Cc sheet | Music Fee Scale Studies © Major. Long drawn ovt, with full tone, and change the bow without a break. Moderate. | i nf a £ 4 A Minor. As above. Moderato. 2 zs nf F Major. The piano must be soft but clear. Largo. P D Minor. An even forte throughout. The tone strong, but not pressed. Larg jeJohann Hiimaly — Seale Studies forthe Violin Bb Major. Have no break between the forte and piano. Adagio. P op f a t e Pp tf ? E = G Minor. As above. Adagio. ze P f P f Pp “—F Fe E> Major. Give the up-bow as much accent as the down-bow. Andante. > > > SSS f- > > > d © Minor. As above. Andante. > nf > CDiJohann Hrimaly — Seale Studies for the Violin Ab Major. (Count two.) The quarter-note light and short, almost like an eighth. Alla breve. > F Minor. As above. Alla breve. Db Major. The quarter-note almost like an eighth. Alla breve. Bb Minor. Ax above. se Gb Major. Broad and even tone. Andante.Johann Hrimaly — Seale Studies for the Violin Eb Minor. As soft as possible, holding the bow very lightly. Andante, : pp F# Major. The quarter-note short, the accent strong. Allegro. moderato, D# Minor. As above. 4, Allegre moderato,Johann Hrimaly — Seale Studies for the Violin G# Minor. Play the eighth-note the same as the quarter in the preceding exercise. Allegretto. 2 E Major. Allegro agitato. poco dimin. p ‘Pp poco poco ureso. ff poco @ Cf Minor. Allegro agitato. ea = p poco a poco eres. f poco @ poco dimin. pp A Major. 7 4 Sostenuto. nf CF F4 Minor. Andante moderato. so D Major. Tempo giusto. Rees eee J G Major. Moderato. ~ee fees ng FE" Ss E Minor. —=—> =~ of CDi 3Johann Hrimaly — Seale Studies for the Violin First practise these scales Jegato, and then play them with the bowing given below. The correct stopping of the Sixth and Seventh is prepared by the short finger-exercise preceding each minor scale. © major. - A minor.Johann Hrimaly — Seale Studies for the Violin B major. G# minor. “Bae G major. E minor. Major and Minor Scales Within the First Position. ‘The previous remarks are a sufficient guide for practice. de . =>Johann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin —_——~ 2: CDR 9Johann Hrimaly — Seale Studies for the Violin N@1. Major Scales Beginning with the First Finger. Scales without changing position. Ist Position. 9 CDi 1oJohann Hrimaly — Seale Studies for the Violin tate ap Meat gt 7th Pos, Ne 2. Minor Scales Beginning with the First Finger. The accents well marked. The first four bowings with the upper half of the bow. Ist Pos, = ie Bebe nd Pos. Bo Dez | 7Johann Hrimaly — Scale Studies for the Violin At the point and very short and dry. ob Pa. Marten ‘The first note sharp and short. 3rd Pos. ore row Poingsotiy how Nat Accents well marked. Lively style. ten 6th Pos.Johann Hrimaly — Scale Studies for the Violin N° 3. Major Scales Beginning with the Second Finger. Ist Pos.Johann Hrimaly — Scale Studies for the Violin NO 4. Minor Scales Beginning with the Second Finger. Softly) near the finger-board. _. Very light staccato. The rhythm must be well marked and all the notes short, | 4th Pos. 5 aie CDi 4Johann Hrimaly — Seale Studies for the Violin Use nearly the whole bow, and sustain each note. = >> i a try ania apse ete FERRE z z SF very siowly tI > More bow as the crescendo increases, 8th Pos. middle of the bow. 2? 2 ry roe Trysyromtestot | eels EER > Lively and well accented. 7 Pos ee saeet fe fe 2 feey => Point > NO 5. Major Scales Commencing with the Third Finger; and the Study of the Staccato. Ist Position, 4a DD a aJohann Hrimaly — Scale Studies for the Violin a4 . 2 40 Pos, = oe fen... mit aft oy th Pos, parte thee ee 6th Pos, cont Peo dis git 3 7th Pos.Johann Hrimaly Seale Studies for the Violin Scales and broken thirds on one string for practice in changing positions. ‘The left hand must be held quite at ease, with the thumb very flexible. Execute each change of position with precision. Alternation between the Ist, 3d and 5th Positions. NOL N? 2. Alternation between the 24, 4th and 6th Positions. NOL. NO 2. a vo ~Johann Hrimaly — Seale Studies for the Violin Alternation between the 3d, 5th and 7th Positions. NO. NO 2.Johann Hrimaly — Seale Studies for the Violin % First practise each of these scales Zcenta; then the bowings marked below, and shading, should be practised. CDi bJohann Hrimaly — Seale Studies for the Violin détachs martellé CDi 20Johann Hrimaly — Scale Studies for the Violin Sautills (Springing bow) Santis : ee annggitt Bt Elttteek,Johann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin NO 8. Further Changing of Positions in Exercises on One String. Connection of the Ist with 3rd, 5th and 7th positions. Note: Begin these exercises in slow tempo and gradually increase to /lgro rirece. Impure intonation and unevenness should be the best hint to teacher and pupil to return to a slower pace. Diz 25Johann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin TY eeeeeec pees oe etJohann Hrimaly — Seale Studies for the Violin NO 9. Changing Fingers on One Tone.” ‘These exercises, like those preceding,are to be played on all the strings. git CC SEY veers See tides The same fingering. *)Note: Do not negiect this seemingly unimportant exercise, the peculiar usefulness of which consists in changing fingers on one tone. CDi 28Johann Hrimaly — Seale Studies for the Violin 4 ‘ reg “Cg CCl C CC : ‘The same Fingering, ————— a 2 mW - a - : . 5 : 7 After learning the foregoing, the following 9-octave scales will hanfly offer the pupil any difficulties; but he should not neglect some good advice with regard to them. Usually it is the third octave (.e, the highest)-which pre- sents difficulties. In order to save time, and enable his undivided attention to be given to the intonation, the pupil should practise the third octave by itself as directed below: The minor scales in particular, with their raised 6th and 7th in ascending and lowered 6th and 7th in descending, are those which give pupils trouble; and to their i tonation special attention should be paid by the teacher. ‘The fingerings aro, of course, the same as those employed in the full 3-octave scales.Johann Hrimaly — Scale StudiJohann Hrimaly — Seale Studies forthe Violin N? 10. ‘The scales through three octaves are to be played in every tempo from Andante to Vivace, and with every kind of bowing. The bowings are to be copied from Nos. 2,4 and 5. 1 2 HTT e,Johann Hrimaly — Seale Studies for the ViolinCDi 3e Studies for the Violin An = betes Johann HrimalyJohann Hrimaly — Seale Studies for the Violin Diz. .Johann Hrimaly — Seale Studies for the Violin