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Question 1 - 1 0
Complete the notes below.

Write ONE WORD AND/OR A NUMBER for each answer.

Children's Engineering Workshops

Tiny Engineers (ages 4–5)

Activities

- Create a cover for an 1 so they can drop it from a height without breaking it.

- Take part in a competition to build the tallest 2 .

- Make a 3 powered by a balloon.

Junior Engineers (ages 6–8)

Activities:

- Build model cars, trucks and 4 and learn how to program them so they can move.

- Take part in a competition to build the longest 5 using card and wood.

- Create a short 6 with special software.

- Build, 7 and program a humanoid robot.

Cost for a five-week block: £50

Held on 8 from 10 am to 11 am

Location

Building 10A, 9 Industrial Estate, Grasford

Plenty of 10 is available.

Transcript section 1
Children's Engineering Workshops

Audio: https://www.dol.vn/luyen-thi-ielts/ielts-online-test-cambridge-ielts-16-test-1-listening#test-section-1

SARAH: Hello. Children's Engineering Workshops.

FATHER: Oh hello. I wanted some information about the workshops in the school holidays.

SARAH: Sure.

FATHER: I have two daughters who are interested. The younger one's Lydia, she's four - do you take
children as young as that?

SARAH: Yes, our Tiny Engineers workshop is for four to five-year-olds.

FATHER: What sorts of activities do they do?

SARAH: All sorts. For example, they work together to design a special cover that goes round an egg,
so that when it's inside they can drop it from a height and it doesn't break. Well, sometimes
it does break but that's part of the fun!

FATHER: Right. And Lydia loves building things. Is there any opportunity for her to do that?

SARAH: Well, they have a competition to see who can make the highest tower. You'd be amazed how
high they can go.

FATHER: Right

SARAH: But they're learning all the time as well as having fun. For example, one thing they do is to
design and build a car that's attached to a balloon, and the force of the air in that actually
powers the car and makes it move along. They go really fast too.

FATHER: OK, well, all this sounds perfect.

FATHER: Now Carly, that's my older daughter, has just had her seventh birthday, so presumably she'd
be in a different group?

SARAH: Yes, she'd be in the Junior Engineers. That's for children from six to eight.

FATHER: And do they do the same sorts of activities?

SARAH: Some are the same, but a bit more advanced. So they work out how to build model vehicles,
things like cars and trucks, but also how to construct animals using the same sorts of
material and technique, and then they learn how they can program them and make them
move.

FATHER: So they learn a bit of coding?


SARAH: They do. They pick it up really quickly. We're there to help if they need it, but they learn from
one another too.

FATHER: Right. And do they have competitions too?

SARAH: Yes, with the Junior Engineers, it's to use recycled materials like card and wood to build a
bridge, and the longest one gets a prize.

FATHER: That sounds fun. I wouldn't mind doing that myself!

SARAH: Then they have something a bit different, which is to think up an idea for a five-minute
movie and then film it, using special animation software. You'd be amazed what they come
up with.

FATHER: And of course, that's something they can put on their phone and take home to show all their
friends.

SARAH: Exactly. And then they also build a robot in the shape of a human, and they decorate it and
program it so that it can move its arms and legs.

FATHER: Perfect. So, is it the same price as the Tiny Engineers?

SARAH: It's just a bit more: £50 for the five weeks.

FATHER: And are the classes on a Monday, too?

SARAH: They used to be, but we found it didn't give our staff enough time to clear up after the first
workshop, so we moved them to Wednesdays. The classes are held in the morning from ten
to eleven.

FATHER: OK. That's better for me actually. And what about the location? Where exactly are the
workshops held?

SARAH: They're in building 10A - there's a big sign on the door, you can't miss it, and that's in
Fradstone Industrial Estate.

FATHER: Sorry?

SARAH: Fradstone - that's F-R-A-D-S-T-O-N-E.

FATHER: And that's in Grasford, isn't it?

SARAH: Yes, up past the station.

FATHER: And will I have any parking problems there?

SARAH: No, there's always plenty available. So would you like to enrol Lydia and Carly now?

FATHER: ОК.
SARAH: So can I have your full name ...

Đáp án section 1

1 egg

2 tower

3 car

4 animals

5 bridge

6 movie / film

7 decorate

8 Wednesdays

9 Fradstone

10 parking

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Question 1 1 - 1 4
Choose the correct letter, A, B or C.

11 Stevenson's was founded in

A 1 923.

B 1 924.

C 1 926.

12 Originally, Stevenson's manufactured goods for


A the healthcare industry.

B the automotive industry.

C the machine tools industry.

13 What does the speaker say about the company premises?

A The company has recently moved.

B The company has no plans to move.

C The company is going to move shortly.

14 The programme for the work experience group includes

A time to do research.

B meetings with a teacher.

C talks by staff.

Question 1 5 - 20
Label the map below.

Write the correct letter, A-J

coffee room 15

warehouse 16

staff canteen 17

meeting room 18

human resources 19

boardroom 20

A B

E
D

G
H I J

Transcript section 2
Plan Of Stevenson's Site

Audio: https://www.dol.vn/luyen-thi-ielts/ielts-online-test-cambridge-ielts-16-test-1-listening#test-section-2

Good morning, everyone, and welcome to Stevenson's, one of the country's major manufacturers of metal
goods.

Thank you for choosing us for your two weeks of work experience.

My name is Julia Simmons, and since the beginning of this year I've been the managing director.

Stevenson's is quite an old company.

Like me, the founder, Ronald Stevenson, went into the steel industry when he left school - that was in
1923.

He set up this company when he finished his apprenticeship, in 1926, although he actually started making
plans two years earlier, in 1924.

He was a very determined young man!

Stevenson's long-term plan was to manufacture components for the machine tools industry although in
fact that never came about - and for the automotive industry, that is, cars and lorries.

However, there was a delay of five years before that happened, because shortly before the company went
into production, Stevenson was given the opportunity to make goods for hospitals and other players in the
healthcare industry, so that's what we did for the first five years.

Over the years, we've expanded the premises considerably - we were lucky that the site is big enough, so
moving to a new location has never been necessary.

However, the layout is far from ideal for modern machinery and production methods, so we intend to carry
out major refurbishment of this site over the next five years.

I'd better give you some idea of what you'll be doing during your two weeks with us, so you know what to
expect.

Most mornings you'll have a presentation from one of the managers, to learn about their department,
starting this morning with research and development.

And you'll all spend some time in each department, observing what's going on and talking to people - as
long as you don't stop them from doing their work altogether! In the past, a teacher from your school has
come in at the end of each week to find out how the group were getting on, but your school isn't able to
arrange that this year.

OK, now I'll briefly help you to orientate yourselves around the site.

As you can see, we're in the reception area, which we try to make attractive and welcoming to visitors.

There's a corridor running left from here, and if you go along that, the door facing you at the end is the
entrance to the coffee room.

This looks out onto the main road on one side, and some trees on the other, and that'll be where you meet
each morning.

The factory is the very big room on the far side of the site.

Next to it is the warehouse, which. can be accessed by lorries going up the road to the turning area at the
end.

You can get to the warehouse by crossing to the far side of the courtyard, and then the door is on your
right.

Somewhere you'll be keen to find is the staff canteen.

This is right next to reception.

I can confidently say that the food's very good, but the view isn't.

The windows on one side look onto a corridor and courtyard, which aren't very attractive at all, and on the
other onto the access road, which isn't much better.

You'll be using the meeting room quite often, and you'll find it by walking along the corridor to the left of
the courtyard, and continuing along it to the end.

The meeting room is the last one on the right, and I'm afraid there's no natural daylight in the room.

Then you'll need to know where some of the offices are.

The human resources department is at the front of this building, so you head to the left along the corridor
from reception, and it's the second room you come to.

It looks out onto the main road.

And finally, the boardroom, where you'll be meeting sometimes.


That has quite a pleasant view, as it looks out on to the trees.

Go along the corridor past the courtyard, right to the end.

The boardroom is on the left, next to the factory.

OK, now are there any questions before we ...

Đáp án section 2

11 C

12 A

13 B

14 C

15 H

16 C

17 G

18 B

19 I

20 A

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Question 21 - 24
Choose TWO letters, A-E.

Which TWO parts of the introductory stage to their art projects do Jess and Tom agree were useful?

A The Bird Park visit


B The workshop sessions

C The Natural History Museum visit

D The projects done in previous years

E The handouts with research sources

In which TWO ways do both Jess and Tom decide to change their proposals?

A by giving a rationale for their action plans

B by being less specific about the outcome

C by adding a video diary presentation

D by providing a timeline and a mind map

E by making their notes more evaluative

Question 25 - 30
Which personal meaning do the students decide to give to each of the following pictures?

Choose SIX answers from the box and write the correct letter, A-H

List of Findings

A a childhood memory

B hope for the future

C fast movement

D a potential threat

E the power of colour

F the continuity of life

G protection of nature

H a confused attitude to nature


25 Falcon (Landseer)

26 Fish hawk (Audubon)

27 Kingfisher (van Gogh)

28 Portrait of William Wells

29 Vairumati (Gauguin)

30 Portrait of Giovanni de Medici

Transcript section 3
Art Projects

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JESS: How are you getting on with your art project, Tom?

TOM: OK. Like, they gave us the theme of birds to base our project on, and I'm not really all that
interested in wildlife. But I'm starting to get into it. I've pretty well finished the introductory
stage.

JESS: So have I. When they gave us all those handouts with details of books and websites to look
at, I was really put off, but the more I read, the more interested I got.

TOM: Me too. I found I could research so many different aspects of birds in art - colour,
movement, texture. So I was looking forward to the Bird Park visit.

JESS: What a letdown! It poured with rain and we hardly saw a single bird. Much less use than the
trip to the Natural History Museum.

TOM: Yeah, I liked all the stuff about evolution there. The workshop sessions with Dr Fletcher were
good too, especially the brainstorming sessions.

JESS: I missed those because I was ill. I wish we could've seen the projects last year's students
did.

TOM: Mm. I suppose they want us to do our own thing, not copy.

JESS: Have you drafted your proposal yet?


TOM: Yes, but I haven't handed it in. I need to amend some parts. I've realised the notes from my
research are almost all just descriptions, I haven't actually evaluated anything. So I'll have to
fix that.

JESS: Oh, I didn't know we had to do that. I'll have to look at that too. Did you do a timeline for the
project?

TOM: Yes, and a mind map.

JESS: Yeah, so did I. I quite enjoyed that. But it was hard having to explain the basis for my
decisions in my action plan.

TOM: What?

JESS: You know, give a rationale.

TOM: I didn't realise we had to do that. OK, I can add it now. And I've done the video diary
presentation, and worked out what I want my outcome to be in the project.

JESS: Someone told me it's best not to be too precise about your actual outcome at this stage, so
you have more scope to explore your ideas later on. So I'm going to go back to my proposal
to make it a bit more vague.

TOM: Really? OK, I'll change that too then.

TOM: One part of the project I'm unsure about is where we choose some paintings of birds and
say what they mean to us. Like, I chose a painting of a falcon by Landseer. I like it because
the bird's standing there with his head turned to one side, but he seems to be staring
straight at you. But I can't just say it's a bit scary, can I?

JESS: You could talk about the possible danger suggested by the bird's look.

TOM: Oh, OK.

JESS: There's a picture of a fish hawk by Audubon I like. It's swooping over the water with a fish in
its talons, and with great black wings which take up most of the picture.

TOM: So you could discuss it in relation to predators and food chains?

JESS: Well actually I think I'll concentrate on the impression of rapid motion it gives.

TOM: Right.

JESS: Do you know that picture of a kingfisher by van Gogh - it's perching on a reed growing near
a stream.

TOM: Yes it's got these beautiful blue and red and black shades.

JESS: Mm hm. I've actually chosen it because I saw a real kingfisher once when I was little. I was
out walking with my grandfather, and I've never forgotten it.

TOM: So we can use a personal link?

JESS: Sure.

TOM: OK. There's a portrait called William Wells, I can't remember the artist but it's a middle-aged
man who's just shot a bird. And his expression, and the way he's holding the bird in his hand
suggests he's not sure about what he's done. To me it's about how ambiguous people are in
the way they exploit the natural world.

JESS: Interesting. There's Gauguin's picture Vairumati. He did it in Tahiti. It's a woman with a white
bird behind her that is eating a lizard, and what I'm interested in is what idea this bird refers
to. Apparently, it's a reference to the never-ending cycle of existence.

TOM: Wow. I chose a portrait of a little boy. Giovanni de Medici. He's holding a tiny bird in one fist.
I like the way he's holding it carefully so he doesn't hurt it.

JESS: Ah right.

Đáp án section 3

21 E

22 C

23 E

24 B

25 D

26 C

27 A

28 H

29 F

30 G
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Question 31 - 40
Complete the notes below.

Write ONE WORD ONLY for each answer.

Stoicism

Stoicism is still relevant today because of its 31 appeal.

Ancient Stoics

- Stoicism was founded over 2,000 years ago in Greece.

- The Stoics' ideas are surprisingly well known, despite not being intended for 32 .

Stoic principles

- Happiness could be achieved by leading a virtuous life. 

- Controlling emotions was essential.

- Epictetus said that external events cannot be controlled but the 33 people make in

response can be controlled.

- A Stoic is someone who has a different view on experiences which others would consider as

34 .

The influence of Stoicism

- George Washington organised a 35 about Cato to motivate his men. 

- The French artist Delacroix was a Stoic. 

- Adam Smith's ideas on 36 were influenced by Stoicism.

- Some of today's political leaders are inspired by the Stoics. 

- Cognitive Behaviour Therapy (CBT)

- the treatment for 37 is based on ideas from Stoicism

- people learn to base their thinking on 38 .

- In business, people benefit from Stoicism by identifying obstacles as 39 .


Relevance of Stoicism

- It requires a lot of 40 but Stoicism can help people to lead a good life. 

- It teaches people that having a strong character is more important than anything else.

Transcript section 4
Stoicism

Audio: https://www.dol.vn/luyen-thi-ielts/ielts-online-test-cambridge-ielts-16-test-1-listening#test-section-4

Ancient philosophy is not just about talking or lecturing, or even reading long, dense books.

In fact, it is something people have used throughout history - to solve their problems and to achieve their
greatest triumphs.

Specifically, I am referring to Stoicism, which, in my opinion, is the most practical of all philosophies and
therefore the most appealing.

Stoicism was founded in Ancient Greece by Zeno of Citium in the early 3rd century BC, but was practised
by the likes of Epictetus, Cato, Seneca and Marcus Aurelius.

Amazingly, we still have access to these ideas, despite the fact that the most famous Stoics never wrote
anything down for publication.

Cato definitely didn't.

Marcus Aurelius never intended his Meditations to be anything but personal.

Seneca's letters were, well, letters and Epictetus' thoughts come to us by way of a note-taking student.

Stoic principles were based on the idea that its followers could have an unshakable happiness in this life
and the key to achieving this was virtue.

The road to virtue, in turn, lay in understanding that destructive emotions, like anger and jealousy, are
under our conscious control - they don't have to control us, because we can learn to control them.

In the words of Epictetus: "external events I cannot control, but the choices I make with regard to them, I
do control".

The modern day philosopher and writer Nassim Nicholas Taleb defines a Stoic as someone who has a
different perspective on experiences which most of us would see as wholly negative; a Stoic "transforms
fear into caution, pain into transformation, mistakes into initiation and desire into undertaking".

Using this definition as a model, we can see that throughout the centuries Stoicism has been practised in
more recent history by kings, presidents, artists, writers and entrepreneurs.

The founding fathers of the United States were inspired by the philosophy.

George Washington was introduced to Stoicism by his neighbours at age seventeen, and later, put on a
play based on the life of Cato to inspire his men.

Thomas Jefferson kept a copy of Seneca beside his bed.

Writers and artists have also been inspired by the stoics.

Eugène Delacroix, the renowned French Romantic artist (known best for his painting Liberty Leading the
People) was an ardent Stoic, referring to it as his "consoling religion".

The economist Adam Smith's theories on capitalism were significantly influenced by the Stoicism that he
studied as a schoolboy, under a teacher who had translated Marcus Aurelius' works.

Today's political leaders are no different, with many finding their inspiration from the ancient texts.

Former US president Bill Clinton rereads Marcus Aurelius every single year, and many have compared
former President Obama's calm leadership style to that of Cato.

Wen Jiabao, the former prime minister of China, claims that Meditations is one of two books he travels
with and that he has read it more than one hundred times over the course of his life.

Stoicism had a profound influence on Albert Ellis, who invented Cognitive Behaviour Therapy, which is
used to help people manage their problems by changing the way that they think and behave.

It's most commonly used to treat depression.

The idea is that we can take control of our lives by challenging the irrational beliefs that create our faulty
thinking, symptoms and behaviours by using logic instead.

Stoicism has also become popular in the world of business.

Stoic principles can build the resilience and state of mind required to overcome setbacks because Stoics
teach turning obstacles into opportunity.

A lesson every business entrepreneur needs to learn.

I would argue that studying Stoicism is as relevant today as it was 2,000 years ago, thanks to its brilliant
insights into how to lead a good life.

At the very root of the thinking, there is a very simple way of living - control what you can and accept
what you can't.
This is not as easy as it sounds and will require considerable practice - it can take a lifetime to master.

The Stoics also believed the most important foundation for a good and happy life is not money, fame,
power or pleasure, but having a disciplined and principled character - something which seems to resonate
with many people today.

Đáp án section 4

31 practical

32 publication

33 choices

34 negative

35 play

36 capitalism

37 depression

38 logic

39 opportunity

40 practice

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