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Танцевальные

блоки
I Traditional
(Trumpet) Marengue 2 Arr. by Oleksandr Kovalyov

  
kovalyov_piano@mail.ru

 
  
h = 100

A
       
     


            
7

        

 
B
   
13
    
       

20
                  
      
 

   
  
      
26

      
    

 
                
31 C
       

36
 
   
           

43
    
             

  
D Piano Solo E

F

50

              
     

         
85
 
                    

                         
91

    
Marengue 2
(I Trumpet)
2

                     
96 G
   
  
102
     
                      

  
107

               


                   
112 H
    
     
   

117

                  
  

     
  
 
123

        
        
I
 
128
           

   
(T.Sax)

                 

132
          
                  

 
         
137

          


 
141
             
         

 
J
        
146

                 

        
151

                   

          

157
 
         
    
II Traditional
(Alto Sax) Marengue 2 Arr. by Oleksandr Kovalyov
h = 100 A kovalyov_piano@mail.ru
    
(Tpt.)
              
 
  
            
7
     
 

  
B
  
13

         

  
20
     
      
 
       
 

        
26
      
              

C
31
                   
   
    
36
                  
         

              
42

        

       
D Piano Solo E

        
47

 

        
F
     
81 (Tpt.)

           

     
        
86

      

         
91

             

         
96

           
G
   
Marengue 2
(II Alto Sax)
2

   
102     
                     

    
107

              
H
           
112

        
       



117
      
               

         
123
 
         

   
127
         
  

      
130 I   
              
    
    
 

    
          
135

         
                 

141
     
    
146 J           
                  
   

151
    
    
             
156 



   
        
159
     
        
III Traditional
(Tenor Sax) Marengue 2 Arr. by Oleksandr Kovalyov

  
 
kovalyov_piano@mail.ru
h = 100
      
  
(Tpt.) A
    


                
7
   

         
   
13 B
 

20
                
         

                  
26

     
  
  

         
C
       
   
31

    

               
36

           

                
42

         

         Solo E 
D Piano

47

          

   F
          
(Tpt.)

81
 
          

   
              
86

    

        
91

            

Marengue 2
(III Tenor Sax)

        
 
2
          
   
96 G
 
102
        
                      

 
107
               
 

  

            H
   

112

          
 
            
117

            

     
    

123

     
    

127
            
         

130
I              
     
       

135
          
           
       
141
               
              

146
         
      
J
           
151
       
                
156
    
           
159
     
        
IV Traditional
Marengue 2 Arr. by Oleksandr Kovalyov


(Trombone)
kovalyov_piano@mail.ru


A
     
h = 100
       
    
7           
     
    

      
B
   

13
    

               
    
20

        

                   

26
      
 

     C
   
32
                    

38      
            

     
D Piano Solo E
 
45

    

 
F
          
81

               
  
  
          
86
 
              

92 
          
          
        

Marengue 2

   
(IV Trombone)
2 G
98
      
      

            
     
104
  
       
        
         
109

    

         
H
        
 
    
114
 
121
   

        

     


     

        
 
  
126 (Sax.)

            
     

                 
130 I
           
135

   
                  

140
  
   
           
 
143
   
 
     
        
J 
146
               
        
151 
        
 

                
157
                    
        
   

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