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the Rings: The Fellowship of the Ring (2001) often choosing to rewatch this instead of watching
something new. The film adaptation of Tolkien’s books is a distinct piece of art. Howard Shore
created some three hours of music for the film. Although the film runs for a total of two hours
and fifty-eight minutes. Not to forget the incredible performances including Elijah Wood as
Frodo, Ian McKellen as Gandalf, Orlando Bloom as Legolas, and of course the infamous Golem
A lot of pieces go into making this film a great film, but I’ll start with the beginning. The
title sequence starts the film with a narrator giving an explanation of the world’s history as it
plays on screen. The music is loud with longer tones broken up by fast smaller notes for dramatic
effect. It works well on screen, a good example is the lower tones that rise as Isildur cuts the
Ring from Sauron’s hand. More noticeably however the introduction makes it abundantly clear
the main focus is on the Ring as it follows the Ring’s journey from Sauron to Isildur, upon
Isildur’s death it was found by Golem, and then eventually stolen by Bilbo, a hobbit from the
Shire. It gives the audience a lot of information but not enough to satisfy them, in fact it does the
opposite, it acts as a very effective hook and now the film has their attention.
Now that there is an effective hook, let’s talk about sound. What is the audience hearing
throughout the film. Howard Shore’s score has a marvelous way to emphasize what is going on
in the film. The most notable account of this would be the Mordor and Rivendell scenes.
Whenever Mordor or Orcs come on screen the music is mainly loud low brassy tones, such as a
Tuba or Baritone, and loud bass drum beats and rolls. Similarly the rivendell, loth lorien scene,
or when dealing with the elves in general, the music has higher more tranquil music and
sometimes an elvish choir. Not only is the music great in general but it helps add another layer of
depth to the world and help engage the viewer in what is going on. Similarly, the music shifts to
a minor key at the death of Boromir, to further emphasize the despair parts of the scenes are
slowed down and voices are muted. All of this builds a wonderfully dramatic scene at the death
and self sacrifice of Boromir to redeem himself of being corrupted by the ring.
Camera angles, placement, and all things concerning cameras as well as site choice. The
entirety of the film was shot in New Zealand, an island thats about the size of the US State
Nevada. The movie displays a wide variety of terrains and environments that the heroes must
cross in order to reach Mordor from mountains to forests to rolling plains and the blackish desert
of Mordor. The camera’s also do a wonderful job via far off shots before closing in on the
characters. Prime example is right before Boromir first tries to take the ring from Frodo. The
scene opens with a birds eye view of the characters hiking up the snowy mountain, then the
camera closes in upon Frodo as he falls and he drops the ring. It then continues from a 3rd person
perspective. The birds eye view is frequented throughout the film and it really gives the world a
depth in the sense that the characters have an arduous task ahead of them as well as showing the
natural beauty of Middle Earth (or New Zealand). By letting you see more of the world the
director is causing the world to feel all that more real even though it’s full of fantasy and fictional
content.
Peter Jackson’s Lord of the Rings: The Fellowship of The Ring is a wonderful film. It is
full of little things that make it great. Howard Shore created wonderful music that fits the settings
perfectly. Combined with John Howe’s (concept artist and illustrator on Lord of The Rings)
beautiful visions brought to life on film and New Zealand’s wonderful topography. It isn’t hard
to find oneself immersed into the world of Middle Earth on Frodo’s adventure that starts in the
quiet Shire.