BRAN D— ann CRY/ Paste PUBLISHERS goKatal Durtion: 4.35 Composer's note: “Lift Off is a short suite of desctipiive pieces, all inspired by a short flight from Manchester England to Brussels, In the Gistimevement we heat the engine stat, and after the plane has anoyed into position, intakes off. "Sy “The second movement depict the beautiful view of the clouds from abave. It all seems timeless and you doa’ ever feel asf you are moving. The last movement starts nervously (i'm not a great flier!) as the pling begiss its descent from the sky. However, as we land safely back on earth, the pieceeit in a Feary of excitement and triumph, returning +0 a there heard in Set ing}. Seore Cat. No: 10274 Full Score Sease only: we CONCERT BAND SERIESPeter Meechan is recognised as one of the most exciting composition talents of his genesation, His tmusic is informed by completely different influences fron preceding * genctations, including jazz, dance, fank asd acid! house. [Tis works for brastand wine ‘have received worlchwide acclaim with performances from many of Biigope's leading, ensembles, conductors, and soloists at many of the worlds Yeading venues tad festivals Peter is cursently ‘Composer in Association’ at the prestigious BlackeDykeBaand Bora in Nuneaton, England, Peter began his composition studigs at the: Nor ‘Warwickshire College, under Simon Halt and Ben Markiand:‘in #998, he acéepted a place at the Royal Northera College of Music, studying composition with Avithony Gilbert, Elena Firsova, David Home and Adam Gorb. During his time at the RCM, Peter was awarded the Edward Hecht prize for composition, short litied by SPNM (Society for the Promotion of New Music) and was a ptizewinner in the Baitishatid Tnrernational Bass Forum composition competition 2001, with his concerto for double bass and ensemble ~ "Word of Mouth (Inner Vision)’ Recent performances include, ‘Revamp’, featured alozjiite ie music of Stravinsky, Messiaen, McCabe and Gregson in "The Gregson Connection’ - a mini festivel dedicated to the music of RNCM Principal, Edward Gregsoi and Peter's music for Huphonium was showeased in 'Beilliant Minds\, 2 concert at'the 8NCM International Tubs and Euphoaium Pestival.LIFT OFF! Movement 1- Take Off! “Pete Meechan ‘Ist Flute 2nd Flute ‘Oboe 4st 8) Clarinet 2nd Bb Clarinot 31d By Clarinet Bs Bags Clarinet EbAlto Saxophone Bs Tenor Saxophone Se Trumpets | F Horns i w ‘Tremoone EuphoniumiBassqae WBaritone Sax Tuba Timpani Percussion 4 Percussion 2 (for raheareat only) ca © Copyright 2006 G & M. Beand Publications Lté., Wingrave, Bucks, England.ist Fi. 2nd Fld ‘Oboe tst 5) Ciar. 2nd B Clar. 3rd Bs Clr. B, Bass Ciar. Piono (for rahoareal: only} avelll(aeeel)... and FUP ‘Oboe tet Bs Clas. 2nd Bi ciar HY Sr BClar. B Bass Clar, Eh Alto Sex. Be Ten. Sex. Plane (for rehearsal ‘onty)tstFt ana rut ‘Oboe 4st Bs Clar. 2nd Bi Ciar. 3rd Bi Clar. B. Base Clas. Es Allo Sax. Bp Ten. Sax. B Tpts.t 0 Fins} 0 Tons. Timp. Pere. Pere. 2 Piano for rohearsa only)Ast Fi. ana Fu ‘Oboe Tet BsClar. and Bi oir. |e 3rd Bi Cla. 1B. Bass Char. Es Allo Sax. BbTen. Sax. Bi Tpts.1 i FHns! w Euph Tube Timp. Pore. 4 Pore. 2 Pisns for rehearsal only)tt, 2nd FUP ‘Oboe tet .Clar. 2nd B Clar. |e ro 30d Be Clar, Bass Clar. Es alto Sax. FZ Bs Ten, Sax, Tp. u Yeas. Timp. EE Pore. t Pore, 2 Piano (for rehearsal ‘onty)tet FI. 2nd FLY ‘Oboe 2a Bb Clar. 3rd 8 Cla, Bi Base Clar. ¢ Fs Ato Sax, Ten. Sex. Be Tpte. 1 u FHnef @ Euph. Toba Timp. Pore. 4 Pore. 2 Piano: (for voheareai only}fotFL ang FU ‘Oboe 4st B) Cher 2nd Bs Gier. 3rd B Clr, B) Rass Cler. Es Alto Sax. ‘Yoas. Euph. Tuba Timp. Pere. Pore. 2 Piano (for rehearsal aly)at Fh. and Fu ‘Oboe soe cur (ESE FEF EE Po EP ESE te 2d Bs Cae tae ae ‘rd Hh Clan. Br Bass Clar. EbAlto Sax. Ten. Sax, Be Tpts, Fins! 0 tone. (3 Euph. Tuba Timp. Pore. 4 Perc. 2 Piano (ior rohearsal: ‘only10 ‘AstFl. 2nd FL ‘Oboe tet Bhar. 2nd Bs Ciar. ard Bs Clar. Bass Clar, Et Aito Sex Bs Tan, Sax. Be Tots! 0 Fins} i Tons. Euph. Tuna Timp. Pere. Pere. 2 Piano (for rehearsal only) Movement 2 - In the Timeless Clouds d= 56-66and FU ‘Oboe 481 Br Clan. 2nd 8: Cla. 3rd Bh Car. Bs Bass Glan ELAlto Sox. Bs Ten. Sax 8: Tpts.1 4 FHne 1 ‘Tons. Euph. Tuba Timp. Pere. 4 Pere. 2 Piano tor rehearsal ‘onty)4st Fl 2nd FL ‘Oboe 1828: Clar, es B:Clar. 3rd Clar. By Bass Clar. Es Allo Sax, B:Tpts. W Fost 0 Tons. Euph, Tuba Timp. Pere. Pore. 2 Piano (for rehearsal only)49t F. 2nd FL! ‘Oboe 1st B: Char 2nd B Char, 3rd Bb Clar. B.Bass Clar. E: Alto Sax Ten. Sax, Bs Tpte.1 " Fins il Tons. Eup Tuba Timp. Pers. Pore, 2 Piano {for ehezrsa only)Movement 3 - Touch Down tat Clar. 2nd Bi Gla Sri Bb Char. Allo Sax. BrTen. Sax. Piano for rehearsal ‘onty)6 tot. and Fur ‘Oboo +t cr, 2nd Bs Clr. 2! Cle, B, Bane Clar, Er Alto Sax, 8 Ten. Sax. Bs Fp. " FHnet u Tons, Euph, Tuba Timp. Fiano (tor rehearsal only)(BOE) esc eee cree Ast Fh. =F 2nd FL ‘Oboe tet Bi Ghar. 2neé Bs Clar. 3rd B Clan. Baas Clar. Es Alto Sax. Ben. Sax. Be Tpits. iu FHns ‘oba Time. Pore, 1 Porc. 2 Piano for sehearsal only)at Fl. ang Fis ‘Oboe 4st Bs Clas, 2nd Bi Chaz, 31d By Clee. Bs Bass Claz, ErAlto Sax, BsTen. Sx. Thns, Euph Tuba Timp. Pere.4 Pers. Piano for cehearsal ony)8 tet. 2nd FL ‘Shoe 4st B Clar. 2nd By Clar. Sra Be Ola. 'B Base Ciar, Balto Sax Bs Fen. Sax. B:Tpls, a FHns 1 a Tbe. Euph. Tube Time, Pere.4 Perc, 2 Piano (Tor rehearsal only)2 Ast Fl, 2nd FL ‘Oboe LS ‘tat @) Clan, 2nd Bs Char. 3rd B Car. thy, au Sass Clar, Es Alio Sax, > 1 Tea. Sax. 2 B Tots. W aS Ea Pd I ft : Yuba Timp. Pers.4 Pere. 2 Pian (or rohearsal only)0 tetFl 2nd FL ‘Oboe ‘1st Bs Cer 2nd Be Clar. rd Bi Clr. B.Bags Clr. Eh Alto Sax. Bs Ten. Sax. tpt. 0 Fine a ‘ns. Euph. Tuba Timp. Pore. + Fiano (for rehearsal| G&MBRAND PUBLICATIO announceLift OfF FULL SCORF _. 1 °F HORN 2 2 FLUTE 4 28°F HORN: — 2NP ELUTE / OBOE __ 6 1" Eb HORN__= —? 7 Bb CLARINET 2’ Eb HORN{ aate 2 2°” Bb CLARENET, 4 TROMBONE: 4 3" Bb CLARINET _. 4 Bb TROMBONE “ECE Bb BASS CLARINET* 2 Eb ALTO SAXOPHONE*. 4 BhEUPHORIUM (Baritone) TC ___ 2 Bb TENOR SAXOPHONE*. 2 ‘TUBA 6 Eb BARITONE SAXOPHONE* 1 Bh BASS TC 2 Y TRUMPET 2 2 28° TRUMPET 2 2 2 1 Sex sold ga thd continist of Europe ALSO INCLUDE transposed parts for |, Bb Tuba (BC) and Eh Taba {1'C) and (BO) sk (¥) are NOT ESSENTIAL, abthongh their presence will bnionady enable a ler realisation of the eomeposer’s inention to be ackioved. Parts marked with aa ast «, PBither 2° Hors OR Toombane required. Catalogue No: 10274