improv Bootcamp Masterclass
Step 3 - Dominant Combo Brenden Lowe
Practice The Chord Scale Above To Half Step Below For All Roots For Dominant 7th Chords
Play With Anticipation
Starting On 3+ As Well
b7
C7 F7 B
&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï
b7 b7 b7
E A D
& bú. bÏ Ï bú. bÏ Ï
bÏ Ï bú.
4
b7
G B7 E7
& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7
A7 D7 G7
& ú. Ï #Ï ú. Î
Ï #Ï ú.
10
© Jazz Piano School 2015
improv Bootcamp Masterclass
Step 3 - Dominant Combo Brenden Lowe
Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Dominant 7th Chords
Play With Anticipation
Starting On 3+ As Well
b7
C7 F7 B
&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï
b7 b7 b7
E A D
& bú. Ï bÏ bú. Ï bÏ
Ï bÏ bú.
4
b7
G B7 E7
& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.
A7 D7 G7
& ú. #Ï Ï ú. Î
#Ï Ï ú.
10
© Jazz Piano School 2015
improv Bootcamp Masterclass
Step 3 - Major 7th Combo Brenden Lowe
Practice The Chord Scale Above To Half Step Below For All Roots For Major 7th Chords
Play With Anticipation
Starting On 3+ As Well
b
C maj7 F maj7 B maj7
&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï
b b b
E maj7 A maj7 D maj7
& bú. bÏ Ï bú. bÏ Ï
bÏ Ï bú.
4
b
G maj7 B maj7 E maj7
& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7
A maj7 D maj7 G maj7
& ú. Ï #Ï ú. Î
Ï #Ï ú.
10
© Jazz Piano School 2015
improv Bootcamp Masterclass
Step 3 - Major 7th Combo Brenden Lowe
Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Major 7th Chords
Play With Anticipation
Starting On 3+ As Well
b
C maj7 F maj7 B maj7
&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï
b b b
E maj7 A maj7 D maj7
& bú. Ï bÏ bú. Ï bÏ
Ï bÏ bú.
4
b
G maj7 B maj7 E maj7
& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.
A maj7 D maj7 G maj7
& ú. #Ï Ï ú. Î
#Ï Ï ú.
10
© Jazz Piano School 2015
improv Bootcamp Masterclass
Step 3 - Combo Brenden Lowe
Practice The Chord Scale Above To Half Step Below For All Roots For Minor 7th Chords
Play With Anticipation
Starting On 3+ As Well
b
C -7 F -7 B -7
&4 Ï
4 Ï Ï Ï Ï bú.
ú. ú. Ï Ï
Ï
b b b
E -7 A -7 D -7
& bú. bÏ Ï bú. bÏ Ï
bÏ Ï bú.
4
b
G -7 B-7 E -7
& bú. #Ï #Ï Ï #Ï
#Ï #Ï ú. ú.
7
A -7 D -7 G -7
& ú. Ï #Ï ú. Î
Ï #Ï ú.
10
© Jazz Piano School 2015
improv Bootcamp Masterclass
Step 3 - Combo Approach Brenden Lowe
Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Minor 7th Chords
Play With Anticipation
Starting On 3+ As Well
b
C -7 F -7 B -7
&4
4 Ï Ï bú.
Ï Ï ú. Ï Ï ú. Ï Ï
b b b
E -7 A -7 D -7
& bú. Ï bÏ bú. Ï bÏ
Ï bÏ bú.
4
b
G -7 B-7 E -7
& bú. #Ï #Ï ú. #Ï Ï
7
#Ï #Ï ú.
A -7 D -7 G -7
& ú. #Ï Ï ú. Î
#Ï Ï ú.
10
© Jazz Piano School 2015
Improv Bootcamp Masterclass
Step 3 - Chord Scale Above Approach Brenden Lowe
Fingering Practice The Chord Scale Above Approach To All Dominant 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43
G7
4
&4 î.
j Ï Ï. Ï Ï. Ï Ï.
ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . Ï
j
Ï. ä
J J
?4
4 ·
w w w w
C7
j j Ï Ï j j
& b î. ä j
Ï Ï. Ï Ï. Ï Ï . J Ï .
J Ï . Ï Ï . Ï Ï . Ïj Ï . ä
? · w w w w
b
6
F7
b Ï Ï
& b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
J J
? b ·
b w w w w
11
© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach
b7
B
b j Ïj j j
& b b î. ä j
Ï Ï. Ï . Ï
J
Ï . Ï
J
Ï . Ï Ï . Ï j ä
Ï. Ï Ï.
Ï Ï.
? bb · w w w w
b
16
b7
E
bb j j
& b b î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï
? bb ·
bb
w w w w
21
b7
A
bb j j
& b b b î. ä j j Ïj Ï . Ï Ï . Ï Ï . ÏjÏ . j j ä
Ï Ï. Ï Ï . Ï .
Ï Ï Ï.
? bb ·
bbb w w w w
26
b7
D
bb j Ï Ï Ï. Ï Ï. Ï Ï. j
& b b bb î . ä j
Ï Ï. Ï Ï . J
Ï . J J J Ï Ï .
j ä
Ï Ï.
? bbb ·
bbb
w w w w
31
Step 3 - Chord Scale Above Approach 3
F
#7
#### Ï Ï
& # î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
J J
? #### ·
# w w w w
36
B7
#### . j Ïj
& î ä j Ï . Ï Ï . Ï Ï . ÏjÏ . j j ä
Ï Ï. Ï Ï. J J Ï Ï. Ï Ï.
? #### · w w w w
41
E7
### . j j
& î ä Ïj Ï . Ï Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
? ### ·
w w w w
46
A7
# j j j j
& # î. ä j
Ï
j
. Ï Ï . Ï Ï . Ï Ï . Ï Ï . Ï
j
. j ä
Ï Ï. Ï Ï Ï Ï.
? ## · w w w w
51
4 Step 3 - Chord Scale Above Approach
D7
# . j Ï Ï Ï. Ï Ï. Ï Ï. j
& î ä j Ï Ï. J Ï . J J Ï Ï .
j ä
Ï Ï. J Ï Ï.
?# ·
w w w w
56
improv Bootcamp Masterclass
Step 3 - Chord Scale Above Approach Brenden Lowe
Fingering Practice The Chord Scale Above Approach To All Major 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43
C maj7
4
&4 î. ä j j Ï
j
Ï . Ï Ï . Ï Ï . Ï
j
Ï . j j ä
Ï Ï. Ï Ï . J J Ï Ï. Ï Ï.
?4
4 · w w w w
F maj7
Ï Ï
& b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J
? ·
b w w w w
6
b
B maj7
b j Ïj Ï Ï . Ï Ï . Ïj Ï . j
& b î. ä j
Ï Ï. Ï . J J Ï j ä
Ï. Ï Ï.
Ï Ï.
? b ·
b w w w w
11
© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach
b
E maj7
b j j
& b b î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï
? bb ·
b w w w w
16
b
A maj7
bb Ï Ï Ï. Ï Ï. Ï Ï.
& b b î. ä Ï Ï . ÏJ Ï . J Ï . J J J Ï Ï. Ï Ï. ä
J
J J
? bb ·
bb w w w w
21
b
D maj7
bb ä Ïj j Ï Ï Ï. Ï Ï. Ï Ï. j
& b b b î. Ï. Ï Ï. J Ï . J J J Ï Ï . ÏjÏ . ä
? bb · w w w w
bbb
26
b
G maj7
j Ï Ï. Ï Ï. Ï Ï.
bb
& b b bb î . ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . ÏjÏ . ä
J J
? bbb ·
bbb w w w w
31
Step 3 - Chord Scale Above Approach 3
B maj7
#### Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï .
& # î. ä Ï Ï. J J J J Ï Ï. ä
J J
? #### · w w w w
#
36
E maj7
#### . j j
& î ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï
? #### · w w w w
41
A maj7
### . Ï Ï . Ï Ï. Ï Ï. Ï Ï.
î Ï
ä Ï Ï. J Ï. J J J J Ï Ï. Ï Ï. ä
& J J J
? ### · w w w w
46
D maj7
# j Ï Ï. Ï Ï. Ï Ï. j
& # î. ä j
Ï Ï. Ï Ï . Ï
J
Ï . J J J Ï Ï .
j
Ï Ï.
ä
? ## · w w w w
51
4 Step 3 - Chord Scale Above Approach
G maj7
# . j Ï Ï. Ï Ï. Ï Ï. j
& î ä Ï Ï . Ï Ï . ÏJ Ï . J J J Ï Ï . Ï Ï. ä
J J
?# ·
w w w w
56
Improv Bootcamp Masterclass
Step 3 - Chord Scale Above Approach Brenden Lowe
Fingering Practice The Chord Scale Above Approach To All Minor 7th Chords
White To Black - 32
Black To White - 32 Or 43
White To White - 32 Or 43
Black To Black - 32 Or 43
D -7
4
& 4 î. ä j Ï
j Ï
Ï . Ï Ï. Ï Ï. Ï Ï. j
Ï j ä
Ï Ï. Ï. J J J J Ï . Ï Ï.
?4
4 ·
w w w w
G -7
j Ï Ï. Ï Ï. Ï Ï. j
& b î. ä Ï Ï . ÏJ Ï . ÏJ Ï . J J J Ï
J Ï . Ï Ï. ä
? ·
b w w w w
6
C -7
b j Ïj . Ï Ï . Ï Ï . Ïj . j
& b î. ä j
Ï Ï. Ï Ï . Ï J J Ï Ï Ï . j ä
Ï Ï.
? b · w w w w
b
11
© Jazzpianoschoool.com
2 Step 3 - Chord Scale Above Approach
F -7
b Ï Ï
& b b î. ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J
? bb ·
b w w w w
16
b
B -7
bb j Ïj Ï Ï . Ï Ï . ÏjÏ . j
& b b î. ä j
Ï Ï. Ï . J J Ï j ä
Ï. Ï Ï.
Ï Ï.
? bb ·
bb w w w w
21
b
E -7
bb j j
& b b b î. ä Ïj Ï . Ï Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . ÏJ Ï . Ï Ï . ÏjÏ . ä
? bb ·
bbb
w w w w
26
b
A -7
bb Ï Ï . Ï Ï. Ï Ï. Ï Ï.
Ï Ï Ï. Ï Ï. ä
& b b bb î . Ï
ä Ï Ï. J . J
J
J J J J J
? bbb ·
bbb w w w w
31
Step 3 - Chord Scale Above Approach 3
#
C -7
#### j Ïj . Ï Ï . Ï Ï . Ïj . j
& # î. ä j Ï J Ï Ï Ï . Ïj . ä
Ï Ï. Ï Ï. J Ï
? #### · w w w w
#
36
#
F -7
#### . Ï Ï
& î ä Ïj Ï . Ï Ï . ÏJ Ï . J Ï . J Ï . ÏJ Ï . Ï Ï . Ïj Ï . ä
J J
? #### ·
w w w w
41
B-7
### . j Ïj j j
& î ä j Ï Ï . Ï Ï . Ï Ï . Ï Ï . Ï j ä
Ï Ï. Ï . J J Ï . Ï Ï.
? ### · w w w w
46
E -7
# j j
& # î. ä Ïj . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï . Ïj . ä
Ï J J Ï
? ## ·
w w w w
51
4 Step 3 - Chord Scale Above Approach
A -7
# . Ï Ï . Ï Ï . ÏJ Ï . ÏJ Ï . Ï Ï . Ï Ï .
& î ä Ï Ï. J
J
J J J Ï Ï. ä
J
?# · w w w w
56
Improv Bootcamp Masterclass
Step 3 - Half Step Below Approach Brenden Lowe
Practice The Half Step Below Approach To All Major 251's With Anticipation
Fingering
White To Black - 23
Black To White - 23 Or 21
Key Of C
D -7
4
& 4 î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
?4
4 ·
w w w w
G7 C maj7
b Ï n Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ïb Ï nÏ Ï b Ï nÏ Ï
& Ï b Ï nÏ Ï b Ï nÏ
ÏÏ Ï b Ï nÏ Ï
?
w w w w
6
w
& Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï Î
Ï Ï Ï
?
11
w w w
© Jazzpianoschoool.com
2 Step 3 - Half Step Below Approach
Key Of F
G -7
b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
& b î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
?b ·
w w w w
16
C7 F maj7
b Ï n Ï Ï b Ï nÏ Ï Ï Ï Ï Ï Ï Ïb Ï nÏ Ïb Ï nÏ Ï
&b Ï b Ï nÏ Ï
ÏÏ Ï b ÏnÏ Ï
b Ï nÏ
?
b w w w w
w
21
b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï
&b Ï b Ï nÏ Ï Ï Ï Ï Î
?
b w w w
26
Key Of Bb
C -7
b
& b î. b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
? b · w w w w
b
31
Step 3 - Half Step Below Approach 3
b
F7 B maj7
b Ï Ï Ï Ï Ï Ïb Ï n Ï Ïb Ï n Ï Ï
& b Ï b Ï n Ï Ïb Ï n Ï Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï b ÏnÏ Ï
? bb w w w w w
36
b
& b Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï b Ï nÏ Ï Î
ÏÏ Ï
? b
b w w w
41
Key Of Eb
F -7
b Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
& b b î . nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï nÏ Ï Ï nÏ Ï
? b ·
bb w w w w
46
b7 b
B E maj7
bb Ï b Ï n Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï n Ï Ï Ï b Ï n Ï Ï Ï Ï
& b nÏ nÏ Ï
Ï Ï Ï b Ï nÏ Ï
? b
bb w w w w w
51
4 Step 3 - Half Step Below Approach
b b Ï nÏ Ï b Ï nÏ Ï nÏ Ï Ï
&b b Ï b Ï nÏ Ï Ï Ï Ï Î
? bb
b w w w
56
Key Of A b
b
B -7
bb
& b b î. Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï
nÏ Ï Ï Ï nÏ Ï Ï nÏ
? bb ·
bb w w w w
61
b7 b
E A maj7
bb Ï Ï Ï Ï Ï nÏ Ï Ï
& b b Ïb Ï nÏ Ï nÏ Ï Ï Ï b Ï nÏ Ï nÏ Ï Ï Ï
ÏÏ Ï nÏ Ï Ï nÏ
? bb w w w w
bb w
66
bb
& b b Ï b Ï nÏ Ï b Ï nÏ Ï nÏ Ï Ï Î
nÏ Ï Ï ÏÏ Ï
? bb
bb w w w
71
Step 3 - Half Step Below Approach 5
Key Of D b minor
b
E -7
bb Ï Ï Ï Ï Ï nÏ Ï Ï
& b b b î . nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï
? bb b ·
bb w w w w
76
b7 b
A D maj7
b b b nÏ Ï Ï nÏ Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï Ï
& bb Ï nÏ Ï Ï Ï Ï nÏ Ï Ï nÏ Ï
Ï
? bb
bbb w w w w
w
81
bb
& b b b Ï nÏ Ï Ï Ï Ï Ï nÏ Ï Ï nÏ Ï Ï Ï Ï Ï Î
? bb
bbb
w w w
86
Key Of G b minor
b
A -7
b b b î. Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï Ï Ï
b
& bb nÏ Ï Ï Ï nÏ Ï Ï nÏ
? bbb ·
bbb w w w w
91
6 Step 3 - Half Step Below Approach
b7 b
Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
D G maj7
bb b b Ï n Ï Ï Ï n Ï Ï Ï nÏ nÏ Ï Ï Ï Ï nÏ Ï Ï nÏ Ï
& bb Ï
? bb b b w w w w
bb w
96
b b b b Ï nÏ Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï
& bb nÏ ÏÏ Ï Î
? bbb
bbb w w w
101
#
Key Of B
C -7
####
& # î. n Ï # Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï
nÏ #Ï Ï Ï Ï Ï nÏ#Ï Ï nÏ#Ï
? #### · w w w w
#
106
#7
F B maj7
#### Ï Ï Ï Ï Ï n Ï# Ï Ï
& # Ï n Ï# Ï Ï n Ï # Ï Ï Ï n Ï# Ï Ï n Ï# Ï Ï n Ï# Ï
Ï Ï Ï n Ï# Ï Ï
? #### w w w w
# w
111
Step 3 - Half Step Below Approach 7
####
& # Ï nÏ #Ï Ï nÏ #Ï Ï nÏ #Ï Ï Î
nÏ #Ï Ï Ï Ï Ï
? #### w w w
#
116
Key Of E
#
F -7
#### .
& î nÏ #Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï nÏ#Ï Ï b Ï nÏ
? #### ·
w w w w
121
B7 E maj7
# # # # n Ï# Ï Ï n Ï # Ï Ï Ï Ï Ï Ï Ï Ï n Ï # Ï Ï n Ï # Ï Ï
& Ï b Ï nÏ Ï Ï Ï n Ï# Ï Ï b Ï n Ï
Ï
? ####
w w w w
w
126
####
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï
? ####
w w w
131
8 Step 3 - Half Step Below Approach
Key Of A
B-7
### .
& î nÏ #Ï Ï Ï Ï Ï Ï Ï Ï nÏ #Ï Ï Ï Ï Ï
b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
? ### · w w w w
136
E7 A maj7
###
& n Ï # Ï Ï b Ï n Ï Ï Ï Ï Ï Ï Ï Ïb Ï n Ï Ï n Ï# Ï Ï
Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï n Ï# Ï Ï
? ### w w w w
w
141
###
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï
? ###
w w w
146
Key Of D
E -7
# Ï Ï Ï Ï Ï b Ï nÏ Ï
& # î . b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
? ## ·
w w w w
151
Step 3 - Half Step Below Approach 9
A7 D maj7
## b Ï n Ï Ï Ï Ï Ï Ï Ï Ïb Ï n Ï Ï n Ï# Ï Ï
& Ï n Ï# Ï Ï b Ï nÏ Ï b ÏnÏ
ÏÏ Ï n Ï# Ï Ï
? ##
w w w w
w
156
##
& Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï nÏ #Ï Ï Î
ÏÏ Ï
? ##
w w w
161
Key Of G
A -7
# . b Ï nÏ Ï Ï Ï Ï Ï Ï Ï b Ï nÏ Ï Ï Ï Ï
& î b Ï nÏ Ï Ï Ï Ï b Ï nÏ Ï b Ï nÏ
?# · w w w w
166
Ï Ï Ï Ï Ï b Ï nÏ Ï
D7
# Ï nÏ #Ï Ï b Ï nÏ Ï Ï nÏ #Ï Ï b Ï nÏ Ï
& Ï Ï
?# w w w w
171
10 Step 3 - Half Step Below Approach
G maj7
# b Ï nÏ Ï nÏ #Ï Ï nÏ #Ï Ï b Ï nÏ Ï b Ï nÏ Ï
& Ï b Ï nÏ Ï ÏÏ Ï Î
?#
w w w w
175
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