One of the most important American novels of the twentieth
century' Ralph Ellison's blistering and impassioned first novel tells the extraordinary story of a man invisible. Published in 1952 when American society was in the cusp of immense change, the powerfully depicted adventures of Ellison's invisible man from his expulsion from a Southern college to a terrifying Harlem race riot go far beyond the story of one individual to give voice to the experience of an entire generation of black Americans. It is an unflinching indictment of not only racism, but any kind of prejudice that renders a man 'invisible' - a metaphysical situation wherein you're not really invisible, but that people around you refuse, or fail, to see you. Right from the explosive Prologue, Ellison leads you gently away into the world of jazz, of empty melancholic streets where the quest for visibility of one man becomes in turn mankind's perennial quest for meaning, for absolution, in a world that offers no answers. The Penguin Modern Classics edition is a beautiful paperback edition of a timeless classic. This belongs up there with Boccaccio, Rabelais, Cervantes and yes Chaucer. It is an absolute romp through black America, as if someone had asked the author to tell them about what it meant to be black and he'd said to them and to himself "I'LL show you...' And in the showing there is a great reserve of humour though as with The Sellout one could never be sure of the intention of humour, as though it were an unconscious product of the skin colour interface.
Yet in the end it is common humanity in an existential quandary that
comes to the fore, or rather takes a back seat. On the way we are treated to various religious, political and downright tragic scenarios and strategies for each of which the orator in Ellison has a rip roaring speech.A really powerful book about race in America in the 1950s. Strong themes of the trickster make this a compelling read, though it does drag on at times. Worth reading as a snapshot of history and historical literature. The invisibility is not self-attributed or due to any physical deformity on the narrator's part. On the other hand, it is imposed by social hegemony. Talking about the theme of the novel is invisibility. Throughout the novel, the black curtain of invisibility keeps knocking the conscience of humanity. An anonymous narrator is a black man. Under the light of the monopolized white society, he is an invisible man. It is a stirring narration of his vulgar experiences in the colour biased society.The invisible narrator has to earn his credit, his hard- earned scholarship at the cost of humiliation and demeaning activities to please the white aristocracy. He was forced to fight a battle with other blindfolded black men. In addition to that, they are forced to scramble over electrified rugs to collect copper and gold coins. Their pain and bruises were the sources of others' pleasure like the ancient gladiators. Throughout his life, the narrator only experienced the ever-expanding demarcated line between his life and the others. In a society torn up in complex racial barbarism one's identity gets lost again and again. A black man always has to live and identify himself by the values and expectations imposed on him under a certain prescribed role. In the whirlpool of racial prejudice, bigotry of behaviour, social injustice individual identity loses track.All through his life, the narrator comes across a series of communities like Liberty Paints Plant, Brotherhood which all are in an oblique way endorsing a black man's behavioural code to adjust in a white society. They are the other terms of Ideological state apparatuses only meant for organized manipulation. Embittered by the world of colour disparity of the narrator took refuge in an underground cell, avoiding all the illumination of so-called society. But finally, in the end, he determines to come out of his hibernation cell to mark his contribution to society. He decides to exhort his presence and make others accept his behaviour neglecting their prejudiced expectations from him. The novel though focused on the main theme of invisibility and racial hatred, yet incorporates other aspects like Harlem Renaissance, Surrealism, the interplay of different State Apparatuses. All the ideologies and promises that the so-called institutes propagated are fake and illusory. Oppressive State Apparatus and ideological State apparatus work at the same time. The igniting prologue accelerated my reading but at a later half, I feel bored and lost in the maze of complex themes and language. Yet I must acknowledge it is a brilliant work of Ellison. It is a classic elevation of a universal theme that is racial hatred. And here the author has cobbled together all the sufferings of a dark man in a contemporary Afro- American society of the early 20th century with a metaphoric emblem.
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