RH light strokes throughout 1st 2 lines/ fully legato

practice lower part first

let B ring
Let the mood shape of the lower part control the upper melody

keep 4
V4 1 4 4 1 II
3 3
rs 2
3
3 3 0
1 0 0 4 2 3 1
11 2

keep 2

vib. vib.
4 lightly vib.
0 0 4
1 2 3 3 4
2 1 3 1
4 0 2
16

1
keep F#

vib.
4 vib. rs
4 1
4 4 4 3 2
1 0
2 2 3
21

C-VII vib. vib. VIII or VI

rs 2 1
4
3 4 3 0
-1 4 4 3

25

4
4
1 2
0 0
3 1
 2
0 1 1 0
0 3 1 2 4

30

IV II IV
4
4 3 1 4 3
3 1 1

35

2 2 3
4 1 1 1 3 1
4 4 1
4
40

a let first string ring on

i a
IV p i simile
m m
0 0 4 0
2 1 2 4 2
3 3 1
44

C- IV
4 2

48 1

little by little
crescendo…………………………………………………….

VII
4
4 4 4 4
4 2
2

52

1
1

crescendo……………………………………………………………………… diminuendo……….

II
4 4

58

1
3
 1
CIV 3 4 1 4
2
I
1 2 1 3 1
4 3
64

breathing space
3 3
2 1 1 3
4 0
69
4
3 3 3
1
sustain

4 4
2 2
1
0 2
75

3
1 softer tone little brighter

VII XII 4 3
4 1 VI 3
1
3 2
4 4 1 4 2 -2
3 2 3 4 1 4
3 2 2
80 1
0 0
1 0 1
5 1
4 intense 4
separately practice (don’t accernt
the slur

V 41
II
2 1 1
3 2 0 2 1 2
84

B same volume as others softer

2
88
5

4
V
4
96
5
sustain 6 legato B 0
4
0
2
dying away 3
1
rolling effect of p to be worked on
practice first with pppima to internalise the rolling effect
then replace with only p