Thomas Müller

Arranger, Composer

Germany

About the artist

I was born in 1951 and live in Germany. My first musical influences came from Rock & Roll and the music
from the Beatles era. Later I turned towards classical music and studied music in Frankfurt/Main. At the
same time I played in non-professional rock groups.
My profession was teacher for music and physics at a grammar school up to my retirement in 2012.
My Instruments are flute (formerly), piano and guitar. My musical background lies somewhere between rock
music, jazz and classical music. In my compositions I try to unite these stiles.
Another focus of my work are note-for-note transcriptions of jazz and pop pieces. Unfortunately they cannot
be posted here due to copyright restrictions. Please contact me if you are interested.

Artist page : http://www.free-scores.com/Download-PDF-Sheet-Music-thmu51.htm

About the piece

Title: Flow my tears

Composer: Dowland, John
Arranger: Müller, Thomas
Copyright: Copyright © Thomas Müller
Instrumentation: Guitar, Voice
Style: Baroque

Thomas Müller on free-scores.com

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First added the : 2017-03-29 Last update : 2017-03-29 23:19:57

 Flow my tears
From "The Second Booke of Songs or Ayres" (1600)
John Dowland

Nach der Tabulatur bearbeitet:

Transcribed from the tablature:
Thomas Müller

Flow my - tears, fall from your springs, ex- il'd for ev-er er
Dawn, vain - lights, shine you no more, no nights are dark e-

let me mourn where night's black bird her sad in- fa- my sings, there
nough for those that in dis- pair their last for- tunes de- plore, light

3
4

let me live for - - lorn. Nev- er may my woes

doth but shame dis - close From the high- est spire

ad lib.
3 4
4 3
2 2

be re- liev- ed, since pit- y is fled, and tears, and sighs,
of con- ten- ment, my for- tune is thrown, and fear, and grief,

© by Thomas Müller 2017 th.mueller_hofheim@gmx.de

 and groans, my wea- y days my wear- y days
and pain for my de- serts for my de- serts

bass 8va . . . . . . . . . .

of all joys have de - priv- ed.

are my hopes since hope is - gone.

( )
. . .

Hark, you sha- dows that in dark- ness dwell, learn to con- temn

light, hap- py, hap- py they that in

hell feel not the world's des - pite.

Mit der originalen Griffweise, auf der heutigen Gitarre ausgeführt, würde das Stück in fis-Moll stehen. Ich habe
statt dessen die originale Tonart a-Moll beibehalten, die trotz anderer Griffweise leichter zu spielen ist.
Die Notenwerte sind gegenüber dem Original halbiert.
With the orinal fingering played on the guitar the piece would be in F# minor. I have instead kept the
original key A minor, which is easier to play.
The note values are halved

© by Thomas Müller 2017 th.mueller_hofheim@gmx.de