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  • Solace - A Mexican Serenade Scott Joplin

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    chen howard
    389 views4 pages
    Scott Joplin wrote this rag for the purpose of presenting rags to the bordello and onto the concert stage. Unfortunately, his reputation as a ragtime composer, and being an African-American, made it difficult for him to break into the privileged world of classical music. Loading music for Bioshock game series where i first heard this song.

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    Scott Joplin wrote this rag for the purpose of presenting rags to the bordello and onto the concert stage. Unfortunately, his reputation as a ragtime composer, and being an African-American, made it difficult for him to break into the privileged world of classical music. Loading music for Bioshock game series where i first heard this song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    389 views4 pages

    Solace - A Mexican Serenade Scott Joplin

    Uploaded by

    chen howard
    Scott Joplin wrote this rag for the purpose of presenting rags to the bordello and onto the concert stage. Unfortunately, his reputation as a ragtime composer, and being an African-American, made it difficult for him to break into the privileged world of classical music. Loading music for Bioshock game series where i first heard this song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    “SOLACE”

    A Mexican Serenade.

    By SCOTT JOPLIN

              
    Composer of“Maple Leaf Rag”

        
               
       
    Very slow march time


          
        
    

     


                      
                         

       
                 
    

      
      

      
           
              
      
     
                   
     

                   
                       

       
                
        
    Solace Public Domain 1/4
      1
                         
                   
        
    2

         
                     
               
     

       
                               
         
    3

     

     
                    
    

     
     

           
     

                    
                         
    3


        
      
      
            
     

      
       
    
     

                            


         
           

          
     
     

        

         
    
         

             
      

      
           
       
        

            
     
    1 2

    
       
          
                  
     

       
       
    Solace Public Domain 2/4
                       
                    

       
                 
    

      
      
      
            
               
     
     
         
             
     


                
                  
             

       
                  
        
      
                     
                 
     
     

      
             
      
          

         
     
               
        
      
     
       
         
     
                            


     
    

     
     
      
                          
            
        
    a tempo

                   
               
     

     

    Solace Public Domain 3/4
                    
                 
        
     
                          
        
    a tempo

     


     
                       
           
       
    1 2


               
               

                        
                  

      
             

           
       
     
                             

       
             
           

      
                           
               

         
            
          

      
                     2 
                            
    
       
    1


                           
           
           
    Fine.

    
    Solace Public Domain 4/4

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