Professional Documents
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What is
Reggae
Seaweed Group
1st March, 2021
Introduction
1. What is reggae?
2. What makes reggae special?
3. Reggae instruments
4. The Greatest reggae artist of all time
5. The Journey of Reggae
Members
1. 621010049 ณัฐพงศ ์ จันทร์นาค
2. 621010053 ธิติสรร ภูคงนิ น
3. 621010059 วรรธนะ ธราวัฒนธรรม
4. 621010115 คเณศพงศ ์ ปทุมชาติ
5. 621010116 ณพัฒนพงศ ์ เทียมพันธ ์
6. 621010140 พัตรระพี มีขวด
1
What is Reggae?
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also
denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the
Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively
naming the genre and introducing it to a global audience.While sometimes used in a broad
sense to refer to most types of popular Jamaican dance music, the term reggae more properly
denotes a particular music style that was strongly influenced by traditional mento as well as
American jazz and rhythm and blues, especially the New Orleans R&B practiced by Fats
Domino and Allen Toussaint, and evolved out of the earlier genres ska and rocksteady.
Reggae usually relates news, social gossip, and political commentary. It is instantly
recognizable from the counterpoint between the bass and drum downbeat and the offbeat
rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter,
reggae took over the use of the bass as a percussion instrument.
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Stylistically, reggae incorporates some of the musical elements of rhythm and blues,
jazz, mento (a celebratory, rural folk form that served its largely rural audience as dance music
and an alternative to the hymns and adapted chanteys of local church singing), calypso (The
New Grove Dictionary of Jazz.) and also draws influence from traditional African folk rhythms.
One of the most easily recognizable elements is offbeat rhythms or staccato chords played by a
guitar or piano (or both) on the offbeats of the measure.
The tempo of reggae is usually slower paced than both ska and rocksteady. The
concept of call and response can be found throughout reggae music. The genre of reggae
music is led by the drum and bass. Some key players in this sound are Jackie Jackson from
Toots and the Maytals, Carlton Barrett from Bob Marley and the Wailers, Lloyd Brevett from The
Skatalites, Paul Douglas from Toots and the Maytals, Lloyd Knibb from The Skatalites, Winston
Grennan, Sly Dunbar, and Anthony "Benbow" Creary from The Upsetters. The bass guitar often
plays the dominant role in reggae. The bass sound in reggae is thick and heavy, and equalized
so the upper frequencies are removed and the lower frequencies emphasized. The guitar in
reggae usually plays on the offbeat of the rhythm. It is common for reggae to be sung in
Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of social
criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal
subjects, such as love and socializing.
3
Reggae has spread to many countries across the world, often incorporating local
instruments and fusing with other genres. Reggae en Español spread from the
Spanish-speaking Central American country of Panama to the mainland South American
countries of Venezuela and Guyana then to the rest of South America. Caribbean music in the
United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into
several subgenres and fusions. Many reggae artists began their careers in the UK, and there
have been a number of European artists and bands drawing their inspiration directly from
Jamaica and the Caribbean community in Europe. Reggae in Africa was boosted by the visit of
Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of
income.
4
Reggae is played in 4/4 time because the symmetrical rhythmic pattern does not lend
itself to other time signatures such as 3/4.
This rhythmic pattern accents the second and fourth beats in each bar and combines
with the drum's emphasis on beat three to create a unique sense of phrasing. The reggae
offbeat can be counted so that it falls between each count as an "and" (example: 1 and 2 and 3
and 4 and, etc.) or counted as a half-time feel at twice the tempo so it falls on beats 2 and 4.
This is in contrast to the way most other popular genres focus on beat one, the "downbeat".
The tempo of reggae is usually slower than both ska and rocksteady. It is this slower tempo, the
guitar/piano offbeats, the emphasis on the third beat, and the use of syncopated, melodic bass
lines that differentiate reggae from other music, although other musical styles have
incorporated some of these innovations.
Harmonically the music is essentially the same as any other modern popular genre with
a tendency to make use of simple chord progressions. Reggae sometimes uses the dominant
chord in its minor form therefore never allowing a perfect cadence to be sounded; this lack of
resolution between the tonic and the dominant imparts a sense of movement "without rest" and
harmonic ambiguity. Extended chords like the major seventh chord ("Waiting in Vain" by Bob
Marley) and minor seventh chord are used though suspended chords or diminished chords are
rare. Minor keys are commonly used especially with the minor chord forms of the subdominant
and dominant chord (for example in the key of G minor the progression may be played Gm –
Dm – Gm – Dm – Cm – Dm – Cm – Dm).
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A simple progression borrowed from rhythm and blues and soul music is the tonic chord
followed by the minor supertonic chord with the two chords repeated continuously to form a
complete verse ("Just My Imagination" by The Temptations C – Dm7).
The concept of "call and response" can be found throughout reggae music, in the
vocals but also in the way parts are composed and arranged for each instrument. The emphasis
on the "third beat" of the bar also results in a different sense of musical phrasing, with bass
lines and melody lines often emphasizing what might be considered "pick up notes" in other
genres.
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Reggae instruments
A standard drum kit is generally used in reggae, but the snare drum is often tuned very
high to give it a timbales-type sound. Some reggae drummers use an additional timbale or
high-tuned snare to get this sound. Cross-stick technique on the snare drum is commonly used,
and tom-tom drums are often incorporated into the drumbeat itself.
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Reggae drum beats fall into three main categories One drop, Rockers, and Steppers.
With the One drop, the emphasis is entirely on the backbeat (usually on the snare, or as a rim
shot combined with bass drum). Beat one is empty except for a closed high hat commonly
used, which is unusual in popular music. There is some controversy about whether reggae
should be counted so that this beat falls on two and four, or whether it should be counted twice
as fast, so it falls on three. An example played by Barrett can be heard in the Bob Marley and
the Wailers song "One Drop". Barrett often used an unusual triplet cross-rhythm on the hi-hat,
which can be heard on many recordings by Bob Marley and the Wailers, such as "Running
Away'' on the Kaya album.
Any percussive instrument can be used in reggae music. There are really no limits as to
how they can be used. Reggae musicians have used shakers, wind chimes, guiro, cowbell,
quika (kweeka) drum among others to produce excellent music. Note that some of the
percussive instruments used by reggae musicians were their own invention. Some have been
known to use cups and pot heads. In fact Lee Perry used bottles with water in them to create
varying sounds.
8
Reggae Bass
Reggae bass sound is traditionally very deep and natural - no bells and whistles.
Reggae always uses a bass guitar. The bass guitar often plays the dominant role in reggae, and
the drum and bass is often the most important part of what is called, in Jamaican music, a
riddim (rhythm), a (usually simple) piece of music that is used repeatedly by different artists to
write and record songs with. Hundreds of reggae singers have released different songs
recorded over the same rhythm. The central role of the bass can be particularly heard in dub
music – which gives an even bigger role to the drum and bass line, reducing the vocals and
other instruments to peripheral roles.
9
Reggae Guitar
The guitar in reggae usually plays on the off beat of the rhythm. So if one is counting in
4/4 time and counting "1 and 2 and 3 and 4 and ..." one would play a downstroke on the "and"
part of the beat. A musical figure known as skank or the 'bang" has a very dampened, short and
scratchy chop sound, almost like a percussion instrument. Sometimes a double chop is used
when the guitar still plays the off beats, but also plays the following eighth-note beats on the
up-stroke. An example is the intro to "Stir It Up" by The Wailers. Artist and producer Derrick
Harriott says, "What happened was the musical thing was really widespread, but only among a
certain sort of people. It was always a down-town thing, but more than just hearing the music.
The equipment was so powerful and the vibe so strong that we felt it."
Keyboards
From the earliest days of Ska recordings, a piano was used to double the rhythm
guitar's skank, playing the chords in a staccato style to add body, and playing occasional extra
beats, runs and riffs. The piano part was widely taken over by synthesizers during the 1980s,
although synthesizers have been used in a peripheral role since the 1970s to play incidental
melodies and countermelodies. Larger bands may include either an additional keyboardist, to
cover or replace horn and melody lines, or the main keyboardist filling these roles on two or
more keyboards.
Horns
Horn sections are frequently used in reggae, often playing introductions and
countermelodies. Instruments included in a typical reggae horn section include saxophone,
trumpet or trombone. In more recent times, real horns are sometimes replaced in reggae by
synthesizers or recorded samples. The horn section is often arranged around the first horn,
playing a simple melody or counter melody. The first horn is usually accompanied by the
second horn playing the same melodic phrase in unison, one octave higher. The third horn
usually plays the melody an octave and a fifth higher than the first horn. The horns are
generally played fairly softly, usually resulting in a soothing sound. However, sometimes
punchier, louder phrases are played for a more up-tempo and aggressive sound.
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Bob Marley
Robert Nesta Marley was born on 6 February 1945 at the farm of his maternal
grandfather in Nine Mile, Saint Ann Parish, Jamaica, to Norval Sinclair Marley and Cedella
Malcolm.[14] Norval Marley was a white Jamaican from Clarendon Parish, Jamaica, whose family
claimed to have Syrian Jewish origins. Norval claimed to have been a captain in the Royal
Marines at the time of his marriage to Cedella Malcolm, an Afro-Jamaican then 18 years old, he
was employed as a plantation overseer. Bob Marley's full name is Robert Nesta Marley, though
some sources give his birth name as Nesta Robert Marley, with a story that when Marley was
still a boy a Jamaican passport official reversed his first and middle names because Nesta
sounded like a girl's name. Norval provided financial support for his wife and child but seldom
saw them as he was often away. Bob Marley attended Stepney Primary and Junior High School
which serves the catchment area of Saint Ann. In 1955, when Bob Marley was 10 years old, his
father died of a heart attack at the age of 70. Marley's mother went on later to marry Edward
Booker, a civil servant from the United States, giving Marley two half-brothers: Richard and
Anthony.
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Bob Marley and Neville Livingston (later known as Bunny Wailer) had been childhood
friends in Nine Mile. They had started to play music together while at Stepney Primary and
Junior High School. Marley left Nine Mile with his mother when he was 12 and moved to
Trenchtown, Kingston. She and Thadeus Livingston (Bunny Wailer's father) had a daughter
together whom they named Claudette Pearl, who was a younger sister to both Bob and Bunny.
Now that Marley and Livingston were living together in the same house in Trenchtown, their
musical explorations deepened to include the latest R&B from United States radio stations
whose broadcasts reached Jamaica, and the new ska music.
The move to Trenchtown was proving to be fortuitous, and Marley soon found himself in
a vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite. Joe Higgs,
who was part of the successful vocal act Higgs and Wilson, resided on 3rd St., and his singing
partner Roy Wilson had been raised by the grandmother of Junior Braithwaite. Higgs and
Wilson would rehearse at the back of the houses between 2nd and 3rd Streets, and soon,
Marley (now residing on 2nd St.), Junior Braithwaite and the others were congregating around
this successful duo. Marley and the others did not play any instruments at this time, and were
more interested in being a vocal harmony group. Higgs was glad to help them develop their
vocal harmonies, although more importantly, he had started to teach Marley how to play
guitar—thereby creating the bedrock that would later allow Marley to construct some of the
biggest-selling reggae songs in the history of the genre.
12
Reggae was derived from ‘rege-rege’ which is a Jamaican phrase which means ‘ragged
clothing’ or ‘rags.’ It is used to describe a raggedy style of music. Bob Marley claimed that the
word reggae came from a spanish term for ‘the king’s music.’ A compilation of Christian gospel
reggae suggests that the word is derived from the latin word ‘regi’ meaning ‘to the king.’
13
The culture of Hip-Hop music originated in the late 70s in Bronx NY. The founding
fathers being a native of Kingston, Jamaica always allowed them to give credit to the roots of
Jamaica and its cultural development. The Reggae music tradition of dubbing out tracks led to
the sampling in Hip-Hop music. Various elements of Reggae can be traced back to the
techniques that came from Jamaica years later. During the year of 1960 Reggae music
participated in the birth of the skinhead movement in the U.K even though it wasn’t as
developed yet.
Reggae also impacted western punk, rock/ pop cultures and inspired upcoming rappers
in the United States. During the late 80s and 90s reggae and Hip-Hop finally crossed paths.
This crossover style became very dominant on the East Coast of New York. The structure of
Hip Hop is owed to the Reggae Jamaican culture. Producers would often take the lyrics of a
very popular Reggae song and place them on a very popular Hip-Hop track. Reggae also
impacted Western Punk, rock and pop culture. The influence of Ska and Reggae music is also
most evident in the United Kingdom. Former members of the British Empire and Jamaicans
immigrated to England in the 1960s and 1970s. This migration also helped with the impact that
Reggae had on Ska.
14
Reggae music spread rapidly through migration. Jamaican immigrants in the 50s and
60s brought music with them when they migrated to countries like Britain and the U.K.
Migration in the U.K in the early 1970s also helped with the skinhead movement evolving.
During the 1970s Reggae music became an international style that was particularly popular in
Britain, the United States and Africa. Migration played a huge role in Reggae music spreading
to other countries but diffusion also played a huge role. Kingston Jamaica is the heart of
Reggae culture but migration to the United States allowed Reggae to be known to the
individuals there also.
15
Reggae music is important because of its understanding of Jamaican lifestyle and it’s
unique culture. Reggae is a way to properly celebrate the country’s nationalism. Reggae
influenced societies throughout the world. It contributes to the development of new
counterculture movements (in Europe, The U.S, Africa). Reggae influence in Latin America,
Brazil with the development of Samba-Reggae since the early 1980 is also a huge impact. Bob
Marley's success played a role in spreading fundamental elements of Jamaican culture. Reggae
is appreciated for its ability to deliver a spiritual yet rebellious message. Reggae is significant
because it remained to be one of the weapons of choice for the urban poor. Bob Marley
impacted Africa, ‘Africa unite,’ and became a symbol for African youth, started identifying with
Jamaicans and the rasta culture.
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Reggae - Wikipedia
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