“CINCO

POLIFORMAS”
para cuarteto de vientos

Manuel Alejandre Prada

Cinco poliformas

1.Allegro rítmico
2.Molto Adagio, con languideza
3.Allegro ben ritmato
4.Adagio semplice
5. Allegro comodo
 "Cinco Poliformas"
para cuarteto de vientos

I.
                        
Allegro rítmico

    
Manuel Alejandre

           
    

Flauta

                             
 
Oboe 
       
        

             
Clarinete         
en Si 


Fagotte
         

                      
           
6

Fl.      

                   
               
    
Ob.


     
   
           
Cl.

       
6

Fgte.  
      
2
   
 
             
11

Fl. 

                            
Ob.          

   
                            

Cl.

  
                                    
11

Fgte.          

 
   
    
                            
    
     
16

Fl. 


Ob.                
 
  



  
Cl.                          

                     
     
             
16

Fgte. 

              
         
21

Fl.   
   

 
                         
Ob.



                        
 

  
Cl.

        
                             
21

   
     
Fgte.
                        
3

   
27

Fl.


                  
Ob.    
       

              
  
Cl.

             
     
27

Fgte.

          
                    
32

Fl.

         
                
Ob.
     

                 
         
Cl.

          
32
          

Fgte.


                               
36
   
Fl. 

     
                            
       
Ob. 

     
                    
Cl.      

      
36

   
  
Fgte.
marc.
       
                
440

Fl.   
  

        
Ob.                        
 
                    
  
         

Cl.

   
                 
   
40

Fgte.

   
    
                  
45


Fl.


                    

Ob.

     
                
Cl.             

 
                          
45

Fgte.


                  
        
49

Fl.

                   
Ob.       

                                  
Cl.        

        
                    
49

Fgte.      
        
5

      
54

Fl. 

      
Ob.    



  

            
   
Cl.


    
    
 

   
54

Fgte.

 II.
Molto Adagio, con languideza

       
       

Fl.
quasi sordina

           
      
 quasi sordina
Ob.

                 
 

Cl.

      
possibile (8ª bassa)

         
  
     
Fgte.   


       
      
5

Fl.     

       
Ob.    
    

                   
  
Cl.             
         
        
         
5


Fgte.
 29        
      
Fl.     

 
    
      
 
Ob.    

                                
Cl.          
  quasi sordina
                    
9

Fgte.    
       
      
13

Fl.     

          
       
    
Ob.    


                        
  

Cl.


                       
13

Fgte.      

         
      
17

Fl.

           
Ob.     

                         
         
Cl.          

        
                  
17

Fgte.    
         
3

            
  
22

 
 
Fl.

                  
      
Ob.
 
 

              

 
                  
Cl.
      

       

 

 

 

22



Fgte.

    
         
              
27

 
 
Fl.

               
         

Ob.

            
Cl.          

 

  



 

 

27

Fgte.
 III.
Allegro ben ritmato


                  
Fl.
       

               
       

Ob.

       
 
  
     
 
Cl.

         
Fgte.
  


              
         
8
       
     
  
Fl.

            
  
 
Ob.

  

                                

Cl.

  

    
       
8


Fgte.
     
216

        

Fl.

    

                

Ob.

  
                            
 
Cl.


     
            
16

Fgte.

                 
24

  

Fl.

               

Ob.

         
Cl.        
     

              
24


Fgte.

               
            
  
32

Fl.
  

 
               
    
Ob.

          
           
  
Cl.

                
       
32

  
   
Fgte.
          
3

     
40

Fl.
          
 

                    
Ob.
    


      
 
  
       
 
Cl.


         
  
40

 
Fgte.

                    
           
48

     
  
Fl.


            
Ob.     

    

                 
 
          

Cl.

   
             
48


Fgte.

     
          
56

Fl. 
 
         
       

Ob.

 
 
                    
Cl.   
 
             
56

Fgte.
 
 IV.
   =  
Adagio semplice

        
sempre
Fl.

           
              

Ob.


Cl.     

 

  

       
Fgte.    

 
         
5

Fl.    


                

Ob.

Cl.

  

        
  
            

                         
5

Fgte.


    
               
29

          


Fl.

     
Ob.       

             
Cl.                   

                           
   
9

Fgte.   

           
13

Fl.            

                    
Ob.      

           

Cl.

               
            
13

Fgte.  

    
    
17

Fl.

                    
Ob.      

          
Cl.             
 

                    
   
    
17

Fgte.
                        
245

         
        
 
                  
    
              
       

49

              
             
  
53

 

 
    
57


       3
           
21

Fl.


               
Ob.     


      
   
         
 

Cl.

                            
21

Fgte.

         
            
25

Fl.   

          
Ob.              

Cl.                     

     
                
25

Fgte.   

     
   

      
29


Fl.

              
 

Ob.


               
       

Cl.



29

Fgte.     
   
432

Fl.           

         

Ob.    
 

 
                   
Cl.


    
     
32

Fgte.     

              
    
36

Fl.     

   

    

           
Ob.



                          
Cl.
           

               
        
36

Fgte. 

     
        
40

Fl. 


        

Ob.


Cl.                            
 
                        
40

Fgte.


      
           
5
    
 
43

Fl. 

        
Ob.              

                 
  
Cl.             

             
    
   
  
43

Fgte.


47

Fl. 

Ob.  

Cl.  

 
47

Fgte.
 V.

                  
Allegro comodo

      

Fl.

         
   

Ob.

       
       
  

Cl.

              
           


           

     

Fgte.

                      
   
4

Fl. 

     
              
Ob.   

              
           
Cl.        

             
      
      
 
           
4

Fgte.    
                 
     
2
   
7



Fl.

           
      

 
  

Ob.

                
          
  
Cl.

                      
7

Fgte.    


         
               
            
10

Fl. 

         
                               
   
Ob.

  
                            
     
Cl.

              
         
10

  
    
Fgte.

                
          
14

Fl. 

         

             
Ob.      


                    
Cl.
 

           
     
14

Fgte. 
          
3
     
17

 

Fl.


                 

Ob.

             
      
                 
Cl.

  
                 
17


Fgte.

      
        
      
20

Fl.

                
Ob.    


                           

  
Cl.

        
              
20

 
 
Fgte.

         
    
24 Andante Religioso

Fl. 

       
Ob.   
          
 

              
   
Cl.


       
24

Fgte.    

             
429

Fl.           


                 
Ob.
      
 

      
     
Cl.


        
29

Fgte.  


                              
33

Fl.

 

                                

Ob.


        
Cl.
 
 
  
                         
33


 
Fgte.

            
           
37 Tpo. Iº

Fl.  

   
            
Ob.


     
               
Cl.


   
                           
37

    
Fgte.


                       
5
   
40

Fl. 

              
Ob.   

                       
Cl.      

             

           

        
    
40

Fgte.     

                       

  
43

Fl. 

               
    

Ob.

                       
Cl.   

             
           
    
43

Fgte.   

            
         
        
     
46

Fl. 

                      

          
         
  
Ob.

  
                              
Cl.
        

    
                         
46

     
Fgte.
                   
          
  
650

Fl.           

             
                   
Ob.
   

   
                              
Cl.
       

  
                              
50

Fgte.  

      
 
               
54

Fl.   

                
               
Ob.   

      
 
                             

Cl.

              
                          
54

    

Fgte.


 
58



Fl.

  
Ob. 


   

Cl.


  
58


Fgte.
Flauta
"Cinco Poliformas"
para cuarteto de vientos

I.
                        Manuel Alejandre
   

Allegro rítmico

                
   

                           
               
    
6

  

 
             

12
          
    
  

18     
                                    
       


    
              
   
24

  

            
             
30

   
                      

     
        
35

         
            
           
39

 
         
     
                    
45

 
                   
        
51

  
Fl. II.
Molto Adagio, con languideza

           
          
 quasi sordina

           
         
7

      

           
        
13

     

              
         
19

 


                
              
25


 

    
      
30

 

Fl.
III.
Allegro ben ritmato

               
          

            
  
      
  
8
    
     
  
      
             
15



   
          
26

   

               
33
            
  
 

             
40

        
 
              
  
47
    
         
      
54 
            
  
 

   
61
Fl.
IV.
   =  

   
Adagio semplice sempre
      
     
 
    
                     
7

    

            
11

        

     
           
15

    
      
       
    
20

   
    
   
                      
24

     
        
29



                         
32

  

  
                  
  
36

  


41
       


44 
      
    

Fl.
V.
Allegro comodo

                         
        

                                    
5



  
                                    
9

   

                

                 
   
13

 

                      
  
17

  


                        

   
22 Andante Religioso

               
     
29



  
                       
33

 
                      
           
37 Tpo. Iº



                                   
41


Oboe
"Cinco Poliformas"
para cuarteto de vientos

I.
                         
Allegro rítmico Manuel Alejandre
   
        
         


                        
6

                   
   
                
          
12

  



               
  
         
18

   
   
        
              
      
25

   

   
                
31

    

  
  

         
     
              
      
35

             
        
           
38

   

     
                               
44

   

             
                  
51

    
Ob. II.
Molto Adagio, con languideza

           

         
 quasi sordina

           
  
   
    
7

   

                       
   
13

     

           
       
18

                   
      
  
24

   
  

     
     
30


Ob.
III.
Allegro ben ritmato

               
       

8
         
 
  

  
     
             
15




              
22




            
30

 


   
     
37

     
    

         

44

            

  
              
51

   
     
58

 
 

Ob.
IV.
   =  sempre
     
    
Adagio semplice


                  




        
5

       

         
                              
11




                                  
15

 

            
19

         
 

          
   
22

 

                    

26


        
    
31

  

       
       
35

          


   
                    
  
39


    
    
  
43


Ob.
V.
Allegro comodo

   
    
        

         

       
         
    
        
6


        
    
    
                    
10



                    
         
14

          

     
                    
18

 


          
23

       
 
           
28

           
 
          
32

      
           
 
        

                      
36


   
    
        
        
        
41



        
          
246
   
                    
 

             
                   
50

   

                                 
54

  

  
58



Clarinete
en Si 
"Cinco Poliformas"
para cuarteto de vientos

I.

           
Allegro rítmico Manuel Alejandre

     

 
 
     
7


             
 
                                 
13



    
                               
19

 
 
    
             
25

       
   
31    
   
    
              
       
  
                          
   
37

                     
        
42

     
      
 
     
                                   

47

  

                 
52

                     
Cl. II.
Molto Adagio, con languideza


                          
   


                          
6

         


                             

10

     
 quasi sordina

              
              
15

       


           
           

         
19

        

       
    
     

       
          
24

    


   
29

    
Cl.
III.
Allegro ben ritmato


             
 

    
                        
8


          
           
15

    
 

          
    
    
22

 
 

    
29

       
   

           
36

       
   

           
     
43

    
 
          

                         
50

            
57

    
 
Cl.
IV.
   =  
    
Adagio semplice sempre

           

             
              
6

             


         
10

              

           
    
            
16



 
                          
21



     
       
                 
26



           
                
31

             
              
35

             

   
                       
39



          

          
           
42



 
       
45



Cl.
V.
Allegro comodo

                           
 
 
        

   
                            
5

 

     
       
 
9

                  
    

                     
      
13

   

            
17

            
         

            
        
20

    
     
  
      
24

        
 

   
29

       
     
 
          
       
34



                               
     
39

 

  
243

                                       

 

   

                               
47

        

        
                              
52

 

 
  
                
56

 
Fagotte
"Cinco Poliformas"
para cuarteto de vientos

I.
 
Allegro rítmico


Manuel Alejandre
      

                               
10

     

                                  
  
15

   

     
                       
20

          

             
25

             

                           

31

 
 
marc.

  
          
       
37

     
 
     
      
 
                     

44

   
     
  
     
  
         
             

49

             
54

   
Fgte. II.
Molto Adagio, con languideza

         
possibile (8ª bassa)

          
          


     
            
           
6

     


  
                 
      
  
11

     

 
                                
16

   



  
   

 

 

 

 



22




 

 

 

29
Fgte.
III.
Allegro ben ritmato

         
  

     
        
8


   
        
15



                   
22

                 
    
32

 
 
      
  
39

 
   
     
        
46



 
            
53


    
61



Fgte. IV.
   =  

                
Adagio semplice sempre

  

                     
    
7

   

                   
     
11

  

                  
          
15

                      
19

         

                  
      
23

 

    
28

       


           

   
33

  
 

        
                 
38

  

             
        
42

 
     
45

   


Fgte.
V.
Allegro comodo

                                     
     

             
           

           
4

     

                        
 
7

       
   
    
                 
           
11

   

    
                         

16

   

       
            
21

  
 
        
27

   

   
                
32

 
 
                
       

                  
36

   
 
             
           

           
40

     
 
                        
243

              

 

                      
       
47

   

                                            
52

       


                  
56


