Verdi — Rigoletto, Act Il N° 12.“Cortigiani, vil razza dannata.,, Recitative and Aria. Allegro assai moderato. cd =76) Marullo. Po-ve-ro Ri-go - Poor stricken Ri-go- re Conters,affeeting Rigoletto (behind the scenes). let- tol Lara, la ra, la la, lara, lara, la ra, fa ra, la ra,la let- to! Lara, la ra, la la) lara, lara, la ra, lara, Jara, la Ei vient Si He comes! ke indifference ) aside) (Han tht-ti fat-toil (They all were joind to Ohbuon giorno, Ri-go - Iét-to. Marullo. Pleasant morning,Ri- go - let-to. ~Ohbuon giorno, bilon giorno, Pleasant morning Ri Buon giorno, Pleasant morning,Ri jon giorno, Pleasant morning, RiVerdi — Rigoletto, Act Il Gmitating him) @ piacere col-po!) Ciehai di nuovo, buffon? Che del - Pu - sa -to pli no -i0-so voi do it!) What's thenewsnow, buffoon? That you're this morningmorethan u- sual-ly @ piacere Cithai di nuo-vo, buffon? ‘What's thenewsnow,buffoon? wandering about the stage) (spying about everywhere) sle-te. Lara, la ra, lala, la ra, lara, la ra, lara. (O- ve Pavran na- tedious. Lara, la ra, lala, la ra, lara, la ra, la ra(Wherecantheyhavecon- laughing) ‘Abtah'ah! . Hatha! hal laugh ‘Abtah! ah! laughingHlathat hal Ahtah!ah! aughi Halhalha! iy Ab! ah! ah! epdiat ha! ha! Ab! ah! ah! Ha! ha! ha! CDE 26Verdi — Rigoletto, Act II seo-sta?) Lara, la ra, la ra, la ra, lara, la ald her?) (amongst themselves) Lara, la ra, la ra, la ra, la ra, la He spies in ev-'Ty quarter.) He spies in. ev-ry quarter.) Cook, look, he spies in vy quarter) ™, Sil sil guar-da- fe con? inquieto!) Look, look, hespies in ev-ry quarter.) Sil sil gukr-da - fo edu? § inquieto!> «Look, look, he spies in ev'ry quarter.) «si! sil guar-da - te con? din-quietol> (Look, fook, he spies in evry quarter.) 8 Dae ”Verdi — Rigoletto, Act II Ya-ria dique-sta not - te. Si...Oh fuil bel Night air so oft is fa- tal — Marullo. Ah, the joke was Que-sta_ not - tel,. ‘What's your mean-ing? s akg? _-~ (808 to the back, col - pol. f.. Ah voi dor-mi- ste! A-vrd dun-que so- clev- er! You neerslept bet-ter! Then'twas I who was Sho dor-mi-to sem-pre. Neer did I sleep better, s pert ry TR 7 e, perceiving a handkerchief, takes it up and hides it) gna - tol. La ra, la ra, la ra, la ra, la ra, la dream-ingt La ra, la ray la raj la ray la raj la Marullo. Geprano, Chorus. CDi 28Verdi — Rigoletto, Act II (ooking at the handkerchief) (Non Sil su- 0) OTis “not hers. co- me tut-toos-ser- Va!) noth- ing here es- capes him.) co- me tut-toos-ser- Ya!) noth- ing here es- capes him.) to- ime tut-t00s-ser- val) noth-ing here es~ capes him.) fo - the tht-tdos|%er- val) noth-ing here és-[capes him.) > fs A Page (enters). xa Dormefl Du - ca tut-tor? Al suo Is the Duke still a- sleep? By the dormean-bo- ra. still he's sleep-ing. dormean-co- ra. still he's sleep-ing. a -C0- Fa, Yes, Still hes sleep-ing. Si, dor-mean-co - ra. ‘Yes, still hes sleep-ing. +) daw CDi »Verdi — Rigoletto, Act IT Ceprano. spo - so par-lar vuol la Du- ches- sa. Dor - me. Duch - ess I'm sent to crave an wu- dience. He sleeps yet. or con voi non - Ta? mo-ment since he _ pass’d me? Borsa. Sen - za pag-Gil gar - mil With no es cort? ate, too? Borsa. non ca - pi-sti ule per you too dull to un-der Marullo. ~ pi-sel dull toVerdi — Rigoletto, Act IT (Rigoletto, who has listening attentively to the foregoing, Allegro vivo. (dz1s8) here bursts between and interrupts them.) Rigoletto. Ah, el-lad dunque! - El-laé col Du-ca!.. La Ab, shone be here In yonder chamber! The ve-de-Te non pudal - cu-ho? - Chi? he can-not be dis - turbdnow? Who? ve-de- re non pudal - cu-no? Chi? he can-not be dis - turb'dnow? Who? ve-de- re non pudal - ou-no? Chi? he can-not be dis- turb’dnow? Who? T= tea-ho? Chir he “can=not ‘be ais" turbdnow? ‘Who? Allegro vivo. (d=138) Rigoletto, e — gio - vinche sta-not- - teal mio tet- - to Ta maid ~ whom you last night from my car - ried Ma la sa-pro ri- pren-der... ‘Ah, she is there, I know it, CDE. Me Verdi a... Duke Borsa. Se Pa-man - - de - If ‘a sweet - heart you've fost, Marullo. Se Pa-man - te per - de Ha pweet “heart Joutve fost, ~ Ceprano. Se Pa-man - te per-de - a weet “heart Jouve lost, Se Pa-man - te Chorus. If a per weet — heart youve lost, go Rigoletto, Act I (with terrible emphasis) lo Give la_ri- cer-caal-tfo - ve. someavhere else fo seek her. la __ri-cer-caal-tro- ve. some-where else to seek her. la ri-cer-caal-tro-ve. some-where else to seek her. la_ri- elr- ed sl-tfo- ve, some-whereelse to |seek her. yo? mia me myVerdi — Rigoletto, Act IT Diu-na tal ‘You have had vit - to - ria... your tri- umph_ Rushes towards the dogr, but the Courtiers bar his passyge.) a-des-so non ri - de-te?.. El- laé lat. has jest-ing lost its fla-vor? She is there! BS la ren-de- re-t stand back, I tell ye! xs staccato sempre a... Rigoletto. Andante mosso agitato.(d=s0) d Cor - ti- gia- ni, 6 Race of cour- tiers, vil raz- za vile rab - blena - ta, test-ed, er Tiave ‘be - he? lest - ed? Verdi — Rigoletto, Act Il mio ‘mo = ven - de qual whose peace ye prez - 20 ste jl ‘sold her, ye ye ‘voi and nul - la per Yo - ro fa. vor will buy ye; A | Gold mia fi - gliagim the trea -” sire La ren- de - to, Ah, where is 0, se pur she’ a6 not rouse be ao be 2h 4. pr # yt ¢ ma- ta, que - per voi fo - ~ a oru mad-negs Though of my ven_- oVerdi — Rigoletto, Act II + #— 2. # = z a ca BS = + ¥. = —- SS en - ta; mul - lajnter- - ra pit Puo - mo = ware ye it as drive et zy, pee ta, se dei fi - gli di-fen - de ye, ‘That the blood of some trai - tor (again sgleing for tha,entre doop. and again interrupted - nor. Quel-la por ta, as-sas-si- ni, as-sas-si - ni, pour, et me en- ter, Ye as- sas- sins, ye aS-sas- si > > 7 > 7 > 6 6 g% fe —— ——— ie struggles with the Courtiensis y=~ Oa —~ ul overcome with misery. 2 $ La _ SP ocoman to the front of the stage) ——" ts ett i- te, lapor-ta, la por-ta, as-sassini,ma-pri- - te! Ficigiet mePanctee, ae-Rao-cim dhe door must Pen oth, > > > > nati ~ ratt ieVerdi — Rigoletto, Act II IN z Rigoletto, ee Spe a Te ® — oe + Ab! voi tut- ti a me con-tro ve- Ant T see it. all, a~gainst me_ have din, 5 ES ; 7. tears) <2) bie ni- tel. tut - ti con- tro mel. ‘Ah! Eb-ben,_ pit- yt No one_ there's no hope! Ah! I” weep"be- in Meno mosso.(é=56) ——o ian - go.. Ma-rul- lo... si- gno - re, ta chai fore jel — Ma- rul- Io, so” Rind 2 lesk? Oth - ers [feast v v Beatin —_ co-meil co. re, saw thee mind ~~ esd; t v tu do - ve Than - no na-sco- sta?. Ma-rul - lo... si- tell where my child they uve hid- den! Ma-ral - Jo, have CDi: 36Verdi — Rigoletto, Act Il ee ee ea sy oT gno-re, dim-mi tu do-ve Phan-no na-scos-ta? E li? Non & pit- y! Say the word wheremydanghter is bid-den? Ist there? say in = a = —e Tr prs 3 keg f ve-ro? @ Ja? mon é ve-ro? 6 la? non @ ve-roz. to pit-y_ ist there? say in pit- y_ ist there? say in pit-y! thow'rt S > —— = s. F a oF FF 3 ee ee aPP euUnutests) 2. quanta 2 —— ta - cit ohi- mé! Miei si - si - lent! a - las! Ob, my a =—[S—— __ Le = ——~ SS Sas ri. per-do - no, pie- ta - - te. al ve- will ye have no com - pas ~ - sion On a gno lords! CDE.Verdi — Rigoletto, Act II —[—_— mm, oo as - do i fl -~ ger-& - - ten Ri - - ther’s de-spair-ing in-ter - ces - sion? — Give ———__— nar - laa voi nul - a voi mul-lao-ra back my __be-lovi, my belovil, on-ly Se ALA ALAA tut- to, tut-to al mon - doé tal fi - glia per jear-er far than my lifel Give her back,_-T im - >> See : f 7 ‘col canto 4 HHI PPA Si-gno - ri, per- don, Have pit - — y, my lords, CDE. 38Verdi — Rigoletto, Act II - == a eee ale aa tis ri-da - tea me la fi gliastut-to almondoé tal fi-glia per lords! oh give me back my child! In'pit-y, in pit-y, ohhearme im- > J Ue 2 at 2 ——— —- —— me; ri-da- tea me_ la fi- glia; tut-toal mon - do plore! Oh give me back_ my child! In’ pit- y hear___ me, =F —~ z el- lé___per_ me! Pie-ta, pie-ta, si-gno- ri, pie- ta, si-gno-ri, pie- have pit - y onme! My child, mychild re-store me! My lordsohhear me im - aD tat plore!