Autor : cdya Pedidos : cdya@fibertel.com.ar Songbooks , Metodos, Clinicas, Mp3’s , Videos y Softwares Musicales. Todos los Instrumentos. Solicita el listado completoa cdya@fibertel.com.ar Envios a Todo el Pais por ContrareembolsoSLU EAU NUSCharlie Parker There have been three books written about Charlie Parker which cover his life thoroughly and these are recommended to learn about the hard life he led and the way he influenced Jazz in America. The books are BIRD by Robert George Reisner, CHARLIE PARKER by Max Harrison (British) and BIRD LIVES! by Ross Russell. He was born, brought up and educated in Kansas City, Kansas of o poor family, with his mother heading the family, the father long gone for other pastures. His mother managed to see that he learned the rudiments of his instrument, the alto saxophone and it was even a struggle to buy him @ horn and get him lessons. In some ways, he was like Picasso, ever searching for new ways of expres- sion, bored with the stereotyped changes in ad-libbing (impressions), he experi- mented until he discovered he could produce his ideas associated with personal exper- ience by using devices related to the higher intervals of a chord as a melody line. ‘And like Picasso, once arrived at his ultimate style, he stayed there since imitators could not comfortably or naturally follow his direction. Just as you can look at a mod- fern Picasso work, you can hear a Parker solo and identify them easily. Unfortunately, Patker lived 35 years, Picasso almost 95. Because he preferred to work with small groups, he was able to develop his unique characteristics; mobility of attack, freedom of accentuation, imagination and fluency of his inventive faculty and rhythms. His “bop” adventure brought about a fresh harmonic complexity with richer melodic language, employing a greater range of intervals. This creative area was not accepted immediately by his peers or public because it dared to be different and it took years before his “sound” became popular. | have followed Parker's career through the years and when scouting the Har- lan Leonard band in Philadelphia about 1938 or ‘39, he might have been still with the sax section, Definitely in 1941 while with Leeds Music, now MCA, | brought the Jay ‘MeShann catalogue into the firm along with some works by Charlie Parker and heard this band live. Living in New York and frequenting the 52nd Street clubs, it was always possible to hear him with his own or all-star groups. An old friend Billy Shaw, his, manager, was kind enough to entrust my company with his copyrights and this began a long association with his music that resulted in the acquisition of his compositions which comprise this book A great deal of preperation went into the production of this book. The actual solos were transcribed by Jamey Aebersold and Ken Slone, a monumental task. We are very proud to be the publisher of the most important collection ever made of the works of Charlie Parker. Michael H Goldsen Publisher \VALENTIM DE CARVALHO! PartiturasCHARLIE PARKER OMNIBOOK For E Flat Instruments ® Transcribed Exactly From His Recorded Solos CONTENTS Title Page AH-LEU-CHA (AH LEV CHA) 26 ANOTHER HAIRDO 104 ANTHROPOLOGY 10 AU PRIVAVE (No. 1) m4 ‘AU PRIVAVE (No 2) 26 BACK HOME BLUES 106 BALLADE 142. BARBADOS ce 70 BILLIF’S BOUNCE (BILL'S BOUNCE) 80 THE BIRD 110 BIRD GETS THE WORM 94 BLOOMDIDO 108 BLUE BIRD Pr BLUES (FAST) 124 BLUES FOR ALICE 18 BUZZY B CARD BOARD 92 CELERITY 2 CHASING THE BIRD 82 CHERYL : 58 CHI CHT : 28 CONFIRMATION 1 CONSTELLATION 45 COSMIC RAYS 30 DEWEY SQUARE 4 DIVERSE DIL. ua DONNA LEE 48 K. C. BLUES : 20 KIM (No 1) : 5 KIM (No. 2 54 KLAUN STANCE 7 89 KO KO, 62 LAIRD BAIRD 32 LEAP FROG 130 MARMADUKE 68 MERRY-GO-ROUND. uz MOHAWK (No. 1 38 MOHAWK (No 2) . 40 MOOSE THE MOOCHE 4 MY LITTLE SUEDE SHOES 120 NOW'S THE TIME (No. 1) NOW'S THE TIME (No. 2) ORNITHOLOGY AN OSCAR FOR TREADWELL PARKER'S MOOD PASSPOR’ PERHAPS 7 RED CROSS 66 RELAXING WITH LEE 1m SCRAPPLE FROM THE APP! 16 SEGMENT. % SHAWNUFF 18 SHE ROTE (No 1 34 SHE ROTE (No 2 36 SI SE 140 STEEPLECHASE 2 THRIVING FROM A RIFF 60 VISA 100 WARMING UP A RIFF 136 YARDBIRD SUITE 8 Charlie Parker (Biography uo Introduction w Seale Syllabus 13 1978 ATLANTIC MUSIC CORP International Copyright Secured Maden USA Photo Courtesy FOLYOOR IncINTRODUCTION The solos in this book represent a cross section of the music of Charlie Parker. In presenting these solos, we hope to bring musicians closer to the true genius of “ The solos are in Eb key which means they can be read right out of the book on Alto or Baritone Saxophone. Other instruments, of course, will have to transpose. We hope to very shortly offer a condensed book of solos which will be transposed to Bb keys for Trumpet, Tenor Sax and Soprano Sax Most Jazz musicians have learned to play by listening to records and imitating the notes, articulations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. Listen to the record first, then play through the solo slowly, gradually increasing the speed until you are at the recorded tempo Bird played it. | don’t feel the idea is to try to play the solos exactly as Bird did, but rather to phrases, articulations, scoops, turns, etc. that you feel you would like to incorporate into your own playing. By being able to see and play the actual notes, it should help speed up the learning process. Many players play like Bird but retain their own personality Practice with @ metronome. Each day try to increase the tempo a little, all the while retaining the inflections, articulations, etc. that you would use at the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Toke a slow blues solo in F and play it with one of the records in the series that has a slow F blues, then move to a record that has a faster F blues. It is fun to work towards play- ing the solos with Bird along with the actual Parker recorded version. Blues make up the largest portion of this book. Rhythm changes come next. Some compositions have the two versions recorded by Porker in separate solos. When @ measure occurs without a chord symbol above it, the chord is the same as thé meas- ure preceeding it. ‘Most players like to analyze solos in order to find out what the musician is do- ing. Our ears cannot always HEAR what is happening so we slow the music down. transcribe it, analyze it, practice the licks, patterns ond phroses we like best, and end up playing them in our own way on our instruments. We have put chord symbols ‘over most all bars to enable you to analyze the notes in relation to the chord. Remem- ber, each chord symbol represents a series of tones called a scale. Older musicians used to improvise mainly on chord tones; Charlie Parker was one of the first to broaden that to include scales and substitute scales. For information on scale substitution refer to the Scale Syllabus chart.’ Bird loved to use the b9 over the Dom. 7th chord/scale. The Blues scale and its accompanying licks was an important part of his music, even when playing songs other than blues! When you find licks or patterns that you enjoy, practice them in several keys so the melodic phrase becomes a part of you, It should become automatic in order to really be useable in a playing situation Only a minimum of articulations have been put in this book. We feel that jazz, being an aural art form, is often times best imitated by listening over and over, and then playing the notes the way you hear it on the record. This might seem like the long way to do it, but experience has proven reliable. After all, who would object to listening anyway? Listening is what music is all about, . The records from which these solos are token are listed at the top of each solo page. They are contained in approximately eight records (some are two record sets) and most all are still available. The two record sets are a bargain! We hope you have as much enjoyment with this book os we have had putting it together. Jamey Aebersold > Ror SCALE SVETARIIS sor noon 148Confirmation By Charlie Parker venve 8008 J=208 (4-BAR INTRO) cH Fa7 cH 7 B- E7 Ap o7 © 1946 ATLANTIC MUSIC CORP Ue © Renewed and assigned 1974 ATLANTIC MUSIC. CORP ©1978 ATLANTIC MUSIC CORP All Rights Reverved wwcH F#7 , 8 EFcae F#7Moose The Mooche By Charlie Parker cc Pannen 407 = 224 Plano 7, ©1946 ATLANTIC MUSIC-CORP. Renewed and assigned 1974 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rughts Reserved wwOrnithology By Charlie Parker and Benny Harris ‘pe stuns d=236 ‘Deuw$ an. * Cleo (eure 3 E E- Az ©1946 ATLANTIC MUSIC CORP © Renewed and assigned 1974 ATLANTIC MUSI ©1978 ATLANTIC MUSIC CORP Al Rights Reserved ww. CORPYardbird Suite By Charlie Parker “auro symaois' @=224 (€ PARKER 407 cH Dis GH CH FAT ©1946 ATLANTIC MUSIC CORP © Renewed and assigned 1974 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP Al Rights Reserved. ww.87. Be £7 A A G#7+940 Anthropology By Charlie Parker and John ‘Dizzy’ Gillespie 4=300 CM) z a COLUMBIA 24031 ius B- e7 Ae 07 G7 c7 © 1948 ATLANTIC MUSIC CORP. © Renewed and asuigned 1974 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserveduw TURN PAGE43a Dewey Square By Charlie Parker JAZZ GREATS 46-617/BLUE RIBBON 8011 d=/a4 c F- 7 bBo” a7 ©1958 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP All Rights Reserved wy16 Scrapple From The Apple By Charlie Parker A nh 20/0 ONT CHARLIE PARKER CORD AO AVON Hk dz Z00 E- a7 E- Ny AD fErtet ¢ He i Peer 3 © 1957 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww47 7°? irl G7 ie 15183 Blues For Alice Parker VERVE 8010/VERVE 2515 2/65 ©1986 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww1 ALSO AVAILABLE CHARLIE PARKER OMNIBOOK For C Instruments (Treble Clef) Transcribed From His Recorded Solos Transposed To Concert Key CHARLIE PARKER OMNIBOOK Transposed for B Flat Instruments » Transcribed Exactly From His Recorded Solos (Tenor ond Soprano Sax, Trumpet and Clarinet)20 K.C. Blues By Charlie Parker ‘VERVE 8840/VERVE ADI0/MGM 4949/VERVE 2515, BLUES #=/Z6 diayed —"__ © 1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved ww24 o7 7 a7 + i 9 Bae = = =a i) B- —7 " 3-7 u —, THE PROFESSIONAL ARRANGER COMPOSER —— (BOOK ONE) tHe By Russell Garcia eee © Best selling text book used by leading universities. COMPOSER © Basis for course in Practical Arranging and Composing BOOK ONE in the professional field, For the advanced arranger @ Endorsed by leading music educators and composers and arrangers. RUSSELL GARCIA AND NOW! ——— THE PROFESSIONAL ARRANGER COMPOSER (BOOK TWO} By Russell Garcia Discusses contemporary trends in Jazz, Pop and "Modern Classical’ Techniques. New scales, chords, progressions, free improvisation, vocal effects, using tone rows in practical music, etc. Contains a record of many of the 169 examples and the recording of a complete score of an exciting contemporary composition by Garcia. (Musicians used are the top instrumentalists on the West Coast). The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.RR Celerity By Charlie Parker ‘VERVE f002/VERVE 2512 32276 3 1958 ATLANTIC MUSIC CORP 1978 ATLANTIC MUSIE, CORP. All Tughts Reserved ww2824 Au Privave (No. 1) By Charlie Parker VERVE 8010/MGM 4949/VERVE 2515 07 42220 97 E- re > - ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww25 = STAGE DANCE BAN26 Au Privave (No. 2) By Charlie Parker VERVE 8o10/ VERVE B840/VERVE 8002 BLUES d2220 SOLO 07 fa 07 07 07 LAY OM mam ay E- AT 3 3 ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. AM Rughts Rests ved wwAny Musician Can Arrange With This Book! First Chart FIRST | wotten by Prot CHART |Srvanssanoee Edited by i by An Important Elementary Arranging Book For Schools Contains two records of charts in the book: and foonlight In Vermont” for full orch. and 4 examples of. corftemporary styles by @ leading university orch. BARNEY KESSEL says This Do0k ‘opens the door to an arranging ca- reer for musicians. Van's first book did this for me” 2728 Chi Chi By Charlie Parker VERVE 005/46 /VERVE e408 d=220 © 1955 ATLANTIC MUSIC CORP. ©1978" ATLANTIC MUSI All Rights Reser ww29 TURN PAGE30 Chi Chi - cont. G- Cosmic Rays By Charlie Parker eave seoyveave oes A d=/BZ So» ©1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rights Reserved wwCosmic Rays - cont. [ cRITERION wu: ICATIONS | [ NV MUSIC CORPORATION PUBLICATIONS | SAXOPHONE ‘yon suxpwoe srs dec bnue Se oSs ect MA bp ate fame RTM TOOK 85 FOU TRUMPET Boao Sig Slee f | DRUMS | waneas exes ono seuss By cre Metin tno 2 lpi eemee raresion wow sen Fema. SgeB Scuen CLARINET Bay Fee 84Laird Baird By Charlie Parker VERVE 2005, PIANO INTRO dz/62 Fag 87 6 ct om, © 1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved ww88 THE GUITAR awd Ames Cat Gat fae Secberen, chon serpo-undernond beck, spat Bowne —_. VENTURE FOLIOS BOSSA GUITARRA ‘ae fT 8 6 Sls for Guar by unnad aUsEOK utr Soto wi end ne and chord far 24 fanny Cuan WOO, ca Fesne 0S SAAT CTS34 She Rote (No. 1) By Charlie Parker ‘VERVE 8010/VERVE 8840/VERVE 8002/VERVE 2515 2270 PEDAL CONCERT "F ©1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rughts Reserved ww36536 She Rote (No. 2) By Charlie Parker J=265 PEDAL CONCERT "F" ‘VERVE so10/Mom 4949 MUSIC CORP IG MUSIC CORP All Rights Reserved ©1978 ATLANa738 Mohawk (No. 1) By Charlie Parker \enve so04/ VERVE oe4o/venve 250 = 168 c7 67 b- a 7 s7 G A- a AA DT gy a rn 3 3 © 1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved. ww3940 By Charlie Parker 42/84 BLUES Mohawk (No. 2) G7 ww c7 VERVE 8006/VERVE 8002 LERERBLELERBE EEE EEEELELOE ELSE EE BUa 7 Bb-a An Oscar For Treadwell By Charlie Parker VERVE 8002/VERVE 8006) VERVE 2501 Piano = 280 Two A B e7 ©1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC: CORP All Rughts Reserved ww43 TURN PAGEAn Oscar For Treadwell - cont. Fa7 {pS aa TR Re ENN EERE NIC ETA PIANO & VOICE | ae vase wet PIANO FOLIOS A aryers we UT oF PIANO SoLos ACCORAK ar Ty uno & neat 54 Constellation By Charlie Parker savor 2201 o=324 A A B- &7 A ote Fa? B e TURN PAGE © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP © 1978 ATLANTIC MUSIC CORP All Rights Reserved6 Constellation - cont.a7 Criterion’'s took 1 HAWAIIAN SONG BOOK “OE eee, Criterion s Book 2 ISLAND SONG 800K Polynesian HAWAIIAN BOOK FOR ALL ORGANS EXOTIC BOOK iso snes | Ons oh To FBC SS criterion’s HAWAIIAN SING-A-SONG LYRIC BOOKDonna Lee By Charlie Parker wor an 42230 ©1947 ATLANTIC MUSIC CORP © Renewed and assigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved49 67 2ND CHORUS 07 G7 fF 3RD CHORUS 07 a7 3 TURN PAGE50 ORGAN FOUOS 1B ae OT AE te UMA 30 fer sas Donna Lee - cont. ORGAN soLos HAWAIIAN BOOK FOR ALL ‘ORGANS5A Kim (No. 1) By Charlie Parker ‘VERVE 8005/ VERVE 8840 07 B- £7 Ap 07 2320 GI TURN PAGE © 1958 ATLANTIC Mt © 1978 ATLANTIC All Bugs Reserved ww.Be Kim (No. 1) - cont.53 ORCHESTRATIONS wee LA LUN a eedBa Kim (No. 2) By Charlie Parker as sees az. 6 B- E7 Ae 07 ©1956 ATLANTIC MUSIC CORP. 91978 ATLANTIC MUSIC CORP All Rights Reserved wwBB 7 8- 6 A o7+ Epo TURN PAGEKim (No. 2) - cont. Cao Soo)34 (Ae) 39 Coes) Be (Bb-) €7, A- 07 26 D «7 c c 6 £7 A oT yet SS +t —— Evie = ; — 4 i oSA GUITAR METHOD THAT TEACHES READING & PLAYING INSTANTLY! Endorsed by: BARNEY KESSEL JACK MARSHALL GEORGE RUSSELL Edwted by Burdell Mathis A SHORT CUT— —NOT A GIMMICK AN APPROVED MUSICAL METHOD YOU HAVE TO SEE TO BELIEVE! For: THE BEGINNER THE SLOW READER THE “PLAY BY EAR” MUSICIAN Contains these “THESE BOOTS ARE MADE FOR WALKIN’,” “LET THE GOOD TIMES ROLL,"” HOUSTON,” “TINY BUBBLES," and 15 orher hits58 By Charlie Parker SAVOY 1108 be ©1947 ATLANTIC MUSIC CORP. Renewed ind assigned 1975 ATLANTIC MUSIC CORP, ©1878 ATLANTIC MUSIC CORP. All Faghts Reserved59 == HUI SS GUITAR FOLIOS ‘a00TS” FOR GUITAR Guar arrangements ath compete pots for Solo'and Bry Gur a FROM THE ROMANTIC: ERA ert ular salag individ) = Capi! au "wave of Beethoven rez at BOSSA GUITARRA Sie 5010s by Laut edo timaisy oh head tne ea chord symbols SURFIN' CUITAR Surg somes arranzed oy lore Hose, for prs vaio and per al). COUNTRY GUITAR Hts Hom the County Fels FOLXSY SOMES FOR GUITAR (Simple to Adianced) MTA" “Philadephia Lawyer” ete 20 GREAT TUNES FOR GUITAR (Pick yi 29 Gres rangement by Dan fo, eau Moonlight In Vermont’ * OSCAR MOORE GUITAR SOLOS. VENTURE FOLIOS 21 Hite He WALK OON'T RUN 2 Hts lke JOURNEY TO THE STARS — Wits he JOSE, START GUITARS 24 — Hits tke DIAMONO HERO. GRINGO GUITAR SOLOS son fuaweneo Pn fe fonkcious & aNcny seniaTOn —_/ auutenis + canon Sg TEHUACAN Ss GUITAR BOOKS GUITAR TUTOR by Lsutingo Aimeds ‘A complete Concert Gator Wathed THE GUITAR by Barney Resse A unique ioe tor gotmsts,60 Thriving From A Riff By Charlie Parker savor 2201 dzt80 A 07 6 A- 07 ©1915 ATLANTIC MUSIC CORP. © Renewed and assigned 1978 ATLANTIC MUSIC CORP ® 1978 ATLANTIC MUSIC CORP All Rights Reserved6462 Ko Ko By Charlie Parker 42306 oN. “y savoy 2201 tr G7 c we ord BAN ete tee H f 4 Fe aan SP ee zs © 1946 ATLANTIC MUSIC CORP © Renewed and assigned 1974 ATLANTIC MUSIC CORP © ATLANTIC MUSIC CORP All Rights Reserved63 TURN PAGE6% Ko Ko - cont. G65 (DRUM SOLO) 3866 Red Cross By Charlie Parker SAVOY 2201 (HEAD) @=20 ©1945 ATLANTIC MUSIC CORP. © Renewed and assigied 1973 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved67 JACKSON BROWNE FOLIO Sux Songs From His Hit LP Doctor, My Eyes « My Opening Farewell + Jamaica Say ‘You Wil © 8 Child In These Muls » Song For Adam = From Silverlake For Piano, Voice & Guitar68 Marmaduke By Charlie Parker ever! 3=208 © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1978 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rughts Reserved10 ll 12 13 u 15 16 V7 18 Fae 87 87 E- SOLO err, (éeinae) Wad TURN PAGE 6970 Marmaduke - cont. E- 19 Barbados By Charlie Parker sAvOY 108 32/68 Es A7 BLUES D 2 4 rsa” ——_ Ce i Z| Ae 07 7 7 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reservedce SHAPING FORCES IN MUSIC By Ernst Tach ‘An inquiry into harmony, melody, counterpoint and form. A complete advanced music course now being used by many leading colleges as their text book.Rm Perhaps By Charlie Parker savor 2201 BLUES (HEAD) 2200 47 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP 1978 ATLANTIC MUSIC CORP All Rights ReservedThe Fake Book Fer All Groups VARIETY PAKE BOOK Civeiow’s mesnee “rena [BALLADS + BLUES + CONTEMPORARY * COUNTRY & WESTERN » DIELAND EXOTIC # FRENCH » FOLK « ITALIAN © JAZZ » ROCK LATIN © ROVELTY «| inremanona. carenon asec cnr 731% Now’s The Time (No. 1) By Charlie Parker VERVE 8840 BLUES = 782 For Melody see Now's The Time (No, 2) - page 76 solo 7 0 ©1945 ATLANTIC MUSIC ‘CORP. © Reacwed and assigned 1973 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP All Rights ReservedBy Frank Skinner A complete course in scoring for motion pictures and television, featuring an actual score that was writtern, arranged and recorded for a motion picture, with timing sheets, orchestra sketches and orchestrations,16 Now’s The Time (No. 2) By Charlie Parker savory 2201 BLUES (HEAD) 2220 a o7 o7 © 1945 ATLANTIC MUSIC CORP © Renewed and assigned 1973 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights ReservedPed78 Buzzy By Charlie Parker savor 2201 BLUES d= 280 7 G7 67 ©1947 ATLANTIC MUSIC: CORP. © Renewed and assigned 1975 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rights Reserved80 Billie’s Bounce (also known as BILL'S BOUNCE) By Charlie Parker savor 7201 ° BLUES 2165 Ge ©1945 ATLANTIC MUSIC CORP © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved8482 Chasing The Bird By Charlie Parker vere =z & a7 o 87 E- aq ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976-ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP AIT Rights Reserved83Bx Blue Bird By Charlie Parker savor aa BLUES d= /25 c D- G7 E- AT 3 c7 D- «7 ad c7 AZ D- 67 : Sens ct © 1948 ATLANTIC MUSIC, CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved12 iw a86 By Charlie Parker MELODY 42/90 MILES DAVIS E. 4 Ah-Leu-Cha (also known as AH LEV CHA) savor 2201 y See Liesl ba MILES DAVIS E- , LEG ES E- aA D BIRD SOLO athe Or 4 + 7S SS pe la Sees —— 5. D7 © 1948 ATLANTIC MUSIG CORP Renewed and soagned 1978 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC COR! All Roghes TeservedE- | S64 4, ar BEBO rts vit vibeseres et ces = delayed~ = - ~~ == = - -4 = ” if. ob 7 jo? o7 B7 Oy + + > f +, fe Seater =SS= —_ teal Ves TURN. PAGE88 Ah-Leu-Cha - cont. o7 C#- (Bass & Drums) a189 Klaun Stance By Charlie Parker savoY 2201 42300 E- D 3 TURN. PAGE ©1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. "All Rughts Reserved90 Klaun. - cont. 07 (F#°) 6. F 07 (F#°) 6 TAOL92 Card Board By Charlie Parker Verve 2501 ds2i0 °° B- B- A a bh 5 B- e7 h mn ©1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved. ww93 7 E7 GN E- “ { eat oe9% Bird Gets The Worm By Charlie Parker SAVOY 2201 2340 ay F J ©1948 ATEANTIC MUSIC CORP, © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rights Reserved95 i F eon Prawo Begs BIG TURN PAGEBird Gets The Worm - cont.9x Segment By Charlie Parker ‘VERVE 8009 d=260 «. Ae o7 G TURN PAGE ©1957 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rughts Reserved ww98 Segment - cont. 6. om? 3 & ¢ An, : " \ ee 4, v7 EE Hae [tee ee99100 Visa By Charlie Parker ‘VERVE 9000 VERVE 6009 BLUES © d= 200 AT mm ©1953 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved ww404102 Passport By Charlie Parker ere aneorvanv 000 dztt0 G Ae 07 G AS 07 4 a + m3 = A 7 SOLO BEGINS 6 E7 Ae D7 ©1953 ATLANTIC MUSIC CORE 01978 ATLANTIC MUSIC CORP All Rights Reserved ww103 o- G7+ e z108 Another Hairdo By Charlie Parker SAVOY 2201 Blues J #/B4 67 a 3 3 3 67 @7 © 1948 ATLANTIC MUSIC. CORP © Renewed and assigned 1976 ATLANTIC MUS! 01978 ATLANTIC MUSIC CORP All Rights Reserved ‘CORP105106 Back Home Blues By Charlie Parker ‘VERVE 8640 VERVE 8000/VERVE 8010/VERVE 2515 BLUES 4/92 a Ars 7 All Rights Reserved ww107106 Back Home Blues By Charlie Parker [VERVE 8840 VERVE 8000/ VERVE 8010/VERVE 2515 BLUES #5/92 a Aye fa ©1956 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved ww107 z 07 4 ~ 5 fy cH F¥79108 Bloomdido By Charlie Parker ‘VERVE 8540/MGM 4949/ VERVE 8006 VERVE 2501 BLUES 6 ATLANTIC MU ATLANTIC MUSIC Gi All Rights Reserved ww109 ~s |, G7 47 07,4110 The Bird By Charlie Parker verve 201 dsgek A Bg a7 A BB OET © 1956 ATLANTIC MUSIC CORP. 1078 ATLANTIC MUSIC CORP All Rights Reserved, ww144 £7 Ae (E7) Ae —712 Steeplechase By Charlie Parker erent W276 are 7 7 Ae v7 ©1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved131% Diverse By Charlie Parker 45260 G- AS 5 07 VERVE 8009 o7 A- 4 rf ertheraer ©1987 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rughts Reserved ww115 TURN PAGE116 Diverse - cont.7 Merry-Go-Round By Charlie Parker savor 2201 45300 &) (on TURN PAGE © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved18 Merry-Go-Round - cont.ug 6 1091, Sov120 My Little Suede Shoes By Charlie Parker ‘VERVE 8000/VERVE 2515 (HEAD) o- o=/68 © 1956 ATLANTIC.MUSIC CORP 1978 ATLANTIC MUSIG CORP All Rights Reserved ww428.122 Relaxing With Lee By Charlie Parker VERVE 8840/VERVE 8008/VERVE 2501 @=/80 Bb Bb Bb 3 uy ©1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights Reserved wwTer Souo- KEN aves UP ‘a STEP Monk PIANO SOLO12h Blues (Fast) By Charlie Parker ‘VERVE 8840, VERVE 8009/VERVE 2501 32265 ©1977 ATLANTIC MUSIC CORP P1978 ATLANTIC MUSIC CORP All Rights Reserved ww.425 (Bb-) Ae 07 ne Piano 7 5 TURN PAGE426 Blues (Fast) - cont.4274128 Shawnuff By Charlie Parker and John ‘Dizzy’ Gillespie monn 17 32326 mu — Belak (tt eX told) (Piao 3eenk.) © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC COKP. All Rights ReservedAS 07 ~ AS &7 rT (Bb-)130 7 C#o 6 e7 A. 07 6 Leap Frog By Charlie Parker . ‘VERVE 8840/ VERVE 8002/ VERVE 8006,/VERVE 2501 87 42530 D D Fee ©1958 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP All Rights Reserved ww431 Leap Frog - cont. ce Fa7 87 87 &7 £7 tt a ar be A L Fe + iW rhe TURN PAGE432 BLUES SCALE, —~133 Leap Frog - cont. D Devs On. Deus D ‘ous Ter, Deus ° Teme er, Drs ‘Deuns TH.134 Parker’s Mood By Charlie Parker SAVOY 5112201 ewes #=76 EN tu We “oe +t % opis attaytie stvsic"cone & newer and assigned 1976 ATLANTIC MUSIC CORP '§ ATLANTIC MUSIC. CORP All Rights Reserved135 CHARLIE PARKER FOR PIANO Recorded by The Paul Smith Trio Cassettes available $8.98 by mail CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, CA 90028136 Warming Up A Riff By Charlie Parker 42236 savor 52.2201 D7 D be Nc > b. a7 A pie 6 ©1949 ATLANTIC MUSIC © Renewed and assigned 1977 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP All Rights Reserved137 TURN PAGE138139140 By Charlie Parker venve ve2.2512 d=/88 Fé yrino D a e 7 1 : GY tes FS 4 tt et = A 7 ©1956 ATLANTIC MUSIC CORP 1978 ATLANTIC MUSIC CORP All Rights Reserved wwwa CHARLIE PARKER FOR PIANO. Recorded by The Paul Smith Trio Cassettes available $8.98 by mail CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywaod, CA 90028142 Ballade By Charlie Parker verve Meveo02 d=70 he 1958 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP All Rights Reserved, wwSCALE SYLLABUS arranged aecerairg 10 me the top of each category si ive keys Sn mMoL GUIDE FOR SCALE 5 Major scale/chord Dominant 7th scale/chord Minor scale/chord (Dorian) Half diminished scale/chord ° noe terion procueing seaes You ek consrceron7692: CHARLIE PARKER OMMNIBOOK -!l For E Flot Instruments ® Transcribed Exaclly From His Recorded Solos AH-LEU.CHA (AH LEV CHA) ANOTHER HAIRDO ANTHROPOLOGY AU PRIVAVE (No. 1) AU PRIVAVE (No. 2) BACK HOME BLUES BALLADE BARBADOS BILLIE’S BOUNCE (BILL'S BOUNCE THE BIRD BIRD GETS THE WORM BLOOMDIDO BLUE BIRD BLUES (FAST) BLUES FOR ALICE BUZZY CARD BOARD CELERITY CHASING THE BIRD CHERYL CHI CHT CONFIRMATION CONSTELLATION COSMIC RAYS. DEWEY SQUARE DIVERSE DONNA I K. C. BLUE! KIM (No. 1) KIM (No. 2) KLAUN STANCE KO KO LAIRD BAIRD LEAP FROG MARMADUKE MERRY.GO-ROUND MOHAWK (No. 1) MOHAWK (No. 2) MOOSE THE MOOCHE MY LITTLE SUEDE SHOES NOW'S THE TIME (No. 1) NOW'S THE TIME (No 2) ORNITHOLOGY AN OSCAR FOR TREADWEL PARKER'S MOOD PASSPORT RELAXING W SCRAPPLE Fi SEGMENT SHAWNUFF SHE ROTE (No. 1) SHE ROTE (No. 2) SI SI STEEPLECHASE THRIVING FROM A Ru VISA WARMING UP A RIFF YARDBIRD SUITE MUSIC CORP Agen DER MUSIC ENTERPRISES P.O. BOX 660, LYNBROOK, N.Y. £1563 ‘TH LEE OM THE