Part 1 Fundamentals

Chapter 0 Notation of Pitch and Rhythm

Chapter 1 Scales
Chapter 2 Intervals
Chapter 3 Triads and Seventh Chords

Part 2 Overview of Harmony and Voice Leading

Chapter 4 Four-Part Harmony
Chapter 5 Voice Leading
Chapter 6 Harmonic Progressions
Chapter 7 Melodic Elaboration
Chapter 8 Species Counterpoint

Part 3 Diatonic Harmony

Chapter 9 I and V
Chapter 10 The Dominant Seventh Chord: V7
Chapter 11 I6 and V6
Chapter 12 V 65 and V 42
Chapter 13 V 43 and viio6
Chapter 14 Approaching the Dominant: IV, ii6, and ii65
Chapter 15 Embellishing V: Cadential 6/4
Chapter 16 Leading to Tonic: IV
Chapter 17 The Leading-Tone Seventh Chord: viio7 and vii/o7
Chapter 18 Approaching V: IV6, ii, ii7, and IV7
Chapter 19 Multiple Functions: VI
Chapter 20 Voice Leading with Embellishing Tones
Chapter 21 III and VII
Chapter 22 Sequences
Chapter 23 Other 6/4 Chords
Chapter 24 Other Embellishing Chords

Part 4 Chromatic Harmony

Chapter 25 Applied Dominants of V
Chapter 26 Other Applied Chords
Chapter 27 Modulation to the Dominant Key
Chapter 28 Modulation to Closely Related Keys
Chapter 29 Modal Mixture
Chapter 30 bII6: The Neapolitan Sixth

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Chapter 31 Augmented Sixth Chords
Chapter 32 Other Chromatically Altered Chords
Chapter 33 Chromatic Sequences
Chapter 34 Chromatic Modulation

Part 5 Form
Chapter 35 Sentences and Other Phrase Types
Chapter 36 Periods and Other Phrase Pairs
Chapter 37 Binary Form
Chapter 38 Ternary and Rondo Forms
Chapter 39 Sonata Form

Part 6 Post-Tonal Theory

Chapter 40 Collections and Scales I: Diatonic and Pentatonic
Chapter 41 Collections and Scales II: Octatonic, Hexatonic, and Whole-Tone
Chapter 42 Triadic Post-Tonality
Chapter 43 Intervals
Chapter 44 Pitch-Class Sets: Trichords
Chapter 45 Inversional Symmetry
Chapter 46 Twelve-Tone Serialism
Chapter 47 Form