You are on page 1of 14

 


 ‌
 ‌

 ‌
 ‌
 ‌
 ‌
Classical‌‌Piano‌  ‌
Grade‌‌9 ‌ ‌
 ‌
Length‌‌of‌‌examination:‌‌‌55‌‌minutes‌  ‌
Examination‌‌Fee:‌‌‌Please‌‌consult‌‌our‌‌website‌‌for‌‌the‌‌schedule‌‌of‌‌fees:‌w
‌ ww.conservatorycanada.ca‌  ‌
Corequisite:‌‌‌Successful‌‌completion‌‌of‌‌the‌‌THEORY‌‌5‌‌and‌‌HISTORY‌‌5‌‌examination‌‌is‌‌required‌‌for‌‌the‌‌completion‌‌ 
of‌‌Grade‌‌9.‌  ‌
 ‌
 ‌
REQUIREMENTS‌‌&‌‌MARKING‌‌   ‌
 ‌
Requirements‌  ‌ Total‌‌Marks‌  ‌
Group‌‌1‌‌Piece‌‌   ‌ 12‌  ‌
Group‌‌2‌‌Piece‌  ‌ 14‌  ‌
Repertoire‌  ‌
5‌‌pieces‌‌of‌‌varying‌‌  Group‌‌3‌‌Piece‌‌   ‌ 10‌  ‌
styles‌  ‌
Group‌‌4‌‌Piece‌  ‌ 10‌  ‌
Own‌‌Choice‌‌Piece‌  ‌ 10‌  ‌
Memory‌  ‌ One‌‌mark‌‌for‌‌each‌‌of‌‌the‌‌four‌‌Group‌‌pieces‌‌memorized‌  ‌ 4‌  ‌
Technique‌  ‌ Scales/Chords/Arpeggios‌  ‌ 14‌  ‌
Sight‌‌Reading‌  ‌ Rhythm‌‌(3)‌‌Piano‌‌Passage‌‌(7)‌  ‌ 10‌  ‌
Aural‌‌Tests‌  ‌ Play/Sing‌‌Back‌‌(4)‌‌Chords‌‌(3)‌‌Intervals‌‌(3)‌  ‌ 10‌  ‌
Keyboard‌‌Skills‌  ‌ Progression‌‌(2)‌‌Harmonization‌‌(4)‌  ‌ 6‌  ‌
Total‌‌Possible‌‌Marks‌‌   ‌ 100‌  ‌
*One‌‌bonus‌‌mark‌‌will‌‌be‌‌awarded‌‌for‌‌including‌‌a‌‌repertoire‌‌piece‌‌by‌‌a‌‌Canadian‌‌composer‌  ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
1‌  ‌
 ‌
 ‌
 ‌
 ‌

REPERTOIRE‌  ‌
 ‌
● Repertoire‌‌pieces‌‌are‌‌divided‌‌into‌‌four‌‌groups:‌   ‌ ‌
● Group‌‌1‌‌pieces‌‌are‌‌from‌‌the‌‌Baroque‌‌era‌  ‌
● Group‌‌2‌‌pieces‌‌are‌‌from‌‌the‌‌Classical‌‌era‌‌   ‌
● Group‌‌3‌‌pieces‌‌are‌‌from‌‌the‌‌Romantic‌‌era‌  ‌
● Group‌‌4‌‌pieces‌‌from‌‌the‌‌20th‌‌and‌‌21st‌‌centuries‌  ‌
● Candidates‌‌must‌‌be‌‌prepared‌‌to‌‌play‌fi ‌ ve‌‌‌pieces‌‌varying‌‌in‌‌style,‌‌with‌‌at‌‌least‌‌four‌‌different‌‌composers‌‌ 
being‌‌represented‌‌to‌‌receive‌‌full‌‌marks:‌  ‌
● One‌‌‌Group‌‌1‌‌piece‌  ‌
● One‌‌‌Group‌‌2‌‌piece‌  ‌
● One‌‌‌Group‌‌3‌‌piece‌  ‌
● One‌‌‌Group‌‌4‌‌piece‌  ‌
● One‌‌‌Own‌‌Choice‌‌piece:‌  ‌
● This‌‌piece‌‌may‌‌be‌‌chosen‌‌from‌‌the‌‌repertoire‌‌list‌‌(Classical‌‌or‌‌Contemporary‌‌Idioms)‌‌or‌‌ 
may‌‌be‌‌a‌‌free‌‌choice‌‌(not‌‌chosen‌‌from‌‌the‌‌repertoire‌‌list).‌  ‌
● Free‌‌choice‌‌pieces‌‌do‌‌not‌‌require‌‌approval.‌  ‌
● Must‌‌be‌‌at‌‌or‌‌above‌‌the‌‌Grade‌‌9‌‌level‌‌(can‌‌be‌‌more‌‌than‌‌one‌‌level‌‌above).‌  ‌
● Approval‌‌is‌‌required‌‌for‌‌Group‌‌pieces‌‌chosen‌‌from‌‌outside‌‌the‌‌repertoire‌‌list.‌‌The‌‌score‌‌must‌‌be‌‌provided‌‌ 
to‌‌the‌‌Registrar‌‌(registrar@conservatorycanada.ca)‌‌with‌‌the‌‌requested‌‌Grade‌‌level‌‌and‌‌Group.‌‌Approvals‌‌ 
are‌‌free‌‌of‌‌charge‌‌and‌‌candidates‌‌will‌‌be‌‌furnished‌‌with‌‌an‌‌approval‌‌letter‌‌to‌‌present‌‌to‌‌the‌‌examiner‌‌at‌‌ 
the‌‌examination.‌  ‌
● One‌‌mark‌‌per‌‌piece‌‌will‌‌be‌‌awarded‌‌for‌‌memorizing‌‌each‌‌of‌‌the‌‌four‌‌Group‌‌pieces‌‌(4‌‌marks‌‌in‌‌total).‌  ‌
● Repeats‌‌must‌‌be‌‌disregarded,‌‌with‌‌the‌‌exception‌‌of‌‌repeats‌‌that‌‌are‌‌integral‌‌to‌‌the‌‌form‌‌of‌‌the‌‌music‌‌(Da‌‌ 
Capo‌‌and‌‌Dal‌‌Segno‌‌indications).‌  ‌
● Repertoire‌‌written‌‌by‌‌Canadian‌‌composers‌‌is‌‌encouraged,‌‌although‌‌not‌‌required.‌O ‌ ne‌‌bonus‌‌mark‌‌will‌‌be‌‌ 
awarded‌‌for‌‌including‌‌a‌‌Group‌‌piece‌‌or‌‌Own‌‌Choice‌‌piece‌‌by‌‌a‌‌Canadian‌‌composer.‌‌‌Canadian‌‌ 
composers‌‌are‌‌indicated‌‌in‌‌the‌‌repertoire‌‌lists‌‌with‌‌an‌‌asterisk‌‌(*).‌  ‌
● Contemporary‌‌Idioms‌‌repertoire‌‌selections:‌  ‌
● Longer‌‌pop‌‌stylings‌‌should‌‌be‌‌edited‌‌to‌‌condense‌‌the‌‌length‌‌by‌‌omitting‌‌excessive‌‌repeats‌‌on‌‌ 
similar‌‌verses,‌‌repetitive‌‌choruses‌‌or‌‌extended‌‌solo‌‌sections‌‌that‌‌are‌‌not‌‌idiomatic‌‌to‌‌the‌‌ 
instrument.‌  ‌
● Editing‌‌the‌‌notation‌‌and‌‌rhythm‌‌of‌‌pop‌‌stylings‌‌is‌‌allowed‌‌to‌‌bring‌‌the‌‌performance‌‌closer‌‌to‌‌a ‌‌
more‌‌realistic‌‌representation‌‌of‌‌the‌‌original‌‌recorded‌‌version‌‌or‌‌live‌‌performance‌‌version,‌‌or‌‌to‌‌ 
make‌‌the‌‌music‌‌more‌‌accessible‌‌and‌‌level‌‌appropriate‌‌for‌‌the‌‌candidate.‌  ‌
● In‌‌some‌‌cases,‌‌the‌‌publication‌‌and/or‌‌publisher‌‌has‌‌been‌‌indicated‌‌in‌‌the‌‌repertoire‌‌list‌‌to‌‌facilitate‌‌ 
locating‌‌the‌‌score;‌‌however,‌‌any‌‌standard‌‌edition‌‌may‌‌be‌‌used‌‌for‌‌this‌‌examination.‌  ‌
 ‌
TECHNIQUE‌  ‌
 ‌
● All‌‌technical‌‌tests‌‌must‌‌be‌‌played‌‌ascending‌‌and‌‌descending‌‌from‌‌memory‌‌with‌‌a‌‌steady‌‌pulse,‌‌even‌‌tone‌‌ 
and‌‌logical‌‌fingering.‌‌These‌‌are‌‌fingerings‌‌that‌‌result‌‌in‌‌the‌‌best‌‌possible‌‌sound‌‌and‌‌performance‌‌for‌‌the‌‌ 
candidate.‌  ‌
● Metronome‌‌markings‌‌should‌‌be‌‌regarded‌‌as‌‌recommended‌‌speeds,‌‌with‌‌accuracy‌‌and‌‌tone‌‌quality‌‌being‌‌ 
assessed‌‌with‌‌more‌‌importance‌‌than‌‌speed.‌  ‌
● Do‌‌not‌‌repeat‌‌the‌‌upper‌‌tonic‌‌when‌‌playing‌‌scales‌. ‌ ‌

 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
2‌  ‌
 ‌
 ‌
 ‌
 ‌

Scales‌  ‌

 ‌ Keys‌  ‌ Hands‌  ‌ Range‌  ‌ ♩=‌  ‌ Performance‌  ‌

Major‌  ‌ G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌   ‌ ‌ Together‌  ‌ 4‌‌octaves‌  ‌ 108‌  ‌ Legato‌‌in‌‌sixteenth‌‌notes‌‌   ‌

Harmonic‌‌& ‌‌
E,‌‌F♯,‌‌G♯,‌‌D,‌‌C,‌‌B♭‌‌   ‌ Together‌  ‌ 4‌‌octaves‌  ‌ 108‌  ‌ Legato‌‌in‌‌sixteenth‌‌notes‌‌   ‌
Melodic‌‌Minor‌  ‌

Chromatic‌  ‌ Starting‌‌on‌‌any‌‌note‌  ‌ Together‌  ‌ 4‌‌octaves‌  ‌ 108‌  ‌ Legato‌‌in‌‌sixteenth‌‌notes‌‌   ‌

Solid‌‌Octaves‌  ‌ G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌‌major‌  ‌ Together‌  ‌ 2‌‌octaves‌  ‌ 50‌  ‌ Staccato‌‌in‌‌sixteenth‌‌notes‌‌   ‌

3rds‌‌and‌‌6ths‌‌* ‌ ‌ G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌  ‌ Together‌  ‌ 4‌‌octaves‌  ‌ 88‌  ‌ Legato‌‌in‌‌sixteenth‌‌notes‌‌   ‌

 ‌  ‌  ‌  ‌  ‌  ‌

4-Note‌‌Chords‌  ‌

 ‌ Keys‌  ‌ Hands‌  ‌ Range‌  ‌ ♩=‌  ‌ Performance‌  ‌

G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌‌major‌  ‌
Solid‌  ‌ Together‌  ‌ 2‌‌octaves‌  ‌ 100‌  ‌ Quarter‌‌notes,‌‌without‌‌rests‌  ‌
E,‌‌F♯,‌‌G♯,‌‌D,‌‌C,‌‌B♭‌‌minor‌  ‌

G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌‌major‌  ‌
Broken‌  ‌ Together‌  ‌ 2‌‌octaves‌  ‌ 100‌  ‌ Sixteenth‌‌notes‌  ‌
E,‌‌F♯,‌‌G♯,‌‌D,‌‌C,‌‌B♭‌‌minor‌  ‌

 ‌

Dominant‌‌7th‌‌&‌‌Diminished‌‌7th‌‌Chords‌  ‌

 ‌ Chords‌  ‌ Hands‌  ‌ Range‌  ‌ ♩=‌  ‌ Performance‌  ‌

D‌7‌,‌‌E7‌‌ ,‌‌F♯‌7‌,‌‌C7‌‌ ,‌‌B♭‌7‌,‌‌A♭‌



 ‌
7‌
Solid‌  ‌ Together‌  ‌ 2‌‌octaves‌  ‌ 100‌  ‌ Quarter‌‌notes‌  ‌
D♯‌ ,‌‌F‌ ,‌‌G‌ ,‌‌C♯‌ ,‌‌B‌ ,‌‌Ao7‌
o7‌ o7‌ o7‌ o7‌ o7‌
‌  ‌

D‌7‌,‌‌E7‌‌ ,‌‌F♯‌7‌,‌‌C7‌‌ ,‌‌B♭‌7‌,‌‌A♭‌



 ‌
7‌
Broken‌  ‌ Together‌  ‌ 2‌‌octaves‌  ‌ 100‌  ‌ Sixteenth‌‌notes‌  ‌
D♯‌ ,‌‌F‌ ,‌‌G‌ ,‌‌C♯‌ ,‌‌B‌ ,‌‌Ao7‌
o7‌ o7‌ o7‌ o7‌ o7‌
‌  ‌

 ‌

Arpeggios‌  ‌

 ‌ Keys/Chords‌  ‌ Hands‌  ‌ Range‌  ‌ ♩=‌  ‌ Performance‌  ‌

Sixteenth‌‌notes;‌‌root‌‌and‌‌ 
G,‌‌A,‌‌B,‌‌F,‌‌E♭,‌‌D♭‌‌major‌  ‌
Major‌‌&‌‌Minor‌  ‌ Together‌  ‌ 4‌‌octaves‌  ‌ 88‌  ‌ inversions‌‌in‌‌sequence,‌‌ 
E,‌‌F♯,‌‌G♯,‌‌D,‌‌C,‌‌B♭‌‌minor‌  ‌
beginning‌‌with‌‌root‌  ‌

Sixteenth‌‌notes;‌‌root‌‌and‌‌ 
Dominant‌‌7th‌‌& ‌‌ D‌7‌,‌‌E7‌‌ ,‌‌F♯‌7‌,‌‌C7‌‌ ,‌‌B♭‌7‌,‌‌A♭‌

 ‌
7‌
Together‌  ‌ 4‌‌octaves‌  ‌ 88‌  ‌ inversions‌‌in‌‌sequence,‌‌ 
Diminished‌‌7th‌  ‌ D♯‌ ,‌‌F‌ ,‌‌G‌ ,‌‌C♯‌ ,‌‌B‌ ,‌‌Ao7‌
o7‌ o7‌ o7‌ o7‌ o7‌
‌  ‌
beginning‌‌with‌‌root‌  ‌
 ‌
*‌‌For‌‌3rds,‌‌the‌‌LH‌‌should‌‌start‌‌on‌‌the‌‌tonic‌‌note;‌‌for‌‌6ths‌‌the‌‌RH‌‌should‌‌start‌‌on‌‌the‌‌tonic‌‌note.‌  ‌
 ‌
 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
3‌  ‌
 ‌
 ‌
 ‌
 ‌

SIGHT‌‌READING‌  ‌
 ‌
Candidates‌‌will‌‌be‌‌given‌‌a‌‌brief‌‌period‌‌to‌‌scan‌‌the‌‌score‌‌for‌‌the‌‌following‌‌two‌‌tests:‌  ‌
 ‌
Rhythm‌  ‌
 ‌
Tap,‌‌clap‌‌or‌‌play‌‌on‌‌one‌‌note‌‌(at‌‌the‌‌candidate’s‌‌choice)‌‌a‌‌rhythm,‌‌4‌‌bars‌‌in‌‌length.‌  ‌
● Time‌‌signature‌‌will‌‌be‌‌simple‌‌or‌‌compound.‌  ‌
● A‌‌variety‌‌of‌‌note‌‌and‌‌rest‌‌values‌‌will‌‌be‌‌used,‌‌including‌‌tied‌‌notes‌‌and‌‌syncopations.‌  ‌
 ‌
Example:‌  ‌

 ‌
 ‌
Piano‌‌Passage‌  ‌
 ‌
Play‌‌at‌‌sight‌‌a‌‌piece‌‌8‌‌bars‌‌in‌‌length,‌‌approximately‌‌equal‌‌in‌‌difficulty‌‌to‌‌Grade‌‌6.‌‌The‌‌excerpt‌‌may‌‌be‌‌in‌‌a ‌‌
major‌‌or‌‌minor‌‌key‌‌with‌‌up‌‌to‌‌and‌‌including‌‌five‌‌sharps‌‌or‌‌flats.‌‌Repertoire‌‌from‌‌Conservatory‌‌Canada’s‌‌ 
classical‌‌syllabus‌‌is‌‌appropriate‌‌in‌‌preparation‌‌for‌‌this‌‌requirement.‌  ‌
 ‌
AURAL‌‌TESTS‌  ‌
 ‌
Candidates‌‌will‌‌be‌‌required‌‌to‌‌complete‌‌the‌‌following‌‌three‌‌tests:‌  ‌
 ‌
Play/Sing‌‌Back‌  ‌
 ‌
Play‌‌back‌‌or‌‌sing‌‌back‌‌on‌‌any‌‌vowel‌‌(at‌‌the‌‌candidate’s‌‌choice),‌‌the‌u ‌ pper‌‌part‌‌‌of‌‌a‌‌two-part‌‌ 
phrase‌‌in‌‌a‌‌major‌‌key.‌‌The‌‌melody‌‌will‌‌begin‌‌on‌‌a‌‌note‌‌of‌‌the‌‌tonic‌‌chord.‌‌The‌‌examiner‌‌will:‌  ‌
● Name‌‌the‌‌key—major‌‌keys‌‌with‌‌up‌‌to‌‌and‌‌including‌‌three‌‌sharps‌‌or‌‌flats.‌  ‌
● Play‌‌the‌‌tonic‌‌four-note‌‌chord‌‌in‌‌broken‌‌form.‌  ‌
● Play‌‌the‌‌melody‌‌twice.‌  ‌
 ‌
Example:‌  ‌

 ‌
 ‌
Chord‌‌Identification‌  ‌
 ‌
Identify‌‌the‌‌following‌‌chords‌‌after‌‌being‌‌played‌‌once‌‌by‌‌the‌‌examiner.‌  ‌
 ‌
● All‌‌chords‌‌will‌‌be‌‌played‌‌in‌‌solid‌‌form.‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
4‌  ‌
 ‌
 ‌
 ‌
 ‌
● Candidates‌‌must‌‌identify‌‌the‌‌inversion‌‌of‌‌major‌‌and‌‌minor‌‌4-note‌‌chords.‌  ‌
 ‌
Chord‌  ‌ Inversion‌  ‌ Position‌  ‌
Major‌‌(4-note)‌  ‌ Root‌‌&‌‌1st‌‌inversion‌  Close‌  ‌
Minor‌‌(4-note)‌  ‌ Root‌‌&‌‌1st‌‌inversion‌  Close‌  ‌
Dominant‌‌7th‌  ‌ Root‌  ‌ Open‌‌(SATB)‌ 
Diminished‌‌7th‌  ‌ Root‌  ‌ Open‌‌(SATB)‌ 
 ‌
Interval‌‌Identification‌  ‌
 ‌
Identify‌‌any‌‌of‌‌the‌‌following‌‌intervals‌‌played‌‌once‌‌by‌‌the‌‌examiner.‌  ‌
● All‌‌intervals‌‌will‌‌be‌‌played‌‌in‌‌broken‌‌form.‌  ‌
 ‌
Ascending‌  ‌ Descending‌  ‌
minor‌‌2nd‌  ‌ minor‌‌2nd‌  ‌
major‌‌2nd‌  ‌ major‌‌2nd‌  ‌
minor‌‌3rd‌  ‌ minor‌‌3rd‌  ‌
major‌‌3rd‌  ‌ major‌‌3rd‌  ‌
perfect‌‌4th‌  ‌ perfect‌‌4th‌  ‌
tritone‌‌(augmented‌‌  tritone‌‌(augmented‌‌ 
4th/diminished‌‌5th)‌  ‌ 4th/diminished‌‌5th)‌  ‌
perfect‌‌5th‌  ‌ perfect‌‌5th‌  ‌
minor‌‌6th‌  ‌ minor‌‌6th‌  ‌
major‌‌6th‌  ‌ major‌‌6th‌  ‌
minor‌‌7th‌  ‌ minor‌‌7th‌  ‌
major‌‌7th‌  ‌ major‌‌7th‌  ‌
perfect‌‌8th‌  ‌ perfect‌‌8th‌  ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌
 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
5‌  ‌
 ‌
 ‌
 ‌
 ‌

KEYBOARD‌‌SKILLS‌  ‌
 ‌
 ‌
Candidates‌‌will‌‌be‌‌required‌‌to‌‌complete‌‌the‌‌following‌‌two‌‌tests:‌  ‌
 ‌
 ‌
Chord‌‌Progression‌  ‌
 ‌
Play‌‌the‌‌following‌‌chord‌‌progression,‌‌from‌‌memory,‌‌in‌‌all‌‌major‌‌and‌‌minor‌‌keys‌‌up‌‌to‌‌and‌‌including‌‌3 ‌‌
sharps‌‌and‌‌flats:‌  ‌

 ‌
 ‌
Harmonization‌  ‌
 ‌
Harmonize‌‌a‌‌simple‌‌melody‌‌at‌‌sight,‌‌as‌‌outlined‌‌in‌‌the‌‌previous‌‌grades.‌‌Candidates‌‌should‌‌use‌‌‌“Keyboard‌ 
Harmony:‌‌Enhanced‌‌Level‌‌4”‌b ‌ y‌‌Debra‌‌Wanless‌‌as‌‌a‌‌guide‌‌and‌‌for‌‌many‌‌workable‌‌examples.‌ ‌A‌‌limited‌‌ 
number‌‌of‌‌examples‌‌exist‌‌in‌‌Conservatory‌‌Canada’s‌e ‌ ‌‌sharp‌‌club‌‌‌for‌‌teachers.‌  ‌
 ‌
● Use‌‌keyboard‌‌style‌‌(three‌‌notes‌‌in‌‌the‌‌RH,‌‌one‌‌note‌‌in‌‌the‌‌LH).‌  ‌
● Major‌‌and‌‌minor‌‌keys‌‌up‌‌to‌‌and‌‌including‌‌3‌‌sharps‌‌and‌‌flats‌‌can‌‌be‌‌used.‌  ‌
● The‌‌following‌‌chords‌‌can‌‌be‌‌used:‌‌I,‌‌IV,‌‌V,‌‌V7.‌‌Chords‌‌can‌‌be‌‌in‌‌root‌‌position‌‌and‌‌first‌‌inversion.‌  ‌
● Chord‌‌symbol‌‌indications‌‌will‌‌be‌‌given‌‌as‌‌a‌‌guideline,‌‌however‌‌candidates‌‌are‌‌free‌‌to‌‌choose‌‌and‌‌ 
change‌‌chords‌‌as‌‌they‌‌wish‌‌by‌‌adding‌‌colour‌‌chords‌‌and‌‌other‌‌musical‌‌devices.‌  ‌
 ‌
Example:‌  ‌

 ‌
 ‌
 ‌
 ‌
 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
6‌  ‌
 ‌
 ‌
 ‌
 ‌

REPERTOIRE‌‌LIST‌  ‌
 ‌
Group‌‌1 ‌ ‌ Baroque‌‌Repertoire‌ 
 ‌
BACH,‌‌J.S.‌  ‌ Suite‌i‌n‌E‌ ‌M
‌ ajor,‌H ‌ WV‌4 ‌ 30‌  ‌
● Fantasia‌‌in‌‌C‌‌Minor,‌‌BWV‌‌919‌  ‌ ● Allemande‌  ‌
● Fugue‌‌in‌‌C‌‌Major,‌‌BWV‌‌953‌  ‌ Suite‌i‌n‌F‌ ‌M
‌ inor,‌H ‌ WV‌4 ‌ 33‌  ‌
● Prelude‌‌&‌‌Fughetta‌‌in‌‌D‌‌Minor,‌‌BWV‌‌899‌  ‌ ● Gigue‌  ‌
● Prelude‌‌&‌‌Fughetta‌‌in‌‌G‌‌Major,‌‌BWV‌‌902a‌‌NMS‌  ‌ Suite‌i‌n‌B‌ ♭‌M
‌ ajor,‌H ‌ WV‌4 ‌ 34‌  ‌
Four‌D ‌ uettos,‌B ‌ WV‌8 ‌ 02-805‌  ‌ ● Air‌‌with‌‌Variations‌  ‌
● Choose‌‌ONE‌  ‌ 6‌G‌ randes‌F ‌ ugues‌  ‌
Well‌T ‌ empered‌C ‌ lavier,‌1 ‌  ‌ ‌ ● Fugue‌‌No.‌‌1‌‌in‌‌G‌‌Minor‌  ‌
● Prelude‌‌&‌‌Fugue‌‌No.‌‌2‌‌in‌‌C‌‌Minor,‌‌BWV‌‌847‌  ‌ ● Fugue‌‌No.‌‌3‌‌in‌‌B♭‌‌Major‌  ‌
● Prelude‌‌&‌‌Fugue‌‌No.‌‌10‌‌in‌‌E‌‌Minor,‌‌BWV‌‌855‌N ‌ MS‌  ‌  ‌
● Prelude‌‌&‌‌Fugue‌‌No.‌‌15‌‌in‌‌G‌‌Major,‌‌BWV‌‌860‌  ‌ RAMEAU,‌‌J.P.‌  ‌
Sinfonias,‌B ‌ WV‌7 ‌ 88-801‌  ‌ Suite‌i‌n‌D‌ ‌M
‌ ajor,‌R ‌ CT‌3‌  ‌ ‌
● Choose‌‌ONE‌  ‌ ● Les‌‌Cyclops‌  ‌
[Note:‌‌Sinfonia‌‌in‌‌C‌‌Minor,‌‌BWV‌‌788‌‌&‌‌Sinfonia‌‌in‌‌E♭‌‌  Suite‌i‌n‌A‌ ‌M
‌ inor,‌R ‌ CT‌5‌  ‌ ‌
Major,‌‌BWV‌‌791‌‌are‌‌in‌‌NMS]‌  ‌ ● Les‌‌Trois‌‌Mains‌N ‌ MS‌  ‌
 ‌ Suite‌i‌n‌G‌ ‌M
‌ ajor,‌R ‌ CT‌6‌  ‌ ‌
COUPERIN,‌‌F.‌  ‌ ● La‌‌Poule‌  ‌
Pièces‌d ‌ e‌C‌ lavecin‌    ‌ ‌
● Le‌‌bavolet‌‌flottant‌(‌ 9th‌S ‌ uite)‌  ‌ SCARLATTI,‌‌D.‌  ‌
● Les‌‌petits‌‌moulins‌‌à‌‌vent‌(‌ 17th‌S ‌ uite)‌  ‌ Sonatas‌  ‌
  ‌ ‌ ● L.‌‌(S)3/K.‌‌513‌‌in‌‌C‌‌Minor‌  ‌
DAQUIN,‌‌L.C.‌  ‌ ● L.‌‌19/K.‌‌508‌‌in‌‌E♭‌‌Major‌  ‌
Pièces‌d ‌ e‌C‌ lavecin‌  ● L.‌‌33/K.‌‌87‌‌in‌‌B‌‌Minor‌N ‌ MS‌  ‌
● L’‌‌Hirondelle‌(‌ 2nd‌S ‌ uite)‌  ‌ ● L.‌‌104/K.‌‌159‌‌in‌‌C‌‌Major‌  ‌
● Le‌‌Coucou‌(‌ 3rd‌S ‌ uite)‌  ‌ ● L.‌‌124/K.‌‌260‌‌in‌‌G‌‌Major‌N ‌ MS‌  ‌
  ‌ ‌ ● L.‌‌139/K.‌‌182‌‌in‌‌A‌‌Major‌  ‌
GALLES,‌‌PADRE‌‌J.‌  ‌ ● L.‌‌146/K.‌‌497‌‌in‌‌B‌‌Minor‌  ‌
● Sonata‌‌in‌‌C‌‌Minor‌‌M ‌ ost‌B‌ eautiful‌.‌..‌S
‌ panish‌‌  ● L.‌‌281/K.‌‌239‌‌in‌‌F‌‌Minor‌  ‌
Harpsichord‌M ‌ usic‌‌‌-‌‌Ricordi‌  ‌ ● L.‌‌395/K.‌‌533‌‌in‌‌A‌‌Major‌  ‌
● Sonata‌‌in‌‌F‌‌Minor‌M ‌ ost‌B‌ eautiful‌.‌..‌S‌ panish‌‌  ● L.‌‌413/K.‌‌9‌‌in‌‌D‌‌Minor‌  ‌
Harpsichord‌M ‌ usic‌‌‌-‌‌Ricordi‌  ‌ ● L.‌‌463/K.‌‌430‌‌in‌‌D‌‌Major‌  ‌
 ‌   ‌ ‌
GAMBARINI,‌‌E.‌‌de‌  ‌ SOLER,‌‌A.‌  ‌
● Sonata‌‌in‌‌D‌‌Minor,‌‌Op.1‌‌No.‌‌6‌H ‌ ildegard,‌‌IMSLP‌  ‌ ● Sonata‌‌No.‌‌84‌‌in‌‌D‌‌Major‌N ‌ MS‌  ‌
 ‌ Sonata‌i‌n‌A ‌ ‌M
‌ inor‌M ‌ ost‌B ‌ eautiful‌.‌..‌S
‌ panish‌H‌ arpsichord‌‌ 
HÄNDEL,‌‌G.F.‌  ‌ Music‌‌‌-‌‌Ricordi‌  ‌
Sonata‌i‌n‌C ‌ ‌M
‌ ajor,‌G‌ .‌5
‌ 9‌  ‌ ● Complete‌  ‌
● Complete‌  ‌ Sonata‌i‌n‌D ‌ ♭‌M
‌ ajor‌M ‌ ost‌B ‌ eautiful‌.‌..‌S
‌ panish‌H‌ arpsichord‌‌ 
Suite‌i‌n‌D ‌ ‌M
‌ inor,‌H ‌ WV‌4 ‌ 28‌  ‌ Music‌‌‌-‌‌Ricordi‌  ‌
● Allemande‌  ‌ ● Complete‌  ‌
● Prelude‌a ‌ nd‌A ‌ llegro‌  ‌ Sonata‌N ‌ o.‌7‌ ‌i‌n‌D
‌ ‌M
‌ ajor‌  ‌
 ‌ ● Andantino‌  ‌
 ‌
 ‌
 ‌
 ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
7‌  ‌
 ‌
 ‌
 ‌
 ‌

Group‌‌2 ‌ ‌ Classical‌‌Repertoire‌ 
 ‌
D’AUENBRUGG,‌‌M.‌  ‌  ‌
Sonata‌i‌n‌E ‌ ♭‌M‌ ajor‌  ‌ CLEMENTI,‌‌M.‌  ‌
● 3rd‌‌Movement‌‌(Rondo:‌‌Allegro)‌H ‌ ildegard,‌‌IMSLP,‌‌  Sonatina‌i‌n‌E‌ ♭‌M
‌ ajor,‌O ‌ p.‌3 ‌ 7‌N
‌ o.‌1 ‌  ‌ ‌
Alfred,‌W ‌ oman‌C ‌ omposers‌V ‌ olume‌3 ‌ ‌‌-‌‌One‌‌Eye‌  ‌ ● Complete‌  ‌
 ‌  ‌
BACH,‌‌C.P.E.‌  ‌ HAYDN,‌‌F.‌‌J.‌  ‌
Sonata‌N ‌ o.‌3‌ ‌i‌n‌F
‌ ‌M
‌ inor‌‌‌(Six‌‌Klaviersonaten,‌‌1779)‌‌  Sonata‌i‌n‌E
‌ ‌M
‌ ajor,‌H‌ ob.‌X ‌ VI:‌1‌ 3‌  ‌
Breitkopf‌  ‌ ● Complete‌  ‌
● 1st‌‌movement‌  ‌ Sonata‌i‌n‌C
‌ ‌M
‌ inor,‌H‌ ob.‌X ‌ VI:‌2
‌ 0‌  ‌
Sonata‌N ‌ o.‌4‌ ‌i‌n‌A
‌ ‌M
‌ ajor‌‌‌(Six‌‌Klaviersonaten,‌‌1779)‌‌  ● 1st‌‌movement‌N ‌ MS‌  ‌
Breitkopf‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌N ‌ MS‌  ‌
● 1st‌‌movement‌  ‌ Sonata‌i‌n‌F
‌ ‌M
‌ ajor,‌H‌ ob.‌X ‌ VI:‌2‌ 3‌(‌ only‌o ‌ ne‌m
‌ ovement)‌  ‌
● Last‌‌movement‌  ‌ ● 1st‌‌movement‌  ‌
Sonata‌N ‌ o.‌5‌ ‌i‌n‌F
‌ ‌M
‌ ajor‌‌‌(Six‌‌Klaviersonaten,‌‌1779)‌‌  ● 2nd‌‌movement‌  ‌
Breitkopf‌  ‌ ● 3rd‌‌movement‌  ‌
● 1st‌‌movement‌  ‌ Sonata‌i‌n‌E
‌ ‌M
‌ inor,‌H‌ ob.‌X ‌ VI:‌3‌ 4‌  ‌
 ‌ ● 1st‌‌and‌‌2nd‌‌movements‌N ‌ MS‌  ‌
BARTHELEMON,‌‌C.M.‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌N ‌ MS‌  ‌
Sonata‌i‌n‌G ‌ ‌M‌ ajor,‌O ‌ p.‌3
‌  ‌ ‌ Sonata‌i‌n‌D
‌ ‌M‌ ajor,‌H
‌ ob.‌X ‌ VI:‌3
‌ 7‌  ‌
● 3rd‌‌movement‌‌(Allegro‌‌Vivace)‌‌H ‌ ildegard,‌‌  ● 1st‌‌and‌‌2nd‌‌movements‌  ‌
musicalion.com,‌‌Editions‌‌Tonger‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌  ‌
  ‌ ‌ Sonata‌i‌n‌D
‌ ‌M‌ ajor,‌H
‌ ob.‌X ‌ VI:‌4
‌ 2‌  ‌
BEETHOVEN,‌‌L.‌  ‌ ● Complete‌  ‌
● 9‌‌Variations‌‌in‌‌A‌‌Major,‌‌"Quant‌‌è‌‌più‌‌bello",‌‌WoO‌‌69‌  ‌  ‌
● 6‌‌Easy‌‌Variations‌‌in‌‌G‌‌Major,‌‌WoO‌‌77‌‌   ‌ MARTINEZ,‌‌M.‌  ‌
7‌B ‌ agatelles,‌O ‌ p.‌3‌ 3‌  ‌ Sonata‌i‌n‌A
‌ ‌M
‌ ajor‌  ‌
● No.‌‌5‌‌in‌‌C‌‌Major‌  ‌ ● 1st‌‌movement‌‌(Allegro)‌I‌MSLP,‌‌Hildegard‌  ‌
2‌R ‌ ondos,‌O‌ p.‌5 ‌ 1‌  ‌ Sonata‌i‌n‌G
‌ ‌M‌ ajor‌  ‌
● No.‌‌1‌‌in‌‌C‌‌Major‌N ‌ MS‌  ● 1st‌‌movement‌I‌MSLP,‌‌Hildegard,‌‌Schott‌  ‌
Sonata‌i‌n‌E ‌ ♭‌M‌ ajor,‌O ‌ p.‌2‌ 7‌N‌ o.‌1 ‌  ‌ ‌  ‌
● 1st‌‌movement,‌N ‌ MS‌  ‌ MONTGEROULT,‌‌H.‌‌de‌  ‌
Sonata‌i‌n‌G ‌ ‌M‌ ajor,‌O ‌ p.‌7
‌ 9‌  ‌ Sonata‌i‌n‌F
‌ ‌M
‌ inor,‌O‌ p.‌5 ‌ ‌N‌ o.‌2
‌ ‌I‌MSLP,‌‌free-scores.com‌  ‌
● 1st‌‌movement‌  ‌ ● 3rd‌‌movement‌‌(Allegro‌‌agitato‌‌con‌‌fuoco)‌  ‌
 ‌ Sonata‌i‌n‌D
‌ ‌M‌ ajor,‌O
‌ p.‌5 ‌ ‌N‌ o.‌1
‌ ‌I‌MSLP,‌‌free-scores.com‌  ‌
BENDA-REICHARDT,‌‌J.‌  ‌ ● 4th‌‌movement‌‌(Presto)‌  ‌
Sonata‌i‌n‌G ‌ ‌M‌ ajor‌‌S ‌ heet‌‌Music‌‌Plus‌,‌H ‌ ildegard,‌‌Clarnan‌‌   ‌
Editions‌  ‌ MOZART,‌‌W.‌‌A.‌  ‌
● Complete‌  ‌ ● 7‌V ‌a‌ riations‌‌in‌‌D‌‌Major,‌‌K.‌‌25‌  ‌
 ‌ ● Fantasia‌‌in‌‌D‌‌Minor,‌‌K.‌‌397‌N ‌ MS‌  ‌
BRILLON‌‌de‌‌JOUY,‌‌A-L.‌  ‌ ‌ ♭‌M
Sonata‌i‌n‌B ‌ ajor,‌K ‌ .281‌  ‌
Sonata‌i‌n‌C ‌ ‌M‌ inor‌M ‌ usik‌‌Fabrik,‌‌musicaneo.com‌  ‌ ● 1st‌‌movement‌  ‌
● 1st‌‌movement‌‌(Allegro‌‌non‌‌tanto)‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌  ‌
● 2nd‌‌movement‌‌(Tempo‌‌di‌‌minuetto)‌  ‌ Sonata‌i‌n‌G
‌ ‌M‌ ajor,‌K‌ .283‌  ‌
 ‌ ● 1st‌‌movement‌  ‌
CIANCHETTINI,‌‌V.D.‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌  ‌
Sonata‌i‌n‌F ‌ ‌M
‌ ajor‌O ‌ p.‌2‌  ‌ ‌ Sonata‌i‌n‌C
‌ ‌M
‌ ajor,‌K‌ .‌3‌ 30‌  ‌
● 1st‌‌movement‌‌(Allegro‌‌Moderato)‌W ‌ oman‌‌  ● 1st‌‌movement‌N ‌ MS‌  ‌
Composers‌V ‌ olume‌3 ‌ ‌‌-‌‌One‌‌Eye,‌‌Hildegard,‌‌IMSLP‌  ‌ ● 2nd‌‌and‌‌3rd‌‌movements‌  ‌
 ‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
8‌  ‌
 ‌
 ‌
 ‌
 ‌
Sonata‌i‌n‌A
‌ ‌M
‌ ajor,‌K
‌ .‌3
‌ 31‌  ‌ ‌ ♭‌M
Sonata‌i‌n‌B ‌ ajor,‌K
‌ .57‌  ‌
● 3rd‌‌movement‌  ‌ ● 1st‌‌movement‌  ‌
Sonata‌i‌n‌F
‌ ‌M
‌ ajor,‌K
‌ .‌3
‌ 32‌  ‌  ‌
● 1st‌‌movement‌N ‌ MS‌  ‌  ‌
 ‌
Group‌‌3 ‌ ‌ Romantic‌‌Repertoire‌ 
 ‌
BEACH,‌‌A.‌  ‌ ● Op.‌‌6‌‌No.‌‌2‌‌in‌‌C♯‌‌Minor‌  ‌
● Improvisation,‌‌Op.‌‌148‌‌No.‌‌2‌H ‌ ildegard,‌‌IMSLP,‌‌  ● Op.‌‌6‌‌No.‌‌3‌‌in‌‌E♭‌‌Minor‌  ‌
Seesaw‌‌Music‌  ‌ ● Op.‌‌17,‌‌No.‌‌3‌‌in‌‌A♭‌‌Major‌  ‌
● Scottish‌‌Legend,‌‌Op.‌‌54‌‌No.‌‌1‌A ‌ lfred,‌‌Hal‌‌Leonard,‌‌  ● Op.‌‌17‌‌No.‌‌4‌‌in‌‌A‌‌Minor‌  ‌
IMSLP,‌‌Sheet‌‌Music‌‌Plus‌  ‌ ● Op.‌‌30,‌‌No.‌‌3‌‌in‌‌D♭‌‌Major‌  ‌
Les‌R ‌ êves‌d‌ e‌C‌ olombine,‌O ‌ p.‌6
‌ 5‌  ‌ ● Op.‌‌41,‌‌No.‌‌3‌‌in‌‌B‌‌Major‌  ‌
● No.‌‌4‌‌(Sous‌‌les‌‌Étoiles)‌A ‌ lfred,‌‌free-scores.com,‌‌  ● Op.‌‌50,‌‌No.‌‌1‌‌in‌‌G‌‌Major‌  ‌
IMSLP,‌‌Ludwig‌‌Masters‌  ‌ ● Op.‌‌50‌‌No.‌‌2‌‌in‌‌A♭‌‌Major‌  ‌
 ‌ ● Op.‌‌63,‌‌No.‌‌3‌‌in‌‌C♯‌‌Minor‌  ‌
BONIS,‌‌M.‌  ‌ ● Op.‌‌67,‌‌No.‌‌1‌‌in‌‌G‌‌Major‌  ‌
● Bourrée,‌‌Op.‌‌62‌‌No.‌‌1 ‌ ‌ ● Op.‌‌68,‌‌No.‌‌1‌‌in‌‌C‌‌Major‌  ‌
● Pavane,‌‌Op.‌‌81‌‌No.‌‌1 ‌ ‌ Nocturnes‌  ‌
● Rondo‌‌dans‌‌le‌‌Genre‌‌Ancien,‌‌Op.‌‌7‌‌IMSLP,‌‌  ● Op.‌‌32,‌‌No.‌‌1‌‌in‌‌B‌‌Major‌  ‌
free-scores.com,‌‌museopen.org‌  ‌ ● Op.‌‌37,‌‌No.‌‌1‌‌in‌‌G‌‌Minor‌  ‌
 ‌ ● Op.‌‌55,‌‌No.‌‌1‌‌in‌‌F‌‌Minor‌  ‌
BURGMÜLLER,‌‌J.‌  ‌ ● Op.‌‌Posth.‌‌in‌‌C♯‌‌Minor‌  ‌
12‌B ‌ rilliant‌a
‌ nd‌M ‌ elodious‌S ‌ tudies,‌O ‌ p.‌1
‌ 05‌  ‌ ● Op.‌‌Posth.‌‌72‌‌No.‌‌1‌‌in‌‌E‌‌Minor‌N ‌ MS‌  ‌
● Choose‌‌ONE‌‌(excluding‌‌No.‌‌1)‌  ‌ Preludes‌,‌‌Op.‌‌28‌  ‌
18‌E ‌ tudes,‌O ‌ p.‌1‌ 09‌  ‌ ● No.‌‌3‌‌in‌‌G‌‌Major‌N ‌ MS‌  ‌
● No.‌‌12‌  ‌ ● No.‌‌5‌‌in‌‌D‌‌Major‌  ‌
 ‌ ● No.‌‌15‌‌in‌‌D♭‌‌Major‌  ‌
BRAHMS,‌‌J.‌  ‌ ● No.‌‌21‌‌in‌‌B♭‌‌Major‌  ‌
8‌K‌ lavierstücke‌,‌‌Op.‌‌76‌  ‌ ● No.‌‌22‌‌in‌‌G‌‌Minor‌N ‌ MS‌  ‌
● No.‌‌3‌‌(Intermezzo)‌  ‌ Waltzes‌  ‌
● No.‌‌4‌‌(Intermezzo)‌  ‌ ● Op.‌‌34‌‌No.‌‌2‌‌in‌‌A‌‌Minor‌N ‌ MS‌  ‌
● No.‌‌5‌‌(Capriccio)‌  ‌ ● Op.‌‌64‌‌No.‌‌2‌‌in‌‌C♯‌‌Minor‌  ‌
7‌F‌ antasies,‌O ‌ p.‌1 ‌ 16‌  ‌ ● Op.‌‌64‌‌No.‌‌3‌‌in‌‌A♭‌‌Major‌  ‌
● No.‌‌2‌‌(Intermezzo)‌  ‌ ● Op.‌‌70‌‌No.‌‌1‌‌in‌‌G♭‌‌Major‌  ‌
● No.‌‌5‌‌(Intermezzo)‌  ‌ ● Op.‌‌70‌‌No.‌‌3‌‌in‌‌D♭‌‌Major‌  ‌
4‌K‌ lavierstücke,‌O ‌ p.‌1‌ 19‌  ‌  ‌
● No.‌‌1‌‌(Intermezzo)‌N ‌ MS‌  ‌ FAURÉ,‌‌G.‌  ‌
 ‌ Pièces‌B‌ rèves,‌O‌ p.‌8‌ 4‌  ‌
CARRENO,‌‌T.‌  ‌ ● No.‌‌1‌‌(Capriccio)‌  ‌
● Le‌‌Sommeil‌‌de‌‌l’Enfant‌‌(Berceuse)‌‌Op.‌‌35‌A ‌ lfred,‌‌  ● No.‌‌8‌‌(Nocturne)‌  ‌
Hal‌‌Leonard,‌‌IMSLP,‌‌Sheet‌‌Music‌‌Plus,‌‌   ‌
onlinepianist.com,‌‌free-scores.com‌  ‌ FIELD,‌‌J.‌  ‌
 ‌ Nocturnes‌  ‌
CHAMINADE,‌‌C.‌  ‌ ● No.‌‌1‌‌in‌‌E♭‌‌Major,‌‌H.‌‌24‌  ‌
● Pierrette‌‌Op.‌‌41‌I‌MSLP,‌‌free-scores.com‌  ‌ ● No.‌‌2‌‌in‌‌C‌‌Minor,‌‌H.‌‌25‌  ‌
● Scarf‌‌Dance‌‌Op.‌‌37‌‌No.‌‌3‌I‌MSLP,‌‌free-scores.com‌  ‌ ● No.‌‌10‌‌in‌‌E‌‌Major,‌‌H.‌‌54‌  ‌
 ‌ ● No.‌‌18‌‌in‌‌F‌‌Major,‌‌H.‌‌62‌  ‌
CHOPIN,‌‌F.‌  ‌  ‌
Mazurkas‌  ‌ GOMES,‌‌C.‌  ‌
● Op.‌‌6,‌‌No.‌‌1‌‌in‌‌F♯‌‌Minor‌  ‌ ● A‌‌Cayumba‌‌Sheet‌‌Music‌‌Plus‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
9‌  ‌
 ‌
 ‌
 ‌
 ‌
GONZAGA,‌‌C.‌  ‌ MAYER,‌‌E.‌  ‌
● Bionne‌m ‌ usescore.com,‌‌chiquinhagonzaga.com‌  ‌ ● Tonwellen‌‌Valse‌‌in‌‌D‌‌Major,‌‌Op.‌‌30‌I‌MSLP‌  ‌
● Saci-Perere‌I‌MSLP,‌‌8notes,‌‌Sheet‌‌Music‌‌Plus,‌‌  ● Impromptu‌‌in‌‌Ab‌‌Major,‌‌Op.‌‌44‌I‌MSLP‌  ‌
chiquinhagonzaga.com‌  ‌   ‌ ‌
 ‌ MENDELSSOHN‌‌HENSEL,‌‌FANNY‌ 
GRIEG,‌‌E.‌  ‌ 4‌L ‌ ieder‌f‌ or‌P‌ iano,‌O ‌ p.‌2 ‌ ‌I‌MSLP,‌‌Bote‌‌&‌‌Bock,‌‌Dover‌‌ 
Lyric‌P ‌ ieces‌  ‌ free-scores.com‌  ‌
● Op.‌‌43‌‌No.‌‌1‌‌(Butterfly)‌  ‌ ● No.‌‌1‌‌in‌‌G‌‌Major‌  ‌
● Op.‌‌43‌‌No.‌‌6‌‌(To‌‌Spring)‌  ‌ ● No.‌‌3‌‌in‌‌E‌‌Major‌  ‌
● Op.‌‌54‌‌No.‌‌1‌‌(Shepherd‌‌Boy)‌  ‌ Vier‌L ‌ ieder‌O ‌ p.‌6
‌ ‌I‌MSLP,‌‌Dover,‌‌Bote‌‌&‌‌Bock,‌‌ 
● Op.‌‌54‌‌No.‌‌4‌‌(Notturno)‌N ‌ MS‌  ‌ free-scores.com,‌‌musicnotes.com,‌‌Sheet‌‌Music‌‌Plus‌  ‌
 ‌ ● No.‌‌1‌‌(Andante‌‌espressivo)‌  ‌
HELLER,‌‌S.‌  ‌ ● No.‌‌2‌‌(Allegro‌‌Vivace)‌  ‌
25‌S ‌ tudies,‌O ‌ p.‌4
‌ 5‌  ‌ ● No.‌‌4‌‌(Il‌‌Saltarello‌‌Romano)‌  ‌
● No.‌‌17‌  ‌  ‌
30‌S ‌ tudies,‌O ‌ p.‌4
‌ 6‌  ‌ MENDELSSOHN,‌‌FELIX‌ 
● No.‌‌2 ‌ ‌ Songs‌W ‌ ithout‌W ‌ ords‌  ‌
● No.‌‌6 ‌ ‌ ● Op.‌‌19‌‌No.‌‌1‌‌in‌‌E‌‌Major‌  ‌
● No.‌‌8 ‌ ‌ ● Op.‌‌19‌‌No.‌‌3‌‌in‌‌A‌‌Major‌  ‌
● No.‌‌9 ‌ ‌ ● Op.‌‌30‌‌No.‌‌1‌‌in‌‌E♭‌‌Major‌  ‌
● No.‌‌14‌  ‌ ● Op.‌‌30‌‌No.‌‌2‌‌in‌‌B♭‌‌Minor‌  ‌
● No.‌‌22‌  ‌ ● Op.‌‌30‌‌No.‌‌4‌‌in‌‌B‌‌Minor‌  ‌
● No.‌‌24‌  ‌ ● Op.‌‌38‌‌No.‌‌6‌‌in‌‌A♭‌‌Major‌N ‌ MS‌  ‌
● No.‌‌25‌  ‌ ● Op.‌‌53‌‌No.‌‌2‌‌in‌‌E♭‌‌Major‌  ‌
 ‌ ● Op.‌‌53‌‌No.‌‌5‌‌in‌‌A‌‌Minor‌  ‌
LANG,‌‌J.‌  ‌ ● Op.‌‌62‌‌No.‌‌1‌‌in‌‌G‌‌Major‌  ‌
Songs‌W ‌ ithout‌W ‌ ords,‌O ‌ p.‌3
‌ 5‌‌‌IMSLP‌  ‌ ● Op.‌‌67‌‌No.‌‌2‌‌in‌‌F♯‌‌Minor‌N ‌ MS‌  ‌
● No.‌‌1‌‌in‌‌G‌‌Major‌  ‌ ● Op.‌‌102‌‌No.‌‌3‌‌in‌‌C‌‌Major‌  ‌
● No.‌‌2‌‌in‌‌F‌‌Major‌  ‌ ● Op.‌‌102‌‌No.‌‌4‌‌in‌‌G‌‌Minor‌  ‌
Mazurkas,‌O ‌ p.‌4
‌ 9‌H‌ ildegard,‌‌IMSLP‌    ‌ ‌
● No.‌‌1 ‌ ‌ MOSZKOWSKI,‌‌M.‌  ‌
● No.‌‌2 ‌ ‌ 5‌P ‌ iano‌P ‌ ieces,‌O ‌ p.‌1 ‌ 8‌  ‌
  ‌ ‌ ● No.‌‌2‌‌(Scherzino)‌  ‌
LIADOV,‌‌A.K.‌  ‌ Esquisses‌T ‌ echniques,‌O ‌ p.‌9 ‌ 7‌  ‌
● Impromptu‌‌in‌‌D‌‌Major,‌‌Op.‌‌6  ‌‌ ‌ ● Choose‌‌ONE‌  ‌
 ‌  ‌
LISZT,‌‌F.‌  ‌ GOTTSCHALK‌‌PETERSON,‌‌C.‌  ‌
Consolations,‌S ‌ .‌1
‌ 72‌  ‌ ● In‌‌Sylvan‌‌Glade‌M ‌ el‌‌Bay‌  ‌
● No.‌‌2‌‌in‌‌E‌‌Major‌  ‌   ‌ ‌
● No.‌‌3‌‌in‌‌D♭‌‌Major‌  ‌ RUBINSTEIN,‌‌A.‌  ‌
● No.‌‌4‌‌in‌‌D♭‌‌Major‌  ‌ ● Romance,‌‌Op.‌‌44‌‌No.‌‌1 ‌ ‌
● No.‌‌6‌‌in‌‌E‌‌Major‌  ‌   ‌ ‌
  ‌ ‌ SCHUBERT,‌‌F.‌  ‌
MACDOWELL,‌‌E.‌  ‌ Impromptus,‌O ‌ p.‌1 ‌ 42‌  ‌
12‌E ‌ tudes,‌O ‌ p.‌3
‌ 9‌  ‌ ● No.‌‌2‌‌in‌‌A♭‌‌Major‌N ‌ MS‌  ‌
● No.‌‌7‌‌(Idyll)‌  ‌ Moments‌M ‌ usicaux,‌O ‌ p.‌9 ‌ 4‌  ‌
● No.‌‌8‌‌(Shadow‌‌Dance)‌  ‌ ● No.‌‌1‌‌in‌‌C‌‌Major‌  ‌
● No.‌‌9‌‌(Intermezzo)‌  ‌ Sonata‌i‌n‌E ‌ ‌M
‌ inor,‌O ‌ p.‌7‌ 8‌  ‌
Woodland‌S ‌ ketches,‌O ‌ p.‌5
‌ 1‌  ‌ ● 3rd‌‌Movement‌‌(Minuet‌‌&‌‌Trio)‌  ‌
● No.‌‌4‌‌(In‌‌Autumn)‌    ‌ ‌
● No.‌‌10‌‌(Told‌‌at‌‌Sunset)‌  ‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
10‌  ‌
 ‌
 ‌
 ‌
 ‌
SCHUMANN,‌‌C.‌  ‌ ● No.‌‌6‌‌(Fable)‌  ‌
4‌P ‌ ieces‌C
‌ aractéistiques,‌O ‌ p.‌5
‌ ‌D
‌ over,‌‌Alfred,‌‌Ludwig‌‌  ● No.‌‌8‌‌(The‌‌End‌‌of‌‌the‌‌Story)‌  ‌
Masters,‌‌Henle,‌‌Robert‌‌Lienau‌‌Edition,‌‌IMSLP‌  ‌ Waldszenen,‌O ‌ p.‌8‌ 2‌  ‌
● No.‌‌1‌‌(Impromptu-Le‌‌Sabbat)‌  ‌ ● No.‌‌1‌‌(Entrance)‌  ‌
● No.‌‌3‌‌(Romance)‌  ‌ ● No.‌‌5‌‌(Friendly‌‌Landscape)‌  ‌
Romances‌O ‌ p.‌2‌ 1‌  ‌ ● No.‌‌6‌‌(Herberge‌‌-‌‌The‌‌Wayside‌‌Inn)‌  ‌
● ‌No.‌‌1‌‌in‌‌A‌‌Minor‌I‌MSLP,‌‌Henle,‌‌Dover,‌‌Breitkopf‌‌and‌‌  ● No.‌‌9‌‌(The‌‌Departure)‌  ‌
Härtel‌,‌‌free-scores.com‌  ‌   ‌ ‌
Soirées‌M ‌ usicales,‌O ‌ p.‌6 ‌ ‌I‌MSLP,‌‌Henle,‌‌Ludwig,‌‌  SINDING,‌‌C.‌  ‌
free-scores.com,‌‌Sheet‌‌Music‌‌Plus‌  ‌ ● Rustle‌‌of‌‌Spring,‌‌Op.‌‌32‌‌No.‌‌3‌N ‌ MS‌  ‌
● No.‌‌2‌‌(Notturno)‌  ‌   ‌ ‌
● No.‌‌3‌‌(Mazurka‌‌in‌‌G‌‌Major)‌  ‌ TCHAIKOVSKY,‌‌P.I.‌  ‌
  ‌ ‌ 2‌P ‌ ieces,‌O
‌ p.‌1
‌ 0‌  ‌
SCHUMANN,‌‌R.‌  ‌ ● No.‌‌2‌‌(Humoresque)‌  ‌
Nachtstücke,‌O ‌ p.‌2 ‌ 3‌  ‌ The‌S ‌ easons,‌O‌ p.‌3 ‌ 7b‌  ‌
● No.‌‌4 ‌ ‌ ● April‌  ‌
3‌R ‌ omances,‌O ‌ p.‌2 ‌ 8‌  ‌ ● June‌  ‌
● No.‌‌2‌‌in‌‌F#‌‌Major‌N ‌ MS‌  ‌  ‌
Fantasiestücke,‌O ‌ p.‌1‌ 2‌  ‌ WIGGINS,‌‌T.‌  ‌
● No.‌‌1‌‌(Evening)‌  ‌ ● Water‌‌in‌‌the‌‌Moonlight‌I‌MSLP,‌‌blindtom.org‌  ‌
● No.‌‌4‌‌(Whims)‌  ‌  ‌
 ‌
Group‌‌4 ‌ ‌ 20th‌‌&‌‌21st‌‌Century‌‌Repertoire‌ 
 ‌
‌ ere‌ 
NOTE:‌‌More‌‌repertoire‌‌is‌‌available‌‌on‌‌our‌‌Contemporary‌‌Idioms‌‌Repertoire‌‌List‌h ‌
 ‌
*ADASKIN,‌‌M.‌  ‌ *BARTLEY,‌‌E.‌  ‌
● Rondalee‌‌Adlar‌  ‌ Two‌D ‌ ances‌‌B‌ erandol‌  ‌
● An‌‌Ontario‌‌Variation‌C ‌ MC‌  ‌ ● No.‌‌1 ‌ ‌
  ‌ ‌   ‌ ‌
ALBENIZ,‌‌I.‌  ‌ BARTÓK,‌‌BELA‌  ‌
Suite‌E ‌ spañola‌  ‌ 10‌E ‌ asy‌P‌ iano‌P ‌ ieces‌  ‌
● Cataluna‌  ‌ ● Bear‌‌Dance‌  ‌
● Granada‌  ‌ 14‌B ‌ agatelles,‌O ‌ p.‌6 ‌ ‌B‌ oosey‌  ‌
  ‌ ‌ ● Choose‌‌TWO‌‌contrasting‌‌bagatelles‌  ‌
*ARCHER,‌‌V.‌  ‌ Mikrokosmos,‌6 ‌  ‌ ‌
4‌B
‌ agatelles‌W ‌ aterloo‌  ‌ ● No.‌‌140‌‌(Free‌‌Variations)‌  ‌
● No.‌‌2 ‌ ‌   ‌ ‌
● No.‌‌3 ‌ ‌ *BEHRENS,‌‌J.‌  ‌
● No.‌‌4 ‌ ‌ ● Léger‌N ‌ MS‌  ‌
Sonatina‌N ‌ o.‌3
‌ ‌W
‌ aterloo‌  ‌  ‌
● 1st‌a ‌ nd‌‌‌2nd‌‌movements‌  ‌ BERNSTEIN,‌‌L.‌  ‌
● 2nd‌‌and‌‌‌3rd‌‌movements‌  ‌ 7‌A‌ nniversaries‌W ‌ arner‌  ‌
 ‌ ● Choose‌‌TWO‌‌contrasting‌‌anniversaries‌  ‌
AUFDERHEIDE,‌‌M.‌  ‌  ‌
● Dusty,‌‌a‌‌Rag‌A ‌ lfred,‌‌Hildegard,‌‌musescores.com,‌‌  *BRUCE,‌‌R.‌  ‌
pianoscores.com,‌‌Furore‌‌Verlag‌  ‌ ● Cities‌B ‌ lack‌‌C ‌ at‌  ‌
● The‌‌Thriller‌‌Rag‌‌Alfred,‌‌Furore‌‌Verlag,‌‌Hildegard,‌‌  Miniatures,‌2 ‌ ‌B
‌ lack‌‌Cat‌  ‌
Sheet‌‌Music‌‌Plus‌  ‌ ● Nos.‌‌1‌a ‌ nd‌2 ‌  ‌ ‌
● The‌‌Richmond‌‌Rag‌P ‌ resser,‌‌musescore.com‌  ‌   ‌ ‌
● A‌T ‌ otally‌‌‌Different‌‌Rag‌‌‌Hildegard.‌‌Presser‌  ‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
11‌  ‌
 ‌
 ‌
 ‌
 ‌
*CHAMPAGNE,‌‌C.‌  ‌ *FLEMING,‌‌R.‌  ‌
● Prélude‌‌et‌‌Filigrane‌B ‌ erandol‌  ‌ ● Ballerina‌W ‌ aterloo‌  ‌
 ‌  ‌
CHARPENTIER,‌‌J.‌  ‌ *FORTIER,‌‌M.‌  ‌
72‌E ‌ tudes‌K ‌ arnatiques‌‌L ‌ educ‌  ‌ Toccata‌‌C ‌ ounterpoint‌  ‌
● Nos.‌‌28‌a ‌ nd‌‌‌30‌  ‌ ● Complete‌  ‌
  ‌ ‌    ‌ ‌
COPLAND,‌‌A.‌  ‌ GERSHWIN,‌‌G.‌  ‌
4‌P‌ iano‌B ‌ lues‌  ‌ ● Do‌‌it‌‌Again‌‌G ‌ ershwin‌a ‌ t‌t‌ he‌K
‌ eyboard‌-‌ ‌W
‌ arner‌  ‌
● No.‌‌2 ‌ ‌   ‌ ‌
● No.‌‌3‌N ‌ MS‌  ‌ GIBBS,‌‌C.A.‌  ‌
● No.‌‌4 ‌ ‌ ● Silver‌  ‌
  ‌ ‌  ‌
*COULTHARD,‌‌J.‌  ‌ GINASTERA,‌‌A.‌  ‌
● 4‌‌Variations‌‌on‌‌Good‌‌King‌‌Wenceslas‌M ‌ usic‌o ‌ f‌O
‌ ur‌‌  12‌A ‌ merican‌P ‌ reludes‌ 
Time,‌8 ‌ ‌-‌ ‌‌Waterloo‌  ‌ ● Tribute‌‌to‌‌Roberto‌‌Garcia‌‌Morillo‌  ‌
● Lyric‌‌Sonatina‌M ‌ usic‌o ‌ f‌O
‌ ur‌T
‌ ime,‌7
‌ ‌‌-‌‌Waterloo‌  ‌   ‌ ‌
  ‌ ‌ GRANADOS,‌‌E.‌  ‌
DEBUSSY,‌‌C.‌  ‌ Spanish‌D ‌ ances,‌O ‌ p.‌5
‌  ‌ ‌
● Rêverie‌N ‌ MS‌  ‌ ● No.‌‌4‌‌(Villanesca)‌  ‌
Children’s‌C ‌ orner‌  ‌ ● No.‌‌5‌‌(Andaluza‌‌-‌‌Playera)‌N ‌ MS‌  ‌
● Golliwog’s‌‌Cakewalk‌  ‌   ‌ ‌
Preludes,‌1 ‌  ‌ ‌ GROVLEZ,‌‌G.‌  ‌
● No.‌‌8‌‌(La‌‌fille‌‌aux‌‌cheveux‌‌de‌‌lin)‌  ‌ L'Almanach‌a ‌ ux‌I‌mages‌  ‌
Preludes,‌2 ‌  ‌ ‌ ● Chanson‌‌du‌‌Chasseur‌  ‌
● No.‌‌10‌‌(Canope)‌  ‌ ● Les‌‌Anes‌  ‌
  ‌ ‌ ● Sarabande‌  ‌
DE‌‌FALLA,‌‌M.‌  ‌  ‌
● Danse‌‌du‌‌Meunier‌N ‌ MS‌  ‌ IBERT,‌‌J.‌  ‌
  ‌ ‌ ● Scherzetto‌  ‌
DETT,‌‌N.‌  ‌ Histoires‌ 
In‌t‌ he‌B ‌ ottoms‌‌S ‌ ummy-Birchard‌  ‌ ● Le‌‌petit‌‌âne‌‌blanc‌  ‌
● Cave‌‌of‌‌the‌‌Winds‌‌   ‌ ● Bajo‌‌la‌‌mesa‌  ‌
● Adagio‌‌Cantabile‌‌from‌‌Cinnamon‌‌Grove‌I‌MSLP‌  ‌  ‌
  ‌ ‌ *HILL‌‌DUNCAN‌‌M.‌  ‌
*DUKE,‌‌D.‌  ‌ ● Monarchs‌  ‌
● 3‌‌Pieces‌‌After‌‌Dalza,‌‌Complete‌M ‌ usic‌o ‌ f‌O
‌ ur‌T
‌ ime,‌‌   ‌
8‌-‌ ‌W‌ aterloo‌  ‌ *JACQUE,‌‌R.‌  ‌
  ‌ ‌ Deuxième‌S ‌ uite‌‌B‌ erandol‌  ‌
*ECKHARDT-GRAMATTÉ,‌‌S.C.‌  ‌ ● Prelude‌  ‌
From‌M ‌ y‌C ‌ hildhood,‌1 ‌ ‌‌Waterloo‌  ‌   ‌ ‌
● “V”:‌‌Valse‌‌Chromatique‌  ‌ JOPLIN,S.‌  ‌
 ‌ ● Bethena‌‌(original‌‌version)‌  ‌
ELIE,‌‌J.‌  ‌ ● Swipesy‌‌(original‌‌version)‌  ‌
● Tropical‌‌Dance‌‌No.‌‌2‌I‌MSLP,‌‌Sheet‌‌Music‌‌Plus‌  ‌ ● The‌‌Entertainer‌N ‌ MS‌  ‌
Babylon:‌a ‌ ‌S ‌ uite‌o ‌ f‌F
‌ our‌O ‌ riental‌S‌ ketches‌‌IMSLP‌  ‌   ‌ ‌
● Queen‌‌of‌‌the‌‌Night‌  ‌ KABALEVSKY,‌‌D.‌  ‌
 ‌ 6‌P ‌ reludes‌& ‌ ‌F‌ ugues,‌O ‌ p.‌6‌ 1‌  ‌
*FIALA,‌‌G.‌  ‌ ● Prelude‌‌&‌‌Fugue‌‌No.‌‌3 ‌ ‌
Sonatina,‌O ‌ p.‌1 ‌ ‌B‌ erandol‌  ‌ ● Prelude‌‌&‌‌Fugue‌‌No.‌‌5 ‌ ‌
● Complete‌  ‌ ● Prelude‌‌&‌‌Fugue‌‌No.‌‌6 ‌ ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
12‌  ‌
 ‌
 ‌
 ‌
 ‌
Preludes,‌O ‌ p.‌3‌ 8‌  ‌ *PEPIN,‌‌C.‌  ‌
● Prelude‌‌No.‌‌15‌a ‌ nd‌2 ‌ 3‌  ‌ ● The‌‌Nose‌P ‌ epin‌  ‌
● Prelude‌‌No.‌‌20‌  ‌   ‌ ‌
Variations,‌O ‌ p.‌4
‌ 0‌  ‌ PERSICHETTI,‌‌V.‌  ‌
● No.‌‌1‌‌in‌‌D‌‌Major‌  ‌ 3‌T ‌ occatinas‌‌E ‌ lkan-Vogel‌  ‌
Children’s‌D ‌ reams,‌O ‌ p.‌8‌ 8‌  ‌ ● No.‌‌3‌‌(Caloroso)‌  ‌
● No.‌‌1 ‌ ‌ Sonata,‌O ‌ p.‌3 ‌ 8‌N ‌ o.‌1 ‌ ‌E
‌ lkan-Vogel‌  ‌
 ‌ ● 1st‌a ‌ nd‌‌‌2nd‌‌movements‌  ‌
KALSONS,‌‌R.‌  ‌ ● 2nd‌a ‌ nd‌‌‌3rd‌‌movements‌  ‌
Cinq‌M ‌ ouvements‌‌L ‌ educ‌  ‌  ‌
● Nos.‌‌1‌a ‌ nd‌2 ‌  ‌ ‌ PETERSON,‌‌O ‌ ‌
  ‌ ‌ Canadiana‌S ‌ uite‌‌H ‌ al‌‌Leonard,‌‌All-sheets‌  ‌
*KENINS,‌‌T.‌  ‌ ● Laurentide‌‌Waltz‌  ‌
Diversities‌L ‌ eeds‌  ‌   ‌ ‌
● Choose‌‌TWO‌‌contrasting‌‌movements‌  ‌ PINTO,‌‌O.‌  ‌
  ‌ ‌ Scenas‌i‌nfantis‌  ‌
KHACHATURIAN,‌‌A.‌  ‌ ● Run,‌‌Run‌  ‌
Sonatina‌  ‌ ● Hobby-Horse‌  ‌
● 1st‌a ‌ nd‌‌‌2nd‌‌movements‌  ‌   ‌ ‌
● 2nd‌‌and‌‌‌3rd‌‌movements‌  ‌ POULENC,‌‌F.‌  ‌
  ‌ ‌ 3‌P ‌ ieces‌  ‌
*KYMLICKA,‌‌M.‌  ‌ ● Pastorale‌  ‌
Four‌W ‌ altzes‌‌C‌ MC‌  ‌ Villageoises‌  ‌
● Complete‌  ‌ ● Choose‌‌THREE‌‌movements‌  ‌
 ‌  ‌
*LOUIE,‌‌A.‌  ‌ PRICE,‌‌F.‌  ‌
Music‌f‌ or‌P ‌ iano‌  ‌ Dances‌i‌n‌t‌ he‌C ‌ anebrakes‌  ‌
● Changes‌N ‌ MS‌  ‌ ● No.‌‌1‌‌(Nimble‌‌Feet)‌‌P ‌ iano‌‌Street,‌‌IMSLP,‌P
‌ iano‌‌ 
● Distant‌‌Memories‌N ‌ MS‌  ‌ Music‌o ‌ f‌A‌ frica‌a ‌ nd‌t‌ he‌A
‌ frican‌D‌ iaspora‌V
‌ olume‌3 ‌  ‌ ‌
● Once‌‌Upon‌‌a‌‌Time‌  ‌  ‌
  ‌ ‌ PROKOFIEV,‌‌S.‌  ‌
MOMPOU,‌‌F.‌  ‌ 10‌P ‌ ieces,‌O ‌ p.‌1 ‌ 2‌  ‌
● Jeune‌‌Fille‌‌au‌‌Jardin‌  ‌ ● No.‌‌6‌‌(Legend)‌  ‌
Canciónes‌y‌ ‌D ‌ anzas‌  ‌ 4‌P ‌ ieces,‌O ‌ p.‌3 ‌ 2‌  ‌
● No.‌‌1 ‌ ‌ ● No.‌‌3‌‌(Gavotte)‌  ‌
● No.‌‌6 ‌ ‌ Tales‌o ‌ f‌t‌ he‌O ‌ ld‌G ‌ randmother,‌O ‌ p.‌3
‌ 1‌ 
  ‌ ‌ ● No.‌‌1 ‌ ‌
*MORAWETZ,‌‌O.‌  ‌ ● No.‌‌2 ‌ ‌
● Scherzino‌L ‌ eslie‌  ‌ ● No.‌‌4 ‌ ‌
  ‌ ‌   ‌ ‌
*MOREL,‌‌F.‌  ‌ RAVEL,‌‌M.‌  ‌
● Ronde‌‌Enfantine‌B ‌ erandol‌  ‌ ● Menuet‌‌on‌‌the‌‌Name‌‌"Haydn"‌  ‌
  ‌ ‌ Le‌T ‌ ombeau‌d ‌ e‌C ‌ ouperin‌  ‌
OLSON,‌‌K.‌  ‌ ● Menuet‌N ‌ MS‌  ‌
● Clown‌‌Chase‌H ‌ arris‌  ‌   ‌ ‌
  ‌ ‌ REGER,‌‌M.‌  ‌
PALMGREN,‌‌S.‌  ‌ Ten‌L ‌ ittle‌P ‌ ieces,‌O ‌ p.‌4 ‌ 4‌  ‌
12‌P ‌ ieces‌f‌ or‌P ‌ iano‌  ‌ ● No.‌‌3‌‌(Es‌‌war‌‌einmal)‌  ‌
● May‌‌Night‌  ‌ ● No.‌‌5‌‌(Moment‌‌musical)‌  ‌
  ‌ ‌  ‌
 ‌  ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
13‌  ‌
 ‌
 ‌
 ‌
 ‌
*SCHNEIDER,‌‌E.‌  ‌  ‌
● Night‌S ‌ chneider‌  ‌ TUREL,‌‌S.‌  ‌
  ‌ ‌ 12‌S ‌ ketches‌‌L ‌ eeds‌  ‌
SCRIABIN,‌‌A.‌  ‌ ● Sian‌‌Sou‌  ‌
Preludes‌  ‌  ‌
● Op.‌‌9‌‌No.‌‌1‌‌in‌‌C♯‌‌Minor‌‌(for‌‌the‌‌Left‌‌Hand)‌  ‌ TURINA,‌‌J.‌  ‌
● Op.‌‌11‌‌No.‌‌2‌‌in‌‌A‌‌Minor‌a ‌ nd‌‌‌Op.‌‌11‌‌No.‌‌5‌‌in‌‌D‌‌Major‌  ‌ ● Procession‌‌of‌‌the‌‌Tin‌‌Soldiers‌  ‌
● Op.‌‌11‌‌No.‌‌3‌‌in‌‌G‌‌Major‌  ‌ Circus‌S ‌ uite,‌O‌ p.‌6‌ 8‌  ‌
● Op.‌‌11‌‌No.‌‌6‌‌in‌‌B‌‌Minor‌  ‌ ● Amazona‌  ‌
● Op.‌‌11‌‌No.‌‌16‌‌in‌‌B♭‌‌Minor‌  ‌ ● The‌‌Aerialists‌  ‌
  ‌ ‌ Danzas‌G ‌ itanas,‌O ‌ p.‌5‌ 5‌  ‌
SHOSTAKOVICH,‌‌D.‌  ‌ ● Sacro‌‌monte‌  ‌
3‌F ‌ antastic‌D ‌ ances,‌O ‌ p.‌5‌  ‌ ‌   ‌ ‌
● No.‌‌3‌N ‌ MS‌  ‌ VILLA-LOBOS,‌‌H.‌  ‌
  ‌ ‌ ● O‌‌Polichinelo‌N ‌ MS‌  ‌
SIBELIUS,‌‌J.‌  ‌   ‌ ‌
10‌P ‌ ieces‌f‌ or‌P‌ iano‌  ‌ *WARE,‌‌P.‌  ‌
● No.‌‌9‌‌(Romance)‌  ‌ ● The‌‌Hibiscus‌‌on‌‌the‌‌Water‌N ‌ MS‌  ‌
  ‌ ‌   ‌ ‌
SMETANA,‌‌B.‌  ‌ *WATSON,‌‌C.R.‌  ‌
Sketches,‌O ‌ p.‌5 ‌  ‌ ● Debating‌A ‌ lberta‌‌Keys‌ 
● Melancholy‌a ‌ nd‌‌‌Charming‌‌Landscape‌  ‌ 7‌P‌ ieces‌f‌ or‌P‌ iano‌‌A ‌ lberta‌‌Keys‌  ‌
  ‌ ‌ ● A‌‌Furious‌‌Episode‌‌and‌‌‌Elegy‌  ‌
*STONE,‌‌C.‌  ‌  ‌
● Chatterbox‌H ‌ omeland‌  ‌ WATSON‌‌HENDERSON,‌‌R.‌  ‌
Old‌C ‌ ountry‌S‌ uite‌‌Homeland‌  ● Ocean‌‌Vista‌  ‌
● Choose‌‌TWO‌‌movements‌  ‌  ‌
 ‌ *WUENSCH,‌‌G.‌  ‌
TAILLEFERRE,‌‌G.‌  ‌ Mini-Suite‌N ‌ o.‌1
‌ ‌L
‌ eeds‌  ‌
● Impromptu‌‌in‌‌E‌‌Major‌E ‌ ditions‌‌Jobert,‌‌IMSLP‌‌   ‌ ● Prelude‌  ‌
 ‌ ● Tarantella‌  ‌
TCHEREPNIN,‌‌A.‌  ‌  ‌
Bagatelles,‌O ‌ p.‌5 ‌ ‌I‌nternational‌  ‌
● Choose‌‌TWO‌‌contrasting‌‌bagatelles‌‌(excluding‌‌ 
Nos.‌‌5‌‌&‌‌9)‌  ‌
  ‌ ‌

 ‌
CONSERVATORY‌‌CANADA‌‌™ ‌‌  ‌ GRADE‌‌9 ‌ ‌ AUGUST‌‌2018‌  ‌
14‌  ‌
 ‌

You might also like