Piano-Conductor’s Score OPTIONAL MATERIAL HELLO, DOLLY! * medium-voice transpositions for the role of Dolly * . “I Put My Hand In” (Dolly) .. -p.3 p.15 Yonkers March (Orchestra)... . . “Put On Your Sunday Clothes” (Dolly, Cornelius, Barnaby, Ambrose, Ermengarde & Chorus) Put On Your Sunday Clothes—Encore (Chorus) ... p.17 p.36 4b* Incidental [Hat Shop] (Orchestra) 6. “Motherhood March” (Dolly, Mrs. Molloy & Minnie) ..........0000cceceee pr42 7. “Dancing” (Dolly, Cornelius & Barnaby)... 0.20. c eee cece nce e eee en ees p-49 7a* Incidental [I Put My Hand In] (Orchestra) 0.0.0. 0.ccceccececeeceuees p-65 8. “Before The Parade Passes By” (Dolly & Chorus) ........0...0ceeeeeeee p- 66 9. “Finale—Act I” (Dolly) 12a* 13. 13a* 14* 17. 1a* 18. Hello, Dolly—Agitato (Orchestra) . “Hello, Dolly” (Dolly & Men) Hello, Dolly—Encore (Men) Waiters’ Galop—Reprise (Orchestra) ©... 00.0. .0. ccc ccceceeeeceeueee p.97 “So Long, Dearie” (Dolly) 0.2.6... 00. c cece eee eeeeeeeeeneeeeeees p.98 Change Of Scene (Orchestra)... 0.6... o eee eee ee eee eceeeeeeeeees p- 106 “Finale Ultimo” (Dolly, Horace, Principals & Chorus) 0.2... .0.c00eeeeeees p. 107 * not a transposed number; itis included in this material solely for ease of performance. Property of Tams-Witmark Music Library, Inc. ‘860 Lexington Ave. New York, NY 10022 (212) 688-2525VOCAL RANGES DOLLY ERMENGARDE CORNELIUS BARNABY 6 9 4 a ===> SE 6 S— “We 2 a ab MRS. MOLLOY ERNESTINA HORACE AMBROSE 4 oe a" i 3 & Es = vee 8 ov be NOTES ABOUT THIS PIANO-CONDUCTOR’S SCORE * For this Hello, Dolly! Piano-Conductor‘s Score, the tessitura for the role of Dolly Levi was raised a tritone. * In the standard Piano-Conductor’s Score, Dolly’s music was written an octave higher than the sounding pitch. In this Piano-Conductor’s Score, Dolly’s music is written at sounding pitch. * This Piano-Conductor’s Score is supplemental to the standard Hello, Dolly! show material, and does not include music for the entire show. Both Piano-Conductor’s Scores are needed in order to perform the show. HELLO, DOLLY! ‘Music and Lyrics © Copyright 1963 by Jerry Herman. © Copyright 1964 by Jerry Herman. © Renewed 1991 JERRY HERMAN ‘Musical Arrangements (© Copyright 1968 by Jerry Herman. Book © 1964 Stewart Robinson, Inc. (© 1964 & 1966 Michael Stewart and Jerry Herman. ‘New Piano Reduction (© 1998 JERRY HERMAN HEL mvt- Pan Condorare located in the regular These musical numbers [ Overture ] Piano-Conductor's Score: No.2 No.1 Opening I Put My Hand In @olly) (Cue: DOLLY: ...some sew—I meddle! potty [2] Ad lib. > ranges. things— pleas-ure and the pro- fit _—_-_asSo Like 7 Thave al-ways been a wom-an who ar - rang-es things, For the Bal, Pro, _——_/—_. it de - rives. I have fur- ni- ture and daf - fo- dils and HEL mt - Plano Condit al- ways been a wom-an who ar - ———— lives.A 21a My Hand In -2 os —_ soa aa Tots. 4 a BSC, Ton, Bs, BD. 14] Ray: BCL, Bs, Gtr, Pro, Drs. [22] To. f 4 et. dif - fi- dent Why should the — tor-tured crea-tures - — vn ; Rhy. (scl, Va, Ve. 5) beat a-round the bush, when hea- ven knows, © Moth- er © Na- ture all - ways | ‘ J EL mt - Pana Codcoe2.1 uy Hand ta -3- 5 [30] needs a lit- tle push! So, TO i iva Tpts. 4 4 “if iy. ee [40] | = » And a girl 0- ver six__ foot three eee a wi ae em U iy. Tp (Cis, Va. Ve) * Loves a man who comes up to her ctr, vn Ire Tons, Ve. EL mt -Plano Condor2.1 wy Handa 4 6 [48] ea. ya somekind..soul ,,con- de - Sure - ly, it's ob- vi- ousshe'll_nev-er be se - ducedTill v2 Pie, yo. Vn (div. Cs, Va, Ve st) Fig: Bs, Gur, Pro, Ds. seends to give her [62] here. ww, +av2 Vn, Xo. BG, Thn, Bs, BD, Ve HEL mvt- Pano Condicior2EPuMy Hand In -$- 7 [70] ver, Mays deena woman who ar - Rhy BS, Gtr, Drs, y du-ty to as sist the Lord eo ty to ss [78] es HEL mt -Plao CondorFI 2.1Pueny Handa 6 je lunch-eon parties, pok - er games and love. =) mat ~~ fTa 4 1 THE ios. f atempo B70 Bs. Pre. iss. P av. s, Vos, plzz. BC, Van Go had a coun-te-nance a 86. p | dv cs, Va,Ve. hy: Bs, Gtr, Po, Drs. like Scrooge,But, oh, to - day You would swear the Lord Him -2 UP by Hand 7 {102} self _ap- plied the rouge! ? [106] Poco pitt mosso (Dance] VaW, Vi, Xo, Bvb Tees. aw, Tpts, Vas, Ger, X90. ye Jal de T1141 yey Pa Ho‘pis, Xylo, plzz. Va, Ve ‘Tins. (Ts tae) é Ww. gv, [128] Tors. x0. Bart, Tons, Su Ry. Ve (136) HEL mvt Pano Conductor* alit- tle, str | a lit- te, Fin TS aie - tle, Kk tle, Shape a lit - le, mold a ‘lit - tle, [148] ove ve cote ve Some poor chap gets sold ait tle. When I use my fist a lit- tle Wwe s ova Ray wa Some young bride gets a lit - de. Pres- sure with the thumbs HEL mot - Plano Conductor2LPaeMy Handa -10- [156] div, WW. (482, Tots, 20. a AMBROSE: Mis. Levi! [166] DOLLY: Tknow, Mr. Kemper... e, Yow. oxo, Seéva tat ae pp Te ee Strloco HEL mot - Plano Conductor2.1 Pedy Hand te tL [175] (Cue to preceed: DOLLY: I'll meet you on board — : Tons, low Se Cue: DOLLY: Sometime today! Cue: DOLLY: ..leave cam (Dialogue “VUES RE [181] For when my lit- tle Vn. E fgets the gig gles. Then [189] avn cata vce So at-tract- ive." Then I move my ww a Ce solo py, knuc - Kles act - ive— HEL mt - Piano Condor B Fade as DOLLY moves HP ramp to start dialogue ef pink-y wig-gles, Some young maid-en “My,” - he says, “She's And they both be -tee My Hand =~ to fidg - et, Then I clench my palm, 2 Segue as one EL mt - Fao CondeNo. 2a Yonkers March (Orchestra) . Cue: Atacca from No.2 “I Put My Hand In” (Band starts stage left) March Tempo - Ton aes P = ee ; meal Fi Gs, Vn, (9] ‘fade into dialogue Tpts, Bells v2 wow PP LEP Boterinay Be HEL mvt - Pao Condor6 28 Yonkers Mach 2 Tors, Va Ve, +Belis Sm iy Bh, Ba, Ge, Ds (Fade out as VANDERGELDER speaks.) Tp. Fee vn(@) 9 4 BsCl, Ve, Bs, Gtr, Ds HEL mt: Pano Conductor” These musical numbers (No.3. It Takes A Woman Pann Conductor's score, |No. 3a It Takes A Woman—Reprise No.4 Put On Your Sunday Clothes (Dolly, Comelius, Barnaby, Ambrose, Ermengarde & Chorus) Cue: DOLLY: chicken for Cue: CORNELIUS: We're going Feccly NeW You! CORNELIUS aA » ‘Cue: BARNABY: Yes, Comelius! Yes! eight o” clock tonight! Hah! (BARNABY Out there, There’s a world out-side of ¢ slams trap door) 8 py Si8St AN Str, Pro. "Way out there be-yond this hick town, Bam-a- by, s b 4 4 There’s a slick town, Bam-a- by. HEL mvt Pan Condi4. On Your Sunday Cltes -2- Full of shine and full of spar - Kle, 14 + oJ iv tp Close your eyes and see it glis - ten, Bama by. ra sy ww [Explosions] Moderately moving—in four a Lis - ten, Bam-a-by! ww. ova we fp F F “b.00.r ba all ® stip. (21) Put on your Sun- day clothes, there's lots of world Vn calle voce hy: Bs, Ge, Pro. r HEL mvt - Pano Conde[29] Get out the bril- lian - We're gon-na find ad 4.7.2 0n Your Sunday tes -3- tine and dime ci ~ gars, 5, av. OW, Hf. is. Caan per fumied nightWhere the lights Put on your Sun - day va. P 28. Ton, Vay Ve clothes, we're gon - na HEL vt Paso Condcte 19 = are bright as the ride through town— ww20 4. Pac On YourSundsy Ces 4 Tn one of those new horse - drawn 0 - pen. - Ma Scpanwany_ [45] We'll see the shows at_ Del - A amonse mon - i-co’s_ And we'll close the town—_ in won't come home un - til we've kissed agit. se. HEL mt -Pino Contactor f4. Pate Yow Senay lathes =~ 21 [53] DOLLY ss - Put on your Sun - day clothes when you va WM div. iy: Bs, Bj, Pro, Drs | = Strut down the street, have your pic - ture i [61] = ) Dressed like a dream, your ava Wd ) spir - its seem HEL mt - Plano Conde2 4. Pan owe Stay Cather 6 Sun - day shine is a cer tain sign That you feel as fine as_ you wna _—_— $$ ° [69] DOLLY & ERMENGARDE = Be-neath your par - a - sol the world is CORN,, BARN. & AMBROSE nizax, Bermeath your par - a - sol the world is Bet Vis trem Ray. (a, Ve st) 2 ‘That makes you feel brand ‘That makes you feel brand HEL t= Pao Conducorout your feath - ers,your out your feath - ers, your WoW, Bats 4. Pat On You Sunday Cotes -7- pat - ent leath - ers, Your pat - ent leath ~ HEL mvt Pano Conductor 23 and buck - les and and buck - les and your Sun - day —24S 4, Put On Your Suaday Chahes - 8 [83] | Lristesso tempo [91] way,su nitro =< Be Do Vo, Va. ove HEL =P Conductor4. PO Your Sundey tes 9 2s [99] Tempol vn. vac vac thu ar 122 PRINCIPALS & CHORUS Put on your Sun- day clothes when you feel down FL, cL Xyle, Strut down the street and have your pic- ture took,—______ , p ; : ww. ae [107] Dressed like a dream, your pir - its seem to Sun - day shine. cer- tain sign-That you feel as fine. as you look!. ve Bev . . Wh 4 Rh nf HEL mvt Pano Condit26 4. Pat On You Sunday Cotes 10 115) women Be-neath your par - a - MEN ‘That makesyou feel brand | new down to your out your feath - ers, your | pat - ent leath - ers, Your beads and buck - les and EL mt - Pino Contactorrt Your Sly Cates 11 n For there’s| no blue Mon - r r r r 9 0 \ WG Aan Aan Awa arty Z ON { r ? r 7 tr 7 r 7 HEL ot - Pato Conductor28 4. Fac You Sundsy Coes -12- — eee mii Ewen as ON Beneathyourbow-ler | brim the world’s a [sim - ple song. SS SSS ww. [— 2 out your slick - ers,your flan - nel knick - ers, Your red_—sus-pend - ers and WM, 409 HEL mvt - Pano Conor4. Put On Your Senay Clots -13- 29 id Rhy. +B [163], DOLL (spoten) Er- men-garde, stop sniv - el - ing— Don’t = lis - es! pee 9 w ~ | Wit cop Baad | HEL mvt Pao Conte4.0 YourSualay Cates 14 (AMBROSE does a hitch kick.) have- n't missed the train yet, thank the Lord. Love- ly. you're im - prov-ing— Now, get all ¢- Iev-en pec - es. A — Tate! (whistle) (whiste) All om. mp BF (ow, Ve mat)31 4. On Your Sunday Cotes -15- (diy. soa: 7 gHth nates: Blo, i My Recah tes: Bo, Pr SDs neop t Pt cS HEL vt - Plano Conduct32 4 PutQa You Sandy Cates -16- [211] se. cots voce thru bar 240 we'll trot4. Pac On You Sunday Cte “17 tem 77 77 none war P [219] au ‘unsy (Bel Plate) (Timp) ware, 2h, 8 pf "5 pf "5 imp. covkinse teu bar 260) We'll wear a HEL mut - Plano Condorry 4. Pat On Your Sunday Cites 18 [243] se. colt voce4. Pit Your Sanday Chote 19 [251] oo that we {won't come A Tr $ moo | oe | | ‘Ti. i Applause—segue ' EL vt-Fam ConorNo. 4a Put On Your Sunday Clothes—Encore (Chorus) (Cue: Segue rom Not “Put On Your Sunday Clothes” 9) (unis) al Put on your fhigh silk aE Bi il Ste. calla voce \n, Yamp—play 4 times fsa, BBD. (We Pate) Timp) We'll wear a = {hand -4. PtOn Your Suntay Cter—Eacore« 31 [18] Bs, BD. Tpt, Se. +8¥a HEL mvt Pan Conde45. POs Your Sunday Cahes—Encoe -3- anf. Ry. Ty. Be mced Giet Plate, Timp. cacet) ‘Segue as oneNo. 4b Incidental [Hat Shop] (Orchestra) ‘Cue: Segue as one from Noa Put On Your Sunday Clothes—Encore Gaily » Xe, Pe. a wt Ds ica ie . Be oh < oe 1 q 7 q 1 Tac. F 013] , cs, MINNIE: (to audience): Oh, dear, oh my, will you look... te. i aa pe 5 spats (Se ace) Bed, ou. EL mv - Piano Conductor (a40 cide (Hat Shop) 2 (25) +0, Va ‘Bs, Bs, Ve. aco chords: Vibe, G8. [33] Vn, AW, Va [41] 7.0% V0 922.00 ; Repeat as necessary— fade ‘Bul, Ve plzz. MINNIE: ...cherries and feathers, to catch beau, I suppose... HEL Pano Contactor“oe 4 ncdenal Hat Shop) 3 at [53] WOW, St, Pro "asc, Bs, Ve. arco Chords: Gtr, Vibes (On cue: MINNIE exits. : [61 }wan.. B60, Gr. ne ee ee ‘Cue: MINNIE: With the door. It's stuck! ‘MRS. MOLLOY: It's stuck? ‘Then push! tools aienr ar Repeat and fade on ‘MINNIE: I could bite my tongue... et.2 These musical numbers [ No.5 Ribbons Down My Back | are located in the regular , . Plano Conductor's Score, \ No. 5a Ribbons Down My Back—Reprise No. 6. Motherhood March - (Dolly, Mrs. Molloy & Minnie) (Cue: DOLLY: [know what [stand for! March tempo DOLLY BI ‘ stand for Moth-er-hood, A + mer-i-ca, and a R (Be. mutes on} ft “Tutt (St act) Rhy Cs, Bs, Blo, Pao, Drs. HORACE: Orphans! flag is Q - ing. HEL vt Pan Conde6 Motetood Mach -2- a + + + the hill at Get - tys - burg, . great tri - um - phal wig g : = Fr [19] Tf you see him as he’s Bi. soo, CL st. Wrath”, Stand up and march, wuss goth Ve, Bs. arco (25) Poco pitt mosso i (DOLLY nudges Mrs. Molloy.) ——~ Ry: Bs, Bj, Drs. HEL mt - Pino Condorr fe 6. Motherhood March =3- pusale Amadou MRS, MOLLOY: Has this not affected you, sir?... ete. [33] ‘Vampadtih | (Cue: DOLLY: Moses! MRS. MOLLOY stand for mer-i- ca, ‘hot lunch Spo Ry. [44] = a tear-stained ea - gle pass- ing. Do you ww, Sted —_ iW Be yc) r HEL vt - Pino Conductor6 Motetood Mach =~ 45 the bridge at "Neath that great tri - um - phal Wow, Se, - [52] If you hear him sing- ing “Dix- ie” »| a” Stand up and march, 5 wm seb is, Str Ry [58] HEL int - Plan CondorA - mer-i-ca and hot T've one life— to give [70] the words of | Lin-coln: = sy Ross-'s flag is pass- ing. Do see him | |6 Motetood Mach «6 fa 0, Stone - wall [78] Glo- - - % Glo- ry, Hal- le - tu = - =~ jah! Standup and 42 Vn. cola voce —3— see him tramp- ing thru’ the “Grapes fo HEL mvt - Pao Conte6 Motetoad March -7 MRS. MOLLOY: Four score and faLty (84] seven years ago! MINNIE: To form a more perfect union. [90] DOLLY: Damn the torpedoes, full speed ahead! March, wn toa.se bg if ‘Tons, St, Timp, Ry HEL vt Pano Conductor\ 49 No.7 Dancing (Dolly, Mrs. Molloy, Comelius & Barnaby) Cue: DOLLY: Let's go back to Lesson One. Very slowly—in three - DOLLY (spoken) \ and stand SB » [9] (sung) her right in your fone, two, three, —T CORNELIUS: Look, I’m dancing! Well, I was— DOLLY: Of course you were, ree ck) DOLLY, [14] Moderate three one, two, three, one, two, three... Take ‘the — some- one whose J A aD —— gg 7 Ry: Vag Bs, Gt, Pro. Drs. HEL mt Pano Conductor7. Dancing -2 a [22] fone, two, three, one, two, three, one, two, three... a —| _— sneha ace i 5). CORNELIUS (spoken) Pid mosso | ‘Wow, I'm _ dane - ing! Wo $0650 ro F 30] potty 50 cals voce Tum a-round and tum a-round, Try _float-ing thru’ the nase | 1 1 Gear j Pre sees o=68 Tone 2 Pray. ec ae em PaContcerHl 1 Dancing 3 1 Can't yoube a lit- tle more aes - thet - ic?. 4 d —sih.. 8) cornenius DOLLY (poten) Don’t you think my dancing has er ee cornezius [46] % word I think Td use is ath = let - ic! wall, A 5 dv. Van Ve ‘sava Tut wo, IJ Gece) wey id hy. +Va HEL mt - Piao Conductor2. Dancing -4- [54] now that I'm danc-ing, who cares if I —— T = - = 7 TF (div. Os su) 2 = DOLLY oN [66] Poco meno mosso - i = Glide "and step and then and glide mm eee oe aba d dba7. Dancing +5 3 WW, Ste Vibes | (ayy WW, Cel le mR ca f poco accel.” ~ . mp Toa. Yn ee Ot By stone Paton se pea [82] POLLY Youcouldleam to pol-ka if you a r r ba FoF (spoken) worked a week = or Or the tan - go filled with pas - sion Car pu poof r wh (90) parwasy I might join the chor-us of the seeth - ing. j va b, £ be oa roave|_ tT Rhy. Gin 3): Bs, Gtr, Po, Drs. HEL svt - Piao Condes4 1. Dancing <6 DOLLY Cas:- tle Gar - den show. - ev-er youdo, for Gosh sakes keep b, 5 * corn. Barn. [98] atu THREE} Stearate ole PP Tons Ry. in 3) + ‘My head is a - bout to pop, St trem, Ss. vb Sse div 7 Mog Ta TT dean Piao SOP! se melady o8¥2 Be + To r Tr 2 a pte Pasa cae| | 2. Dasceg -7- [122] ava metody: FC, Vio Va. ‘dv. TH, 2) = TF thee Tax Bat ‘Ne trem, Timp. ki AiO.v ———— mpsub. rit rhe Sk, Tons ow St. [130] Slowly in three a. & ——. Gtr Pra. Vibes. Verve Bs plzz. a _ 1138]2 FLV56 ming 8 MRS.MOLLOY_ [142] i + ‘Ser. Cel ase) Be (@e.tacet) [150] - mem-ber that wish you were clos - WuW, Str8v2, Ce rowan fe While you're danc wn_f sud- den - ly HEL mt - Pio Condor1. Damcig -9 7 166] Make all your day-dreams ap - pear to you While you're LD loth AN AN a | Ff ft ft ? | [174], Bit mosso Rhy Bs, Gtr, Pro, Drs. an We. Toco Ch Hl HEL n-ne Condacor1 Dancing -10- When they're slight’ - ly blur-ry!____ As "a - ww, tr io [198] aaa conn, MRS.M. Now thatwe're danc-ing, who cares if we RTS Vave, . TS Mans aS oyun | [206] stop, two, three, one, two, three, one, two, three, one, two, And now that we're danc- ing, who wisest, a" J wats — Be, Tx, Gt 5.) (Time)1. Daecig =U save HM St, — [214] Grand Valse i —— ———_~..__ (222i Tbs, Ve st, Tin. [230] HEL mut Pan Conductor1} 60 7. Dancing = 12- 4. Whew [238] See cabot ¢ ee == Sal! =» [CORNELIUS CROSS] 1etecyse 0, fF Bes bgt. Bar be 3 Tons, Tea, Ve. [BIG CIRCLE] __, (2625 ww. 44a (270) Ee ht mi: 4 cit 86, ; . wat pdb OD aS Tea, d Tot, Tons, BO. Gir Pon SD. "Tee. mpramid Ry. Te, *Tons, fod “|y “6 2 a FR pizz. Yo. & Va, Gtr, Xoo, WI. Pro. a9 “@ ¢¢ Tees. [278] 5 Bet St 9848 2g4y{4VON COMEDY FOUR] mf: Bey eras HEL mut - Plano Conductae iy. Be (RELEASE) _ Vs ww, Vs. —— | - Tot svb7 Dancing 14 r [318] ws. se p div su) | a) cresc. poco a poco HEL mt = Pago Contregy - ¥ bi $e, Vi, Pr iv. [342] (sumrr] C a 1. Dansig = 15 HEL nt - Pato Contacte [350] ge gs Saxo Be Va.Ve, Gr.SD. a a 81. Danciag -16- Tors, Va, Ve Rhy. [366] wwe “B “g CR “¢$ (no, Drs. caret) P tps. BCL, Ve, Bs HEL vt - iano Condor7 Dancing -17- +. g ’ ‘Applause —segue No. 7a Incidental (I Put My Hand In) (Cue: Segue from No.7 “Dancing” Moderately—in four Yow, Cel sa MRS, ROSE: Well, well, Solo Vn. Took who's here! ves Bs tae) — i Fade on cue: MRS. ROSE: Such a long, long time! HEL mvt «Pans CondorNo. 8 Before The Parade Passes By (Dolly & Chorus) Cue: DOLLY: rejoin the human race and Ephriim... (afer orchesra nove) | want you to give me away! Slowly—Ad lib. 7 DOLLY Be- fore the pa - rade ve here 2 str S00." PP get i step while there's still time left _Be-fore the pa- [12] Moderately —in two Bes ava (uted Ton. Weipa Ge. = th b WW, Vis, muted Be FP bh HEL me - Pino ConductoraS {Before Te Parade Passes By -2- a [20] Mas. MOLLOY: Mrs. Levi,come along... etc. if —s , Pre POT. iy: Bs, Gtr, Pro Drs. DOLLY: Why, Irene, you're crying. [26] ee 1Ja7 Be- fore the pa - e | | « | [32] Slow march tempo 1’'m gon-na F 58. before The Parade Paes By -3- Sat- ur- day's high Be- fore the pa - I'm gon- na back in- to 7 t [48] Poco pid mosso move. Tots, Vrs rhog FD iy. 2Gt, $0. HEL st - Piao Condor[64] “sD. div. Os, St. goal a- gain, just 1. Bere The Pane Paes By == pass - ing by drive HEL vt - Pino Contacte B&CL, Tons, Vex Bs 0 For I've gota I'm gon-na——$$S$S?_S $e 70 8 Before The Parade Passes By =5- a) com-ing a- live a- gain. Cis, Se. (as) Tots, 5.0 Tons, Ve, Bs, BD. Look at that [80] cx. so. crowd. WOM, Ste, X90, Po vetan FP r tr HEL vt - Pano Condor[88] lights. YW, Tot Tons. Str. (s0v8) Ray: Bs, Gtr, Pro, Drs spit-it is show HEL mrt - Plo Contacte8. Before The Pare Paster By -7 I'm gon-na T'mgon-na car - ry on, Give me an HEL mt Pian CondorB 4 Before The Parade Passes By == Lis-ten and{Before The Parade Passe By -9- HEL mt - Pina Condicioe1. Before The Parade Pses By = 10 5 [140] ‘ Wa Vn, Va, Bes 2 Tos. "Tea, Ve (+6v8) ay. cored r [148] whis - tes blow, And the |cym - bals crash, HEL at - Pino Conoctor1 Before The Parade Passes By = T'mgon-na car - ry on, raise the roof, (ova st: WM, Vs) Br, Va, Ve, Rhy, Timp, Be- fore the pa- Tus ‘va div. WW, Vo = Toe.-——_$ - A. Before The Parade Passes By = 12- 1 This, Bel v2 7 p76] wee 5 5 ‘pts. (ava) Yew, Vn, Bells, yeeVin, Vag Bells clave ce (200) I'm gon-na raise ww. Give me an old trom : bone, Give me an old ba - ton, ¢ ¢ ¢ 122i MM pp tm HEL mvt - Pine Conductor’ No.9 Finale—Act I (Cue: DOLLY: Ephraim—He’s as good as mine. Before Te Parte Passes By = [208] -ton 04.50.20 Be-fore the pa - rade. yw + tae. cote wore) ad Vio a 7h) = ‘MEN pass - és. by, dy Wn uth eV Sliswant 3 Fre = 4 (Dolly) 4 . i ‘March Temy PO ory [2] sem T'mgomna raise the roof, ate Tre pp ecrese. poco a:poco +, BOs FE. Tons, Toa, Va, VE HEL mt - Pano Conductorbone, Give me an old cata Be BD. Gy. cone) do [10] 650.10 (Pere to Mand Cymesls} Be- fore the pa - rade ——__$_$_$____________. ww, Tot Vn, : ‘Ton, Va, Ve +R. YW, Vin, Va Hand Cys Tons, Toa, Vex BD. (air) _————————/ Tpts, Pro, Drs. ie * HEL vt Pino ConductorNo. 10 Entr’acte These maa bers No. 11 Elegance Plane-Conductor's Score, | No. 11a March to Harmonia Gardens No. 12 Waiters’ Galop No. 12a Hello, Dolly—Agitato (Orchestra) ‘Cue: RUDOLPH: She just stepped out of her carriage! Vaz Pro Ve, Ge “Beamer 8 [10] Agitato Cue: RUDOLPH: I's true yah! etc. Vamp ad lib. (tase time) [2] Ton.) Pp CupMine WP T6022 Cup) neve Tons sim, Bele, Fade at cue: STANLEY: Sit! Sir! HEL mvt - Piano Condsctor2 No. 13 Hello, Dolly (Dolly & Men) . (Cue: STANLEY: Rudy! —She's here! Slow drag - ws Sooo A 5 Tors, Ths. FF Fam. [9] Easy four X_DOLLY va. (ove) calla voce tu bar 39, Hel - Io, Har- ry, Well, hel - lo, aA a div, Bs, aD. ‘hyn quarters: Bj, SD, Pro} Wa, Ve sus) to be back home where I 2 ) Gis, +6¥b Tons, Va., Ve. HEL mvt- Pio Conductor13, Het, Daty -2- 3 017) Vn calla vace ava You're look - in’ swell, Dan-ny, I can tell, Os dv Man - ny, You're still glow - in’, you're still crow - in’, You're still mI J a4 J » =a Tor a. [25] sway - int (Be. 10 St Me] sust: BSC, Va, Ve my old fav ~ ‘rite songs from ‘way back ae Ray. {Rhy +B. in uarters) HEL vt - Plato Condor13.Hallo, Daly -3- (33] bridge that gap, fel-las, Find me an emp- ty ve) _ Ton, Va, Ve (is div. wt) [WORMS] gain! zit ‘e077 ‘Sw. (+0v2, vb Dol - ly, Well, HEL mvt - Pino Contactor13. Heo, Dally = 85 tohave you back where you be - long. Ss Bey. aS Dol - ly, You're still 2 you're still crow - in’, You're still go - in’ strong. We feel the a ——-—__ Sst. (v2.00) sway- in’ For the play- in’ One of a — oT HEL ot - Pano Conductor86 13, Het, Doly 5+ ‘Vn Va. coll mefody your old fav-"rite songs from'way back — when. div, Ses Ts & Prom- ise you'll nev - er Pro.) HEL mvt Pan Coactoe13 He, Daly -6- 7 7] Slowly—rubato 77) ony I went a - way from the lights of Four- teenth Street. (Ry. tacet) per~ son - al haze—____-_ HEL mt - Pano Conductor13. Het, Dolly +7 of — Four - teenth = row will be bright- er than the [Those good old J SD. im sees) =) _d i a tempo 3 ro. E7 ap we tm lap HEL mvt - Pao Contacte13. Hato, Dally -4- 89 DOLLY [96] LY Dol- ly, Well, hel - Dol- ly, Glad to e Jo, (Well, hel - lo) Dol- ly, Well, hel - lo, (Hey, look, there's) Dol - ly, TWs,Be = aa as ree fief (ust: B.C, Tons, Vas VET %, BD. (WOLLY] (sung) (spoken) see you, Hank, let's thank my luck - y You're look - in’ (sung) Stan-ley. Lose some weight, Stan-ley? Dol-ly's HEL mt - Pano Condctr1H, Daly -9 .0 = ver-joyed and - ver-whelmed and tin-Kle, See the from us hand - some lights HEL mt - Piano Conductor And you twin-Kle, And you par. BARI. & BASS IT hear the still get glanc-es still get glanc-es ———_.r 1. Het Dt -10- 1 [120] Jv Dotty va- cant knee, fel- las, Py. (8501 st) [128] G18) A, Cl, WIL, Bjo, Xe, Pro. B80 Tasch se) +80 Be muted FL Va, Va ss = i HEL mut Pan Condor12.Hale,Dely = “sey gets er ——— i = Tons, Bjo. Ve. zz. Taos a0. ote r r (144) ; bi Vee” 152] Be, Pra ; ; St 48% e 2 P ae aes SIE aio, Pron 50. iy Tons, Bs, BD. Ips. Se Tons, RMPao. A, HEL mvt Pao Condor: 13.Hete. Day -12- 3 [161] Slower—in four ten. a Ct div. Ss. calla voce Well, well, hel - Io, Dol - ly, Well, hel - ten, Byatt, Bells, | —————_ —, cap TS r r z ig Ths Be Bo, Pron z heavy backs {BASSES sing harmony notes) Dol - ly, It’s so nice —tohave you _back where you be- —— — Sra, Ste 48¥2 [169] You're look - Sx, Br Timp. Ry. Timp. HEL mt Plano Conductor13.Hello, Doty «1 - glow- in’, you're still crow- in’, You're still ‘Sis St. va a (177) (Duck Walk} Soe div. calla voce #5. tin- Kle, See the still get glanc-es from us hand-some Sis, Ste. 40¥2 ee —!_ 7 185] fel-tas, Hey, yow! Lookatthe old gill now, 4 HEL vt - Pino Conducor1H, Doty 14 95 Dol- ly- ‘ll Applause —segue No. 13a Hello, Dolly—Encore .- (Men) ‘Cue: Segue from No.13 “Hello, Dolly” an [1] L’istesso tempo YD NY tn Se cot vre tin-kle, See the lights twin-Kle, And you Ry: Bs, Bj, Pro, rs. HEL mvt - Paso Coadsctr96 13a Hel, Daiy—Encre 2 still get glanc-es from us hand-some men. Sx, Str. 0v8 —) — —| [13] Fade Dol-ly-"l nev-er go. a-way.— Dol-ly-"ll nev - er go. a-Way— i fil fi i 4 Bs (Ve Se) leave Fine: Br, Bj, Po. Perc, Drs} Bs. arco HEL mut Pano Condor7 fo. 14 Waiters’ Galop—Reprise (Orchestra) sue: DOLLY: There's someone in the dance Cue: Competition | particularly want you to see. Presto 4 4 Aa #005, BuCL, Tots. Sv s BI Tp, Vn, Xo, 5D. Bs, Gt, Pro Drs ae ‘+Tons.,'Va., Ve. sas Vee Bs. t Timp. Gm: No.15 Polka These musical numbers crelocuctinterncutar | NoI6 It Only Takes a Moment Piano-Conductor's Score: No. 16a It Only Takes a Moment—Part IT No. 16b End of Courtroom Scene HEL a - Piano ContactorNo. 17 So Long, Dearie Wolly) all wanted to say to you was— lowly —in four DOLLY HORACE: What? HORACE: Now hold on, Dolly — Good-bye! Good - bye! vn — a. ee 7 s,Vanve] BE 7 * [dd Barco DOLLY:But, [7 Pr Good - bye, good - bye, good-bye, Good- a ral yy bye,. ‘Tes, Vn. Don’t try to stop me, Hor-ace, please.. i ae FF ® oo [15] 790.0. rat of HEL mvt Pato Cotuctor17.Sotong, Deaie -2- 19] z Wave Hue lit - de hand Fi whis - per “So long, Wow, 44¥2, Va, Blo . You, ain't gon - [27] , But when you dis - cov- er that your is. div, vad Blo, Ton, Van Ve. » Don’t yOu come a - knock-in’ at my HEL mvt - Pano Conductor 99[43] {842 Vn. calla voce wave your lit - de ‘812 WW, Bo, Pro. should have said so sing - in’ that song That says “You sand fa whis-per “So long, dear - ie,” Dear - ie +80, Pro. long” so long a Be. cause you vn HEL mv - Piano Condor17.SoLaeg.Dee 4 101 (51) (OW 25 Before) [59] evan. cote ve ; wave your lit - te hand and whis- per “So long, ava WW, Bs Pro. *$8)0. Pro. [66] "so long” ww, Br, Rhy 7B wa av, Bo. should have said a nf102 17. SoLae, Dearie -5- Ry: Bs, Bjo, Pao, Dr [80] HEL vt iao Condcte17 Soong. Dewte -6- 103, “Hap - pi - ness Ex - press.” Tm gon- na WI B09, Tts. xo Wf, op be- eam to dance and drink and smoke a cig. - © a-rette___— I'm go’n as J far a- way from Yon-kers as FF Hotere a. [96] Meno mosso DOLLY: And on those cold nights, Horace— HEL tla Condctor104 17. So Long. Dewi ‘You can snuggle up to your cash register— [104] esate tumpy, btisings— a - knock-in’, I'll be $872 WW, Tots. 112] sing - in’ that song That says “You Ry Bs Blo, Po. Dr. HEL ion Fano Conductor17.SoLong, Deaie -8- 105 [120] Tempo Va. ovacala voce Hor - &e, you will find fi life a sad old WoW, Bjo, Pro [128] When you see your Dol-ly shuf-fle off to I should have ——— so long a - I gg106 17.So Log. Deuie -9- wg, og 20. pis. div. pom, Pe Ses Almost segue No. 17a Change Of Scene (Orchestra) Cue: DOLLY exits. ve o HORACE: And—and—I wouldn't marry you, Dolly Levi... ec. HEL mt Pano Conductor107 No. 18 Finale Ultimo (Dolly, Horace, Principals & Chorus) HORACE: I know the old paper ain't worn out yet... etc. DOLLY: Thank you, Ephraim— o ~ HORACE F i [9] Slowly, espressivo Dol - ly, well. hel - lo, Vibes to have you back where you be - long, {CS:*N HEL mPa ConteLife was knew, Dol - ly, with- out you, Dol - ly, hg AVR — -_ CF Os. div Va. LP maa, vel 85 (in quxters-Gtr, RHPo, 5D) more than that, Was aw = lly wrong. aw-f'lly flat and aa TT ‘Vn, Va, colle melodia nf Vn div, Vibes, 25) Meydaneel Soave Rhy (im quarters: Gtr, RHPne., 5D) EL mvt - Pao Conductor109 BOTH HORACE: Wonderful woman! BM stay-in’ where Hor- ace, Dolly-"ll_ nev - er go a- wayyya - Wm o- 5 MRS. MOLLOY (ww. 00 58) Ton, Bs Vv [43] Moderately—in 2 a Io, Dol - ly, Io, Ase Vncgtg “ae, > (cash register) met yd 1" | Sis, St. dv 7 Bry Br i, Or BEeae. so) nice to have you back where you be - long._______________ You're look - in’ se. HEL mt - ino Contactewo rors mus ft aor 2 swell, Dol - ly, We can Dol - ly, You're still a ma [58] Site en you're still crow in’, You're still 20 — — Be, Ste v2 Moderate Waltz—in one Gxdiv) some-one whose arms you're _in,. Hold on to her tight Boe ae eal vece Rhy Bs Gtr, Drs [67] ‘One two three, one two three, one two three, Lool a a — a ee — _— SED HEL - Piano Conductormu 1 Finale Utne == [75] 2 Besse vovd (83) Now that we're dane ~ ing Who ev - A ~~ Sis, St va Tens ‘MEL mt Pano Condor12 aoaeate our vet in 6 erate fou (1) WOMEN Be div, St +8¥9 uns. 7 3 irr 7 Ba ecnie, on.) a HEL st - Pino Conductor18, File Usimo -7- 13 Va Va od = = ~ D eceg f= "Tons, Ve) > Banh 2 Pg Rhys elghth nates: Bj, Pro, SD. Strut down the street :na [125] [133] Sur. clla voce thew bar 162 (18 Fie imo = z ‘Vn, Vella melds tr ar 162 HEL mv - Pano Conductor18 Finale Ultimo -9 = co wit” S77) JI? look! oS ‘pat Pate Fm cor. hd Bar 172) (bet Pat) (4TImp)18 Fine Uhimo = 10: ent leath HEL mt - Piano Conductor1. inal Utimo ALL (unis) Well, te [177] Slow drag—in four lo, Dol - ly, Well,hel - 10, Dol- ly. It's so e v2 50, 0. fe div. $e5,Ve) mFus 18. Finle Uti - 12- ‘nice to have you |back where you be - | long. a ft Bs BD. (Va, Ve sist) hy Gin quarters): Bjo, RLPno, SD. HEL mt - Plano Contactar- 1. Finle Ukino -1- ug Segue » These musical numbers [ No. 19 Curtain Music (Hello, Dolly) are located in the regular . " Piano-Conductor’s Score: | No. 20 Exit Music | 100 HEL mvt Pano Coad