Tees PIANO © VOCAL © GUITAR Pee EREAT MOVIE MUSIC OF THE 20" CENTURY 1927-1999 73 SONGS, ONE FOR EACH YEAR OF THE SOUND ERA, INCLUDING TMC MTeoR ENACT Reel MACCOLL Ce CeT Ca Ol ans Cl |] Out with My Baby * Moon River ¢ The Look of Love * The Way We Were * Almost PETES Raa ee CORUM RCM ICTR CMLL Co Oo OM eta Na CecaPIANO + VOCAL + GUITAR GREAT MOVIE MUSIC OF THE 20 LT ‘ i i ; ee a ee" j | fs > \ : a < \ : if | va ees tbCONTENTS = ro cc} cy rte crc cc rt) oT} ro rT) ema ae) Brac eh BC nee? eR ua Aa Seana nt COR CT ae eee? ca Cae Ei Pd aa Nes aa Cocktails for Two Pa LCL Rg ccs m ‘The Way You Look Tonight ATG ae eee et iy oar) Ose ETS ca The Lady’ in Love with You Td ren f Tee en CUO Cee Oa ET ers SR oa ee One for My Baby LSS Lee 7] Pee C1 eee : 150 RIES Se ea ro) cr tr) co) ro cd oT oy cy 1956 cro 1959 rr 1982 cy 1964 eee EVO SSLT Ey ear eee Bee a ae a) Sy SU ae rT) Coe Cast Uc Mona Lisa CUT a, eee ane} Too Late Now CT co cr ere = rca CONSE rd ey CC enn ere Dy PSS) rr) Summertime in Venice Aad a} eee eg ra The River Kwai March aC es nh cr cre Leena Poias scary [Cees ny CeO err} Lue PS CS a) Paes Pen ae HT ead Paoo cy 1969) cy 1971 1972 1973 1974 i) 1976 cor or} cc) 1380 Ea STs rane Co The Look of Love Ce er] OE COU | oer or Pca GE BUTCH CASSIDY AND THE SUNDANCE KID cc roo raat Sea robe) eed CC ar Do OT a rr cer rrr UNA Lae Ceca) oN PSCC RIC. Cs Cee Ea La ic corr eerenne 286 Se SATURDAY NIGHT FEVER open Last Danco TL) eee) coors aaa 0 Goad Sey ae Ea Ce CSS 1 0 eee] Theme from 1. (The Extra-Terrestrial) EX. (THE EXTRA-TERRESTRIAL) Cy Flashdance _What a Feeling FLASHDANCE se n met) rae er ay Crary a ee Ey ast) 7 CROMER LL DeLay Ty cory Cor Reenter ar een} Tea art) ER eg ee ea a ean petite ooveentor’} easy CAR Stoo Ea AO on eT Reenter ar] PO uns et Sate dornse outa Cee OL Te eS aS) CUTS eee Ey eA} Ce oe) COURIC ay a 16 Cuma ciy 7) SC uaa FT)ALMOST PARADISE Love Theme from the Paramount Motion Picture FOOTLOOSE Words by DEAN PITCHFORD Music by ERIC CARMEN Moderately Slow Gsus4(sus2) Gg DE Em Gsus4(sus2) G ° DE Em Dic CD Gada) Dre = S = th g (Male:) 1 thought that dreams. be- longed to (Male:)It seems ike per - feet love's Em D(add9) C(add9) Gladd9yB GIB “cause each time Yd al-most oO GA Aq, cp Giadd9) DFE a ae fa e E iE fall apart. a gain, (Female:) 1 feared my heart would beat i must have read my mind, (Female: And all these dreams_ I saved for a "optight © 198 by Emig te corporation Incarnation Copy Secures al gh assedse -cre- ey, rain-y day, Giadd9yB GIB Gladd9y/B at HS a T faced the nights__ a Tone, they're fin - "lly com (Both:) Oh, ing true, (Both:) PL GB if Hi F BY how could 1 share them all__ have known, with you, cp a ly need ture in ed you? our hands. that all my life— : Yeause now we hold_ D_Gsus4(sus2) + ao a iB Oh, — cresc. al - most gS ps} = par - a - dise,— We're knock-ing on. i DE Bay Guusi(sue & DG Sg Si Bs & 8 & 5 * : —- ia —s: AV most par - a dis. How could we ask for cp D7 — your eyes. ss 1 swear that T__ cig can see for Ei Em DIC cD IP | Geusd(sus2)arms, — sal - va-tion’s (Male:) And in your D.S. al Coda eb op > opp Be Ee ne It’s get - tingelos - er. (Both:) Clos - er ev. "ry day. AL ~ mostBABY, IT’S COLD OUTSIDE from the Motion Picture NEPTUNE’S DAUGHTER rts By FRANK LOESSER Relaxed jazz. tempo (4.4 played as J 2)) BG oe oo FS BO an ay ie Vamp "til ready a (Patter over vamp) real - ly can’t sim - ply must 7 Male: But ba -by, But ba -by, m7 Fo FTE got to go way. ‘an - swer is “No!” 0184 Renee) FAME MUSE CORR isis hatebeen been eve - ning has wel - come has 7 Been hoping that you drop How luck -y that you dropped in.___ BBOFLL E9 mai ff th =u a af th . My moth-er will start. to warm, My = sis-ter will be sus hold your hands.— ‘They're_ just like ice Look out the win =~ dow atthe storm. Esmaj9 BL6/9 Ebm7/Ab Ab9 aaa] o Fath - er will be pac - ing the pi - cious. My broth - er will, “be there at the your bur - ry? ? de - li - cious, LikeEemi/Ay ‘Bowell AgLaeLL 8 ff Bo > SF 2 = £ = ror om floor, So real - ly, hha! Ud bet -ter scur = door My mid eh aoa ning 8 , ———————— = 3 2 a7 Lis - ten to waves up - on Cm7/F He th a = Well, may-bejust a half a drink more. Well, may-bejust a cig - a-rette more.— SS a Beau - ti - ful, Putsomere-cords on while I pour. Gosh, your lips are Nev -ersuch a bliz-zard be-fore.— Ee cm? ‘Boadd9/D GTR oA oR A itt tit i < t 2 7 Say! (Spoken:} Say, darling, ==m7 F7#9 ei % What's in this drink? can you lend me your comb? You've 7 No cabs to be had out there. _. Ws up to your____ knees out there BLS Cm7 BhaddaD stn Gm? G9 Fmd. BbOELL SS = wish [knew how to break the spell. real-ly been grand, but_. don’t you see. Your eyes are like star-light__ now il take your hat. I thrill when you touch my — hand. How can you do # Fn BHI ES Ebmaj9 D9 i Ei 6 a s 2 T ought to say, “No, mo, no, si!” There's bound to be talk to. -_ mor-row. Your hair looks swell. Mind if T= move in this thing to me? Think of my life - longleast I'm gon-na say__ least there will be plen What's the sense of | hurt = ing my —_pride?_ if you caught pneu - mo - nia and died. — = * BO AbI3AI1 GI tal fist Ss fro FI9 Badd G59) C79(613) F749 ih i ih aie75(69) BbI3é11 Ht aBE OUR GUEST from Walt Disney's BEAUTY AND THE BEAST Lyrics by HOWARD ASHMAN, ‘Music by ALAN MENKEN Moderately chere Mademoiselle, —<—— FuD it ix with deepest pride and greatest pleasure that we welcome you a tonight. And now, we invite relax, Let us pull up a chair as the poco rit 1 Yl gy Mc omy an anand Mi Compa “nis ese" sed by fermeon3 Moderate tempo e dining room proudly presents - your dinner! a o - kin ‘round your i pro- vide f Hot — hors d’ocuvres!aH fy 6" 7 SS on = ly live to serve. Try the grey stuff, OTR gg ag ee pe StS t == Ati Bri? Bisa Daya 6 oe 7S or} li = cious! Don't be = lieve me? Ask the dish - es! c= oes js ee SS a 6 Gmaj7 os G ; Z i e oS S pS sing! They can dance! Af ter all, Miss, this is France! _ 4 o SS Vp Boe fp pe BES ely i ¥ pass SS = == ¥ 7 7 G G7 C6 din-ner hereee glance, and you'll be our guest, oui, our — guest! - 2 gout! Cheese souf - fle! Pie and pud - ding “en flam - bét”” We'll pre -ae z You're lone ¢ = 7 s é - z mn? 59 “eo i Z o quet’s all pared. * os f ? ; é Fs # . im cm? - = - in + ing while flat tain - ing. = = cod fr se 2 ie 3 with + sticks, Mugs: And it’staste. That you can You've won your guest! Lumiere: If you'reguest! ( ser - vant who’s whole with - out aiy. — those good old days are years, we've been yust ing, needing so much more than a a = 2 5 dust = ing. Need - ing @ chance . Most days, we just — layAtempo Fm? Bom? ae ap ee Be te eS + by, fat and You walked ii and oops - a - dai well, tl Addi — Wine’s been poured and thank the Lord ve had2 ~kins fresh - ly pressed, With dessert she'll want tea. soft bub - blingt 1 Amaj? pip - ing hot! Heav-en’s sakes! Is that @ spot? Clean it up! —FEBS (eS Wewant the com-pan - y im - pressed! ce BIDE Em6 CHEE Fém7 BT Bm? EL i fa guest, Chorus: She's our guest! Mrs. Potts: ae, FHI. B iE ri guest! Chorus: She's our guest! guest!years since we had With your — meal, with your light’s still glow = ing let ar= = (Wl. ERIS = ing course 7a ee a) VE rr a += Khe - C6 ttt SS one! ‘Th you shout, “B- nous 2 ‘To- night you'll DFE Gein er Am?poco rit. iBOOGIE WOOGIE BUGLE BOY from BUCK PRIVATES ‘Words and Music by DON Medium Boogie Woogie and HUGHIE fa- mous trum-pet man from out Chi - boo - gie” style that no one. ii ie aise Conran 194 McA Mc amg, en FUNERAL SLD We Ech Reeves Iruanaonl Copan soca i iis Reed [MCA Muse PublishingEa = But then his num - ber came up, re - veil - le, the Boo-gie Woo- gle Bu-gle Boy of Com-pa- ny B.— him blow a bu - gle for his Un - ole puts the boys to sleep with “boo - ge” ev = ‘tyreal ly brought him wakes them up the: down be - cause he same way in the seemed to un hands and der - stamp their stand — feet drat - ed gives him now — the band And beat, teal - — He re - vell- le, the Wy breaks it Boo-gie Woo-gie Bu- gle Boy of * jam bright. — The They cap - ear ly clap “cap _went out and plays —when some- one Be-cause the next day the Be-cause they know how he comp - ‘ny jumps } up Com- pa + ny B_A toot! did-dle ah - da toot. He blows it elght to the bar rhy-thm, He can’t blow a note un-less @ bass and gui- tar is. play - in’ e7 fe He makes the comp-'ny jump when he plays - fr = jevel-l He's. the Boo-gie Woo-gie Bu-gle Boy of Com-pa-ny B.— oe° CALL ME IRRESPONSIBLE from the Paramount Picture PAPA’S DELICATE CONDITION Words by SAMMY Music by JAMES VAN HEI Slowly F F6 Gm co Fimaj? 6 Gm? cv, @ ’ - £ mm ’ — wR | ee ae é £ Pr 7 f 7 7 | F F6 F#dim7 Gm Gm6 £ z a = = oe 3 = se ee ¥ ea me eo oeeaor lb, all & sae 3 i a = P "F f z (S23 : = z t | Géaim7 Fmaj7/A F : Eg & Ee ———— H ae SS 4 | : 4 2 = 5 as33 Am? Dyes = Gm Cdim7 C7. im un - pre-dict - a - ble,si - ble, Am7b5 Do i"Gmi/C— Fmaj7 a. CHANGE THE WORLD featured on the Motion Picture Soundtrack PHENOMENON Words and Music by GORDON KEN) WAYNE KIRKPATRICK and TOMMY. Moderately (not too fast) Fim? = E Fm7 G % im 6 B&B of EX(noded) can reach the — J couldso you could Ta fave it "eobat for “TH then Td Dém7bs oH Cm a a vei ifeoa ve the sum = ight woul39 Bm9 f Dims ot cém Ba ce cm Ea You would think. my love, was real - ly some - thing good, ba by. To Coda €)j A Efadd9vG# Edim/G = F§m7 i iz if 1 could— change the world — change —LE Asus Feadd9yGe Edim/G F#m?(add4) i = i. a the. world. Guitar solo Fim? E Fim? G Fm on & gE DS. al Coda Solo ends 1 coulda EdiG —Fm7 A Ffadd9yGt gz Fi copa change the world, EdimiG Fem? A Braganyce Bladd9yG4 EdinvG m ie ie B change the — world,CHIM CHIM CHER-EE from Walt Disney’s MARY POPPINS Words and Music by RICHARD M, SHE Light, with gusto and ROBERT B. SH cm @7-9 Am7-5 G7/B Cm G7-9 Am7-s GI/B a ms : ee cm7 He Chim chim in- ey, chim —chim-in- ey, chim chim G+ it chim -in- ey, chim chim - in - ey, F Fm Cm/6 G7 G7+5 & it eg chim chim cher - oo! Good luck will rub off when I shakes ‘ands z "©1582 wonderland Muse Company ne ‘pyr tenons ‘ighsheans, Uses PrisonCm/6 cm a G7-9Am7-5 67/8 eo oe F and that's luck - y, too. G7-9Am7-5G7 Cm Ey GE Now, as the lad - der 1 choose me bristles of life ‘as with pride, yes, been strung, TP do: think a sweep's forthe fon the bot - tom - most shatt Though ‘and a brush forthe in the ash - es from me ‘ead to and me smoke, this ‘ole toes, sweep knows wide es Though I'm cov a | spends ered with Cm/6 & world there's wel - come no wher =G7 G+ G7 fom | cm G+ a2 2 = = = (ag er bloke. e Up where the smoke it bill - ered mp rubato Drs G7 G+ G7 SETHE RE “Tween pave - ment : sweep world. ‘When there's "stl oe Ea f a = ly no night, There's things ‘aif in shad-ow and le G7 G+ G7 Cm Fm Cm/G cm “HH ES Be at a8 “ei ‘alt - way night, (On the roof - tops of — Len = 000, what a sight!Tempo | cm7 at it es 2 Chim chim -in = ey, chim chim - in = ey, chim 07-5 ap HE you're in glad com - pa fa wot sings, him chim - in = ey, chin chim, No - where is “Chim — chim cher -CHINATOWN from the Paramount Motion Picture CHINATOWN ‘Music by JERRY Slowly sic by JERRY GOLDSMI Am? AmT/G Fm7b5 F#m7b5/B | iia aR 3 opyish @ 194 Enon Mu cepationCOCKTAILS FOR TWO from the Paramount Picture MURDER AT THE VANITIES ‘Words and Music by ARTHUR JOHNS) and SAM COSLG Moderately GD EAD GD ERD GD res: an ia ee Oh, what de-light to be giv-en the right_ to be g care-free and gay _ once ~ gain, No long-er slink-ing, re - BB EbB BB Bes AE spect a bly drink - ing ike. civ. = il - ized Ia des and Copyight ©1934 Renewed 1960 by Fano Me Crperation mato! copy Sec Al hs RenewedNo long-er necd we miss __ Moderately fast G FRG g a a charming scene like “Moderately slow and expressively a ce © no chord Ht FB. no chore = - Im some se-elud-ed rendez - yous, ___________ that 0 - ver looks the av GT FB noche with some-one shar-ing a de-light ful chatcms BE EE nocton and that cock-tails for two. As we en-joy a cig - = to some ex - qui- site chan - som Gt BB. ocho ie two hands are sure to sly - ly meet be-neath oo Eg with cock-tails for two.51 Fmaj7 F6 Fm6 Or bil ae but my heart will be 0 - be a with in tox - i - eat-ing kiss - es for the prin Cédim? = Gp fag no chord Most an af - ter - noon no chord we'll be so glad we're both a - live.7 Dm? qa HE sociga & a = —e eae = = == ? Then may - be for - tune — will com - plete her plan that ——_— enti: 2 ‘ = —he F= .- = ==" ——F :F I £ Du g Rec E Foc abic ¢ ag Be ital . “on BE co chore | Ee In some se-elud-ed ren - dez- cocktails for two. ci BIG cG 785 intEXHALE (SHOOP SHOOP) from the Original Soundtrack Album WAITING TO EXHALE Words and Music by BABYFACE Easy Ri SY R&B ballad 49) cm «8 B LEV - “ry -one falls in love some - times Somectimes it's 2,3. laugh, some-times you'll cry. Life nev - er Dm? c = and some -times is ight For ev - 4 the whens or whys When you've = some = one bot there comes to wish you'll findDa ¢ & B 3 point when we ex = hale, yeah. point you will ex - hale, yeah, fe shoop shop shoop shoo be doo. Shoop shop shoo be doo. Shoop shop shoo & F(add9) a © T oe Dp? c, ae ay To Coda () TE 00. Shoop shop shoo be doo. Soap shop shoo ‘be. doo. Sometimes you'lldoo. Hearts are of -ten_ bro -ken when there are words— un - spo-ken In your soul there’s an - swers to your prayers. If you're — ing for a place. you know a fa - mil-iar face, some-where to g0, you should copa 0, # a ® S-side your soul, you're half-way there, _ Some -times you'llDO YOU KNOW WHERE YOU’RE GOING TO? Theme from MAHOGANY Moderately, with expression Gl C Words by GERRY GO! Music by MIKE MASS Abm Bb7 ey {8 i ep E = FASE, as : Z 3 e Foot = = eS =a: a bm EbmiGb Abm Bb7 © i cy the = === = 35 Ss SSS Se = Eb Ab Fm G7 SE ig" a t = ——— Fe == Se ES = ———— Do you know where you're go. ing to? Do you like the things that life is — | poe © + = =—— ae eft aT eftce iat = a * show - ing you? Where are you ih fe JE MAE iagneneerved spiseremca we fermion do you know?2 a Do you get________ what you're hop-ing for? When you look be - hind you there's no Fm6/Ab mm" What are you hop Once wewere stand ing still ta-sies_ that filled ‘And you knewEm? ee how {loved you but__ my An? op D7 GTgus Q if Fi a ae E laugh-ing at the ques - tions that you once asked of Do you know where you're go-ing to? Do youlike the things that life is CmvEb Fm6/Ab a ¢ : F # i — show . ing you? Where are youFm6lA> ame z looking wwe planned gQ FIC ¢ Eo EF y dreams — just ship through our bands.Why must_ we fore we GTgus to those ques = tions can be?,Abm6ichTHEME FROM E.T. (The Extra-Terrestrial) from the Universal Picture E.T, (THE EXTRA-TERRESTRIAL) M JOHN Wit © coi 3 i comrrarion or unin me MCA Mise Poblshingv4THE EXODUS SONG from EXODUS Words by PAE Music by ERNEST Slowly (Broad) z gave this land to me, and an And when the morn = ing sun te - veals her hills sul see a land where chil-dren can run free fake my hand and walk this land with me And we Of ’ Poy 7 = righ ©1961 by Cae Apne Eden Conroe Anis rntere Cpa & Co wnaratind Copya Seared A ht RasTove Iy this pola = ent land with € With the — help_of I know 1 canbe make this land our home, make this land our strong. must fight, TNL fight todni i Matic by GIORGIO. Steadily esos! when there’s nothing we Coprigh© 1883 by Chappel 8 Co ute hun and as Mak Cerporaon Plas Aémnaerd by Chappel 82a erat Coy Sed Aegis Reesfull of pride Fasterwith a driving beat Re * & ‘z 2 close my close my 2 hold takes holdWhat a feel F El Vo can have it all__now I'm dane = ing Eb/F FT Take your pas E> ss : BB rue eS Pic tures come 3 - tive you can dance— right through your life, — Now I’m dane - ing through—— my life. — —