RECIT, SICILIENNE et RONDO

'
BASSON
pour BASSON et PIANO

RECIT
                                        
EUGENE BOZZA

   
Moderato

 
    
3

  
3
3

                         

          
      
     

    
               un 
             
peu rit. _ _

 
6

      
      
    


6

                           
    
1

  
      
  
      
                                  
 
        
   
 

3

              

2

             
            

                        
                       


 

       
                          
 
 

(court)

     



    
  
 5


  rit.   
      
3

         
3

      
3

   
3 3

 
  

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