SYNOPSIS. Candelas, a young, very beautiful and Passionate woman, has loved a wicked, jealous, and dissolute, but fascinating and cajoling gipsy. Although having led a very unhappy life with him, she has loved him intensely and mourned his loss, unable ever to forget him. Her memory of him is something like a hypnotic dream, a morbid, gruesome, and maddening spell. She is terrified by the thought that the dead may not be entirely gone, that he may return, that he continues to love her in his fierce, shadowy, faithless and caressing way. She lets herself become a prey to her thoughts of the past, as if under the influence of a spectre; yet she is young, strong, and vivacious, Spring returns and, with it, love, in the shape of Carmelo, Carmelo, a handsome youth, enamoured and. gallant, makes love to her. Candelas, not unwilling to be won, almost unconsciously returns his love, but the obsession of her past weighs againt her present inclination. ‘When Carmelo approaches her and endeavours to make her share in his passion, the Specire returns and terrifies Candelas, whom he separates from her lover. They cannot exchauge the kiss of perfect love. Carmelo being gone, Candelas languishes and droops; she feels as if bewitched, and her past loves seems to flutter heavily round her like malevolent and foreboding bats. But this evil spell has to be broken, and Carmelo believes to have found a remedy. He has once been the comrade of the gipsy whose spectre haunts Candelas, He knows that the dead lover was the typical faithless and jealous Andalusian gallant. Since he appears to retain, even after death, his taste for beautiful women, he must be taken by his weak side and thus diverted from his posthumous jealousy, in order that Carmelo may exchange with Candelas the perfect kiss against which the sorcery of love cannot prevail. Carmelo persuades Lucia, a young and enchantingly pretty gipsy girl, the friend of Candelas, to simulate acceptance of the spectre's addresses. Lucia, out of love for Candelas and from feminine curiosity, agrees. The idea of a flirtation with a ghost seems to her attractive and novel. And then, the dead man was so mirthful in life! Lucia takes up the sentinel's post. Carmelo returns to make love to Candelas, and the Spectre intervenes... . but he finds the charming little gipsy, and neither can nor will resist the temptation, not being experienced in withstanding the allurements of a pretty face. He makes love to Lucia, coaxing and imploring her, and the coquettish young gipsy almost brings him to despair. In the meantime, Camelo succeeds in convincing Candelas of his love, and life triumphs over death and over the past. The lovers at last exchange the kiss that defeats the evil influence of the Spectre, who perishes, definitely conquered by love.EL AMOR BRUJO. . LAMOUR SORCIER. Introduction et Scéne. Introduccion y Escena. Allegro furioso ma non troppo vivo. (J 198) a Flauto. Piccolo. Clarinet in La Fagotto. Cort inka. ‘Trombe 1.2. ins > ‘inpan # = ‘Allegro furio ma non troppe vivo. 8) Piano. Violini 1. Violini 2. Viote Violoncelt = a Contrabassi, a —— = 4 Copyright MCMXXIV by J. and W. Chester. Led ‘Ml Fights reserved. Pyrigh y J. and cc Tour droite ronraseioe, on. cur. Po coe, nF Plano. Viole, oo JW. atole. 4 W0.a,FL cur ike. mea, ‘sib vos,Chez les Gitanes. En la Cueva. La Veillée. La Noche. ‘Tranquillo © misterioso. (J = m2) Flanto. Piccolo. Clarinets ‘a La. ‘Trombe 12. ins Timpani. ‘Tranquillo ¢ misterioso. (J = 7) Plano, Violini 1. Viotiat 2. Viole, Violoncellt Contrabansi. arW641Viol, ‘Pour enchatner avec Ie[@] au cas oi la Chanson serait I Pour enchatner ‘supprimse avec la Chanson, poco rit. 0c0 rit. Tp. Piano, vu qui 4 co. alte pi. 2 Attaooe N° yee, LW. 6.4810 Cancién del amor dolido. Chanson du chagrin damour. AMlegro.(4=s00) Piao, Viotini 1. Violin’ 2 Viole, Violinceti, Contrabaas 3.W GALPlano. Voce co 3. WG aL2 star ate Fag. ia Ting. Voce. a Be AyA dd colla voce rit, ins ‘Timp. Pian. * Atage * * ait = Vor, : caedestgte ar = dee Mis ardestin-iernoquetokami sangre atrasa de J.deolla voce rit, via. Vite.inh. ‘Timp. Piano, Voce, vin vie Bl’ioe JW OaWoe viesTap. (eon desrato) veer (Conn-doet tens awe. ae 7 DI pit: mosso. (ou oeura) ‘Sie Agua nomateet fargo Amiel penarme com Pir mosso.cis ta tal Fag or. tn Fa ‘Timp. Piano ton fore) a tempo oer, A mle querermmenve ‘Aoi me mactan lar pe rit, cota voce __a tempo va Vio DU Sate19 [Pour enchatner avec la site ay 8° BD W eoar termine le chanvn sans enchatner la wale poco rit, ‘Caimo ¢ misterioso. poco rit. atreriasates TY Ft. soll, =F | a —- w= 0, lar, Inks. Pag Cor ah Temp. Poco rit. Calmo e misteriosg. aun les. : tacos si 320 Le Revenant. Solo.consard) ve ee 2 === Piano. a aes - = Sa Ped. Violini 1. (| wats 2 | ator Bo ie EE £ 2 be arco de El Aparecido.Danse de la Frayeur. Danza del Terror. ‘Allegro ritmico. (= 126) OF} Flauto Piccolo, 1 Clarinet in sib, 2 Fagoto, Sf dim = Allegro ritmico. (4: 186) TE eempresimile dim Allgsro ritmico. «1.10 Viotini 1. — Viotini 2 Viote. Violoncelti, Contrabassi22 on, nib, Timp. Piano, wu iat va. (ot muta) in Ua sweat.rial Pice ov. cur ini cor inF. 1. sib Timp, Piano. on sr HW 0 ALrua shy 2 Piano, via view, o, a wetPies. on, con na Bab ‘Tim. ma, JWG.Pie, mL sil Top, Vi MG at,Piss, ov. cous, as) Pag Piano. va m2 Viola ao. attea: sai Pico, Vite ve. om.08 Fag or, is wa, eit ‘Timp. Piano, vin Viola we, at.30 a, cu. si Fg, or, nF eu, Si, oe, 6.4muta in piccolo ma, Si Tome W041,a2 css aS tei Sih Timp. Vio Ew Gat,mei, ish Timp. ae Ie 6. At.awea.Timp, Piao. wi Vio, 3.W.6. 4aw oaton, oe, awen 3738. Le Cercle Magique. EI Circulo Magico. Récit du Pécheur. Romance del Pescador. Andante molto tranquillo.J-1) Fiavtot. Flauto 2. Corn 1. nF. Trombe 1.2 ia St. ® Andante molto tranquilloJ ) Piano. e Pod Ra. a. Ta wempre wml Vioint 1. Violini 2 Viole Violoacelli Contrabasi, te asi Viote 3.864rit. ma poco pocorit. ra tempo vu. —— we Viote JW. ALMinuit. A Media noche. Les Sortiléges. Los Sortilegios. Lento e lontano.(J-7=) _ : poco pitt mosso. ange Flauto 1 = Flauto 2, Clarinetto 1 ia Sb Corai in Fa. ‘Timpani Piano, Viotini 1 (ste sed Yiotini 2 Mt Viole (ea) Vjolonceth Vitae Seah Contrabasi. 7 ©) La rep ul tr spine dss ats xe 3.6.4a Danse rituelle du Feu. Danza ritual del Fuego. (Pour chasser les mauvais esprits.) (Para ahuyentar los malos espiritus) Allegro ma non troppo pesante. (J. 126) Plato 1 Piccolo Oboe. 1 Ciarinett ins, 2 ‘Trambe 1.2. inst. Timpani. Piano, Violiai 1 Viotini 2 Viote Viotoncell Contrabassiae on. our, sth cor iar. et ee a a . —_ tt Viote. 4. Wattar Tine. Piaoo, Viote 20aoar, in sit tea, sis Tip. Plano. ws, Viole, vie 50M26] muta in Flauto. {muta in Ro) Timp, Viote me. a.eae, ash Viet mca,iS, Pog. Piano. wa, Viote oo. (nutain $0 a1 inPicota)Pree, Piano, va Viate, JWG.50 ruta in Flauto cor meh, sik Toop. Viol. awe,cas aweatmuta in Piegoto 1644Fu Pe. ta Fa in sib Ten, wa, Vote . Awe aL54 insth| Piano. 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