Solo
E5 μ E5 μ
Gtr. 3
let ring let ring let ring let ring let ring let ring let ring let ring let ring
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4
P.M. P.M.
9 9 2 2
7 7 2 2
0 0 0 0
7
E5 μ E5
μ
let ring let ring let ring let ring let ring let ring let ring
1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 3 5 5
3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4
P.M. P.M.
9 9 2 2
7 7 2 2
0 0 0 0
D5 E5 D5 E5
Gtr. 3
1 P.M.
1/2
12
5 5 X 5 5 5 3 5 15 15 12
4 4 15 14 12 14 12 14
14
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
7 9 9 X 9 X X 9 9 7 9 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 9 9 X 9 X X 9 9
X X X X X X
0 0 X X X 0 0 X X X
D5 E5 D5 E5
3
P.M. P.M. P.M.
1
1/2 1/2 1 1 1 1
14 14 12 14 14 12 14 14 12 14 14 14 14 14 12
14 14 12 14 14 14 12 12 12 12
14
steady gliss.
P.M. P.M. P.M. P.M.
9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
X X X X X X
0 0 X X X 0 0 X X X
8
A5 B5/A C5/A B5/A A5 B5/A C5/A B5/A A5
1/2
1
12 14 14 14 12 14 12 12 14 14 14 12 14 12
14 14
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M.
let ring let ring
2 4 4 5 4 2 2 4 4 5 4 2
2 4 4 5 4 2 2 4 4 5 4 2
0 0 0 0 0
0
D5 E5 D5 E5
rake P.M.
1 1 1/2
12
15 15 12
X 15 14 12 14 14 12 14 14 12 14 14 12
X 14 14 14 12 14 12
steady gliss.
P.M. P.M. P.M. P.M.
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
X X X X X X
0 0 X X X 0 0 X X X
B5 A5 B5/A C5/A B5/A A5
let ring
1 1 1 1
15 15 15
14 14 12 14 14 12 14 14 12 14 14 14 14 14 12
14 14 12 14 14
14
End Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M.
let ring let ring
4 4 4 4 4 X 0 2 4 4 5 4 2
4 4 4 4 4 X 2 4 4 5 4 2
2 2 2 2 0 0
0
9
D5 E5 D5 E5 D5 E5
let ring let ring
1 1 hold bend
14 14 12
15 15 12 15 15 12 14 14 12 12 14 15
14 14 14 12 12
P.M. P.M. P.M. P.M. P.M. P.M.
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
X X X X X X X X X
0 0 X X X 0 0 X X X 0 0 X X X
D5 E5 D5 E5 D5 E5
let ring let ring
1/2
12
12 13 14 12 14 14 12
14 14 12 14 14 14 12
17 16
17 19 19 18 17 15 17 15 15 16
steady
P.M. P.M.
P.M. P.M.
P.M. P.M. gliss.
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
X X X X X X X X X
0 0 X X X 0 0 X X X 0 0 X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5 B5/A C5/A B5/A A5 B5/A C5/A B5/A A5 D5 E5
Gtr. 3
1/2 1/2 1/2 1/2
1/2 1 1 1/2 1 1 1/2
14 14 14 14 14 14 14 14 14 12 14 12
14 14 14 14 14 14 14 12 12 14 14 14 12
14 14 14
D5 E5 B5 A5 B5/A C5/A B5/A A5
let ring
1 1 1 1 1/2 1 1/2 1 1/2 1 1/2
15 15 15 15 15 15 15 15 17 17 17 17 17
14 14 14 14 12 14 16
10
Interlude
D5 E5 D5 E5 E5
Gtr. 3
P.M.
17 17 15 17 15 17 17 17 12 12 12
16 12 X 12 12 12 12 12
14 X 14 14 X 12 5
Gtrs. 1 & 2
P.M.
steady
gliss.
P.M. P.M. P.M. P.M. P.M.
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9
7 9 9 X 9 X X 9 9 7 9 9 X 9 X X 9 9 2 2
X X X X X X
0 0 X X X 0 0 X X X 0 0 0 3 0 3 0
B5 B6 B5 B6
Play 6 times
P.M. P.M.
P.M. P.M. P.M.
5 5 5 5
0 2 2
4 X
X
4
2
X
X
4
2
4
4
0 0 0 3 0 3 0 0 0 0 3 0 3 0
P.M.
P.M. P.M. P.M.
2 2 2 2 0
2 0 0
4
2
4
2
6
2
6
2
4
2
4
2
6
2
0
0
0 0 0 3 0 3 0 0 0 0 3 0 0
A5 B5/A C5/A B5/A A5 E G D5 E G5 D5
†
Riff A1 End Riff A1
let ring
P.M. P.M. P.M. P.M.
2 4 4 5 4 2 2 X 6 6 7 12 X X 6 7
2 4 4 5 4 2 2 X 6 6 7 12 X X 6 7
0 0
0 0 3 0 0
†Played behind the beat.
Riff A End Riff A
P.M. P.M. P.S.
let ring P.M. P.M.
2 4 4 5
2 4 4 5 X X X X
0 0 X X X 0 5 7 X X 0 5 7
X 0 0 X X 3 0 0 X X 3
11
D.S. al Coda
Gtrs. 1 & 2: w/ Riff A (2 times)
Gtr. 3: w/ Riff A1 (2 times)
E G5 D5 E G5 D5
3. Oh, there’s
Coda
B5 B6 B5 B6 A5 A6 A5
have that, that brown sug - ar, got to try be - fore I
Gtr. 3
P.S.
P.M. P.M. P.M.
let ring
4 4 4 2 4 4 5 X
4 4 4 4 2 4 4 5 X
2 2 2 0 0
Gtrs. 1 & 2
P.M.
0 2 2 4 2 2 2 4 0 0
9 9 11 11 9 9 11 0 0 0 0 0 0 0 0 4
7 7 7 7 7 7 7
Outro-Guitar Solo
E G5 D5 E G5 D5 E
die.
P.M.
P.M.
P.M.
P.M.
X X 7
X X X X X X 7 2 5
X X 0 5 X X
0 0 X X 3 0 0 X X 3 0 0 0 3 0 3 0
Riff B End Riff B
P.M.
P.M.
P.M.
P.M.
X X X X 2 2
2 X X 0 5 7 X X 0 5 7
0 0 0 X X 3 0 0 X X 3 0 0 0 3 0 3 0
12
Gtrs. 1 & 2: w/ Riff B (till fade)
Gtr. 3
let ring let ring let ring let ring let ring
P.M.
X 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 4 3 4 3 4 3 4 3 4 3 4
5
0 0 0 3 0
3
let ring P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3 5 3
3 4 4 4 4 4 3 2 0 2 2 0 2 2 0 2 4 4
2 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2
2 2 2 2 2 2
P.M. P.M.
1 1/2 1 1/2
3 5 3 5 3 4
5 5 3 5 5 5 5 5 3 5 X 5 3 5 3 5 3 5 3 5 5 3 5 5 3 5
4 4 4 4
Begin fade
P.M. 1
1 1/2 1/2 1/2
3 5 5
5 5 5 3 5 5 3 5 5 5 5 5 3 3 5 5 3 5 5 3 5 5 15 15 12 15
4 4 4 15 15 X 12
14
Fade out
3
let ring
1 1 1 1
15 15 15 12 15 12 12
14 14 12 14 14 14 14 14 12 14 14 12 14 14 12 14 12 12
14 14 14 14
13
from Greatest Hits
Cheap Sunglasses
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderately q = 96
** Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5
Rhy. Fig. 1 End Rhy. Fig. 1
mf
* Gtr. 1 (clean)
* Gtr. 2 (dist.) Rhy. Fig. 1A
divisi
mf End Rhy. Fig. 1A
5 6 5 6
6 7 6 7
7 8 5 5 7 8 5 5
5 5 5 5 1 3 5 5 5 5 1 3
1 3 3 3 1 3 3 3
* Gtrs. 1 & 2 both doubled throughout.
** Chord symbols reflect overall harmony.
Verse
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times)
Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5
1. When you wake up in the morn - in’ and the
2. Spied a lit - tle thing and I
3. Now, go out and get your - self some
Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5
light has hurt your head, the first thing you do when you
fol - lowed her all night. In her funk - y fine Le - vi’s and her
thick black frames, with the glass so dark they won’t
Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5 Gm7 F6 G5 Bb6 C5
get up out of bed is hit that street a run - in’ and try to beat the mass - es and
sweat - er kind a tight. She had a West - Coast strut that was sweet as mo - las - ses. Now, what
e - ven know your name. And the choice is up to you ’cause they come in two class - es:
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1 Gtr. 1 tacet
Gm7 μ G5 F6 G5 Bb6 C5 Bb6
go get your - self some cheap sun - glass - es.
real - ly knocked me out was her cheap sun - glass - es. Oh,
Rhine - stone shades or cheap sun - glass - es.
Gtr. 1
Gtr. 2 Rhy. Fig. 2
Gtr. 2
divisi
5 6
6 7
7 8 5 5 5
5 5 5 5 5 5 1 3 1 1
3 3 3 1 3 3
Rhy. Fill 1
Gtr. 1
Gtr. 2
divisi
5 6
6 7
7 8
Copyright © 1979 Stage Three Songs
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
T o Coda
G5 F6 G5 Bb6 C5 Bb6 G5 F6 G5 Bb6 C5 Bb6 G5 F6 G5
yeah. Oh, yeah. Oh, yeah.
End Rhy. Fig. 2
5 5 5 5 5
5
1
5
3
5
1 1 5 5 5 5 5
5
1
5
3
5
1 1 5 5 5 5
3 3 1 3 3 3 3 1 3 3 3 3 1 3
Interlude
Gtr. 2 tacet
F/G E/G F/G E/G
Rhy. Fig. 3 End Rhy. Fig. 3
* Gtr. 3
mf
8 8 7 8 8 7
10 10 9 10 10 9
10 10 9 10 10 9
* Elec. piano arr. for gtr.
Gtr. 4 (dist.)
mp
** w/ delay w/ bar
w/ bar
12 12 12 12
-4 1/2 -4 1/2 -6 -4 1/2
Gtr. 3: w/ Rhy. Fig. 3 ** Set for quarter-note regeneration w/ 3 repeats.
Gtr. 4 F/G E/G
F/G E/G
pp
delay off grad. dive
w/ bar w/ bar
12 12 12
-2
-4 1/2 -4 1/2 -3 1/2
Guitar Solo
Gtr. 4 Cm7
mf
8
8 10 10 10 8 10 10 8 10 8 10 8
10 10 10 9 8 6
Rhy. Fig. 4
Gtr. 1
let ring let ring let ring
3 4 X 4 4 4 3 3 4 X 4 4 4 3
3 X 3 3 3 3 X 3 3 3
3 5 X 5 5 5 3 3 5 X 5 5 5 3
3 X 3 3 3 X 3 3
2
10
8 10 10 10 8 8 10 8
10 8 10 10 9 8 6
let ring let ring
3 4 X 4 4 4 3 3 4 X 4 4 4
3 X 3 3 3 3 X 3 3 3
3 5 X 5 5 5 3 3 5 X 5 5 5
3 X 3 3 3 X
Bb Cm7
P.M.
1
6 8 6
6 8 8 X 8 X 8 8 8 10 10 10 8
8 10
let ring let ring let ring
3 X X 3 1 1 3 3 4 X 4 4 4 3
3 X X 3 1 1 3 X X 3 X 3 3 3
3 X X 3 1 1 3 X X 3 5 X 5 5 5 3
1 X X 1 1 1 X X 3 X 3 3
X X
Dm7
D
P.M.
8 10 8
8 10 10 9 8 6 3 5 3 5 3 X 3 5 3 3 5
8 5 5 5 5
End Rhy. Fig. 4
let ring
let ring
3 4 X 4 4 5 6 6 6 6 6 7 X X X
3 X 3 3 5 5 5 5 5 7 X X X
3 5 X 5 5 5 7 7 7 7 7 7 X X X
3 X 5 5 5 5 5 5
3
Interlude
Gtr. 1 tacet
Gtr. 3: w/ Rhy. Fig. 3 (2 times)
F/G E/G F/G E/G
Gtr. 4
mp w/ delay w/ bar
w/ bar
12 12 12 12
-2
-6 -6 -6 -3 1/2
F/G E/G F/G E/G
w/ bar w/ bar
12 12 12 12
-2
-6 -4 1/2 -4 1/2 -3 1/2
* Depress and vibrato bar simultaneously.
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 4
Cm7
mf P.M.
P.H.
delay off
1/2
8 10 8 8
8 8 6 8 10 8 6 8 8 8 10 10 10 8 6 8 8
8
Bb
semi-harm.
P.H.
1/2
8
6 8 6 6 8 8 10
8 6 8 8 8 8 7 6 8 6 8
8 8
Cm7
P.H.
1/4
X 8 10 8
X 8 10 8 10 X 10 8 6 8 8 6
8
4
Dm7
D
Gtr. 4
1/2 1/2 1/2 1/2
5 5 5 3 5 5 3 5 5 5 3
5 5 3 5 5 3 5 5 5 3 5 5 5 3
X 10
X 10
Gtr. 1
7 X X X
7 X X X
7 X X X
5 X 10
X 10
Interlude D.C. al Coda
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 4 tacet
G5 F6 G5 Bb6 C5 Bb6 G5 F6 G5 Bb6 C5 Bb6 G5 F6 G5 Bb6 C5 Bb6 G5 F6 G5 C5
Coda Outro-Guitar Solo
G5
Gtr. 4
steady gliss.
w/ slap-back delay 1
X X 15 8
X X 15 8
X 3 5 X X 3 X X 5 3
X 5 X X 5 5 3 X X 5 3
Gtr. 2
P.M. P.M. P.M. P.M.
1 1
3 3 1 3 3 3 1 3 3 1 3 3 1 0
P.M. 1/2
1
X X X X X X 3
X X X X 15 X X 6 3 5 5 5
X X 3 3 5 5 5 3
5 5 5 5 3
Riff A
P.M. P.M. P.M. P.M.
1 1
1 3 1 3 1 3 1 3 3 1 3 3 1 0
5
1
1 1
X X X X 15 3 6 3 3 3
X X X X 15 3 6 6 3 5 3
3 5 3
5 3
End Riff A
P.M. P.M. P.M. P.M.
1 1
1 3 1 3 1 3 1 3 3 1 3 3 1 0
Gtr. 2: w/ Riff A (4 1/2 times)
Gtr. 4
P.M. P.M. 1/2 1
X X 3 X 3 X 5 5
X X 3 X 3 X 3 X 5 5
3 X 5 5 5 X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X
3 3
rake
1 1
5
5 3 5 5 5 3
X X X X X X X X X X X X X X X X 5 3 2
X X X X X X X X X X X X X X X X
P.M.
1/4 1
X X 10 3 X 10
X X 6 5 6 3 X
X X 0 5 5 3 3 5 3
X X X 5 8 5 8 0 5 3
X 5 8 8 5 8 8
8 8
1/2 P.M.
1 1 1/2
1
3 3 3 3 3 3 3 3 3 3
6 6 6 6 6 6 6 6 6 3 3 X X X 3 5 5
3 X X X 3 5 5
5 5 5 2
6
1 1 1
5
5 5 3 5 3 5 3
3 X 5 3 3 5 3 3 5
X 5 5 5 3 4 5
1/2
55
1/2
1 1
3 3 X 6 10 6 10
3 5 5 3 X 6 10 10 6 10 10 5
3 5 5 3 10 10 5 5 5
3 5 5 5 3 5 5 5
Gtr. 2: w/ Riff A (1st meas.) (8 times)
Harm.
1
3 3 6 8 3 3 3 5 X X X X X 10
8 8 3 5 6 3 X 5 X X X X X
5 3 X 5 X X X X X 5 5
5 5 5 5
Pitches: G
D
3 X X 5 X 3 X 5
3 X X 5 X 3 X X X 5 X 3 5
3 X X 5 X 3 X 5 X 3 X 5 X X 5 X 3 5
0 5 X 3 X 5 X X 5 X 3 X 3 X
X X 5 X 3 X 3 X
poco rit.
3 3 3 X X 5 3 3 3 3 X X 5 3
3 3 3 X X 5 3 3 3 3 X X 5 3
3 3 3 3 3 3
X X X X X X X X X X X X
X X X X X X X X X X X X
Band tacet
μ
P.M.
1/4
3 3 3 X X 5 3 3 3 3 X X 5 3
3 3 3 X X 5 3 3 3 3 X X 5 3
3 3 3 3 3 3 5 3
X X X X X X X X X X X X 5 3 5 3 1
X X X X X X X X X X X X 3
7
from ZZ Top - Rio Grande Mud
Chevrolet
Words and Music by Billy F Gibbons
Intro
Moderately q = 110
*E μ A
Gtr. 1
(slight dist.)
mf
1/2
12
15 12
14 14 12
14 14
0
Gtr. 2
(slight dist.)
mf
1/2
12
15 12
14 14 12 2
14 X 2
0 3 4
*Chord symbols reflect basic harmony.
E μ A E A
w/ pick & finger
1/2
12 2 4 2 0 0
15 12
14 14 12 2 4 2 0 1
14 14 2
0 3 4 0
1/2
14 14 12 2 1
14
0 3 4
Copyright © 1972 Music Of Stage Three
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
E A
1. In a
w/ pick & finger let ring
2 4 2 0 0
2 4 2 0 1 2
2 2
0 3 4 0
0
let ring
P.M.
X
2 2 2 X 2 2
0 0 0
Verse
E A Dsus4 D
flat for - ty - one with my Strat by the door, we was go - in’ to the coun - try for
let ring
2 2 2 7 7
X 2 2 2 2 4 2 2 5 4
X 4 4 0 0
0
let ring
2 7 7 7
5 4
3 4 0 0
2
μ E A
what we came for. I’m sure you’ll smell the trees in the air. The
1/4
2 2 2 2
2 0 2 X 2 2 2 2 2 2 4 2
X 4 2 4 2 0 0
3
1/4
2 2 2
2 0 2
3 4
3 0 3 4
Interlude
Dsus4 D μ E E A
best of mo - tor cruis - es, just the joy to get there.
let ring
w/ pick & finger
1/4
2 4 2 0 0 0
2 7 7 7 0 2 4 2 0 1
2 5 5 4 2 0 2 2
0 0 3 4 0
3 0
let ring w/ pick & finger
1/4
2 4 2 0 0
7 7 2 4 2 0 1
5 4 2 0
0 0 3 4 0
3 0
3
Verse
E A
2. I was ap - proach - in’ Si - mon - ton down by the cot - ton gin.
P.M. P.M. P.M. let ring
2 2 2
2 2 2 2 4 2 2 2
0 4 2 4 2 0 0 0 0
0 0 0
2 2 2 2 2
2 4
0 3 4 3 4
Dsus4 D μ E
There was old man Berk - man try’n’ to flag me in. He asked if I would stay a while and
let ring
1/4 P.M.
7 7
5 4 2 0 2 2 2 2 2 2
0 0 4 2 2 2
3 0 0 0
let ring
1/4
7 7
5 4 2 0 2 2
0 0 4 3 4
3 0 3 4
4
A Dsus4 D μ E
if I need - ed gas. I said, “No thanks. An - y - how, I don’t drive too fast.”
w/ pick
let ring let ring & finger
P.M.
1/4
2
2 7 7 2
4 2 5 4 2 0 2
0 0 0 0 0 0 0
3
w/ pick
let ring & finger
1/4
2
2 2 2 7 7 2
5 4 2 0
0 0
3 0
Interlude
E A
Hal - le - lu -
w/ pick & finger
P.M.
4 2 0 0
4 2 0 1 2
2
3 4
0
w/ pick & finger
4 2 0 0
4 2 0 1 2 2 2
2
3 4 0 0
5
Chorus
E A B
- jah, hal - le - lu - jah, ride my Chev - ro - let. Hal- le - lu -
P.M. P.M.
4 2 4 2 6 4 6 4 6 4 6 4
4 2 2 4 2 4 2 6 4 6 4 6 4 6 4
2 4 2 0 0 2 2 2 2 2
0 0 0
P.M.
4 2 4 2 6 4 6 4 4
4 2 4 2 6 4 6 4 4
0 0 2 2 2 2
E A Dsus4 D μ E
- jah, hal - le - lu - jah, ride my Chev - ro - let.
let ring
P.M. P.M. P.M. P.M.
1/4
4 2 4 2 7 7
2 4 2 4 2 4 2 4 2 5 4 2 0
4 2 4 2 0 0 0 0
0 0 3 0
let ring
1/4
7 7
2 4 2 2 2 7 5 4 2 0
4 0 0 0 0 0
3 0
6
Interlude
E A E A
Mm.
loco
15ma
Gtr. 3 (slight dist.)
mf
P.H. 1
15
14
*Gtrs. 1 & 2
slight P.M.
2 2 2 2 2
2 2 0 3 4 2 0 3 4
0 3 4 0 3 4
*Composite arrangement
Guitar Solo
E A E
Gtr. 3
w/ pick & finger
12
X
X 12 15 14
14 12 12 12 12 12 12
12 14 14 14 14 12 14 14 12 11
Gtr. 1
slight P.M.
2 2 2
2 2 0 3 4 2 2
0 3 4 0 3 4
Gtr. 2
slight P.M.
12 14 14
2 2 7 14
0 3 4
7
Gtr. 2 tacet
A E A
Gtr. 3
w/ pick & finger
1 1 1/4 let ring
P.M.
12
14 12 14 14 12
14 14 12 12 12 12 12 12
14 12 12 14 14 14 14 14 12 10
12
Gtr. 1
slight P.M. 1/4 1/4
2 2 2 2 2 2
0 3 4 2 2 0 3 4
0 3 4 3 3
E A E
let ring
9 9 X 9 X 9 9 X 9 X X X 9 X X X X 9 12
9 11 11 11 9 11 X 9 9 11 X X 9 11 9 11 9 11 X 12 14
11 12 14
12
let ring
slight P.M.
2 2 2
2 0 3 4 2 2
0 3 4 0 3 4
A E A
let ring 1 1 1 1
14 15 15 15 15 X 15 15
14 14 12 12 12 12 14 14 14 14 X 14 14 12
14 14 12 12 12 14 X 12
12 14 14 12 14
12
1/4 1/4
let ring
slight P.M. slight P.M.
2 2 2 2 2 2 2
0 3 4 2 0 3 4
3 3 0 3 4
8
E A E
let ring let ring
1 1/4
12 X
15 12 X
12 14 12 12 X 12 0 X X
12 14 14 12 12 X 0
12 14 14 12 10 11 0
12
slight P.M.
2 2 2 2 2
2 2 2 0 3 4 2 2
0 3 4 0 3 4
A E A
Harm. w/ pick & finger 3
let ring let ring let ring
1 P.M. P.M. P.M.
12
14 12
14 12 12 15 14 12 12 12 12
X 12 X 14 12 12
X 12 14 14 12 14 14 12 12 12 10 11
1/4 1/4 let ring
slight P.M. slight P.M.
2 2 2 2 2 2 2 2
0 3 4 2 0 3 4
3 3 0 3 4
E A
Gtr. 4 (slight dist.)
f
8 7
Gtr. 3
w/ pick & finger
12 12 12
15 14 15 14 15 14
14 12 12
14 14 12 10 10
Gtr. 1
w/ pick & finger
slight P.M.
2
2
2 2 2 2
2 2 0 3 4
0 3 4
9
Interlude
Gtr. 3 tacet
E A
P.M.
9 2 2 2
0
12 13
w/ pick & finger w/ pick & finger
P.M.
4 2 0 0 2
4 2 0 1 2
2
3 4 0
0
E A
3. I
Gtr. 4
X X X X X
2 2 2 0
Gtr. 2
P.M.
2 2 2 2 2
0 0
Gtr. 1
w/ pick & finger
4 2 0 0
4 2 0 1
2
3 4 0
10
Verse
E A
took the road down the Cin - co through that
w/ clean tone
w/ pick & finger
5 5 3 3 5 3
4 6 6 4 4 6 4
2 2 2 2
2 4 2 2
3 4
P.M. P.M.
2 2 2
2 2 2
4 2 4 0
0 0 0
Gtr. 4 tacet
Dsus4 D μ E
red Braz - os Riv - er - land. Done hit that free - way at sun -
Gtr. 2
let ring
1/4 P.M.
7 7 1
5 4 2 0 2
0 0 2 4 2 0
3 0 12 0 0 0
Gtr. 1
let ring
let ring
1/4 P.M. P.M.
7 7
5 5 4 2 0 2 2 2
0 0 4 2 2
3 0 0 0 0
11
A Dsus4 D μ E
- set, now the big cit - y lights are at hand. Oh, oh, oh.
w/ pick
& finger
1/4
2
2 7 7 7 2
5 4 2 0
0 0 0
3 0
w/ pick
let ring & finger
P.M. P.M.
1/4
2
2 2 2 2 7 7 2
4 2 4 2 5 4 2 0 2
0 0 0 0
3
Interlude
E A
Hal - le - lu -
w/ pick & finger
4 2 0 0
4 2 0 1 2 2
2
3 4 0
w/ pick & finger
P.M.
4 2 0 0
4 2 0 1
2
3 4 0
0
12
Chorus
E A
- jah, hal - le - lu - jah,
X
X 2 2
X 4
0
let ring
P.M. P.M. P.M.
2 2 2 2
2 2 4 2 4
4 2 4 2 0 0 0 0
0 0 0
B E
ride my Chev - ro - let. Hal - le - lu - jah, hal - le - lu -
w/ pick & finger
12 12
X
4 4 6 4 4 X 4 X 4 9 9
P.M. P.M. P.M. P.M.
6 4 6 4 6 4 6 4 4 2
4 6 4 4 6 4 4 6 4 4 6 4 4 X 2 2 2
2 2 2 2 2 2 2 4 2 4 2
0 0 0
13
A Dsus4 D μ E
- jah, ride my Chev - ro - let.
w/ pick
1/4 & finger
2
X 2 7 7 2
5 5 4 2 0
0 0
3 0
w/ pick
P.M. let ring & finger
P.M. 1/4
2
2 2 2 7 7 2
4 2 4 2 5 4 2 0
0 0 0 0 0
3 0
Outro
E A E A
w/ pick & finger w/ pick & finger
4 2 0 0 2 4 2 0 0
4 2 0 1 2 2 2 2 4 2 0 1
2 2
3 4 0 0 3 4 0
w/ pick & finger w/ pick & finger
4 2 0 0 2 4 2 0 0
4 2 0 1 2 4 2 0 1
2 2
3 4 0 3 4 0
0
E A E9
w/ pick & finger
2 4 2 0 0
5 3
2 2 4 2 0 1
2 4 6 6 4
0 3 4
w/ pick & finger
2 4 2 0 0
2 X 2 4 2 0 1
2 2 2
0 3 4 3 4 0 3 4
0 0
14
from The Best of ZZ Top
Francine
Words and Music by Billy F Gibbons, Kenny Cordray and Steve Perrone
F C
5fr 5fr
31 2 1 11
Intro
Moderate Rock q = 125
* C5
**Gtrs. 2 & 3
Riff A
End Riff A
(Drums) (dist.)
f
10 11 10 10 11 10
11 12 10 10 11 12 10 10
10 10 10 10 9 10 10 10 10 10 9 10
11 12 9 10 11 12 9 10
**Composite arrangement
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (dist.)
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Chord symbols reflect basic harmony.
Gtrs. 2 & 3: w/ Riff A
Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 3
5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 3 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3
Verse
Gtr. 1: w/ Rhy. Fig. 2
C5
1. Got a girl, her name’s Fran - cine, fin - est thing you ev - er seen. And I love
2. Oh, Fran - cine, oh, Fran - cis, why do you love me and make me cry? How I love
3.My Fran - cine just turned thir - teen. She’s my an - gel - ic teen - age queen. And I love
Gtr. 3
P.M. P.M.
3
3 5
3
3
3 5
3
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0
Copyright © 1972 INDIA INK MUSIC and EMI APRIL MUSIC INC.
Copyright Renewed
All Rights for INDIA INK MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission 1
F
Chorus
Gtr. 3 tacet 3rd time, Gtr. 2: w/ Rhy. Fill 1
G5 C5 F C/F F C/F
her. And I need
her. She’s all that I want. How I need
her. And I need
Gtrs. 2 & 3
Gtr. 2
let ring let ring let ring
6 6 5 6 6 5
0 0 5 5 5 5 5 5 5
0 0 7 7 5 5 7 7 5 5 7 5
Gtr. 1 3 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
5 3 3 3 3 3 3 3 3
3
ToCoda
Gtr. 3 tacet
G5 C5 F C/F F
her.
her. She’s all that I need.
her.
Gtrs. 2 & 3
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 2
let ring let ring let ring
6 6 5 6 6 5 6
0 0 5 5 X 5 5 5
0 0 7 7 5 X 7 7 5 5 7
3 3
Gtr. 1
P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
5 5 5 5 5 5 5 3
5 5 5 5 5 5 5 5 3 5
5 3 3 3 3 3 3 3
3
1.
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
C5
Gtr. 3
10 11 10
11 12 10 10 10 12 10 10
10 10 10 10 9 10 10 12 10 10 10 10 9 10
11 12 9 10 11 12 9 10
2
2.
Bridge
F
C/F F C5
If I ev - er caught her with Stev - ie P., I’d throw her back in the pen - i - ten - tia - ry, yeah.
let ring let ring
8
6 6 6 6 6 5 6 6 6 5 8
5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 5 7 7 7 5 7 7 5 7
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5
10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5
8 8 8 8 8 8 8 8 8 8 8 8 3 3 3 3
F
G5
And if I caught her with my moth - er’s son, I’d call her dad - dy and get my gun.
let ring
6 6 6 6 8 8 8 8
5 5 5 5 5 7 7 7 7
7 7 5 7 7 5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10 10 10 10 10 10 0 0 0 0
10 10 10 10 10 10 10 10 10 0 0 0 0
8 8 8 8 8 8 8 8 X X X X
3 3 3 3
Interlude
Gtrs. 2 & 3: w/ Riff A
f
C5
Gtr. 1 Gtr. 4 (dist.)
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. divisi
P.M. P.M. P.M. P.M.
8
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
Guitar Solo
F
C
Gtrs.
2&3
8v a
Gtr. 4
grad. bend grad. bend 1 P.H.
1 1/2 1 1 1
8 8 8 8
11 11 11 11 11
10 10 8 9
10 10
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5
8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3
Gtr. 5 (dist.)
f P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M.
3 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7
3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Gtr. 4 tacet Gtrs. 1 & 5 tacet
F G5 D
loco
(cont. in notation)
Gtr. 3
P.M. 1 let ring
8 10 10
11 11 8 8 8 10 8 10 8
10 10 8 10 10 8 8 7 7 7
10 10 10 10 7 7 7 7 7 7 7 7 7 7
Gtr. 1
Gtr. 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. divisi
*
10 10 10 10 10 10 10 10 10 12
10 10 10 10 10 10 10 10 10 12
8 8 8 8 8 8 8 8 10 5
3
*Gtr. 1 to left of slash in tab.
Gtr. 2
let ring
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
8 7 10 7 8 7 10 7 8 7
7 7 7 7 7
7 7 7 7 7
3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
Interlude
Gtr. 1: w/ Rhy. Fig. 2
Gtrs. 2 & 3: w/ Riff A D.S. al Coda
C5
4
Coda
C5 F C/F F C/F F
C/F G5
Uh, uh. And I love her.
Gtr. 3
Rhy. Fig. 3B
H.H.
let ring
4 16
5 17
5 17
Gtr. 2
Rhy. Fig. 3A
let ring let ring
let ring
6 6 5 6 6 5 5 6 5
5 5 X 5 5 5 5 5 0
7 7 5 X 7 7 5 5 7 5 0
3
Gtr. 1
Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 3 5 5
3 3 3 3 3 3 3 5
3
F
C5 C/F F C/F C/F
She’s all that I want. And I need
End
Rhy. Fig. 3B
H.H.
4 16
let ring
X X X X X X X X X X X X X X X
4 16 X X X X X X X X X X X X X X X
5 17 X X X X X X X X X X X X X X X
5 17
End
Rhy. Fig.
3A
let ring
let ring let ring
6 6 5 6 6 5 5 6 5
0 0 5 5 X 5 5 5 5 5
0 7 7 5 X 7 7 5 5 7 5
3
End Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 3
5 3 3 3 3 3 3 3 5
3
5
Gtr. 1: w/ Rhy. Fig. 3 (5 times)
Gtr. 2: w/ Rhy. Fig. 3A (3 times)
Gtr. 3: w/ Rhy. Fig. 3B
G5 C5 F C/F F C/F F C/F
her. She’s all that I need. And I love
8v a
End Voc. Fig. 1
Voc. Fig. 1
(Whew.)
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
G5 C5 F C/F
her, she’s all that I want.
Gtr. 3 8v a
H.H. H.H.
let ring let ring
3 15
3 15 5 17
4 16 X 5 17
5 17 X 5 17
5 17
C/F
F C/F F G5
And I need her, she’s all that I need.
8v a
loco
H.H.
let ring H.H.
let ring
( 3 15 ) 3 15
5 17 3 15
5 17 4 16
5 17 5 17 5 17
5 17 5 17
C5 F C/F F C/F F C/F G5
And I love her,
Gtr. 3
8v a
loco
H.H. H.H.
let ring let ring
3 15 3 15
(3(15)) 5 17 5 17 3 15
5 17 4 16
5 17 5 17
5 17
Gtr. 2
5
3 3
6
C/F
C5 F C/F F C/F F
*
she’s all that I want. And I need
8v a
H.H.
let ring H.H.
let ring
3 15 3 15
(3(15)) 3 15 5 17 5 17
4 16 5 17
5 17 5 17 5 17
5 17
let ring let ring
6 6 5 6 6 5 5 6 5
5 5 X 5 5 5 5 5
7 7 5 X 7 7 5 5 7 5
5
3 3 3 3
* Voc. begin fade
C5
G5
** F C/F F C/F C5
her, she’s all that I need.
8v a
loco
H.H.
let ring
3 15 3 15 3 15
3 15 5 17 5 17 5 17
3 15 4 16 5 17 5 17
4 16 5 17
5 17 5 17
let ring let ring
let ring
8 8
X 6 6 5 X X 6 5 8 8
0 X 5 5 X X 5 5 5
0 X 7 7 5 X X 7 5 5
5
1 3 3 1 3
** Voc. fade out
Outro
Gtr. 1: w/ Rhy. Fig. 3 (till fade)
G5 C5 F C/F F C/F
8v a
loco
H.H.
let ring H.H.
let ring
3 15 3 15
3 15 5 17 5(17) 5 17
4 16 4 16 5 17
5 17 5 17 5 17 5 17
5 17 5 17
let ring
let ring let ring let ring let ring
8
0 X 6 6 5 X 6 6 5 8
0 X 5 5 X 5 5 9
0 0 X 7 7 5 X 7 7 5
3 3
7
G5 C5 F C/F F C/F F C/F
8v a
loco
H.H.
let ring H.H.
let ring
3 15
3 15 3 15 5 17 5 17 5 17
4 16 4 16 5 17
5 17 5 17
5 17 5 17
let ring
let ring let ring let ring
X 6 6 5 X 6 6 5 6 5
0 0 X 5 5 X 5 5 5 5
0 0 X 7 7 5 X 7 7 5 7 5 5
3 3
Begin fade
G5 C5 F C/F F C/F F C/F
8v a
loco
H.H.
let ring H.H.
let ring
3 15 3 15
3 15 5 17 5 17
4 16 4 16 5 17 5 17
5 17 5 17 5 17 5 17
5 17 5 17
let ring let ring let ring
6 6 5 6 6 5 6 5
0 0 3 5 5 5 3 5 5 5 5 5
0 0 3 5 7 7 5 3 5 7 7 5 7 5
3 3
Fade out
G5 C5 F C/F F C/F F C/F
8v a
loco
H.H.
let ring H.H.
let ring
3 15 3 15
3 15 3 15 5 17 5 17
4 16 4 16 5 17 5 17
5 17 5 17 5 17
5 17 5 17
let ring let ring let ring let ring
6 6 5 6 6 5 6 5
0 0 3 5 5 5 3 5 5 5 5 5
0 0 3 5 7 7 5 3 5 7 7 5 7 5
1 3 1 3
8
from ZZ Top’s First Album
Goin’ Down to Mexico
Words and Music by Billy F Gibbons, Bill Ham and Dusty Hill
Bb7 A7 G5
5fr 4fr
1234 1234 T3 4 1 1
Intro
Moderately slow q = 81
Bb5 C5 Bb5 C5 μ
Play 3 times
1. I was
*Gtrs. 1 & 2 (dist.)
f
3 5 X 5 5 X 5 5
3 5 X 5 5 X 5 5
3 5 X 5 5 X 5 5
3 5 X 5 5 X 5 5 5
5 7
*Composite arrangement
Verse
2nd time, Gtr. 1: w/ Fill 1 2nd & 3rd times, Gtr. 1: w/ Fill 2
F5 G5 Bb5 G5 Bb5 C5 F5 G5 Bb5 G5 Bb5 C5
on my way down to Mex - i - co, there was trou - ble on the rise. It was
fine and fan - cy man was he, do - in’ good things for the poor. Giv - in’
3. Nine - teen For - ty mov - ie star with a long for - got - ten name. She was a
Gtr. 1
3 5
3 5
3 5
3 5
1 3 3
Gtr. 2 Rhy. Fill 1 End Rhy. Fill 1
P.M.
*T T T T
3 5 X 5 5 X 5 5
3
3
X 5
3
3
5
5
5
5
3 5 X 5 5 X 5 5
3
3
X 5
3
3
5
5
5
5
1 3 X 3 3 X 3 3 X 3 1 3 X 3 3 X 3 3 X 3
*T = Thumb on 6th string
Fill 1
Gtr. 1
X 3 5
X 3 5
X 3 5
1 3
Copyright © 1970 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
F5 G5 Bb5 G5 Bb5 C5 F5 G5 Bb5 G5 Bb5 C5
noth - in’ more than I’d left be - hind, which was much to my sur - prise. I
rides in his rock - in’ Eigh - ty- eight for free, they could not hope for more. When it
sex - y mess in her pleat - ed dress, still hang - in’ on to fame. With for -
Fill 2 End Fill 2
P.M.
3 5 3 5
3 5 3 5
3 3
P.M.
T T T T
3 3 5 5 3 3 5 5
3 3 5 5 3 3 5 5
3 5 X 5 5 X 5 5 X 5 3 5 X 5 5 X 5 5 X 5
1 3 X 3 3 X 3 3 X 3 1 3 X 3 3 X 3 3 X 3
2nd time, Gtr. 1: w/ Fill 3
3rd time, Gtr. 1: w/ Fill 4 3rd time, Gtr. 2: w/ Rhy. Fill 2
C7
turned a - round and lit a cig - a - rette, wiped the dust off of my boots. When
came my turn he said to me, “Have I seen your face be - fore?” I said,
got - ten lines she missed her cue and left a glass of wine at home. She was
P.M.
5
3 5 7 3
let ring let ring let ring let ring
P.M.
5 X 5 5 5 8 5 7 5 5 X 5 5 5 8 5 7 5
3 X 3 6 7 3 3 3 3 6 7 3 X 3 6 7 3 3 3 3 6 7
Fill 3 Fill 4 Rhy. Fill 2
Gtr. 1 Gtr. 1 Gtr. 2
P.M. P.M. let ring
let ring
P.M.
5 X 5 5 8 5 7 5 5
3 3 3 X 3 6 7 3 3 3 3 3
2
T o Coda
2nd & 3rd times, Gtr. 2: w/ Rhy. Fill 1
F5 G5 Bb5 G5 Bb5 C5 F5 G5 Bb5 G5 Bb5 C5
up a - head I saw the crowd, I knew it was no use. It’s
“Oh, no, you must be wrong, I’m from a dis - tant shore. So,
sing - in’ the same song that I was. Could we both be wrong? So,
P.M.
3 5
3 5
1 3 3
P.M.
T T T T
3 3 5 5 3 3 5 5
3 3 5 5 3 3 5 5
3 5 X 5 5 X 5 5 X 5 3 5 X 5 5 X 5 5 X 5
1 3 X 3 3 X 3 3 X 3 1 3 X 3 3 X 3 3 X 3
1.
D7 C7 Bb5
3
been the same way for, oh, so long, it looks like I’m sing - in’ the same old song.
P.M.
5 3 1 1
let ring
let ring let ring
P.M. P.M.
3
7 X 7 7 7 10 7 9 7 5 X 5 5 3
5 X 5 8 9 5 5 5 5 8 9 3 X 3 6 7 1 1
3
Gtr. 1 tacet
Bb5 C5 Bb5 C5 μ
2. A
Gtr. 2
3
3
5
5
X
X
5
5
5
5
X
X
5
5
5
5
X
X
X
X
3
3
5
5
X
X
5
5
5
5
X
X
5
5
5
5
5 7
5
2.
D7 C7 Bb5
if you don’t mind, I’ll just move a - long but it looks like I’m sing - in’ the same old song.”
Gtr. 1
(cont. in slashes)
0
X
5 3 3 1
Gtr. 2
let ring
let ring let ring
P.M.
3
7 X 7 7 7 10 7 9 7 7 5 5 5 3
5 X 5 8 9 5 5 5 5 5 3 3 6 7 1
Interlude
Faster q = 168
Bb7 A7 Bb7
Gtr. 1 Gtr. 2
(cont. in notation) P.M.
P.M.
Gtr. 1
Gtr. 2
(cont. in slashes)
P.M. P.M.
P.M.
3 5 X 5 5 X 5 5 7 6 5 7 7 5
3 5 X 5 5 X 5 5 6 5 5 7 7 5
5 4 5 0 0 0 0 0 0 0 0
6 5
4
Gtr. 2 tacet
A7
P.M.
mp
P.M.
1/2 1/2
0 0 0 3 5 5 0 0 0 0 3 5 0 0 0 3 5 3
3
A C D A C D A C D A C D G
Gtr. 1
mf
P.M. 1/2
5
0 0 0 3 5 0 0 0 0 3 5 3 5 7
3
Gtr. 2
mf
P.M.
1/2
0 0 0 3 5 0 0 0 3 5 0 0 0 3 5 0 0 0 3 5
3 3
Guitar Solo
A7
P.M. let ring
1 1/2
5 8
5 7 7 5 7 5 7 5 7
7 7 7 5 7 7
Riff A
End Riff A
0 0 0 3 5 0 0 0 0 0 3 5 0 0 0 3 5 0 0 0 3 5
3 3
5
Gtr. 2: w/ Riff A (3 times)
Gtr. 1
let ring let ring
5
5 5 8 10 8 10 8
7 5 7 9 9 7 5
7 5 7 5
7 7 5 3 5 3
*Gtr. 2: w/ Riff A (11 times)
let ring P.M.
1 1/4
8 5 7 8
7 5 7 5 7 5 7 5 8 9 9 7 5
7 7 7 X 7
*played f .
1/2
1/2
5 7 8 7 8
7 5 5 8 9 9 7 5 7 5 8 9 9 7 5
7 7 7 5 7 7
7
P.M. P.M.
let ring
1/2 1/4 let ring
7 5
7 8 5
7 5 5 8 9 9 7 5 7 7 5 5 5
7 7 7 7 5 7 7
let ring
let ring 1/4
7 8 7
7 8 5 7 8
8 9 9 7 5 7 7 5 8 9 9 7 5 7 5
7 5 7 7 5 7 7
7
6
let ring
1/2 1/2 1
5 5
X 7 8 5 8 5 7 8 5 8
X 8 9 9 7 5 7 7 5 7 X 8 9 9 7 5 7
7
1/2 P.M.
1/2 1/4
5
7 8 5
8 9 9 7 5 7 7 7 7 8 9 9 7 5 7 5
7 7 7 5
7 7 5 3
D7
Gtr. 1
7 8
8 9 9 7 5 7 5
7 5 7 5
7 5 4 5
5
Gtr. 2
let ring
let ring
P.M.
7 X 7 7 7 10 7 9 7
0 0 0 3 5 0 0 0 3 5 5 X 5 8 9 5 5 5 5 8 9
3 5
D.S. al Coda
C7 Bb5 μ Bb5 μ C5
0 5 X X 3 5
X 3 5 5 X X 3 5
3 1 1 3 5 X X 3 5 5 7
let ring
P.M.
3 5 3 5
5 5 3 3 5 5 5 3 5
3 3 6 7 1 3 5 3 5 5 7
7
Coda
D7 C7
hand in hand we walked a - long, each of us sing - in’ the same old song.
P.M.
X
3 5 3 1 1
let ring
let ring let ring let ring
P.M.
3
7 X 7 7 7 10 7 9 7 7 5 5 5 3
5 X 5 8 9 5 5 5 5 5 3 3 3 6 7 1
Outro
Gtr. 1 tacet
Bb5 C5 Bb5 C5
Gtr. 2
3 5 X 5 5 X 5 5 3 5 X 5 5 X 5 5
3 5 X 5 5 X 5 5 3 5 X 5 5 X 5 5
Free time
Bb5 C5 G5
Gtr. 2
Gtr. 1
(cont. in slashes)
rit. let ring P.M. let ring
1 1
3 3 3
6 3 6 3 6 3 6 3 3
3 5 X 5 5 X 5 5 5 5
3 5 X 5 5 X 5 5
let ring
6 mp
1 slight P.M.
3
6 3 6 3 3 3 5 3
6 3 3 5 3 5 3 5 3 4
5 5 5 3
5 4 3 1
3
8
from The Best of ZZ Top
Heard It on the X
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
1. 2.
Intro
Fast Blues Rock q = 228 Yeah!
A5 C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5 D5 C5 A5 C5 G5
*Gtrs. 1 & 2
Rhy. Fig. 1 End Rhy. Fig. 1
(slight dist.)
f P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2
2
0
5
5
2
2
0
2
2
2 0
2 0
5
5
2
2
0
2
2
2 0
2 0
5
5
2
2
0
2
2
2 0
2 0
7
7
5
5
0
5
5
0
0 7
7
5
5
0
5
5
0
0
3 3 3
*Composite arrangement
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
1. Do you re - mem - ber back in nine - teen - six - ty - six?
2. We can all thank Doc - tor B. who stepped a - cross the line. With
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
Coun - try Je - sus, hill - bil - ly blues, that’s where I learned my licks. Oh, from
lots of watts he took con - trol, the first one of its kind. So
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
coast to coast and line to line, in ev - ’ry coun - ty there, I’m
lis - ten to your ra - di - o most each and ev - ’ry night. ’Cause
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5
1.
talk - in’ ’bout that out - law X is cut - tin’ through the air.
if you don’t it’s sure you won’t get to feel - in’ right.
Gtrs. 1 & 2 Rhy. Fill 1 End Rhy. Fill 1
P.M. P.M. P.M. P.M. P.M. P.M.
5 2 2 2 0 5 2 2 2 0 7 5 5 0 7 5 5
5 2 2 2 0 5 2 2 2 0 7 5 5 0 7 5 5
0 0 0 0
3 3 X 3 2
Copyright © 1975 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
μ D5 F5 D5 μ E5 G5 E5
An - y - where, y’all, ev - ’ry - where, y’all, I
Gtr. 1
Rhy Fig. 2 End Rhy. Fig. 2
let ring
1/4
3 3 3
2 2 2
0 0 3 0 0 1 2 2 2
0 0 0 3 0 0
Gtr. 2
Rhy. Fig. 2A End Rhy. Fig. 2A
1/2 1/4
1/4
3 0
3 3 5 3 3 4 0
2 2 4 2 0
0 0 0 0 1 2 2
0 0 0 0
Chorus
C5 G5 C5 G5 C5 G5 A5
heard it, I heard it, I heard it on the X.
Rhy. Fig. 3 End Rhy. Fig. 3
P.M.
5 0 5 0 5 0 2
5 0 5 0 5 0 2 2
3 3 0
Rhy. Fig. 3A
End Rhy. Fig. 3A
P.M. P.M. P.M.
5 0 0 5 0 0 5 0 2
5 0 0 5 0 0 5 0 2 2
3 3 3 3 0
2
1.
C5 G5 C5 G5 C5 G5 A5 μ
**8va loco
Harm.
*don't pick P.M.
5 0 5 0 5 5 0 2
5 0 5 0 5 5 0 2
3 0 3 4
*After striking open strings on beat 2 1/2, lightly touch w/ L.H. finger.
**Refers to harm. only
P.M. P.M. P.M.
5 0 0 5 0 0 5 0 2
5 0 0 5 0 0 5 0 2
3 3 3 0 3 4
Interlude
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
7
7
5
5
0
5
5
0
0
3 3 3
2.
Guitar Solo
***Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 3/4 times)
C5 G5 A5 C5 A5 G5 C5 A5 G5
Gtr. 3 (slight dist.)
Gtrs. 1 & 2
f
P.M.
w/ slide & wah-wah (as filter)
14
2
2
0
0
2
2
2
2 14 14 14 14
3
***Gtr. 2: w/ wah-wah as filter, till end.
3
1. , 3. 2. 4.
Gtrs. 1 & 2: w/ Rhy. Fill 1
D5 C5 A5
C5 A5 G5 D5 C5 A5 C5 G5 C5 G5 D5 C5 A5 C5
steady gliss.
13 12 13 13 12 13 17 10 X
12 17
14 14 14 14 14
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A Gtr. 2: w/ Rhy. Fig. 2 (last meas.)
μ D5 F5 D E G5 E
6 5 7 9 9 8 7 9
7 7 7 9 9 9
7 7 7 9 9 9
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
C G C G C G A
w/o slide
5 0 5 0 5 0 2
5 0 2 0 5 0 2 0 5 0 2
2 0 2 0
3
C G C G C G A
Gtr. 3
5 0 5 0 5 0 2
5 0 2 0 5 0 2 0 5 0 2
2 0 2 0
Gtrs. 1 & 2
P.M. P.M. P.M.
5 0 0 5 0 0 5 0 2
5 0 0 5 0 0 5 0 2
3 3 3
4
Interlude
Gtr. 3 tacet
A5 G5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 0 2 2 0 5 2 2 2 0 5 2 2 2 0 7 5 5 0
2 0 2 2 0 5 2 2 2 0 5 2 2 2 0 7 5 5 0
0 0 0
3 3 3 3
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
7
7
5
5
0
5
5
0
0
3 3 3
Half-time feel
μ
0 0 3 3 3 2 2 2 1 1 1 0 0 0
0 0 0 1 1 1 2 2 2 3 3 3 4 4 3 3 2 2
End half-time feel Free time
E5
1 1 0 0 0
4 4 4 3 3 3 2 2 1 1 0
Outro Repeat and fade
A Tempo
C5 A5 G5 C5 A5 G5 C5 A5 G5 D5 C5 A5 C5 G5
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
5
5
2
2
0
2
2
2
2
0
0
7
7
5
5
0
5
5
0
0
3 3 3
5
from Degüello
I Thank You
Words and Music by Isaac Hayes and David Porter
Intro
Moderate Rock q = 110
*Am7 D/A Am7 G5/A A Am7 D/A Am7
Gtr. 1 (slight dist.)
mf
** P.M.
w/ chorus
5 7 5 2 5 7 5
5 7 5 0 0 2 5 7 5
5 7 5 0 0 2 5 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
* Chord symbols reflect implied harmony.
** P.M. applies to downstem notes only (next 4 meas.).
μ A5
Gtr. 2 (dist.)
mf
1 1/2
8 8 8 8 8 8
7 7 7 7 7 5 5
7 5
Gtr. 1
P.M.
slight P.M.
7 7 7 7
0 0 0 0 0
Gtr. 2 tacet
F#5 G5 G#5
You
Gtr. 1
slight P.M.
7 7 7 7 7 7 7 7 4 5 6
0 0 0 0 0 0 0 0 0
1 2 3 4
Copyright © 1968 ALMO MUSIC CORP. and WALDEN MUSIC, INC.
Copyright Renewed
All Rights Reserved Used by Permission 1
Chorus
Am7 D/A Am7 D/A Am7 E D Am7 D/A
did - n’t have to love me like you did, but you did, but you did, and I thank you. You
Gtr. 3 (slight dist.)
Rhy. Fig. 1 End Rhy. Fig. 1
mf w/ chorus
let ring let ring let ring let ring let ring let ring
5 7 5 7 5 5 7
5 7 5 7 5 5 7
5 7 5 7 5 6 4 5 7
0 0 0 0 0 7 5 0 0
Gtr. 1
Riff A End Riff A
slight P.M. slight P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 5 7 5 5 0 0 0 0
Gtr. 1: w/ Riff A
Gtr. 3: w/ Rhy. Fig. 1
Am7 D/A Am7 D/A
did - n’t have to love me like you did, but you did, but you
Am7 E D Am7 D/A
did, and I thank you.
2
Verse
Gtr. 1: w/ Riff A (1st 2 meas.) (2 times)
Am7 D/A Am7 D5/A Am7 D/A Am7 D5/A
1. But you took your love to some - one else. I would - n’t know what it meant to be loved to death.
Gtr. 2
*
1/2
8 5
7 7 5
7
*Roll back vol. knob.
Gtr. 3
Rhy. Fig. 2
let ring let ring let ring sim.
5 7 5 7
5 7 5 7 5 7 5 7
5 7 5 7 5 7 5 7
0 0 0 0 0 0 0 0
Gtr. 2 tacet
Am7 D/A Am7 D5/A Em7 F#5 G5 G#5
3
3
You made me feel like I’ve nev - er felt, kiss - es so good I had to hol - ler for help. You
Gtr. 2
1
5
5
7
Gtr. 3 End Rhy. Fig. 2
let ring
7 7 7
5 7 8 8 8
5 7 5 7 7 7 7
5 7 5 7
0 0 0 0
0 0 0
Gtr. 1
Riff B End Riff B
slight P.M.
7 7 7 7 7 7 7 7 2 2 4 5 6
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 2 3 4
3
Chorus
Gtr. 1: w/ Riff A (2 times)
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
Am7 D/A Am7 D/A Am7 E D
did - n’t have to squeeze it, but you did, but you did, but you did, and I
Am7 D/A Am7 D/A Am7 D/A
thank you. You did - n’t have to hold it, but you did, but you did, but you
Verse
Gtr. 1: w/ Riff A (1st 2 meas.) (3 times)
Gtr. 3: w/ Rhy. Fig. 2
Am7 E D Am7 D/A Am7 D/A
did, and I thank you. 2. Ev - ’ry day was
Gtr. 2
1/2
7 7 5
7 5 7
Am7 D5/A Am7 D/A Am7 D/A
some - thing new. You put on your bag and your fine to - do.
p
8 10
Gtr. 1: w/ Riff B
Am7 D/A Am7 D5/A Em7 F#5 G5 G#5
You got me try - ing new things too, just so I can keep up with you.
grad. bend
1 mf
1/2
10
8 5 5
4
Guitar Solo
Gtr. 1: w/ Riff C (2 times)
A5 G5 D5 A5
Gtr. 2
* f
1/2 1/2
7 7 5 7 7 5
7 7 5 5 7 7 5
7 5 5 5 7 7 X X 7 X
*Vol. knob full
Gtr. 1 Riff C End Riff C
slight P.M.
7 7
7 7 7 7 5 5
0 0 0 0 5 5
3 3
G5 D5 A5 G5 D5
Gtr. 2
1/4 1/4
1/2
1/4 1/4 1/4
7 7 5
5 7 7 5 5
5 5 5 7 7 X 7 5 5 5 7 7
0
0
Chorus
Em7 F#5 G5 G#5 A5 μ
You did - n’t have to shake it, but you
8v a
Gtr. 2
loco
P.H.
1 1 1 1/2
1/2
0
5 X 5
7 7 7 7 7 7 7 7 5
5 6 7 7
Pitches: E E E Eb
Gtr. 3
let ring
7
8
7
Gtr. 1
slight P.M.
4
2 2 2 2 2 4 5 6
0
0 0 0 0 1 2 3 4
5
Gtr. 2 tacet
E D
did, but you did, but you did, and I thank you. You
Gtr. 3
6 4
7 5
Gtr. 1
7 5
Gtr. 1: w/ Riff A
Gtr. 3: w/ Rhy. Fig. 1
Am7 D/A Am7 D/A Am7 E D Am7 D/A
did - n’t have to make it like you did, but you did, but you did, and I thank you.
Verse
Gtr. 1: w/ Riff A (1st 2 meas.) (3 times)
Gtr. 3: w/ Rhy. Fig. 2
Am7 D/A Am7 D5/A Am7 D/A
3
3 3
3. All of my life I’ve been short - changed. With - out your love, ba - by, it’s a
Gtr. 2
mp
1/2
7 7 5
Am7 D5/A Am7 D/A Am7 D5/A
3
cry - ing shame. But now I know what the fel - las talk - ing a - bout
5
5 7
5 6 7
6
Outro
Gtr. 1: w/ Riff B Gtr. 1: w/ Riff C (till fade)
Gtr. 2 tacet
Em7 F#5 G5 G#5 A5
when they say that they been turned out. I want to thank you.
*
Gtr. 3
w/ slide
7
5 7
7 5 7
7
0
*Vibrato causes
notes to sound.
G5 D5 A5 G5 D5
I want to thank you. I want to
7
7 5 6 5
7 5 7 5 7 5
5 7 5 2 3 2 3 0
A5 G5 D5 A5
thank you. Yes, I want to thank you.
5
0 7
0 0 0 0 0 0 7 9 0 0 5 7
0 3 5 3 5 5 7 7 7 9
G5 D5 A5 G5 D5
0 0
5 5 5 5 5 5 4 4
5 7 7 5 7 7 7 5 7
7 7 7
7
A5
G5 D5 A5
5 5 7
5 7 5 0 0 1 0
7 3 5 3 5 3 5 0 0 2 4 0 0
1 2 3
G5 D5 A5 G5 D5
4 3 0 4 3 0 4 3 0 5 5 3 0 0 2 4 0 4 3 0 4 3 0 4 3 0 0
3 5 1 3
Begin fade
A5 G5 D5 A5
let ring
5 7 7 5
5 7 7 5 5
7 0 0 7 5 5
2 4 0 5 7 0 5 7 7
G5 D5 A5 G5 D5
let ring
7
7 2 2 2 4 5
7 7 0 0 0 0 1 2 2 2
0 2 3 2 3 2 3 0
A5
G5 D5 A5
*
*
7 5
5 2 1 2 2 0 5 6 7 5
2 7 7 7 5 0
0 0 0 0 5 7
0 1 3 1 3 0 3 5
*As before
Fade out
G5 D5 A5 G5 D5 A5
*
*
7
5 6 5 6 5 7 6 7 6 7 6 8 5 7 6 5 7
7 5 7 7 7 7 7 7 7 7
7 5 7 0 5 7 0
*As before
8
from Deguello
I’m Bad, I’m Nationwide
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
F/A C
5fr 5fr
312 111
Intro
Moderately q = 104
C5 C6 F5/C C5 C6 C5 Bb5/F B5/F# C5 C6 C5 C6 C5
Gtr. 1 (elec.)
f
w/ dist.
1 1 1 1
8
11 11 8 11 11 8 10
10 10 8 10 10 8 10
X X 10 8 8 10
8 10 10 8 6 8 6
*Gtr. 2 (elec.)
f let ring
w/ dist.
P.M. P.M.
10 10 8 8 8 9
10 10 12 8 10 10 12 10 10 8 8 8 9 10 10 12 10 10 12 10
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
*Set vol. knob at 3/4 volume.
Slower q = 80 Faster q = 104
8va
Gtr. 3 tacet
μ (C7) (F5) Eb5 C5 C6 C5 C6 C5 C6 C5
Gtr. 1
1
1/2 1
8 8 15
X 18
10 10 10 8 10 X
10
*Gtrs. 2 & 3
Gtr. 2
3
3 3
P.M. P.M. P.M.
11 11 11 10 11 11 11 10 11 11 11
12 12 12 11 12 12 12 11 12 12 12 10 8 X
8 X 10 X X 10 X 10 X 10 10 X 10 X 10 10
X 10 X X 10 12 10 X 10 X 10 10 12 10 X 10 X 10 10 12 10
X 8 X 8 X 8 8 8 X 8 X 8 8 8 8 X 8 X 8 8 8 8
*Gtr. 3 (acous.) - played f .
Copyright © 1979 Stage Three Songs
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
Verse
Gtr. 1 tacet
C6 C5 C6 F5/C C5 C6 F5/C C5 C6 F5/C C5 C6 C5
*
1. Well, I was roll - in’ down the road in some cold blue steel, I had a
8va
steady gliss.
20 18 18
let ring
P.M. P.M.
X 10 X 10 10
X 10 X 10 10 12 10 10 10 12 8 10 10 12 8 10 10 12 8 10 10 12 10
X 8 X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
*w/ slow flanger
F5 F6 F5 F6 F5 C5 C6 F5/C C5 C6 F5/C C5 C6 F5/C C5 C6 C5
blues man in the back and a beau - ti - cian at the wheel. We go - in’ down - town in the
Gtr. 2
P.M.
X 10 12 10 10 10 12 10 10
X 8 8 8 8 8 8 8 X 10 12 8 10 10 12 8 10 10 12 8 10 10 12 10
X 8 8 8 8 8 8 8 8 8 8 8 8 8 8
C6 F5/C C5 C6 C5 F5 F6 F5 F6 F5 C7 C6 F5/C C5 C6 C5
mid - dle of the night. We laugh - in’ and I’m jok - in’ and we feel - in’ al - right. Oh, I’m bad,
P.M.
8
X 10 12 10 10 10 12 10 8 12
X 10 12 8 10 10 12 10 X 8 8 8 8 8 8 8 12 8 10 10 12 10
X 8 8 8 8 8 8 8 8 8 8 8 8 8 8
2
Chorus
** F C
I’m na - tion - wide.
Rhy. Fig. 1
loco
***
*Gtr. 1
***
w/ reverb
w/ fingers let ring let ring
w/ bar w/ bar w/ bar
11 11 5 6 6 6 0
10 10 5 5 5 0
12 12 5 7 7 7 0
*P.M. 4th string only, next 6 meas. ***Omit staccato when recalling Rhy. Fig. 1.
Gtr. 2
† let ring †† let ring
P.M.
10 10
X 10 12 10 10 12 10 10 12 10 10 10 12 10 10
X 8 8 8 8 8 8 8 8 8 8 8 8 8 10 X 10 12 8 10 10 12 10
X 8 8 8 8 8 8 8
**Chord symbols reflect basic harmony (next 6 meas.) †3rd string only. ††4th string only.
Yes, I’m bad, I’m na - tion - wide.
End Rhy. Fig. 1
***
w/ bar w/ bar w/ bar
let ring let ring
1 11 11 5 6
10 10 5
2 12 12 5 7
let ring
P.M.
10
10 10 X 10 12 10 10 12 10 10
10 10 12 8 10 10 12 10 X 8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 6
Verse
Slower q = 80 Faster q = 104
Gtr. 1 tacet Gtr. 3 tacet
C5 C6 F5/C C5 C6 C5 μ (C7) (F5) Eb5 C5 C6 F5/C C5 C6
2. Eas - in’ down the high - way in a
Gtrs. 2 & 3
Gtr. 2 Gtr. 2
3 3 3
let ring
P.M.
P.M.
11 11 11 10 11 11 11 10 11 11 11
12 12 12 11 12 12 12 11 12 12 12 10 8
8
10 10 12 8 10 10 12 10 X 10 12 10 10 12
8 8 8 8 8 8 8 X 8 8 8 8 8 8 8
3
C5 C6 F5/C C5 C6 C5 F5 F6 F5 F6 F5 C5 C6 C5 C6 C5
new Ca - dil - lac, I had a fine fox in front, I had three more in the back. They
P.M.
10 X 10 12 10 10 10 12 10 10
10 10 12 8 10 10 12 10 X 8 8 8 8 8 8 8 X 10 12 10 10 12 10
8 8 8 8 8 8 8 X 8 8 8 8 8 8 8
C6 C5 C6 F5/C C5 C6 C5 C6 C5 F5 F6 F5 F6 F5
sport - in’ short dress - es, wear - in’ spike - heel shoes, they smok - in’ Luck - y Strikes and wear - in’
P.M.
X 10 12 10 10 10 12 10
X 10 12 10 10 10 12 8 10 10 12 10 10 10 12 10 X 8 8 8 8 8 8 8
X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
Chorus
Gtr. 1: w/ Rhy. Fig. 1
Cm7 C6 C5 C6 C5 F5 F6 F5 F6 F5 F6 F5 F6 Bb5/F
ny - lons too. ’Cause we bad, we na - tion - wide.
*let ring
P.M.
8 10
8 X 10 X 10 12 10 10 12 10 10 12 10 10 12 8
12 10 X 10 12 10 X 8 8 8 8 8 8 8 8 8 8 8 8 8 8
8 8 8 X 8 8 8
*As before
C5 C6 F5/C C5 C6 C5 C6 C5 C6 Bb5/F F5 F6 F5 F6 F5
Yeah, we bad,
let ring
P.M.
10
10 8 10 10 12 10 10 12 10
X 10 12 8 10 10 12 10 10 12 10 10 12 8 8 8 8 8 8 8 8 8
X 8 8 8 8 8 8 8 8 8 8 8 8 8
4
Slower q = 80 Faster q = 104
C5 C6 F5/C C5 C6 C5 μ F Eb5
we na - tion - wide.
Gtrs. 2 & 3
3 3 3
P.M.
11 11 11 10 11 11 11 10 11 11 11 10
10 12 12 12 11 12 12 12 11 12 12 12 10 8
10 8
8 10 10 12 8 10 10 12 10
6 8 8 8 8 8 8 8 8
Guitar Solo
Gtr. 3 tacet
C5 Eb5 F5/C C5 Eb F5/C
3 3 3
*Gtr. 1 6 6
reverb off w/ pick & fingers
1/2 P.M.
1 let ring
10 10 8
10 10 8 5 5 5 5 5 5 5 5 5 5 5
10 10
1 3 3 3 3 3 3 3 3 3 3 3
*Two gtrs. arr. for one.
Gtr. 2
P.M.
**T T T
X X X X X X
X X X X X X 8
X X X 8 10 X X X 8 10
X X X 8 10 X X X 8 10
X 10 X X X X X X 10 X X X X X
X 8 X 8 X X X 8 X 8 X 8 X X X 8
**T = Thumb on 6th string
C5 Eb5 F5 F5/A
1/2 P.M. P.M.
1
10 10 8 3
10 10 8 1 3 1 3 1 3 1 3
10 10 1 3 3 3 3 3 3 3 3
T P.M. let ring T
X X X X
X X X X
X X X X 8 10 10
X X X X 8 10 10
10 X X X X 11 12 12
8 8 X X X X 6
5
C5 Eb5/C F5/C C5 Eb5/C F5/C
6 6 6 3 3
1/2 P.M.
P.M.
1 let ring
10 10
10 10 8 5 5 5 5 5 5 5 5 5 5 5 5
10 10
1 3 3 3 3 3 3 3 3 3 3 3 3
P.M. P.M.
T
X X X X X X X X
X X X X X X X X
X X X X 8 10 X X X X 8 10
X X X X 8 10 X X X X 8 10
10 10 X X X X X X X 10 X X X X X X X
8 8 8 X X X X 8 8 X 8 X 8 X X X X 8 8
C5 Eb5 F5/C F5/A
1/2 P.M.
1
10 10 8 1 3 1 3 1 3 1 3
10 10 8 1 3 1 3 1 3 1 3
10 10 1 3 3 3 3 3 3 3 3
P.M.
T T let ring T
X X X X
X X X X
X X X X 8 10 X 10
X X X X 8 10 X 10
X 10 X X X X X X 11 12 12
X 8 X 8 X X X X 8 6
C5 Eb5/C F5/C C5 Eb5/C F5
6 6 3 3 3 3
P.M.
1/2 P.M.
1 let ring
3 10 10
3 10 10 8 5 5 5 5 5 5 5 5 5 5 5 5
10 10
1 3 3 3 3 3 3 3 3 3 3 3
P.M.
T
X X X X X X X X
X X X X X X X X
X X X X 8 10 X X X X 8 10
X X X X 8 10 X X X X 8 10
10 10 X X X X X X X X 10 X X X X X X
8 8 X 8 X X X X 8 8 X 8 X 8 X X X X 8
6
C5 Eb5/C F5 F5/A
1/2 P.M.
1
10 10 1 3 1 3 1 3 1 3
10 10 8 1 3 1 3 1 3 1 3
10 10 1 3 3 3 3 3 3 3 3
T let ring T
X X X X
X X X X
X X X X 8 10 X 10
X X X X 8 10 X 10 10
X 10 X X X X X X 11 12 12
X 8 X 8 X X X X 8 6
Gtr. 4: w/ Rhy. Fig. 2 (7 times)
F/A C C5 Eb5 F5/C
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 4
(elec.)
f
w/ dist.
Gtr. 1
P.M.
slight P.H.
1/2 1/2 1/4 1/2
3 8
3 8 10 10 10 8
10 8 10
Gtr. 2
P.M. P.M. P.M.
T T T
X X X X X
X 7 8 X X X X
X 7 8 10 X X X X 8 10
X 7 8 10 X X X X 8 10
10 10 X 10 X 10 X X X X X X
8 8 8 X 8 X 8 X 8 X X X X 8
C5 Eb5 F5/C C5 Eb F5/C
1/2
1/2
10 8
10 10 8 10 8 10 8
10 10 10 9 8 6 8 6
T P.M.
T P.M.
T
X X X X X X X
X X X X X X X 8
X X X 8 10 X X X X 8 10
X X X 8 10 X X X X 8 10
X 10 X X X X X X 10 X X X X X X
X 8 X 8 X X X 8 X 8 X 8 X X X X 8
7
C5 Eb5/C F5 C5 Eb5 F5/C
P.M. P.M. P.M. P.M.
1/4 1/4 1
1 1 1 3 1 3
1 3 3 1 3 3
3 3
T T P.M.
T
X X X X X X X X
X X X X X X X X
X X X X 8 10 X X X X 8 10
X X X X 8 10 X X X X 8 10
X 10 X X X X X X X 10 X X X X X X
X 8 X 8 X X X X 8 X 8 X 8 X X X X 8
C5 Eb5/C F5/C C5 Eb5 F5
slight P.H.
P.M. P.M. P.M. P.M.
3/4
10 8 10 8
1 10 10
3 1 1 3 3 3 1 3
T
P.M.
P.M.
X X X X X X X X
X X X X X X X X
X X X X 8 10 X X X X 8 10
X X X X 8 10 X X X X 8 10
X 10 X 10 X X X X X X X 10 X X X X X
X 8 X 8 X X X X 8 8 X 8 X 8 X X X X
F5/A C5 C6 F5/C C5 C6 C5 Bb5/F B5/F#
P.M. P.M.
1/2 1 1/4
8 8 11 8
8 10
10 10 10 8
10 10 8 10 8 8 8 9
let ring P.M.
X 10
X 10 8 8 8 9
11 12 12 10 10 12 8 10 10 12 10 10 8 8 8 9
6 8 8 8 8 8 8 8 8 8
8
Slower q = 80 Faster q = 104
Gtr. 3 tacet
C5 C6 F5/C C5 C6 C5 μ (C7) (F5) Eb5 C5 Eb5 C5
P.M. 1/2 P.M. 1/2
1 1/4 1 1
8
10 10 10
10 8 10 10 10 10
9 0 10 10 8
0
Gtrs. 2 & 3
Gtr. 2
P.M.
3 3 3
let ring
P.M. T
X X X X
11 11 11 10 11 11 11 10 11 11 11 X X X X
12 12 12 11 12 12 12 11 12 12 12 10 8 X X X X 8
10 8 X X X X 8 10
10 10 12 8 10 10 12 10 X 10 X 10 X X X X 10
8 8 8 8 8 8 X 8 X 8 X X X X
Eb5 F5/C C5 Eb5/C μ C5 Eb5 μ
3. Well, I was
8va
1
1/2
8 15 20 18 18
10 18
8 10
10
T
P.M.
P.M. T
X X X X X X X X X X X X
X X X X X X X X X X X X
X X X X 8 10 X X X X 8 X X X X 8
X X X X 8 10 X X X X 8 10 X X X X 8 10
X 10 X 10 X X X X X X X 10 X 10 X X X X X X X 10 X 10 X X X X
X 8 X 8 X X X X 8 8 X 8 X 8 X X X X 8 8 X 8 X 8 X X X X
Verse
Gtr. 1 tacet
C5 C6 F5/C C5 C6 F5/C C5 C6 F5/C C5 C6 C5 F5 F6 F5 F6 Bb5/F
mov - in’ down the road in my V - Eight Ford, I had a shine on my boots, I had my
Gtr. 2
P.M.
X 10 12 10 10 12 8
10 10 12 8 10 10 12 8 10 10 12 8 10 10 12 10 X 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9
Cm7 C5 C6 F5/C C5 C6 F5/C C5 C6 F5/C C5 C6 C5 C6 C5
side - burns low. With my New York brim and my gold tooth dis - played, no -
let ring
P.M.
8 7
8 10
10 10 12 8 X 10 12 8 10 10 12 8 10 10 12 10 10 12 10
8 8 8 8 8 8 X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
Chorus
Gtr. 1: w/ Rhy. Fig. 1
F5 F6 Bb5/F F6 Bb5/F C5 C6 C5 C6 C5 F5 F6 F5 F6 F5
bod - y gave me trou - ble ’cause they know I got it made. I’m bad,
*let ring
P.M.
10
X 10 12 8 10 10 12 8 X 10 12 10 10 12 10
X 8 8 8 8 8 8 8 10 10 12 10 10 12 10 X 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
*As before
F6 F5 F6 F5/C C5 C6 C5 C6 C5 C6 C5 C6 Bb5/F
I’m na - tion - wide. Girl, I’m bad,
let ring let ring
P.M.
10
10 10 12 10 10 12 10 8
8 8 8 8 8 8 8 8 10 10 12 10 10 12 10 10 12 10 10 12 8
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
F5 F6 F5 F6 F5 C5 C6 F5 C5 C6 C5
bad, bad, bad, bad, I’m na - tion - wide. Yeah.
P.M. **
P.M.
let ring
10
10 10 12 10 10 12 10 10
8 8 8 8 8 8 8 8 8 X 10 12 8 10 10 12 10
X 8 8 8 8 8 8
**Vol. swell to full volume.
10
Outro-Guitar Solo
Slower q = 80 Faster q = 104 Gtrs. 2 & 3 tacet
μ (C7) (F5) Eb5 Cm7 F Cm7 F
loco
f
*w/ slight dist. & octaver string noise
P.M.
1/2
8 10 8 8 X
10 8 8 10 10 8 X
8 10 1 3
3
*Octaver set for one octave below.
Rhy. Fig. 3
Gtrs. 2 & 3
Gtr. 7 (elec.)
3 3 3
mf
w/ clean tone
w/ fingers
11 11 11 10 11 11 11 10 11 11 11 4 4 4 4 6 4 4 4 4 6
12 12 12 11 12 12 12 11 12 12 12 10 8 3 3 3 3 5 3 3 3 3 5
8 5 5 5 5 7 5 5 5 5 7
Gtr. 6 (elec.) End Riff A
Riff A
f
w/ slight dist.
P.M. throughout 1/4 1/4
3 3 3 3 3 3 3
1 3
3 3 3 3 3 3 3 1 3 1
Gtrs. 5, 6 & 7 tacet
Cm7 F μ
**Gtr. 9 (elec.)
f
w/ neck/mid p.u.
w/ slight dist.
1 1/2
10 8 8
3 X 3 3 3 1 3 1
3 1 3
**w/ Fender Strat style pickup configuration.
End Rhy. Fig. 3
4 4 4 4 6
3 3 3 3 5
5 5 5 5 7
Riff B End Riff B
***Gtr. 8 (elec.)
f
w/ dist.
1/4 P.M. throughout
1 3
3 3 3 3 3 3 3 3 1 1
3 2 1 0 1 2 3 3 2 1 0 1 2
***Bass arr. for gtr.
11
Gtr. 7: w/ Rhy. Fig. 3
Cm7 F Cm7 F
Gtr. 9
w/ bar
P.M. +1/2 P.M. 1/4 P.M.
11 11 8
12 12 12 10 10 8
10 8 10 8 8 10
8 10
Riff C
Gtr. 6
1/4 1/4
1 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1
3
Gtr. 8: w/ Riff B
Cm7 F5 μ
8 8 8 8 8 8 8 8 8
8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10
End Riff C
1/4
1 3
3 3 3 3 3 3 3 3
Gtr. 6: w/ Riff A (2 times)
Gtr. 7: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)
Gtr. 9 tacet
Cm7 F Cm7 F Cm7 F
Gtr. 5
3
P.M. P.M. P.M. P.M.
1/2 1 1
10 10 8 10 10 8 10 8 10 10 10 8
1 3 3 1 3 3 1 3 1 10 10 8 8
1 3 3 3 3 3 1 0
Gtr. 5 tacet
Gtr. 6: w/ Riff C
Gtr. 7: w/ Rhy. Fig. 3
Cm7 F Cm7 F Cm7 F
Gtr. 5 Gtr. 9
Gtr. 9 3 1/4 1/4
divisi P.M. 1/4
1 1/2 1/2 1/2 1/2
rake
8 8 10 10 10
10 10 8 10 10 8 8 10 8 10 10 10 10 10 8
X 10 10 10
X
X
Gtr. 8: w/ Riff B Gtr. 6: w/ Riff A (2 times)
Gtr. 7: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)
Gtr. 9 tacet
Cm7 F μ Cm7 F
Gtr. 5
P.M.
P.M. 1 P.M.
8 8
11 8 11 8 8
10 8 10 8 10 10 10 8 10 8 10 8 10 8
10 8 10 10
12
Cm7 F Cm7 F Cm7 F
P.M. P.M.
P.M.
1 1
P.M.
1 1 P.M.
8 8 8 11 8 8
8 11 8 8 11 11 11 11 11 8 11 8
8 10 8 10 10 10 8 10 8 10 8
10 10 8 10
10
Gtr. 5 tacet
Gtr. 7: w/ Rhy. Fig. 3
Cm7 F Cm7 F
Gtr. 9
P.M. 1/4 P.M.
1/2
10 11
11 12 12 10 8 10 8 10 8 10 10 8
10 8 7 10
10
Gtr. 6
1/4
1 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
6 3
Gtr. 8: w/ Riff B Gtr. 7: w/ Rhy. Fig. 3 (till fade)
Cm7 F μ Cm7 F
1/4 1/2
P.M. P.M. P.M.
8 8
10 8 10 8 1 3
10 10 9 8 6 8 6 1 3 1 3 1 3 1 3 1 3 3 3 1
8 1 3
1/4 1/4
1 3 1 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Begin fade
Cm7 F Cm7 F
1 3 3 1
1 3 1 3 1 3 1 3 1 1 3 1 3 1 1 3 1 3 3
3 3
1/4
1 3
3 3 3 3 3 3 3 1 3 3 3 3 3 3 3
3
13
Gtr. 8: w/ Riff B
μ Cm7 F
1/4
3 5 3 8 10
3 5 5 5 4 3 1 3 8 10 10
8 10 10
1/4
1 3
3 3 3 3 3 3
Gtr. 6: w/ Riff C (last 3 meas.) Gtr. 8: w/ Riff B
Cm7 F Cm7 F μ
Gtr. 9
let ring
P.M. P.M.
1 hold bend grad. release
11 10 11
8 10 10 10 8 10 8 11 12
8 8 10 10 X 10 10 10
8 10
Cm7 F Cm7 F
Gtr. 9
10 10 10
11 11 8 10 11 11 10 11
12 10 8 11 12 10 8 11 12
Gtr. 6
1/4
1/2 1/2 1/2
1 3 3 3 3 3 3
1 3
3 3 3 3 3 3 3 1
3
1
Fade out
Cm7 F μ
10 10 8 10
11 11 11 10 11
12 10 10 11 12
10
1/2 1/2
1 3
3 3 3 3 3 3 3
14
from The Best of ZZ Top
Jesus Just Left Chicago
Words and Music by Billy F Gibbons, Dusty Hill and Frank Beard
G5 C5
5fr
11
Gtrs. 1 & 3: Tuning:
(low to high) E-G-D-G-B-E
Intro
Slow Blues q = 72 = 3
** G C/G C C/G
Gtr. 1 (dist.)
f rake
1/4
1/4
1/4
3 3
5 X 5 0
X 3
*Gtr. 3 (clean)
f
0 1 0 1
0 0 0 0
0 2 0 2
0 0
*Two gtrs. arr. for one.
Gtr. 2 (dist.)
mf
P.M.
8
6
5
3
5
3
5
3
5
3
5
3
5
3
5
3
8
6
5
3
5
3
5
3
5
3
5
3
5
3
5
3
8
6
**Chord symbols reflect basic harmony.
Copyright © 1973 Songs of Mosaic
Copyright Renewed
All Rights Reserved Used by Permission 1
Verse
2nd time, Gtr. 1 tacet
G C/G G C/G
3
3
3
3 3 3
1. Je - sus just left Chi - ca - go, and He’s bound for New
2. Took a jump through Mis - sis - sip - pi, well, mud - dy wa - ter turned to wine.
P.M.
0
Rhy.
Fig. 1A
0 1 0 1
0
0
0
0
2
0
0
0
0
2
0
Rhy. Fig. 1
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2
2nd time, Gtr. 1: w/ Fill 1
G C/G G C/G
3
Or - leans. Well, now,
1/4
3
5 5
0 1 0 1
0 0 0 0
0 2 0 2
0 0 5
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Fill 1
Gtr. 1 3
P.M.
1/4
3
5
5
3
Gtr. 1 tacet
C F/C C F/C
3
3
3 3
*
3
3 3
Je - sus just left Chi - ca - go, and He’s bound for New Or -
Took a jump through Mis - sis - sip - pi, mud - dy wa - ter turned to wine.
Gtr. 3
5 6 5 6
5 5 5 5
5 7 5 7
5 5 0
Gtr. 2
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Sung behind the beat.
2nd time, Gtr. 1: w/ Fill 2
G C/G G C/G G C/G
leans. Hey, yeah, yeah.
Hey, yeah.
End Rhy. Fig. 1A
Rhy. Fill 1
End Rhy. Fill 1
0 1 0 1 0 1
0 0 0 0 0 0
0 2 0 2 0 2
0 0 0
End Rhy. Fig. 1
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Fill 2
Gtr. 1
3
5
4
1.
A C G5
3 3 3
3 3
Work - in’ from one end to the oth - er, and all points in be - tween.
Then out to Cal - i - for - nia through the for - est and the pine.
Gtr. 1
3
3
let ring
let ring 3
let ring
3 3
1/4 1/2
3 3 3
3
0
0
3
0
0
0
3 3 2 2 1
0
0
Gtr. 3
Rhy. Fig. 2A End Rhy. Fig. 2A
2 5
2
2
2
5
5
5 0
Gtr. 2
Rhy. Fig. 2 3 End Rhy. Fig. 2
P.M.
2
2
0
5
5
3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2.
Gtr. 2: w/ Rhy. Fig. 2 (last 2 meas.)
3
3
3
Ah, take me with you Je - sus.
3
Gtr. 1
3
let ring let ring
3 3 let ring let ring
3 3
1/4 1/4
3 3 3 3 3 3 3
3 3 2 2 1 3 3 2 2 1
0 3 0 3 0
Gtr. 3
P.M.
(cont. in slashes)
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
5
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1
G5
Gtr. 3
P.M.
3
Gtr. 1
3
P.S.
let ring
X 0
8 8 8 8 8
X
11 11 11 11 11
3 5 3
5 3
3 0
C5
P.M.
3 3 5
3
1
1/2
1 1 1/2 1 1
3
6 6 6 5 5 6 6 3 6 3 6 3
5 5 3 3 5 5 3 5
5
G5
P.M.
6
3
3 3
3
hold bend
1 1/4 1
8 8 8
6 11 11 11
5 3 3 3 5 5 3 3 5
5 5 5
0 3 0
6
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
A5 C5 G5
P.M.
3
3
3
let ring
3 3
3
3 3 3
let ring
1 1 1/4
3 3 3 3
3 6
5 5 5 3 5 5 5 3 5 3
5 3 5 0 3 3 2 2 1
3 0
Gtr. 2: w/ Rhy. Fig. 2 (last 2 meas.)
3 3 3
let ring let ring let ring let ring let ring
3 3 3 3 3 3
let ring
1/4 1/4 1/4
3 3 3 3 3 3 3 3 3 3 3 3
0 3 3 2 2 1 0 3 3 2 2 1 0 3 3 2 2 1
0 3 0 3 0 3
Verse
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
G C/G G C/G
3
3 3
3
3
3
3. You might not see Him in per - son, but He’ll see you just the same.
1
0 5
0
0
7
G C/G G C/G
3
3
3 3
3 3
3 0 0 3 0 0
C F/C C F/C
3
3 3
3 3
You might not see Him in per - son, but He’ll see you just the same.
3
1 1/2
3
5 3 3
5 X
5 X
Gtr. 3: w/ Rhy. Fill 1
G C/G G C/G
3
3
3
Yeah.
3
1
5 3 3
3
8
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
A C G5
3
3 3 3 3
3
You don’t have to wor - ry ’cause tak - in’ care of bus’ - ness is His name.
3
3
let ring let ring
1/2 1/4
0 0
3 0 3
Gtr. 2: w/ Rhy. Fig. 2 (last 2 meas.)
3
3
3 3 3 3 3 3 3
let ring let ring let ring
1/4 1/4
3 3 3 3 X 3 3 3 3 3 3 3
3 3 2 2 1 3 3 2 2 1 3 3 2 2 1
0 0 3 0 3 0
Outro-Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
G5
3 3 3 3
3
P.S.
1 1 1
8 8
11 11 6 3 6 3 3 3 6
X 0 5 5 5 3 5 3 3 3 5
X 5 5 5
9
3
3
3 3
3 3
3 let ring
1 1
6 3 3 6 6 6 5 6 6 6 6
5 3 5 3 3 3 5 3 3 5 7 6 7 7 7 7 5 3 5 7
5 5 5
Begin fade
C5
3 3 3
3
6 6
8 8 8 8 8 8 8 8 8 8 8 8
7 5 3
G5
3
3
6 6 3
3
1 1
3 3
3 3 3 3 3 3 3
5 5 3 5 3 5 3 5 5 3 5 3 5 3 0 0
5 5 5 5 5 5 5 5 5 3 3 3 1 0
Fade out
A5 C5 G5
3
3
1 1 1
3
5 5 5 3 5 5 3
3 5
3 0
10
from ZZ Top - Rio Grande Mud
Just Got Paid
Words and Music by Billy F Gibbons and Bill Ham
Open E tuning:
(low to high) E-B-E-G#-B-E
Intro
Moderately q = 98
* Em7
Riff A End Riff A
Gtr. 1 (slight dist.)
mf
P.M. P.M. P.M. P.M.
3 3
3 5 5 3 5 5 3 5 5 3 5 5
0 0 0 0 3 0 3 0
*Chord symbols reflect implied harmony.
Am7
Gtr. 2 (slight dist.)
mf p steady gliss.
w/ slide
P.M.
12 12 12
11
10 12 12 10 12 10
Gtr. 1
p
4
3 3
3 5 5 3 5 5
3 5
Em7
mf
**
11 10 11 11.5 12
12
**Slide positioned halfway between the 11th & 12th frets.
Riff B
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3 3 3
3 5 5 3 5 5 3 5 5 5 5 3 5 5 3 5 5
0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0
Copyright © 1972 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permisson 1
loco
8va
19
12 10 10
19 12
End Riff B
P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M.
3 3 3
3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5
0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0
Verse
*E D Em7
1. Just got paid to - day, got me a pock - et full of change.
12 12 10 10 10 10
12 12 10 10 10 10
12 12 12 10 10 10 10
12
P.M. P.M. P.M. P.M. P.M.
12 12 12 12 10 10 10 10 3
12 12 12 12 10 10 10 10 10 3 5 5 3 5 5
13 14 14 12 0 0 0 0 3 0
*Chord symbols reflect overall harmony.
E D
Said I just got paid to - day, got me a pock - et full
12 12 12
12 12 12 12 10 10 10 12
Riff C
P.M. P.M. P.M. P.M.
P.M.
3 12 12 12 12 10 10 10
3 5 5 3 5 3 5 12 12 12 12 10 10 10 10 10
0 0 0 0 3 0 13 14 14
2
Em7 G5
of change. If you be - lieve like work - in’ hard all day, just
slight P.M.
5 5
12 2.5 3 5 5
10.5 10 12 2.5 3
12 2.5 3
End Riff C Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3
3 5 5 3 5 5 3 5 5 3 5 5 3 3
0 0 0 0 3 0 0 0 0 0 3 0 3 3
A5 Em7
step on my shoes and take my pay.
5 5
5 5 10 10.5
5 5 10.5 10 10.5 10 10 12 10 10 12 10 12
5 5
End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 3 3
5 5 3 5 5 3 5 5 3 5 5 3 5 5
5 5 0 0 0 0 3 0 0 0 0 0 3 0
Verse
Gtr. 1: w/ Riff C (2 times)
E D Em7
2. I was born my pa - pa’s son, when I hit the ground I was on the run.
Gtr. 2
P.M.
10
12 12 12 10 10 10
12 12 10 10 10 10
3
E D
Had one glad hand and the oth - er be - hind. You can have yours, just give me mine.
12 12 12 12 10 10 10 10
12 12 12 12 10 10 10 10
Gtr. 1: w/ Rhy. Fig. 1
Em7 G5
When the hound dog bark in the black of a night, stick my
let ring
3 3 2 12 12 11.5 11 0
3
3
A5 Em7
hand in my pock - et, ev -’ry - thing’s all right.
14 14 4 11 10 10 10 12
3 5 5 3 11 10 10 11.5 12
12 11
A5
Gtr. 2
P.M.
12 10 10 12
11 11 10 10 11 10 11 10 11 11 9 7
12 12
Gtr. 1
P.M. P.M. P.M. pp
3 X X 5
3 5 5 X X X 5
0 0 0 5
4
Guitar Solo
A E7 A E7 A E7
12 10
11 10 10 10.5 10.5 12
12 11 10 11 12 12 10 11 10 10 10 11 10 11 12
12 12 11 10 12
12
mf
let ring let ring let ring let ring let ring
15 15 15
5 15 15 13 12 15
5 5 12 X X X X 12 12 12 X
5 5 14 12 12 12 14 X X X X 14 12 12 12 14 14 12 12
5 12 12 12 12 12 12 12
A E7 A E7 A E7
don’t P.M. P.M.
pick
11 12 11 10 11 10 11 12 12
11 12 10 12 10 10 11 11 11.5 12 12 11 12
12 10 12 11 12 11 10 12 11 10 12 12 12
12 12 12 12
let ring let ring let ring
15 15 15 15
13 13 15 13 15 15 13 X X XXX 15 12
12 12 12 12 12 X X X X X 12 12 12
14 14 14 12 12 14 14 12 12 14 X X XXX 12
12 12 12 12 12 12 12
A E7 A E7
P.M. P.M.
12 12
12 10 12 10 11 10 12 11 10
12 12 12 10 12 12 10 12
12 12
let ring let ring let ring
15 15
13 12 12 12 12 15
12 12 12 12 12
12 14 12 12 14 14 14 12 12
12 12 12 12 12
5
A E7 A E7 A E7
11 10 10 10 11 10
12 11 10 12 12 10 12 12 10 12 12 10 11 12 12 10 10 12 12 10 12
12 12 12 12 12 12
let ring let ring let ring let ring
15 12
13 X X X 12 15 12 13 X 12 12 12
12 X X X 12 12 12 X 12 12 X X X 12 12
12 14 X X X 12 12 14 14 X 14 12 12 12 14 X X X 12
12 12 12 12 12 12 12 12 X 12
A E7 A E7 A E7
15 15 12 15
10.5 11 12 10 15 15 10 12 10 12 11 10 11 11 11.5 12 10 15
11 10 12 12 12 10 12
12 12
let ring let ring let ring
15 12 15
13 X X X X 12 12 13 X X 12 12 13 X X X X 15
12 X X X X 12 12 12 X X 12 12 12 X X X X 12
12 14 14 X X X X 12 14 12 12 14 X X X X 14 12 12
12 12 12 12 12 12
A E7 A E7
let ring
12 12 14
15 17 17 15 8 11 12 12 11 12 11 10 15 15 17 17 7 11 12
15 17 17 15 8 11 12 11 12 10 15 15 15 17
12
let ring let ring let ring let ring
15 15
13 X X X 15 13 X X X 13 12 15
12 X X X X 12 12 12 X X X 12
12 14 X X X 14 12 X 12 12 14 X X X 12 12
12 12 12
6
A E7 A E7
14 15 16 14 10 12
12 11 10 10 11 10 10 10 12
12 12 12 11 12 10
12
let ring let ring
15 15
13 X X X X 15 13 X X X X X 12 15 12
12 X X X X 12 12 12 X X X X X 12 12
12 14 14 12 12 12 12 14 12
A E7 A E7 A E7
let ring
10 12
15 15 17 17 17 12 12 17 17 12 10 10 10 11 12
15 15 17 17 17 11 12 11 12 17 12 12 11 12 10 11
11 12
let ring
15 15 15
13 X X X 12 15 12 XXX 15 13 X X X X 12 15 12
12 X X X 12 12 12 X X X 12 12 12 12 X X X X 12 12
12 14 12 12 14 XXX 14 12 12 12 14 X X X X 12
12
A E7 A E7 A E7
11 10 11 10 11 10 10 11
11 11 10 12 10 11 12 10 10 11 10 11 10 12
12 11 10 12 12
12
let ring let ring let ring let ring let ring
15 15 15 15
X X X X X 15 13 X 15 13 X X X 15 15
12 X X X X X 12 12 X 12 12 12 X X X 12 12
12 14 X X X X 14 12 12 12 14 14 12 12 12 14 X X X 14 12 12
12 12 12
7
A E7 A E7
12 12 15 15 15.5 6
11 12 11 12
11 10 10 11 11 10 8 6
12
let ring let ring let ring
15 12
13 X X X X 15 13 X X 12
12 X X X X 12 12 X X 12 12 12
12 14 X X X X 14 12 12 12 14 14 12
12 12 12 12
D A7 D A7 D A7
let ring
5
5 5 4 4 5 5 5 10 5
5 5 3 3 5 4 3 4 5 5 5 3 8 8 10 10 3 5 5 3 9
5 5 5 5
let ring let ring let ring let ring let ring
8 8 8
6 X X 8 6 X X X X 6 5 8 X 6 X X X X 6 5 8
5 5 X X 5 5 5 5 X X X X 5 5 5 5 X X X X 5 5
7 X X 7 5 5 5 5 7 X X X X 7 5 5 7 X X X X 7 5 5 5
5 5
Interlude
D A7 E
mp
don’t
pick
10 10 10 12 12 13 7 10 11 11 12
10 12 12 12 11 11.5 12 12 X X
12 12 12 12 12
12
let ring
mp
let ring let ring
8
6 X X X X X 8
5 5 X X X X X 5 12 12 X X 12 12 12 12 12 12 12 12
5 7 X X X X X 7 5 5 12 12 X X 12 12 12 12 14 12 12 12 12 12 12 14
5
8
p w/ slap back delay
12 12 12 10
12 12 10 12 10 10 11 12
11 12 10 12 11 10 10 11
12 8 12
let ring let ring let ring
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 14 12 12 12 12 12 12 14 12 12 12 12 12 12 14
delay off pp
11.5 11.5 11.5 10 12 10
11.5 11.5 11.5 10
12 10 10
let ring let ring
p
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 14 12 12 12 12 12 12 14 12 12 12 12 12 12
15
B5 μ B5 μ B5 μ
loco 8va
8va
f
P.M.
7 7 4 7 7 19
7 7 4 7 7 6 14 19 19 17 17 18 10
6 5 6 5 6 5 5 7 7 7 4 7 6 5 5 6 5
7 7 7 7 7 4
0
mf
7 7 7
7 7 7
7 7 7
9
Gtr. 1: w/ Riff A
B7 μ Em7
8va
loco
w/ slapback delay
*
20 21 21 22 22 22
20 10 5 11 10 10 11
11
*Gliss. w/ slide contacting frets.
10
10
7
7
7
Gtr. 1: w/ Riff B
3. I
Gtr. 2
12 11 10 8
11 12 12
12 12 12
11 12 10 12
Verse
Gtr. 1: w/ Riff C (2 times)
Gtr. 2 tacet
E D Em7
just got paid to - day, got me a pock - et full of change. Said,
E D Em7
“Black sheep, black, do you got some wool?” “Yes, I do, man, my bag is full.” It’s the
Gtr. 2
** pp
0
p mf
11 10
10 10 17
9 10 8 10
**Vol. swell
Gtr. 1: w/ Rhy. Fig. 1
G5 A5 Em7
root of e - vil and you know the rest, but it’s way a - head of what’s sec - ond best.
let ring let ring
3 3 1 15 15 14 12 0 5 5 3 17
3 4 5 17 17 7 11 10 10 11
2 3 4 5 11 12 12
10
Outro
D5 E5 D5 E5
Gtr. 2
mp
9 10
9 10
9 10 12 6 9 10 19 6
Gtr. 1
7 7
3 3 3 3 3 3 3 3 3 5 3 3 3 3 3 3 3 3 3 5
5 7 5 7
D5 E5 D5 E5 μ D5 E5 μ
9 10 10 9 10 10 10 3 4 9 10
18
7
3 3 3 3 3 3 3 3 3 5 3 3 3 3 3 3 3 3 5 3 3 3 3 3 3 3 3 5
5 7
D5 E5 μ
*p mf pp
don’t fdbk. don’t
pick pick
9 9.5 10
9 9 9.5 10 10
9 10 10
10
*Vol. swell Pitch: E
3 3 3 3 3 3 3 3 5
11
from ZZ Top - Rio Grande Mud
Ko Ko Blue
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderately q = 117
*Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj9 Am D5 C5 A5
Gtr. 1 (dist.)
mf
8 7 5 8 7 5 8 7 5 8 10 8
9 7 5 9 7 5 9 7 5 9 11 9
5 7 7 7 5 7 7 5 7 7 5 7
Gtr. 2 (dist.)
mf
8 7 5 8 7 5 8 7 5 8 10 5
9 7 5 9 7 5 9 7 5 9 11 5
5 7 7 5 7 7 5 7 7 5 7 7
5 7 5 7 0 5 7 5 7
*Chord symbols reflect overall harmony.
A7(no3rd) C A7(no3rd) C A7(no3rd) C A7(no3rd) C
1. One,
P.M. P.M. P.M.
8 8 8 8 8 8 5 8 8 8 5 8 8 8 5
9 9 9 5 9 9 9 5 9 9 9 5 9 9 9 5
P.M. P.M. P.M.
X 8 8 X XXX 5 X 8 8 8 5 X 8 8 8 X 5 X 8 8 8 X 5
X X 9 9 X XXX 5 XXX 0 9 9 9 5 XX 9 9 9 X 5 XX 9 9 9 X 5
X X X0 X X
X
Copyright © 1972 Music Of Stage Three
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
Verse
A7(no3rd) C A7(no3rd) C A7(no3rd) C A7(no3rd) C
two, what you gon - na do? Can you come and see me to - night?
hot ’n’ cold, man, roll - ing low, juk - ing down to twelve mid - night. Uh,
bil ly Wil - ly, he’s quite a guy from eat - ing some, uh, Ko Ko pie. Mm,
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtrs. 1 & 2
P.M. P.M. P.M. 1/4 P.M. 1/4
8 8 8 5 8 8 8 5 8 8 8 5 8 8 8 5
9 9 9 5 9 9 9 5 9 9 9 5 9 9 9 5
*Composite arrangement
Gtrs. 1 & 2: w/ Rhy. Fig. 1
A7(no3rd) C A7(no3rd) C A7(no3rd) C A7(no3rd) C
Black, white, feel al - right if you could in broad day - light.
ice cream, you know what that means. I think I got a fla - vor you’ll like. If
she’s nice if you ask her twice. Ask him and he’ll tes - ti - fy.
Chorus
D5 D6 D5 D6 D5 D6 D5 A7(no3rd) D/A C5 C#5 A5
I could get to see her, you know I’d try to please her. Oh, my Ko Ko. Don’t
Gtr. 1
P.M.
7 7 5
7 7 5
7 7 9 7 7 7 9 7 7 7 9 7 7 X 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 X 8 9 3 3 4 3
Gtr. 2
P.M.
P.M.
8 7 7 5
9 7 7 5 2
7 7 9 7 7 7 9 7 7 7 9 7 7 7 7 7 5 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 4 0 0 2
2
D5 D6 D5 D6 D5 D6 D5 D6 D5 A7(no3rd) D/A
try to ask me why she set my soul on fire. Oh, my Ko Ko Blue.
Riff A
P.M.
8 7 7 4
9 7 7 4
7 7 9 7 7 7 9 7 7 7 9 7 7 7 9 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
P.M.
8 7 7 5
9 7 7 5
7 7 9 7 7 7 9 7 7 7 9 7 7 7 X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 X X
To Coda 1
To Coda 2
C5 C#5 A5 A7(no3rd) D/A C5 C#5 A5
Oh, my Ko Ko Blue.
End Riff A
8 7 7 4
9 7 7 4
7 7 5 7
3 3 4 3 3 4
P.M.
P.M.
8 7 7 5
2 9 7 7 5 2
5 2 5 2 5 7
3 3 4 0 0 3 3 4 0 0
3
D.S. al Coda 1
Interlude
A7(no3rd) C A7(no3rd) C A7(no3rd) C A7(no3rd) C
2. Oo,
P.M. P.M.
1/4
8 8 8 8 8 5 8 8 8 8 8 8 5
9 9 9 9 9 5 9 9 9 5 9 9 9 5
Rhy. Fig. 2 End Rhy. Fig. 2
P.M. P.M. P.M. P.M.
X X X
X 8 8 5 X 8 8 8 5 X X 8 8 8 5 X 8 8 8 5
X 9 9 5 X 9 9 9 5 9 9 9 5 9 9 9 X 5
X X
Coda 1
Interlude
A7(no3rd)
Riff B
P.M. P.M. P.M.
8 8 8 8 8 8 8 8
X 9 9 9 9 9 9 9 9
X X 5 7 5 7 5 7
P.M. P.M.
8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9
X 5 7 X 5 7 X 5 7
4
End Riff B
P.M. P.M. P.M.
8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9
5 7 5 7 5 7
X 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 X 9 9 9
X 5 7 X X 5 7 X 5 7
Harmonica Solo
Gtr. 2: w/ Riff B (2 3/4 times)
A7(no3rd)
*Gtr. 3
3 3 3 3
f
17 16 20 17 20 16 20 17 20 16 20 17 20 16 20 17 20
*Harmonica arr. for gtr.
Riff C End Riff C
Gtr. 1
P.M. P.M. P.M. P.M. P.M.
8 8 8 X 8 8 8 8 8 8 8 8 8
9 9 9 X 9 9 9 9 9 9 9 9 9
5 7 5 7 5 7 5 7
0 0 0 0
Gtr. 1: w/ Riff C (2 times)
Gtr. 3
3 3 3
1/4 1/4
19 17
22 20 20 17
19 19 17 17 17
19 19 19 19 19 17 19 19 19 17 19 19 17
5
Gtr. 1: w/ Riff B (1st 2 meas,)
1/4 1/4
17 17 17
17 19 19 17 19 17 17
19 19 19 19 19 17 19 19 17 19 19 16
Gtr. 3
3 3
1/2
17 19 16 19 17 20 19 16 19 17 20
19 19 17 19 19
18 19 19 19 19 19 19 19
Gtr. 1
P.M. P.M. P.M.
8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 5 7 9 9 9
5 7 5 7
Gtr. 1: w/ Riff B (1st 3 meas.)
8va
Gtr. 3
3
3
21 19 19 19 19 15 19 15
19 16 19 17 20 17 19 19 17
19 19 14
19 14
Gtr. 2
P.M. P.M. P.M.
8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9
5 7 5 7
6
Interlude
Dsus4 A7(no3rd)
Gtr. 3
loco
mf
17 17
17 19 19 17 19 19 16 19 16 19 17 19 19 17 19 19 19 19
Gtr. 4 (dist.)
mf
5 5
5 7 7 5 7 7 7 5 7 7 5 7 7 7 7
7
Gtr. 1
P.M. P.M.
8 8 8 8 8 8
9 9 9 9 9 9
7 5 7 57 5 7
Gtr. 2
P.M.
10 10 8 8 8 X 8 8 8
12 12 9 9 9 9 9 9
12 5 7 57 X
7
Dsus4 A7(no3rd)
3 3 3 3
1/2
1/2
20 19 17 17
19 17 18 19 17
19 19 17 19 19 17 19
3
3
3 3
1/2
1/2
8 7 5 5
7 5 7 5
7 7 5 7 7 7 5 7 2
P.M.
8 8 8
9 9 9
5 7 5 7
10 10 X 8 8 8
12 12 9 9 9
12 12 5 7 X 5 7
8
Dsus4
rake
17 17 19 16
19 17 19 17 X 19 19 19 17 19 17 19 19 19
5 7
7 5 7 5 7 7 7 5 7 5 7 7
P.M.
8 8 8 X
9 9 9
X 8 8 8 10 10
X 9 9 9 12 12
12 12
Gtrs. 3 & 4 tacet
Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj7 Am D5 C5 A5 Am7 Gmaj9 Am D5 C5 A5
Gtr. 1
P.M.
8 7 5 8 7 5 8 7 5 8 10 5
9 7 5 9 7 5 9 7 5 9 11 5
7 5 7 7 5 7 7 5 7 7 5 7
Gtr. 2
P.M.
8 7 5 8 7 5 8 7 5 8 10 8
9 7 5 9 7 5 9 7 5 XX 9 11 9
5 7 5 7 5 7 XX 5 7 5 7 5 7
5 7 X 5 7 0 X 5 7
X X
9
D.S. al Coda 2
Interlude
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 1 (1st 2 meas,)
Gtr. 2: w/ Rhy. Fig. 2
A7(no3rd) C A7(no3rd) C A7(no3rd) C A7(no3rd) C
3. Mm, Hill -
Coda 2
Outro
A7(no3rd) D/A A7(no3rd) D/A C5 C#5 A5
8 7 7 4 8 7 7 4
9 7 7 4 9 7 7 4
7 7
3 3 4 3 3 4 0
P.M. P.M.
8 7 7 5 8 7 7 5
9 7 7 5 2 9 7 7 5 2
2 5 7 2
3 3 4 0 0 3 3 4 0 0 0
A7(no3rd) D/A C5 C#5 A5 A7(no3rd) D/A C5 C#5 A5
Riff D End Riff D
let ring
4 8 7 7 4 7 7 4
5 9 7 7 4 9 7 7 4
7 7 7 7
3 3 4 0 3 4 3 3 4 3 4
Rhy. Fig. 3 End Rhy. Fig. 3
P.M. P.M.
8 7 7 8 7 7 5
9 7 7 2 9 7 7 5 2
2 X 2
3 3 4 0 0 0 X 3 4 0 0 0 0
10
Gtr. 1: w/ Riff D Gtr. 1: w/ Riff A (3 times)
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
A7(no3rd) D/A C5 C#5 A5 A7(no3rd) D/A C5 C#5 A5
Gtr. 4
w/ slide let ring
*
20 19 15 10 12 14 13.5 13 14 14 11 20 19 15 10 12 14 14 14 10
12 14 14 14 11 14 14 14 10
14 14 11 14 14 10
*Slide positioned halfway between the 13th and 14th frets.
A7(no3rd) D/A C5 C#5 A5 A7(no3rd) D/A C5 C#5 A5
let ring let ring
20 19 15 10 12 14 14 20 19 15 10 12 14 14 14 10
14 14 14 10 14 14 14 10
14 14 10 14 14 10
C/A B/A Bb/A Am
Gtr. 4
20 19 18 18 17
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1
8 7 6 5
9 8 7 5
Rhy. Fig. 4A End Rhy. Fig. 4A
Gtr. 2
9
10
8
9
7
8
5
7
11
1., 2., 3. 4.
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (4 times)
C/A B/A Bb/A Am Bb/A Am
Gtr. 4
17 20 19 18 17 18 17 17 8
A(b5) D(b5) A13/G F#(b5)
Gtr. 4
13
Gtr. 1
3
3
3
19
19 18 17 17
19 18 17
18 17
17
Gtr. 2 3
3
3
7
7 6 5 5
7 6 5
6 5
5
12
from ZZ Top - Tres Hombres
La Grange
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
= 3
Intro
Moderately fast Shuffle q = 160
Gtr. 1 (clean) *
A5
mp
w/ pick & fingers
1/4
2 2 2 2 2 2 5 5 2 2 2 2 2 5
2 2 2 2 2 2 5 2 2 2 2 2 2 2 2 5 2 2
0 0 0 0 0 0 0
*Chord symbols reflect basic harmony.
Ru - mour spread - in’ ’round,
1/4 1/4
5 2 2 2 2 2 2 5 5 2 2 2 2
2 2 2 2 2 2 5 2 2 2 2 2 2
0 0 0 0 0 0
3
in that Tex - as town, ’bout
3
rake
2 X 2 2 2 2 2 2
2 2 X 2 2 2 2 2 2 2 0
3 5 X 0 0 0 0 0 3 5
Copyright © 1973 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
that shack out - side La Grange. Spoken: And
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 3 5 0 0 0 0
you know what I’m talk - in’ a - bout. Just let me know if you wan - na go
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
3 0 5 0 0 0 3 5
to that home out
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 3 5 0 0
3
on the range. Spoken: They got - ta lot - ta nice girls.
2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 3 0 5 0 0 0 0 0 3 0 5
2
Gtr. 1 tacet
μ A5
Gtr. 2 (dist.)
Rhy. Fig. 1
f
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0
C5 D5 A5 C5 D5
Have mer - cy.
End Rhy. Fig. 1
let ring let ring
2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
0 0 3 5 0 0 0 3 5
Gtr. 2: w/ Rhy. Fig. 1
A5 C5
D5 A5
C5 D5
A haw, haw, haw, haw. A haw, a haw, haw, haw. 1. Well, I hear it’s fine,
Verse
Gtr. 2: w/ Rhy. Fig. 1 (3 times)
A5 C5 D5 A5 C5 D5
if you got the time and the
A5
C5 D5 A5 C5 D5
ten to get your - self in a, hmm, hmm. And I hear it’s
A5
C5 D5 A5
C5
D5
tight most ev - er - y night, but now
3
A5 C5 D5 A5 μ
I might be mis - tak - en. Hmm, hmm, hmm.
Gtr. 2
let ring
2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2
0 0 3 5 0
Guitar Solo
C5 Eb5 F5
Gtr. 3 (dist.)
3
3
mf 3 3
1
8
11 11 8 11 8 8
10 8 10 8
10 10
Gtr. 2 Rhy. Fig. 2
10 10 10 10 10 8 10
10 10 10 10 10 10 6 8
8 8 8 11
C5
Eb5 F5
3
10
10 8 10 8
8 10 10 8 6 8 10 10 8 6
End Rhy. Fig. 2
10 10 10 10 10 8 10
10 10 10 10 10 10 6 8
8 8 8 11
4
Gtr. 2: w/ Rhy. Fig. 2 (7 times)
C5 Eb5 F5 C5
Gtr. 3
1 3
8 X
10 10 X 8 8
8 10 10 8 6 8 6 8 10 10 8 6 8 6
8 8
Eb5 F5 C5 Eb5 F5
3 3
w/ pick & finger 1/2
11 11 11 11
10 12 12 12 12 10 8
10 10 10 10 8
8 10 8 6 8 6
C5 Eb5 F5 C5 Eb5 F5
3
3
3
1/4 1 1
8 8 8 8
8 10 10 10 10 10 10
6 6 8 6 8 8 10 10 10
8 8 6 8 8
C5 Eb5 F5 C5
let ring
w/ pick & finger
1 1
11 11 11 11 11 10 11 11
8 8 8 12 10 12 12 11 12 12 10 8 10
10
Eb5 F5 C5 Eb5 F5
3
3
3
8
8 11 8 8
10 8 10 10 8
10 8 8 8 8 8
8 10 10 10 9 6 10 10
8 8 6 8
C5 Eb5 F5 C5
3
3
3
3
3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11
8 10 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10
5
Eb5 F5 C5 Eb5 F5
3 3 3 3
3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12 10 8
10 8
C5 Eb5 F5 C5
3 3
3 3
3
3 3 3 3 3
w/ pick & finger
11 11 11 11 11 11 11 11 11 11 11 11
12 12 12 12 12 12 12 12 12 12 12 12
10
Eb5 F5 C5 Eb5 F5
3
3 3
3
w/ pick & finger
11 11 11 11 11 11 8 10
12 12 12 12 10 12 10 8 8 9
10
Interlude
2nd time, Gtr. 3 tacet
A5/G A5/F# A5/F A5
Gtr. 3
8 8
3 3 3
*Gtrs. 1 & 2
3
3 3
3
w/ pick & fingers
let ring
5 5 5 5 5 5 5 5 5
4 5 5 5 2 4 4 4 3 3 3
0 0 3 4
2
2
0
*Composite arrangement
Gtr. 2 tacet
A5
Gtr. 1
mp 1/4
2 2 2 2 2 2 2 5 2 5 2 2 2 2 5 2
2 2 2 2 2 2 2 5 2 2 2 2 2 2 2 2 2 2 5 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0
6
μ
1/4 1/4
5 2 2 2 2 2 2 5 2 5 2 2 2 2
2 2 2 2 2 2 2 5 2 2 2 2 2 2 2 2
0 0 0
Outro-Guitar Solo
Gtr. 1 tacet
A5 C5 D5 A5 C5 D5
Gtr. 2
w/ pick
let ring let ring
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 3 5 0 0 3 5
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
A5 C5 D5 A5 C5 D5 A5
3
Gtr. 3
3
grad. bend
P.H.
P.H.
7 4 1/2 4 1/2 1 1
8 8 8 8 8 5
5 7 5
7 7 5 7 7 7
Pitches: D E D E D E
C5 D5 A5 C5 D5 A5
3 3 3
P.H. semi-harm. P.H. P.H. P.H.
1 1 1 1 1 1 1
8 8 8 8 5 8 5 8
7 7 5 7 5 5 7 7 7 5
7
Pitches: A B A B
C5 D5 A5 C5 D5 A5
3 3
P.H. P.H. P.H.
1 1 1 1 1 1 1 1 1 1
5 5 5 7 7 7 7 7 7 7 5 6 5 7 5 7
7 7 5 7 7
Pitches: G A B C# B C# B C# G A
7
C5 D5 A5 C5 D5 A5
3
P.H.
P.H.
1/2
1 1 1 1
8
8 10 8 10 10
7 7 7 5 7 5 5 9
7 7
Pitches: A B A G A G A E F#
C5 D5 A5 C5 D5 A5
3
3 3
3
P.H. P.H.
semi-harm.
1 1/4 1 1
8 8 5
10 8 8 7 7 5
7 9 7 5 7 7 5 5 7 7 5
7 5 7
Pitch: B
C5 D5 A5 C5 D5 A5
3
P.H. semi-harm. semi-harm. P.H. P.H. P.H. P.H.
1/4 1 1/4 1/4 1/4 1/4 1 1/4 1/4
1
5 7 7 5 7 5 7 5 7
7 5 7 7 7 5
7 5 5 3 5 3 5 3
5 5
Pitch: G G G
C5 D5 A5 C5 D5 A5
P.H.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
X
X
7 7 7 7 7 7 7 7 7 7 7 7 X 7 7 7
Pitches: B C# B C# B C# F G F G
C5 D5 A5 C5 D5 A5
3
P.H. P.H.
1/2
1 1 1 1
5 8 8 8
5 10 10 10
7 7 7 7 5 5 6
7 7
Pitches: B C# B C# B C# C
8
C5 D5 A5 C5 D5 A5
3 3 3
5 8 8
X 10 8 5 5 5 8 8 8 8 7 5
7 5 7 5 5 6 9 9 9 9 9 7 5
7 10 10
Begin fade
C5 D5 A5 C5 D5 A5
3
P.H.
1 1 1 1 1 1
7 8 7 8
5 5 7 8 7 8
5 5 8 9 8 9 7 5 7 7 5 7 7 7 7 7
7 5
7 6 5 0
8 8
Pitch: A B A B A B A B A B
C5 D5 A5 C5 D5 A5
3
3
P.H.
1 1 1 1
7 8 8 8
7 8 8 8 7 5
7 7 7 7 5 8 9 9 9 7 5
7 7 5 7
5 7 5 5
8 8
A B A B A B A B
C5 D5 A5 C5 D5 A5
7 8 8 8 7 8 8 8
5 7 8 8 8 7 5 7 8 8 8 7 5
5 2 2 8 9 9 9 7 5 2 8 9 9 9 7 5
2 2 2 2 2
0
Fade out
C5 D5 A5 C5 D5 A5
8 8 7 8 8 8 8
5 8 8 7 5 7 8 8 8
5 2 2 2 7 9 9 9 9 7 5 8 9 9 9 9 9
2 7 7 7
9
from ZZ Top - El Loco
Pearl Necklace
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderately fast q = 157
Gtr. 1 tacet
Esus4 E5 A5 E5 A5
Laughing: Ha, ha, ha, ha, ha, ha.
Gtr. 1 (clean)
f
w/ heavy reverb & chorus
0 0
10 10
9 9
9 9
Rhy. Fig. 1
*Gtr. 2 (slight dist.)
mf
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Doubled throughout
E5 A5 E5 A5 μ
1. She
Gtr. 2 End Rhy. Fig. 1
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1981 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
Verse
B5 F#5 E5 B5 F#5 E5
real - ly up - set with me a - gain, I did - n’t give her what she likes. I
2. She gets a charge out of be - in’ so wierd, digs get - tin’ down - right strange. But
3. She’s so cold, and pure as the driv - en slush. And
Rhy. Fig. 2 End Rhy. Fig. 2
P.M.
4
2
4
2
4
2
4
2
4
2
4
2 4 4 2 2 2 2 2 2 2 2
4
2
4
2
4
2
4
2
4
2
4
2 4 4 2 2 2 2 2 2 2 2
2 2 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0 0 0
Gtr. 2: w/ Rhy. Fig. 2
B5 F#5 E5 B5 F#5 E5 C#m
don’t know what to tell her, don’t know what to say. Ev -’ry - thing got funk - y last night.
I can keep a han - dle on an - y - thing, just this side of de - ranged.
that’s not jew - el - ry she’s talk - in’ ’bout, it real - ly don’t cost that much.
Gtr. 1
4
5
6
6
4
Pre-Chorus
C#m B5 A5 C#m
1. She was real - ly bombed and I was real - ly blown a - way, un - til I
2. She was get - tin’ bombed and I was get - tin’ blown a - way, and she
3. She was get - tin’ bombed and I was get - tin’ blown a - way, and she
Gtr. 1
Gtr. 1
mf
w/ bar w/ bar
Gtr. 3 (slight dist.)
divisi let ring
4 4 4
5 5 5
6 6 4 2 2 2 6
6 6 4 2 2 2 6
4 4 2 0 0 3 4 0 4
Gtr. 2
P.M. P.M.
6 6 6 6 6 6 6 6 6 6 6 6 6 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
Gtr. 3 tacet Gtr. 1 tacet
B5 A5 μ
asked her what she want - ed, this is what she had to say.
put it in her hand and this is what she had to say. A pearl
took it in her hand and this is what she had to say.
Gtr. 3
Gtr. 1
slight P.H.
w/ bar w/ bar
1 1 1 1
4 4
5 5
6 6 4 2 2 2 2 2 2
6 6 4 2 2
4 4 2 0 0
Gtr. 2
P.M. P.M.
6 6 6 6 6 6 6 6 6 6 6 6 6 4 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 2 0 0 0 0 0 0 0 0
Chorus
Gtr. 3 tacet
E5 A5 E5
neck - lace. She want a pearl neck - lace.
Gtr. 2
P.M.
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1. 2.
To Coda
A5 E5 A5 A5
She want a pearl neck - lace.
P.M. P.M.
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0 2 2 2 2 2 2 2 2
2 2 2 2
0 0 0 0
2 2
0 0
20 20 20 20 20 20 20
0 0 0 0 0 0 0 0
3
Guitar Solo
*Am7 D7sus4
Gtr. 3
7 5 7 5
7 5
Gtr. 1
1 1 1 1 1 1 1 1 1 1
2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
2 2 2 2 2 2 0 0 0 0
Rhy. Fig. 3
Gtr. 2
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
*Chord symbols reflect combined harmony.
G
3
1
7 7 9 7 5 7 7 5
5 5 7 9
1 1 1 0 0 0 0 0 0
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
0 0 0 0 0 0 0 0 0
P.M.
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4
Am7
1
5 8 8 5
5 7 5 7
1 1 1 1 1 1 1 1 1 1 1 1
2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
2 2 2 2 2 2 2 2 2 2 2 2
End Rhy. Fig. 3
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
D G B5
5
7
7 7 9 5 7 9
1 1 1 1 1 1 0 0 0 0 0 0 0 0
2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3
5
Interlude
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 1
E5 A5 E5 A5
Ah.
Gtr. 3
9
D.S. al Coda
(take 2nd ending)
Gtr. 3 tacet
E5 A5 E5 A5 μ
Yeah.
Coda
Outro-Guitar Solo
Am7 D7sus4
Gtr. 3
3
3
6 7 5 7 5
5 7 5 5
5 7 5 0
Rhy. Fig. 4
Gtr. 1
13 13 13 13 13 13 13 13
14 12 14 12 14 12 14 12 14 12 14 12 14 12 14 12
14 14 14 14 12 12 12 12
Rhy. Fig. 5
Gtr. 2
2 2 2 2 7 7 7 7
0 0 0 0 5 5 5 5
6
G Am7
3
2 3 2 3 0 5 7 5 0
End Rhy. Fig. 4
12 12 12 12 13 13 13 13
12 12 12 12 14 12 14 12 14 12 14 12
12 12 12 12 14 14 14 14
End Rhy. Fig. 5
2 2 2 2
5 5 5 5 0 0 0 0
3 3 3 3
Gtr. 1: w/ Rhy. Fig. 4
Gtr. 2: w/ Rhy. Fig. 5
D7sus4 G
Gtr. 3
3
3
1
9 7 9 7 9 7 9 7 7
5 7 7 5 7 7 5
7 9
Am7
Gtr. 3
0 5 6 7
5 7 7 0 1 5 6 7
Gtr. 2
P.M.
2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0
3 0 0 3 0
7
Gtr. 2: w/ Rhy. Fig. 3 (till fade)
Am7 D9sus4
Gtr. 3
3
3
9 9 12 14 12 14 12 14 7 8 7 8
7
Rhy. Fig. 6
Gtr. 1
let ring let ring let ring let ring
12 13 13 12 13 13 12 13 13 12 13 13
12 12 12 12 12 12 12 12
12 14 14 12 14 14 12 14 14 12 14 14
12 12 12 10
G Am7
3
3
1
8
7 5 7 7 9 7 5
7
End Rhy. Fig. 6
let ring let ring
12 12 12 12 12 13 13 12 13 13
12 12 12 12 12 12 12 12
12 12 12 12 12 14 14 12 14 14
10 12 12 12
Gtr. 1: w/ Rhy. Fig. 6 (till fade)
D9sus4
Gtr. 3
1 hold bend 1
15
15 15 15 13 15 15
11 12 14 14
G Am7
3 3 3
1/2 1/2
15 15 15 13 13 15 13 15 15 15 13
14
8
P.S.
14 19 0 2 2 0 2
X X
0
0 0
5 5 3 5 3 5 5 3 5 3 5 3 5 3 5
D9sus4 G
1 1 1 1 1 1 1
5 5 5 5 5 5 5 5 5 5 5 5
8 8 8 8 8 8 8
Am7
3 3 3
3
1
5 8 10 8 10 8 10 8 10
7 7 5 5 5 7 7 7 9
7 7
D9sus4
10 10 10 10 10 10 10 10 10 10 10
let ring let ring
8 8 8 8 8 8 8 8 8 8
10 10 10 10 10 10
G
3
3
1/2
1
10 10 10 8 10 8 10 8 10 8
10 10 10
7 5 0 7 5 7 7 5 5 7 5 4
7 0 7
5 3 5
9
3
Am7
3
P.S.
5 5 5 7 5 7 5 7 5 7 5 7 5 7
7 7
X
D9sus4 G
6 3
1 1 1/2
7
7 7 7 5 7 5 7 7 5 5 7
7 7 7
Begin fade
Am7
let ring
5
7 7 5 7 5 4 4 5 4 0
0 7 5
7 5
D9sus4
3 3
3 3
3 5 3 5 3 5 3 5 3 5 3 5
3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5
Fade out
G Am7
3 3 3 3 3 3
3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 3
5
10
from ZZ Top - Tres Hombres
Precious and Grace
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Gtr. 3: Open E minor tuning:
(low to high) E-B-E-G-B-E
Intro
Fast q = 164
μ *F5 G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
Gtr. 1
(Drums)
(dist.) Riff A End Riff A
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1/4
2 3 3 2 3
2 3 3 2 3
1 3 1 3 3 1 1 3 1 3 3 1
Gtr. 2 (dist.)
mf
P.M. P.M. P.M. P.M. P.M. **P.M.
1 3 1 3 3 1 1 3 1 3
*Chord symbols reflect implied harmony. **Slight P.M.
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
*** P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3 2 3
2 3 2 3
1 3 1 3 3 1 1 3 1 3 3 1
***Slight P.M.
P.M. P.M. P.M. P.M. P.M. P.M. 1/4 P.M. P.M.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Copyright © 1973 Music Of Stage Three
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
Verse
F5 G5 F5 G5 Bb G5 F5 G5 F5 G5 Bb5 G5 F5
1. Rid - ing top the flood - way on a Fri - day night.
2. Nn, good God Al - might - y, we was go - ing down slow.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3
2 3 2 3
2 3 2 3
1 3 1 3 3 1 1 3 1 3 3 1
Riff B End Riff B
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Gtr. 2: w/ Riff B
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
The land - scape’s so fine and nat - ’ral sight.
Yeah, if we knew just where we had to go.
Riff C End Riff C
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3 2 3
2 3 2 3
1 3 1 3 3 1 1 3 1 3 3 1
2
Bb5 C5 Bb5 C5 Eb5 C5 Bb5 C5 Bb5 C5 Eb5 C5 Bb5
Uh, just cruis - ing slow through the dark of night. With
Cry - ing, just, uh, fly - ing down a put out road with
Gtr. 1
P.M. P.M. P.M. P.M. *P.M. P.M. P.M. P.M.
7 8 7 8
7 8 7 8
6 8 6 8 8 6 6 8 6 8 8 6
*Slight P.M.
Gtr. 2
P.M. P.M. P.M.
1 1
1 3 3 1 1 3 1 3 3 1
D5 F5 G5 F5 G5
Pre - cious and Grace, ev - ’ry - thing’s al -
Pre - cious and Grace in my flat - head
P.M. P.M.
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
1 3 1 3
P.M. ** P.M. ***P.M. P.M.
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
1 3 1 3
**Slight P.M. ***As before
3
Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
right.
Ford. Mm, hmm.
* P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 3
2 2
2 3 2 3
3 1 1 3 1 3 3 1
*Slight P.M.
P.M. P.M. P.M. ** P.M. P.M. P.M.
1 1
3 1 1 3 1 3 3 1
**Slight P.M.
Interlude
G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 D5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 G5 Gb5 F5 D5
P.M.
4 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3
5 5
P.M. ***P.M.
4 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3 5 4 3
5 5
***Slight P.M.
4
F5 E5 F5 E5 F5 E5 F5
Gtr. 3 (dist.)
mf
w/ slide
6 8
Gtr. 1
1 1 0 1 0 1 0 1
Gtr. 2
Guitar Solo
Cm
8
8 8 7 8 8 7 8 8 5 8 8 7
8 8 6 8 8
2 3 2 3 2 3 1 3
Rhy. Fig. 1 End Rhy. Fig. 1
3 4 3 4 3 4 3 4
X X X X
4 5 4 5 4 5 4 5
5
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 3
*
8 10 11 11 11.5 8 7 8
8 8 8 8 7
8 8 7 8 8 7 8 8
8 8
*Slide positioned halfway between the 11th and 12th frets.
Riff D End Riff D
Gtr. 1
1 3 1 3 1 3 1 3
Bb
Gtr. 3
7 7 5 7 7 5 7 7 5 7 7
5 6 6 6 6 8
Gtr. 1
0 1 0 1 0 1 0 1
Gtr. 2
2 3 1 3 1 3 1 3
X X X X
2 3 1 3 1 3 1 3
6
Gtr. 1: w/ Riff D
Gtr. 2: w/ Rhy. Fig. 1
Cm
Gtr. 3
8 8 7
8 8 7 8 8 7 8 7 8 7 8
8 8 8 8
Interlude
Gtr. 3 tacet
D5 C5 Bb5 A5 D5 C5 Bb5 A5
Gtr. 1
3 5 3 1 1 0 3 5 3 1 1 0
Gtr. 2
3 5 3 1 1 0
Verse
Gtr. 1: w/ Riff C (1 1/2 times)
F5 G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
3. So, if you’re out roll - ing late some night,
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.H.
1/4
1 1 1
1 3 1 3 3 1 1 3 1 3 3 1
Pitch: D A
7
Gtr. 1: w/ Riff A
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
yeah, and you need a su - per - nat - u - ral de - light, I’m talk - ing to you, bro - ther.
P.H. P.H. P.H. P.H. P.H. P.H. P.H. P.H.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Pitch: A B A B F G A A B A B D A
Bb5 C5 Bb5 C5 Eb5 C5 Bb5 C5 Bb5 C5 Eb5 C5 Bb5
I know some - bod - ies, they’s just out - ta sight. Get with
Gtr. 1
P.M. P.M.
P.M. P.M. P.M. P.M. P.M. P.M.
7 8 7 8
7 8 7 8
6 8 6 8 8 6 6 8 6 8 8 6
Gtr. 2
P.H. P.H.
P.H. P.H. P.H. P.H.
P.H. P.H.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Pitch: G D G
D5
Pre - cious and Grace, they gon - na treat you right.
*Gtrs. 1 & 2
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
*Composite arrangement
8
Outro-Guitar Solo
Gtr. 1: w/ Riff C (6 times)
F5 G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
Gtr. 3
dist. off
*w/ pick & finger
w/ slide
13 15 15 14
13 15 15 14 15 15 15 14 15 15 15 13
15 15 15 15
15 15
*On a Les Paul style guitar, pick the string as close to bridge as possible while simultaneously
picking the same string between the bridge and stop tailpiece with the nail of your ring finger, next 8 meas.
Gtr. 2
P.M. P.H. P.H. P.M. P.M. P.M. P.H. P.M. P.M.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Pitch: A B F A F A
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5
**
let ring
w/ dist.
w/ pick
steady gliss.
let ring
**
13 15 13 15 13 15 13 15
13 15 13 15 13 15 13 15 15 8 15
14 15 15 13 15 13 15 13 15 13 15 13 15 15 15 12 6
15 15 14 15 15 12 6
15
**4th string sounded by slide.
Riff E End Riff E
P.M. P.M. P.M. P.M.
1 1
1 3 1 3 3 1 1 3 1 3 3 1
Pitch: A A
9
Gtr. 2: w/ Riff E (2 times)
F5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
Gtr. 3
let ring steady gliss.
15 15 10 13 17 17 18 18 12 8 8 15 15
15 15 10 15 13 15 14
14 15
15 15
Gtr. 2: w/ Riff B (4 times)
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
8va
let ring
steady gliss.
*
14 14 15 15 15 13 26
15 15 15 14 15 15 14 15
15 15 15 15
*Hypothetical fret locations, next 18 meas.
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
8va
27 27 27 27 25 27 27 25 27 27 27 25
27 26 27 26 27
27 27
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
8va
27 25 27 27 25
26 27 27 26 27 27 26 27 27 26 27
27 27 27 27 27 20
10
G5 F5 G5 Bb5 G5 F5 G5 F5 G5 Bb5 G5 F5
15ma
Gtr. 3
22 27 27 27 25 30 32 25 29 29 30 27 30 23 27 27 25
27
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2 3 2 3
2 3 2 3
1 3 1 3 3 1 1 3 1 3 3
*G7 Gb7
15ma
Gtr. 3
27 27 27 27 27 27 25 30 30 30
Gtr. 1
let ring
P.M. P.M. P.M. P.M.
7 7 6 6
6 6 5 5
6 7 7 7 7 7 6 6 6
Gtr. 2
P.M. P.M. P.M. P.M.
1 9
1 3 1 3 3 1
*Bass plays G pedal, next 6 meas.
11
F7
15ma 8va
* **
30 29.5 29.5 29.5 28.5 28.5 28.5 28.5 28.5 28.5 18 12 19
*Slide positioned halfway between the hypothetical 29th and 30th frets.
**Slide positioned halfway between the hypothetical 28th and 29th frets.
let ring
*** P.M. P.M. P.M. P.M. P.M.
6 5 5 5
5 4 4 4
6 6 6 5 5 5 5 5
***2nd string only.
9 8
Free time
μ †† Gm7
8va
loco
rit. p
19
†
19 13 5 8 12 13
13 5
†2nd string sounded by slide.
w/ bar rit.
0 3
3
3
-1/4
-1 1/4
rit.
11
7 7 6 5
††Bass plays G.
12
from ZZ Top - Degüello
She Loves My Automobile
Words and Music by Billy F Gibbons, Dusty Hill and Frank Beard
Intro
Free time
Verse
Moderately fast q = 129 __ =
3
2nd time, Gtr. 2 tacet
*A A5 A6 A5 A6
1. She don’t love me, she love
“What’s it gon - na take for you to
Gtr. 1 (slight dist.)
f
P.M.
simile on repeat
5
5
6 2 2 2 2
7 2 2 4 4 2 2 4 4
7 0 0 0 0 0 0 0 0
5
*Chord symbols reflect basic harmony.
D5 D6 D5 D6 A5 Am7 D/A A5 Am7 D/A A5
my au - to - mo - bile. She don’t
lay your top on down?” She said,
P.M. P.M. P.M. P.M.
1/4 1/4
7 5 7
2 2 4 4 2 2 4 2 5 7 5 7
0 0 0 0 0 0 0 2 5 7 7 5 7 7
0 0 0 0 0 0
3 3
Copyright © 1979 Music Of Stage Three
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
D5 D6 D5 D6 D5 D6 D5 D6 A5 Am7 D5/A A5
3
love me, she love my au - to - mo - bile.
“What’s it gon - na take for you to lay your top on down?”
P.M. P.M. P.M.
1/4
2 2 4 4 2 2 4 4 2 2 4 4 2 2 4 2 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 5 7 7
0 0 0 0 0
3
Am7 D5/A A5 D#5 E5 E6 E5 E6 E5 E6 E5 E6
3
But she would do an - y - thing just to slide be - hind
I said, “Hon - ey, why don’t you ask me when we hit the out - skirts
P.M. P.M.
1/4
5 7
5 7 7 8 9 9 11 11 9 9 11 11 9 9 11 11 9 9 11
0 0 6 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3
1. 2.
A5 Am7 D5/A A5 Am7 D5/A A5 A5 Am7 D/A A5
3
the wheel. 2. She said, of town.”
Gtr. 2 (dist.)
f
grad. bend
1/2
10 13 13
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1/4
5 7
2 5 7 5 7 5 7
2 5 7 7 5 7 7 2 5 7 7
0 0 0 0 0 0 0 0 0 0
3
2
Guitar Solo
Am7 D/A A5 A5 A6 A5 A6 A5 A6 A5 A6
Gtr. 2
3 3 3
5 8 8
5 9 10 10 8 10 10 8 10 8 10 10 8
5 6 9 9
Gtr. 1
P.M. P.M.
1/4
5 7
5 7 2 2 2 2 2 2 2 2
5 7 7 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
A5 A6 A5 A6 A5 A6 A5 A6 D5 D6 D5 D6
3 3
3
1 1/2 1
8 10 10 8 10 8 10 10
10 10 8 10 10 8 10 10 X
9
P.M.
2 2 2 2 2 2 2 2 2 2 4 4 2 2 4 4
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 X 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6
3
1/2 1 1 1 1 1
10 10 8 10 10 10 10 10 10 10 8 10
X
P.M.
2 2 4 2 2 2 4 X 2 2 2 2 2 2
0 0 0 0 0 0 0 X 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 5
3
E5 E6 E5 E6 E5 E6 E5 E6
*
3
1
P.M.
10 10 8 10 8 10 8 8 5 5 5
10 10 7 5 8
7 5 7 8
7 7
0
*Played as even eighth notes.
P.M.
1/4
9 11 9 11 9 11 9 11
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
A5 Am7 D5/A A5 Am7 D5/A A5 D5 D6 D5 D6
3
let ring
P.M. P.M. P.M. P.M. 1/4
5 8
5 7 7 5 7 5 9 10 8 10
5 7 7 9 7 5 6 5 7 5 9
7 0 7 7 7 7
P.M. P.M. P.M. P.M.
1/4
2 5 7 5 7 2 2 4 0 2 2 4 0
2 0 5 7 7 5 7 7 0 0 0 0 0 0 0 0
0 0 0 0 0 0
3
D5 D6 D5 D6 A5 A6 A5 A6 A5 A6 A5 A6
*
1/2 1
1
8 13 12 11 10 10 10
13 13 10 10 12
11
*As before
P.M.
1/4 1/4
2 2 4 4 2 2 4 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
3
4
D5 D6 D5 D6 D5 D6 D5 D6 E5 E6 E5 E6
1
1 1
10 10 10 10 10 12 13 12 11 10
13 13 10 10 13 13 13
P.M.
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X 9 11 9 11
X 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0
Verse
E5 E6 E5 E6 A5 A6 A5 A6 D5 D6 D5 D6
3
3
3. Well now, she don’t care if I’m stoned or slop - py
3
1 1/4
10 10 10
10 13 13 10 10 13 13
0
17
P.M.
1/4
2 2 2 2 2 2 4 4 2 2 4
9 11 9 11 2 2 4 0 2 2 4 0 0 0 0 0 0 0 0
7 7 7 7 7 7 7 X 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 X 3
Gtr. 2 tacet
A5 Am7 D5/A A5 Am7 D/A A5 C#5 D5 D6 D5 D6
3
drunk. And she don’t care if I’m
Gtr. 1
P.M. P.M. P.M. P.M.
5 7
2 5 7 5 7
2 5 7 7 5 7 7 6 7 7 9 9 7 7 9 0
0 0 0 0 0 0 4 5 5 5 5 5 5 5 0
5
G5 G6 D5 D6 A5 A6 Am7 A5 G#5 G5 F#5 F5
3
3
stoned or slop - py drunk. Long as
3
3
P.M. P.M.
1/4
2 2 4 2 2 5
0 0 0 2 2 4 0 5 7 X
5 5 7 X 0 0 0 0 0 X 7 6 5 4 3
3 3 3 X 3 5 4 3 2 1
E5 E6 E5 E6 E5 E6 E5 E6 A5 Am7 D/A A5
3
she got the keys and there’s a spare wheel in the trunk.
Gtr. 2
10 10 10
11 11 11
Gtr. 1
P.M. P.M.
1/4
7
2 5 7
9 11 9 11 9 11 9 11 2 7 5 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
Outro-Guitar Solo
Am7 D/A A5 C5 D5 D6 D5 D6 D5 D6 D5 D6
P.M.
8 10 10 8 8 10 10 8 8 10 10 8
10 7 X X X X X X
11 9 5 7 5 9 11 11 9 0 9 11 11 9 9 11 11 9 9
7 7
P.M. P.M.
7
5 7
5 7 7 9 7 7 9 9 7 7 9 9 7 7 9
0 0 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
6
D5 D6 D5 D6 D5 D6 D5 D6 D5 D6 D5 D6
3
1/4 1/4 1
1/2 1/2 1/2
8 8 X 10 10 8
7 7 X 10 10 12 12 10
9 4
10 5
P.M. P.M.
9 7 7 9 9 7 7 9 9 7 7 9 9 7 7 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5
D5 D6 D5 D6 E5 E6 E5 E6 E5 E6 E5 E6
3 3
1/2
1/2 1/2 1/2
10 5 5 5 5
12 12 12 10 10 10 10 10 7 5 5 8 5 8 5
12 12 12 12 7 5 7 5 7
P.M. P.M.
7 7 9 9 7 7 9 11 9 9 11 9 9 11 11 9 9 11 0
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 0
A5 A6 A5 A6 A5 A6 A5 A6 D5 D6 D5 D6
3
1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4 1/4
1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
8 8 8 8 8 8 8 8 8 8 5 5
7 7 7 7 7 7 7 7 7 7 5
P.M.
1/4
2 2 2 2 2 2 2 2 2 2 4 0 2 2 4 0
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
7
D5 D6 D5 D6 A5 A6 A5 A6 E5 E6 E5 E6
3 3 3 3
1 1/4
1/2 1/4
8 10 10 8 10 8 0
9 10 10 10 8 8 10 8
10 7 5 7 7 5
P.M.
1/4 1/4
2 2 4 0 2 2 4 2 2 2 2
0 0 0 0 0 0 0 2 2 4 0 2 2 4 0 9 9 11 9 9 11
0 0 0 0 0 0 0 0 7 7 7 7 7 7 7
3 3
A5 μ A Bb#11 A
*
1/4 1/4 1/4 1/4 1/4 1/4 1/4
8 8 8 8 8 8 8 5
7 7 7 7 7 7 7 5
8 8 8 8 8 8 8 6
7
14
*As before
P.M. w/ pick & fingers
0 0
3 2
2
2
0 1 0
8
from ZZ Top - El Loco
Tube Snake Boogie
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderately fast q = 146
μ
**E5
(Drums) *Gtr. 1 (clean)
mf
P.M.
0 2
0
2
0
4
0
0
0
2
0
2
0
4
0
0
0
2
0
2
0
4
0
0
0
2
0
2
0
4
0
0
0
*Two gtrs. arr. for one. **Chord symbols reflect basic harmony.
Guitar Solo
A5
Gtr. 3 (slight dist.)
f
3 0 3 0
2 0 2 0
Gtr. 1
f ***Gtrs. 1 & 2
Gtr. 2 (clean)
Gtr. 1
divisi
P.M. P.M.
2 2 4 0 2 2 4 0
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
***Composite arrangement
Gtr. 3
let ring P.H.
0 3 3 0 0
3 3 0 3 2 2 0 3 3 3
4 4 2 4 2 0
Gtrs. 1 & 2
P.M.
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1981 Stage Three Songs
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
E5
1/2 1
1/2
0 0 0 0 0 0 0 0
3 0 0 3 0 3
4 2 0
2 2
0
P.M.
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
B5 A5
let ring 1/4
4 2 0 2 0 2 2
2 2 2 2 1 2 5 5
0 1 2 0 0 3 4 0
2 2
Rhy. Fig. 1
P.M.
4 4 6 4 4 4 6 4 2 2 4 0 2 2 4 0
2 2 4 0 2 2 4 0 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
Verse
Gtr. 3 tacet
E5 B7#9(no3rd) E5
*
1. I got a gal, she lives
2. I got a gal, she lives
P.M.
2 2 0 2 2
0 1
2 0
2 2
2
End Rhy. Fig. 1 Rhy. Fig. 2
P.M. P.M.
3
2 2 4 0 2 2 4 0 2 2 4 0 2
2
X
2
2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*w/ fast Leslie effect on vocals throughout.
2
F#5 G5 G#5
’cross town. She’s the one that real - ly gets down when she
on the block. She’s kind - a funk - y with her pink and black socks. She like
Gtrs. 1 & 2
P.M.
3 4 5 6
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3 4
*A5 AsusÊ A AsusÊ A E5 EsusÊ E EsusÊ E
boo - gie, she do the tube snake boo - gie. Well, now
to boo - gie, she do the tube snake boo - gie. Well, now
Rhy. Fig. 3
Gtr. 3
dist. off
3 3 3 2 3 3 3 3 2 10 10 10 9 10 10 10 10 9
4 4 4 2 2 4 4 4 4 2 11 11 11 9 11 11 11 11 9
2 2 2 2 2 2 2 2 2 9 9 9 9 9 9 9 9 9
Gtrs. 1 & 2
End Rhy. Fig. 2
P.M.
2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 4 0 2 2 4 0 2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect combined harmony, next 6 meas.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5 BsusÊ B AsusÊ A E5 B7#9(no3rd)
boo - gie, lit - tle ba - by, boo - gie woo - gie all night long.
boo - gie woo - gie, ba - by,
Gtr. 3 End Rhy. Fig. 3
5 5 5 4 3 3 3 3 2
6
4
6
4
6
4
4
4
4
2
4
2
4
2
4
2
2
2
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5
w/ dist.
let ring
1/4 1/4 1/4 1/4 1/4 1/2 1
7 7 7 7 7 0 0 0 0
8 8 8 8 8 8 8 3 0 3
3
F#5 G5 G#5 A5
1/2 1 1
0
3
4 2 0 2 2 0 0 2 0
2 2 0 0 0 2 0
0 1 2 2 2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas.)
E5 B5
let ring 1/2 1/2 let ring
0 0
0 3 0 0
2 0 1 0 1 4 2 0 2 0 2
2 2 2 2
0 1 2
2
A5 E5 μ
Gtr. 3
let ring let ring
grad. bend
1/2 1/4 1/2 1/2
0 0 0 0 0 0 0
3 3 0 3 0 0 3
2 4 2 0 1 1 2 0
2 2 2
Gtrs. 1 & 2
P.M.
2 2 4 0 2 2 4 0
0 0 0 0 0 0 0 0 2 2 4 0 2 2 4 0 2 2 4 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5 F#5 G5 G#5
Gtr. 3
grad. bend
1/4
semi-harm. 1/4
0 3 0 0
5 3 5 5 3 0 3 1 2
4 4 4 4 2 0 1 1 0 1
2 2
A5 E5
let ring
1
3 2 0 0 7 5 0 0 0
2 2 0 0 3 3
2 6 6 6 0 4 2 0 2 0
2 2
0 1 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5 A5 E5 B7#9(no3rd)
let ring 1/2 let ring
0 0 0 0
3 0 3 0 3 3
4 2 0 2 4 4 2 0 2
0 1 0 0 2 2 2 0 0
2 0 2 0 0 2
4
Verse
Gtr. 3 tacet
μ
3. I got a gal, she lives on the hill. She won’t do it but her sis - ter will. When she
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (last 4 meas.)
Gtr. 3: w/ Rhy. Fig. 3
A5 AsusÊ A AsusÊ A E5 EsusÊ E EsusÊ E
boo - gie, she do the tube snake boo - gie. Well, now
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5 BsusÊ B AsusÊ A E5 B7#9(no3rd)
boo - gie, lit - tle ba - by, boo - gie woo - gie all night long. Blow your top, blow your top.
(Blow your top.)
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5 F#5 G5 G#5
Gtr. 3
let ring let ring
7 7 7 7 7
5 5 5 5 5 5
6 7 7 7 7 7 7 7 7 7 7 7 7 7 7
A5 E5
1/2 let ring 1/2 1/4
3 3 0 0 0 0
2 0 2 0 0 3 0 0 3 0 0
0 4 2 0 0 1 1
2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5 A5
1/2 1/2 1/2
0 0 0 0
3 3 3 0 3 3 3 0 3 0
2 2 0 2 0
2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2
E5 B7#9(no3rd) E5
0 0 0
1/2
0 0
1/2
0
0 3 0 0 2 0 3 5
0 1 2 0 1 2 0 0
2 2 2 2 2
5
Fade out
F#5 G5 G#5 A5
0
let ring
1 hold bend
3 0 5 5 5 5 5
5 3 0 0 0
5 5 5 5 5
E5
3
let ring let ring
1 1/2 1/2
5 3 0 0 0 0 0 0 5 3 0
0 0 3 0 3 3 5 5 0
5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1
B5 A5 E5
1/4 1/4 1/4 1/4 1/4
7 7 7 7 7 7 7 7 7 7 7 0 0 0 0 0
8 8 8 8 8 0 0 3 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Begin fade
B7#9(no3rd) E5
2 0
2 2 2 2 2 0 2 0 2 0 2 0 1 2 2 0 2 0 2
2 2 2 2 2 2 2 2 2
F#5 G5 G#5 A5
let ring
1/4
1/2
3 0 0
0 0 3 3 3
2 0
2 0
3 2 0 3 5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (till fade)
E5 B5 A5
let ring
0 0 0 0 0 0 0 0 0 0 0
5 5 0 5 5 5 0 5 5 5 5 5 0 5 0 5 5
6
from ZZ Top - Fandango
Tush
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
G5 G6 G5 tyye2 C5 C6 D5 D6 D7 G7 Eb9 D9
5fr 3fr
3fr 3fr 5fr 5fr 6fr 5fr
13 14 134 13 14 13 14 14 14 111 111
Intro
Moderately fast Rock q = 146
* G7
Yeah!
Gtr. 1 (slight dist.)
P.M.
mf
P.M. P.M. P.M.
5 5 3 5 5 3
5 5 3 5 5 3
3 3 3 3 3 1
Gtr. 2 (slight dist.)
mf
P.M. P.M. P.M. P.M.
(cont. in slashes)
5 5 3 5 5 3
5 5 3 5 5 3
3 3 3 3 3
*Chord symbols reflect implied harmony.
G5 G6 G5 type2 G6 G5 G6 G5 G6 G5 G6 G5 type2
G6 G5 G6 G5 G6
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2
P.M.
1. I’ve been up,
Gtr. 1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 3 5 5 3 5 5 3 5 5 3
5 5 3 5 5 3 5 5 3 5 5 3
3 3 3 3 3 3 1 3 3 3 3 3 3 1
Copyright © 1975 Music Of Stage Three
Copyright Renewed
Worldwide Rights for Music Of Stage Three Administered by BMG Chrysalis
All Rights Reserved Used by Permission 1
Verse
Gtr. 2: w/ Rhy. Fig. 1
G5 G6 G5 G6 G5 G6 G5 G6 G5 G6 G5 G6
I’ve been down, take my word, my why ’round.
I’ve been good, Dal - las, Tex - as, Hol - ly - wood.
P.M. P.M. P.M. P.M. P.M.
5
5
5
5
3
3
5
5
5
5
3
3
5
5
5
5
3
3
3 3 3 1 3 3 3 3 3 3
1fr 2fr
G5 G6 G5 G6 C5 C6 C5 C6 C5 E F F#
Rhy. Fig. 2 open
Gtr. 2
P.M.
I ain’t ask - in’ for much.
P.M.
P.M. P.M.
5 5 3 5 5 5 5 5 5 5
5 5 3 5 5 7 7 8 8 7 7 5 5
3 3 3 3
3 3 3 0 0 1 1 2 2
G5 G6 G5 G6 G5 G6 G5 type2 G6 D5 D6 D7 D6
P.M.
Mm. I said, Lord, take me down - town,
P.M.
P.M. P.M. P.M. P.M.
5 5 3 5 5 3 5
5 5 3 5 5 3 5 0 7 7 9 9 10 10 9 9
5 5 5 5 5 5 5 5
3 3 3 3 3
2
1.
C5 C6 C5 C6 G5 G6 G7 G6 G5 Eb9 D9
End Rhy. Fig. 2
P.M.
I’m just look - in’ for some tush. 2. I’ve been bad,
P.M. P.M.
5
3
5
3
7
3
7
3
5
3
5
3
7
3 5 7 7 8 8 7 7 5 3 4 5 5
2 3 3 3 3 3 3 3 3 3 1
2.
G5 G6 G5 G6 G5 Eb9 D9
Rhy. Fill 1A End Rhy. Fill 1A
(cont. in notation)
Yeah.
Gtr. 3 (dist.)
mf
w/ slide
12
Gtr. 1 Rhy. Fill 1 End Rhy. Fill 1
P.M.
5 5 7 7 8 8 7 7 5 3 4 5
3 3 3 3 3 3 3 3 3
3
Guitar Solo
G5 G6 G7 G6 G5 G6 G5 G6 G5 G6 G5 G6
Gtr. 3
12
12 12 12 12 12 12 12 12 12 12
0 12 12 12 12 12
*Gtrs. 1 & 2
Rhy. Fig. 3
P.M.
5 5 7 7 8 8 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Composite arrangement
G5 G#5 A5 Bb5 C5 C6 C5 C6 C5 μ
12 5 5
12 12 4 5 5 5 5 5 3 5 4 4
12 12 10 10 5 5
P.M.
5 5 7 7 5 5 7 7 5 5
5 5 6 6 7 7 8 8 3 3 3 3 3 3 3 3 3 3
3 3 4 4 5 5 6 6 0 0 1 1 2 2
G5 G6 G5 G6 G5 G6 G5 G6 D5 D6 D5 D6
w/o slide w/ slide 3
6 7 0
0 12 12 3 0 3 0 12 12 7 7 7 5
12 12 12 7 7 7 5
P.M.
7 7 9 9 7 7 9 9
5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4
C5 C6 C5 C6 G5 G6 G7 G6 G5 C5 C#5 D5
12
5 5 3 5 3 3 0 12 12 10 10 10
5 0 5 12 12
End Rhy. Fig. 3
P.M.
5 5 7 7 5 5 7 7 5 6 7
3 3 3 3 3 3 3 3 5 5 7 7 8 8 7 7 5 3 4 5
3 3 3 3 3 3 3 3 3
Gtrs. 1 & 2: w/ Rhy. Fig. 3
G5 G6 G7 G6 G5 G6 G5 G6 G5 G6 G5 G6 G5 G#5 A5 Bb5
Gtr. 3
3 3
3 3 3 3 3
let ring
12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 12
12 12 10 12
12 12 12 12 12
C5 C6 C5 C6 C5 μ G5 G6 G5 G6 G5 G6 G5 G6
3 3
15
5 5 5 6 5 5 11 11 11 12 15
7 5 5 3 12 12 12 10 12 10 12 12
12 12
Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A
D5 D6 D5 D6 C5 C6 C5 C6 G5 G6 G7 G6 G5 Eb9 D9
3
3. Take me back,
3 3 3
3 3
3
15 15 15 13 18 13 15
15 15 13 12 12 12 10 12 12 12 10
12 10 12 12 12 10 12 12 14 14
12 12 12 10 9
5
Verse
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 3 tacet
G5 G6 G5 G6 G5 G6 G5 G6 G5 G6 G5 G6
way back home, not by my - self, not a - lone.
Gtr. 1
P.M. P.M.
P.M. P.M.
P.M. P.M.
5 5 3 5 5 3 5 5 3
5 5 3 5 5 3 5 5 3
3 3 3 1 3 3 3 1 3 3 3 3
Gtr. 2: w/ Rhy. Fig. 2
G5 G6 G5 G6 C5 C6 C5 C6 C5 E5 F5 F#5
I ain’t ask - in’ for much.
Gtr. 3
15 15 14 12
Gtr. 1
P.M. P.M.
5 5 3
5 5 3 5 5 7 7 5 5 7 7 5 5
3 3 3 3 3 3 3 3 3 3
3 3 0 0 1 1 2 2
Gtr. 3 tacet
G5 G6 G5 G6 G5 G6 G5 G6 D5 D6 D7 D6
Mm. I said, Lord, take me down - town,
Gtr. 1
P.M.
P.M. P.M. P.M. P.M.
5 5 3 5 5 3 5
5 5 3 5 5 3 5 0 7 7 9 9 7 7 9 9
5 5 5 5 5 5 5 5
3 3 3 3 3
6
C5 C6 C5 C6 G5 G6 G7 G6 G5 μ
I’m just look - in’ for some tush.
Gtr. 3
12
7 8 8
12 7 8 8
12
Gtrs. 1 & 2
Gtr. 1
P.M. P.M.
5 5 3
5 5 7 7 5 5 7 7 5 5 3
3 3 3 3 3 3 3 3 5 5
3 3 3
Outro-Guitar Solo
G5 G6 G5 G6 G5 G6 G5 G6 G5 G6 G5 G6
Gtr. 3
12 15 10 12 12
12 12 12 12 12 12 12 12 12
9 X 12 12
Gtrs. 1 & 2
P.M.
5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7
G5 G#5 A5 Bb5 C5 C6 C5 C6 C5 μ
12 4 4
12 12 12 5 5 5 5 5 3
12 12 12 12 12 5
P.M.
5 5 7 7 5 5 7 7 5 5
5 5 6 6 7 7 8 8 3 3 3 3 3 3 3 3 3 3
3 3 4 4 5 5 6 6 0 0 1 1 2 2
G5 G6 G5 G6 G5 G6 G5 G6 D5 D6 D5 D6
3
12 11 12 12 7 7 5
12 12 12 12 12 12 7 7
12 12 12 12 12 7 7
P.M.
7 7 9 9 7 7 9 9
5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
C5 C6 C5 C6 G5 μ Ab9 G9
3
20 16
20 15
7 5 5 3 0 17 15 12 12 12 10
12
P.M.
11 10
11 10
11 10
5 5 7 7 5 5 7 7 10 9
3 3 3 3 3 3 3 3 5 11 10
3
8
from The Best of ZZ Top
Waitin’ for the Bus
Words and Music by Billy F Gibbons and Dusty Hill
Intro
Moderate Blues q = 100
**Am7
*Gtrs. 1 & 2 (dist.)
f
P.M. P.M.
5 5 5
5 5 5
7 5 7 5 7 7 5 7 5 7 5 7 7 5 7
0 0 0 0 0 0 0 0
*Composite arrangement
**Chord symbols reflect basic harmony.
P.M. P.M.
5 5 5
5 5 5 5
7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0
Verse
Am7
1. Have mer - cy;
Riff A
P.M. P.M. P.M.
5 5 5 5 5 5
7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
been wait - in’ for the bus all day. Have mer -
P.M. P.M. P.M.
5 5 5 5 5 5 7
7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1973 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 1
D7
- cy; been wait - in’ for the bus all day.
P.M. P.M.
1/4 1/4 1/4
6 6
7 5 7 5 7 7 5 7 5 7 5 7 7 5
0 0 0 0 0 0 0 0 0 0 7
Am7 E7
I got my brown pa - per bag and my
End Riff A
P.M. P.M.
let ring
0 5 3
0 5 5 5
7 7 5 7 7 5 7 5 7 5 7 7 5 2
0 0 0 0
0 3 4 0
D7 C Am7
take home pay. 2. Have mer -
let ring P.M. P.M.
1
2 2 5 5
0 0 5 2 5 7 5 7 5 7 7 5 7 5 7 7 7 7 5 7
3 0 0 0 0 0
0
Verse
Gtrs. 1 & 2: w/ Riff A
Am7
- cy; old bus be packed up tight.
D7
Have mer - cy; old bus be packed up tight.
Am7 E7
Well, I’m glad just to get on and
2
Harmonica Solo
2nd & 3rd times, Gtr. 1: w/ Rhy. Fill 1
D7 C A5 G5 D5 E5 Am7
home to - night.
Gtr. 1
let ring w/ slide
1 12 12 14 12
0
2 2
5 2
3
7 5
5
7 7
12
12 12
12
14
14
12
12
0
Gtr. 2
let ring
P.M.
1/4
1
2 2 2 0 7 7
0 5 2 2 0 7 7 9
3 0 5 5 7 3
0 0 5 3 5 3 5 5 3 5
1., 2.
14 12 14 12 14 12
14
14
12
12
14
14
12
12
14
14
12
12
P.M. P.M. P.M. *
3 3 3
5 3 5 3 5 5 3 5 3 5 3 5 5 3 5 3 5 3 5 5 3 5
*Tie note and vibrato
to beat 1 of repeat.
Rhy. Fill 1
Gtr. 1
14 12
14 12
14 12
3
3. Guitar Solo
G7
w/o slide
w/ wah-wah
1 1 1 1 1 1/4
14 6 6 6 6 6
14 8 8 8 7 5 5 5 3 5 5 5 5 3 3
14 5 5
P.M. P.M. P.M.
3 0 0 0 3 0 0 0 3 1 1
5 5 5 3 1 3 1 3 3 1 3 1 3 1 3 3 1 3
1/2 1
3 6 8 8 6
3 6 8 6 8 6 8 8 8 8 8 8 8 8 8 8 8 6 8
7
0
P.M. P.M. P.M.
1 1 1
3 1 3 1 3 3 1 3 1 3 1 3 3 1 3 1 3 1 3 3 1 3
3
3
1
1/2 1/2 1
0 6 3 0 3 10 10 7 7 7
6 6 3 0 5 3 10
7 7 5 3 5 5 5 5 3 3 5
5 3 5 5
P.M. P.M. P.M.
1 1 1 7
3 1 3 1 3 3 1 3 1 3 1 3 3 1 3 1 3 1 3 3 1 0
4
E7
1 1 1 1 1 1 1 1 1 1 1
7 7 7 7 7 7 7 7 10 7 10 7 10 7 7 10 7 10 7 10 7 7 10 7
10 10 10 10 10 10 10 10 10 10 10
P.M. P.M. P.M. P.M.
1/4 1/4
7 5 5 5 5 5 5
0 0 0 0 3 0 0 0 0 3 0
let ring wah-wah off
1 1 1/4 1/2
10 7 10 7
10 10 10 8 10 8 10 10 8
9 9 9 9 9 9 2
7 5 4 7
0
P.M. P.M. P.M.
1/4
5 2 7 7
5 5 5 5 5 3 0
0 0 0 0 3 0 0 0
Interlude
Am7
Gtrs. 1 & 2
P.M. P.M. P.M.
5 5 5 5
7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
3. Right on;
P.M. P.M. P.M.
5 5 5 5 5
7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7 5 7 5 7 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
Gtrs. 1 & 2: w/ Riff A
Am7
that bus done got me back.
D7
Right on; that bus done got me back.
Am7 E7
Well, I’ll be rid - in’ on the bus till I
D7 C Am7 C E5
Cad - il - lac. Oo!
Gtrs. 1 & 2
let ring
P.M. P.M.
1
2 2 5
0 5 2 7 5 7 5 7 7 5 5 7 5 7 5 5 2
3 0 0 0 0 0 0 0 0 0 0 3
0 0
6
from ZZ Top - Rio Grande Mud
Whiskey ’n Mama
Words and Music by Billy F Gibbons, Frank Lee Beard, Dusty Hill and Bill Ham
Gtr. 2: Open E tuning:
(low to high) E-B-E-G#-B-E
Intro
Moderately q = 108
μ ** F5 G5 Bb5 C5 F5 G5 Bb5 C5
Gtr. 2 (dist.)
mf
w/ slide
3
1 3
*Gtr. 1 (dist.)
mf
3 3 X X X 3 X X X
3 3 X X X 3 X X X
X X X X X 3 5 3 X X X X 3 5 3
5 5 X X X 3 5 3 5 X X X 3 5 3
1 3 1 3
*Two gtrs. arr. for one.
**Chord symbols reflect implied harmony.
Gtr. 2 tacet
F5 G5 Bb5 C5 F5 G5 Bb C5 G5 μ
***
3
3
3
3
***Notes in parentheses sound while performing vibrato.
P.M.
†T
3 X X X X 3 X X X X
3 X X X X 3 X X X X 3
X X X X X 3 5 3 X X X X X 3 5 3
5 X X X X 3 5 3 5 X X X X 3 5 3 5
5
1 3 1 3 3
†T = Thumb on 6th string
Verse
F5 G5 Bb5 C5 F5 G5 Bb5 C5 F5 G5 Bb5 C5
1. I’m so tired, you on my head. Whis - key ma - ma, you
Rhy. Fig. 1
Gtr. 1
3 X X X X 3 X X X X 3 X X X
3 X X X X 3 X X X X 3 X X X
X X X X X 3 5 3 X X X X X 3 5 3 X X X X 3 5 3
5 X X X X 3 5 3 5 X X X X 3 5 3 5 X X X 3 5 3
1 3 1 3 1 3
Copyright © 1972 Music Of Stage Three and Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (US) Inc., a BMG Chrysalis company
All Rights Reserved Used by Permission 1
F5 G5 Bb C5 Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5
should - n’t have said you want - ed me to be your lov - er true, then
T
T
3 X X X 8 X X X 8 X X X X
3 X X X 3 8 X X X 8 X X X X
X X X X 3 5 3 X X X X 8 10 8 X X X X X 8 10
5 X X X 3 5 3 10 X X X 8 10 8 10 X X X X 8 10
X X
1 3 6 8 8 6 8 8
G5 Bb5 C5 F5 G5 Bb5 C5 D5 F5 G5
turn a - round and treats me just, uh, likes you do. I should have known bet - ter than to
End Rhy.Fig. 1
T
3 X X X X 3 X X X 10 X X X
3 X X X X X X 3 X X X 10 X X X
X X X X X 3 5 3 X X X X X X 3 5 X X X X 10 12
5 X X X X 3 5 3 X X 5 X X X 3 5 12 X X X 10 12
3 5 X
1 3 1 3 10
μ F5 G5 Bb5 C5 F5 G5 Bb5 C5
fool with a whis - key ma - ma. 2. Now, I
Gtr. 2
3
1 3
Gtr. 1
3 X X X 3 X X X X
3 X X X 3 X X X X
3 5 X X X X 3 5 3 X X X X X 3 5 3
3 5 5 X X X 3 5 3 5 X X X X 3 5 3
3 5 1 3
1 3 1 3
2
Verse
Gtr. 1: w/ Rhy. Fig. 1
F5 G5 Bb5 C5 F5 G5 Bb5 C5 F5 G5 Bb5 C5
could be right and I could be wrong. You been lay - in’ out
Gtr. 2
2 3 2 3
2 3
F5 G5 Bb5 C5 Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5
all night long. You tel - e - phoned this morn - in’, said you’d be home soon. The
8 4
8
G5 Bb5 C5 F5 G5 Bb5 C5 D5 F5 G5
door - man said he seen ya at the Club Blue La - goon. I should have known bet - ter than to
3 2 2 2 3
4
Gtr. 2 tacet
μ F5 G5 Bb5 C5 G5 μ
fool with a whis - key ma - ma.
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 1
T
3 X X X X
3 X X X X
3 5 X X X X X 3 5
3 5 5 X X X X 3 5
3 5 1 3
1 3 3
3
Chorus
C5 Bb5 C5 Bb5 C5 Eb5 F5 G5 Bb5 C5
Whis - key ma - ma, you were stand - in’ there with your curl - ing hair.
Gtr. 2
15 14 14
Rhy. Fig. 2
Gtr. 1
slight P.M.
3 X X X X
X 3 X X X X
X X X X X X 3 5 3
8 8 X 5 X X X X 3 5 3
10 10 X 8 X 10 X 8 10 8 10
8 8 X 6 X 8 X 6 8 1 3
Gtr. 2 tacet
F5 G5 Bb5 C5 Bb5 C5 Bb5 C5 Eb5
Just to have you do me good, I
13 15
14 13 13 13 14 14
15
slight P.M.
3 X X X X
3 X X X X
X X X X X 3 5
5 X X X X 3 5 8 8
10 X 8 X 10 X 8 10 8 10
1 3 8 8 X 6 X 8 X 6 8
D5 C5 D5 μ
know you could if you on - ly would.
Gtr. 1
3
P.M.
5 7 5 3 5
5 5 3 5 5 3 0
5 5 3 X X 5 5 1
4
F5 G5 Bb5 C5 F5 G5 Bb5 C5
Gtr. 2
13 15
15
End Rhy. Fig. 2
Gtr. 1
3 X X X X 3 X X X X
3 X X X X 3 X X X X
X X X X X 3 5 3 X X X X X 3 5 3
5 X X X X 3 5 3 5 X X X X 3 5 3
1 3 1 3
Guitar Solo
F5 G5 Bb5 C5 F5 G5 Bb5 C5
13 15 12 15 15 13
15 13 15 15 15 15 13 15 15 15 13 15
13 15 13 15
Rhy. Fig. 3
3 X X X X 3 X X X X
X 3 X X X X 3 X X X X
X X X X X X 3 5 3 X X X X X 3 5 3
X 5 X X X X 3 5 3 5 X X X X 3 5 3
1 3 1 3
F5 G5 Bb5 C5 F5 G5 Bb5 C5
15 13 15 13 15 13 15
12 15 13 14 14
13 15 15 15 13 15 15 15
3 3 X X X 3 X X X X
3 3 X X X 3 X X X X
X X X X X 3 5 3 X X X X X 3 5 3
5 5 X X X 3 5 3 5 X X X X 3 5 3
1 3 1 3
5
Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5
14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14
15 15 15 15 15 15 15 15 15 15 15
T
T
8 X X X X 8 X X X X
8 X X X X 8 X X X X
X X X X X 8 10 8 X X X X X 8 10
10 X X X X 8 10 8 10 X X X X 8 10
X X
6 8 8 6 8 8
G5 Bb5 C5 F5 G5 Bb5 C5
15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14
15 15 15 15 15 15 15 15 15 15
3 X X X X 3 X X X
3 X X X X 3 X X X
X X X X X 3 5 3 X X X X 3 5
5 X X X X 3 5 3 5 X X X 3 5
1 3 1 3
D5 F5 G5 Bb5 C5 Eb5 F5
15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 14 15 13 15 13
15 15 15 15 15 15 15 15 15 15
End Rhy. Fig. 3
T
T
10 X X X X 8 X X X X
10 X X X X 8 X X X X
X X X X X 10 12 X X X X X 8 10
12 X X X X 10 12 10 X X X X 8 10
3 5 X X
10 6 8 8
6
G5 Bb5 C5 F5 G5 Bb5 C5
14 15
15 13
13 15 12 15
13 15 15 15 13 15 15 15
13 15
3 X X X 3 X X X
3 X X X 3 X X X
X X X X 3 5 3 X X X X 3 5 3
5 X X X 3 5 3 5 X X X 3 5 3
1 3 1 3
Gtr. 1: w/ Rhy. Fig. 3
F5 G5 Bb5 C5 F5 G5 Bb5 C5
8va
loco
Gtr. 2
15 15 18 18 19 15 15
14 15 14 15 20 15 15 15 13 13
14 13 13 14 14 14 14
15
F5 G5 Bb5 C5 F5 G5 Bb5 C5
15 15 15
15 15 13 13 15 15 13 15 13 15 15 15
15 15 13 15 15 15 13 15 13 15 13 15
15 15 13 13 15 15 13
Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5
8va loco
P.H.
13 13 13
15 13 15
12 15 12 15
13 15 15 15 15 13 15 15
13 15
G5 Bb5 C5 F5 G5 Bb5 C5
8va
loco
3
steady gliss.
P.M.
15 12 15 15 15 18 20 15 15
15 15 13 15 13 15 15 20 15 15 15 13 15 15
15 15 15 15
7
D5 F5 G5 Bb5 C5 Eb5 F5
15 14 15 14 14 13 15 14 15
12 15 15 15 13
15 13 15 15 15 15 15
Chorus
Gtr. 1: w/ Rhy. Fill 1 Gtr. 1: w/ Rhy. Fig. 2
G5 Bb5 C5 G5 μ C5 Bb5 C5 Bb5
Whis - key ma - ma, you where
13 15
13 15 15 15 15 15 8 8 6 8 6
13 15 8 8 6 8 6
8 8 6 8 6
C5 Eb5 F5 G5 Bb5 C5 F5 G5 Bb5 C5
stand - in’ there with your curl - ing hair.
8 11 11 1 3 1 3
8 11 11 1 3 1 3
8 1 3 1 3
Bb5 C5 Bb5 C5 Eb5 D5 C5 D5
Just to have you do me good, I know you could if you
8 6
6 8
8 10
8 8 6 8 6 8 11 11 10 10 8 10 10
8 8 6 8 6 8 11 11 10 10 8 10 10
8 8 6 8 6 8 10 10 8 10 10
8
μ F5 G5 Bb5 C5 F5 G5 Bb5 C5
on - ly would. 3. Well, the
X X
1 3 1 X X
1 3 1 X X
1 3 1
Verse
Gtr. 1: w/ Rhy. Fig. 1
F5 G5 Bb5 C5 F5 G5 Bb5 C5 F5 G5 Bb5 C5
sun come shin - in’ on rain soaked street. Whis - key ma - ma, where
0
1 3 1 3 1 3
1 3 1 3 1 3
1 3 1 3 1 3
F5 G5 Bb5 C5 Bb5 C5 Eb5 F5 Bb5 C5 Eb5 F5
can she be. I guess I’ll have to put ya down on my list. I
1 3 6 8 6 8
1 3 6 8 6 8
1 3 6 8 6 8
G5 Bb5 C5 F5 G5 Bb5 C5 D5 F5 G5
did - n’t wan - na do it but, ah, you in - sist. I should have known bet - ter than to
1 3 1 3 8 10
1 3 1 3 8 10
1 3 1 3 8 10
9
Outro
μ F5 G5 Bb5 C5 F5 G5 Bb5 C5
fool with a whis - key ma - ma.
Gtr. 2
1 3 1 3
1 3 1 3
1 3 1 3
Gtr. 1
3 X X X 3 X X X
3 X X X 3 X X X
3 5 X X X X 3 5 3 X X X X 3 5
3 5 5 X X X 3 5 3 5 X X X 3 5
3 5 1 3
1 3 1 3
D5 F5 G5 μ F5 G5 μ F5 G5 μ
8 10 1 3 1 3
8 10 1 3 1 3
8 10 1 3 1 3
3
T
10 X X X
10 X X X
X X X X 10 12 5 7 3 5
12 X X X 10 12 3 5 5 3 0
3 5 X 1
10 1 3 1 3
10
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