0 Daisy The Daisies James Stephens * Samuel Barber, op. 2, No.1 OD Allegretto con grazia dese mgstenderly Voice = r Inthe scented bud of the morning.0, Whenthe Piano aS > wind-y grass went rip-pling fas I saw my dear one walk-ing slow In the — a tempo field where thedais-ies are, We did not laugh, and we did not speak, me ee . * From Collected Poems of James Stephens. Printed by permission of The Macmillan Company, publishers. Copyright, 1936, by @. Schirmer, Inc Copyright, 1042, by G. Schirmer, Inc. Tntrrnabinnal Mamacieht Rerutedwan-dered hap-plly, to and fro, i kissed’my dear on ¢i-ther cheek, In the lark sang up,\ from the poco rit. lark sang down, froma cloud a - far poco rie ee I went, hand in hand, where the dais - iesz To Daisy The Daisies James Stephens” Samuel Barber, Op. 2, No.4 Allegretto con grazia dss mp tenderly Voice z - Inthe scent-edbud of the morn-ing 0, Whenthe Piano = wind-y grasswent rippling far! 1 saw my dear one walk-ing slow In the ese a OetgIEu) dhoceieenniaday. 7 —— a tempo are, Wedid not laugh;~and we did-nét_ speak, Sa rom Collected Poomsaf James Stephens. Printed by permission of The Macmillan Company, publishers Copyright, 1936, by G. Schirmer, Inc. Copyright, 1982, by @ Schirmer, Inc International Copyright Securedaft wandered happ'ly, to and fro, Tkissedmy dear on ei- ther cheek, In the + 4 —— Gree SS bud of the morn-ing lark sangdown, from a cloud a- far act = pp T wenttand fa band whew the dals- Bs v3B 2.A Green Lowland of Pianos CCaesaw Milos from the Polish of Samuel Barber, Op. 45, No. 2 cnuy Harasymowicz, Allegretto con grazia (in2,¢.= 46) - Voice = a Im the everning as far as the eye can Piano eH oy -¢ = == = ee —— i = see herds— of black pian - os. ereeea ee ‘cantando 94m). 1 up to their knees in the — mire they lis - ten to the frogs i ee4 a a sR they gur-gle in wa -ter with chords of rap - ture. cee Foie i pict te Hee meee ss fr Se £4 Gt SOE = = = = ) | : \:f | | : iF I ; el ie frog - gish, moon > ish spon-ta-ne- i -ty__130 af-ter— the va - mp cantando _ Fo isin poco rall. | ——— 3 er te Se aaa du - ring the ar-tis-tic milking 4. ca-tion they causescandals in a — con-cert hall a tem| ———— a Fe. P sud-den-ly they lie down like cowslook-ing with in-dif-fer-ence at thewhiteflow- ers ofthe aud132 mp SEL eee black pian - 08, PR — back plan-oe. — oe ap ™ = e—_ uO moving slightly. |. — - _ _ Ftfo Sara 3 Sure on this shining night James Agee* Samuel Barber, op. 10, No.2 Original Key Andante d:s0 P Voice Sure on this shin-ing night Of star- made molto espress. qaene | P molto legato con pedale = r shad-ows round, ‘ind - ness must watch for a ee —e mf the ground, —— The late year lies down the P —F ~ Copyright, 1941, by @. Schirmer, Tne. Internaticnal Copyright Securedsubitop High sum-merholds the pea tempo nf Sure onthisshin-ing night Tweepfor won - der. molto espress. poco a poco - — dhing fara - lone Of shad - owson38 ‘n Sara Sure on this shining night James Agee* Samuel Barber,op.13, No.3 Andante J.s0 P Voice = e Gn this shin-ing night OF star made molto espress Piano™, | p molto legato ‘on pedal ' shad-ows round, = ness must watch for me mf the ground, —— The late _year lies downthe _ * From Permit Me Voyage”. Used by permission of Yale University Press, Publishers. 2 orchestration by the composer is availabe 00 rental Copyright, 1941, by @. Schirmer, Inc. ‘International Copyright SecuredLongns SE EE ‘ou Sploy som-uns — yBIy SS eS ‘paeoy S|) ———— ty Longns Se —_—ee ee el CC UlUcraeaerhlUlcaer hl lca se=— a tempo nf, Sure on this shin-ing night I weep for won - der. molto espress. dim. poco a poco ral — wan = dking far a-Ione Of shad - ows on the ‘morendo ¢ rall. Ul