Grade Flute Exam Pieces 2014-2017 Score & Part l l ABRSM Flute Exam Pieces ABRSM Grade 5 Selected from the 2014-2017 syttabusFlute Exam Pieces ABRSM Grade 5 Selected from the 2014-2017 syllabus Date of exam Contents page usT A 1 George Frideric Handel Allegro: second movement from Sonata in F, HWV 369, Op. 1 No. 11 2 2 Daniel Purcell Largo and Vivace: first and second movements from Sonata No. 2 in D minor 4 3 Johann Joachim Quantz, Presto: third movement from Sonata in G, Op. 1 No. 6 6 LIST B 1 Léo Delibes Morceau (Concours de fltite, 1876) 8 2 Christopher Norton Nobody Knows: No. | from The Christopher Norton Concert Collection 10 (for Flute 3 Blax Pucihar ‘The Playful Pony: from Luna’s Magic Flute 2 LIST C 1 Oskar Fischer Study in G ce 2 Ernesto Kébler Exercise in G: No. 12 from Schule fiir Fléte, Part 2 16 3 Mike Mower Mango Tango: from The Modern Flute Player 18 Footnotes: Anthony Burton and Rache! Brown (RB) Other pieces for Grade 5 usta 4 G.PLE.Bach Vivace: rd movt from Sonata in B fat, Wg. 125. No. from C. PE, Bach, 6 Sonatas for Flute Zimmermann) 5 Blavet Allemanda (Allegro): 2nd movt from Sonata in G minor, Op.2 No.4 (‘La Lumague). Blavet, 6 Sonatas, Op. 2, Vol.2 Schott) or No. 7 from létenmusik, Vol. 1 (Henle) 6 Hasse Largo and Allegro: 2nd and 3rd movts from Sonata in G, Op. 2 No. 4. Hasse, 6 Sonatas for Flute, Vol.2 (Universal) 7 Stanley Menuet: 3rd movt from Solo in A minor, Op. 4 No. 1. Stanley, 6 Soles for a German Flute, Op. 4 (Chester) 8 Telemann Allegro: 4th movt from Sonata in G minor, TWV 41:3 (Dowani) of Telemann, Methodical Sonatas, Vol. (Barenreiver) 9 Telemann Les Pllsits: 2nd movt from Suite in A minor, TWV 55:2, are. Salter (Peters) ust M.Amold Sarabande (from Solitaire, arr. Poulton (Novello) Arriew Allegro moderato: Ist movt from Sonatine (Amphion) ‘Stephen Dodgson Citcus-Pony. New Pieces for Flute, Book 2 (ABRSM) Cecilia McDowall Hornpipe: ftom Stx Pastiches (Pan Educational Music) Gérard Meunier Au crepuscule (Lemoine) Peterson-Berger Song of Summer or Congratulations. No. 1 or No.3 from Peterson-Berger, Frdstiblomster, art, Marcusson (Just Flutes) uste 4 Alan Bullard Thoughtfut Flute or Baroque Flute: No. 29 or No, 30 from Fifty for Flute, Book 1 (ABRSM) 3. Garihold Study in F flat. No. 4 from 76 Graded Studies for Flute, Book } (Faber) 6 6 Nrd Alle nyt Allegro. No. 54 from Frdtenetiden, Vol. 1 (Breitkopf & Hel) Virrutti Flamenco: from Dynamic Dances for Flute De Huaske Hal Leonard) Pscpubs 21 ANKSM Pig La, Unautvrved photoropying islet Micargnan by Sow ones sto owt subs ul AMISM 24 PorandAllrghts red Non ths pebcation Cones by kate dono as tae, London WB 1, ited Kingdom may De reproduces recorded orttnamted Pied i Enel ty Calin i, 2013 by The Associated Hoan othe yal Inanyformor by any mene who the Thon, Noel sho of se ‘eine permission of the copyright owner, Repanted Ya S04(omave vunautharices copies of ths copyright | Allegro Second movement from Sonata in F, HWV 369, Op. 1 No. 11 Edited by and continuo 6. F. Handel realization by Rachel Brown (1688-1759) Allegro (d = c.84] AS). : The composer George Priderie Handel was bora in Gerinany but setled in London. The Sonata in F major for recardes, from which this Allegro is taken, was published in 1732 by John Walsh ay Op. 1 No. 11 and was ater adapted ws an organ concerto, Op. 4 No.5, All dynamics and slurs are editorial. snd therefore optional, but additional shurs could he added, Repeated notes and leaps right generally be played! more detached, and step-wise inovement more legato. RB Source: autograph MS, Cambridge, Fitewilliam Museum, MU.MS.261 (© 2013 by The Associated Board ofthe Royal Schools of Music AB 3681‘cresc. AB 368)Largo and Vivace First and second movements from Sonata No. 2 in D minor u | Unauthorized | ‘copies ofthe copyright Edited by and continuo Daniet Purcelt realization by Rachel Brown (1666-1717) [Largo] (4 = «:80) il (er) P Daniel Purcell, younger brother of Henry Purcell, worked as organist at Magdalen College, Oxford and as composer in residence at London's sate Royal in Drury Lane, but the rich homophone texture of the grand opening movement of this sonata owes something to his early ningas a bay chorister at the Chapel Royal The oblique lines in bar 21 of the Largo movement and bar 24 ofthe Vivace movement probably wlivate a cuestaa, rather like a puneiwation atk at the end ofa sentence. The last so tells ofthe Vivace (bar 26, 4th beat and bar 27) may tbe sinpilitied ar omitted i the exaey, fa bar8 oftike Vivace movement the fifth note ofthe fate part sein the seuree, which appears to be snistake and has been replaced with b" RB Source: See Santas oF Sols, three for a Violin, and thee for the Flute, with a Through Bass forthe Harpsichord (London: Walsh, 1730-660) © 2013 by The Associated Board ofthe Royal Schools of Muse AB 3681Vivace (d = 92] Terese] ‘AB 3681Wis eget tomake Uinawthoriced | copies ofthis copyright Edited by and continuo J.J. Quante realization by Rachel Brown (1697-1773) 36) iu Presto Third movement from Sonata in G, Op. 1 No. 6 Presto (2. Johann Joachim Quant is chiefly remembered for his comprehensive book on performance of Baroque music (translated as On Playing the Flute} and for his role as Mure weacher t Frederick the Great, King of Prussia. Yet he was a colourful character, surviving an assassination ‘aempt, being tricked into maeriage and teaching Frederick in secret before he became king. Quantz was also the highly prolific composer fof aroond thier hunted flute concertos and more than two hundred! fate sanaas, many of whieh are extremely virtunsic, All dynamics are ‘trial apart from those in bes Gand 65, RB Source: Solas fora srmana fate or violin with a thorough bass for the harpsichord or violoncello (Walsh, 1744) Dtby The Associated Hoar ofthe Royal Schools of Muse AB 3681AB 3681Wis Megat tomate Unaethorized copies o is copyright Morceau (Concours de fldte, 1876} Léo Detibes Edited by John Solum (1836-91) Allegro moderato (4 = an = 23 2 eS » Shoe Morceau Piece: Concours de fldte Flute Competition End-of year competitions, or examinations, at the Paris Conservatoire in the 19th century included a sight-reading test, with piano accompaniment, specially written by one af che Conservatoite’s professors of composition. For the 1876 lute test, the composer was Léo Delibes, best nwa as a composer of operas such as Lakmé (which includes the well-known ‘Flower Duet?) and ballets such as Coppélia and Sylvia. jnlece designed co challenge the student's speed of reading or technical ability, he chose to write one which chiefly rom bar 60). Rather than proxhuclig quires variations of phrasing and tene-colovr to bring ott the contrasting moud ol the nice section (rom bar 27) and code © Oxlord University Pas ne 170, Assigned to Oxford University Press 2010. Feprosiced by pertain. Al sghte reserved, All enquiies abou thx pues, apae From chose drei ruling to te exams, should be addressed vo Oxford University Poets, Great Garondon Sioet, Oxford OX? GOP AB 368110 is) egat tomake Unauthorized copies of this pra Nobody Knows No. 1 from The Christopher Norton Concert Collection for Flute Christopher Norton torn 1953} ——— mp dim. stopher Nortonisa NewZealand-born, British-based composer who has specialized in educational music, includingthe popular‘Microja22" series. His Concert Collection bums are sets of original pieces based on traditional tunes, classical themes and the songs of Stephen Foster. published with CD containing playatong cracks. This piece in the style ofa jazz improvisation is based on the spiritual ‘Nobody knows the {rouble I've ser a song which would have been sung by slaves in the southern USA in the 19th century. The original melody is first heard in the plana part ai har 7. small numberof edivorialsdjastnvents i lynaunies and articulation ave been macle without comment © Copyright 2006 Woosey & Hawes Musle Publishers Ltd eproiced by permission of Boosey & Havekes Mise Publishers Li ll enquires about she pies adatessed 1 Hoey shes Muse Publisher id, 71-81 Aldwych, Landon WEES AUN, {eons those diet celating to the exams, should be AB 3681W a of gradually broadening to the end AB 368112 ite legal The Playful Pony celts from Luna’s Magic Flute nose Bla Pucihar (born 197) f cantabite ‘la? Pucihar is a composer and pianist rom Slovenia; he leads a quartet which plays Une music of Bach in jazz style, and isthe director of a Jnternational summer school, His wife Ana Kavéig Pucihat isa flautist, and le has written several pieces for her. Luna's Magic Flute is @ t0FY ‘with music, about a gel named Luna who makes everyone she meets happy by playing her magic flute. ‘The Playful Pony” is the music she plays to cheor wpa sas pony. When the main wine comes back, in the piano part at the end of bar 75, the flute contributes to the accompaniment: this passage renuires a different colowe a6 vel as quieter dynamies all the way to the end of bar 9 © Copyright 2012 by Pueihae Masi Aiseserved. Reproduced by pesmision. Al enguirles abou this piece, apart from thove directly relating t the exams, should be aedressed ro Puchar ‘Muse, Forme, 4209 Zabnica, Slovenia, AB 36817 ee ett § Gere t Hitpe =p f4 Ge, | Hesat tomate unauthora eapies ol ths, copyright Study in G Edited by Immanuel Lucchesi Oskar Fischer (1870-1962) Allegro i¢ P ‘Oskar Fischer was a principal last in the Leiptig Gewandhaus Orchestra, one of the most famous German orchestras, from 1895 10 1994. He publisted s tatorand books of studies forthe tte, This stady isa test of your ability 1o move easity from one register to anotset. Wateh OU fr the wcconison unexpected beats within phases! In Javcchesis edition, the third quaver ot har 39 reads g;thishas been corrected here tof ‘© Copyright by Deutscher Verlag tr Musik, Leipzig, Repmuduced ty permission. Aitenawiries about this pices, apart fron those diely relating w she exams, should he aldeessed to Deutscher Verlag Fe Musi, Haulfstrake 3-5, D-65195 Leipzig, Germany. AR 3681ritard. ‘Tempo I AB 368116 he Wagat romane unauthorized eopies ofthis opi Exercise in G No. 12 from Schule fiir Fléte, Part 2 Edited by Maximilian Schwedler Ernesto Kéhier (1849-1907) grazioso Schule fir Fate Flute Method Emesto Kohler was born inthe Italian city of Modena when it was part ofthe Austrian empire He played the latin orchestras inthe Austria capital, Vienna, and in the Russian city of St Petersburg. His compositions far his instrument include a Concertino with orchestra, a Grand {quartet for four utes. numerous pieces with piano accompaniment, and several books of studies. In this study, «repeated phase is ge differen articulation each tne, so the phasing and stccatos need wo be executed with exceptional laity, Dynami, forthe most part #€€ Jet the players scroion n Schwedler’ elton the saver din bar 2 and bar 6 printed without the natural sigma natural sign has ee aude here by analy with she same pattern in bars 22 and 26 ‘© by Musikverlag Zimmerman, Frankfurt am Main Reproduced! by perinisainn al Peers sian Lid. All enquiries hua is plece,apact from dhose directly relating to the exams, should be addressed © ers Edition id, 2-6 Baches Stet, London N1 BON, AR 3681Tempo 1 ‘AB 368118 Mango Tango from The Modern Flute Player Mike Mower (born 1958), D.C. al Fine the clarinet Royal Academy of Music in London; he also pla phone. He was a member ofthe jazz saxophone quartet Itchy Fingers, and has played and recorded with many leading jazz, rack and ul rtsts is "Mango Tango’ sin the rly of the Argentinian tango, and some of its phrases suggest the gliding movements of the dance by ety Fingers Publieadions Reprnduced By permission. Al enaities abs dis pees apart fron those directly uating the exes, shoul be adresse to chy Fingers Publications LinWanntsister Hood, Beckingion, Somerset, HALL BSY AB 3681