Professional Documents
Culture Documents
{g`u`i`t`a`r`}
{p`l`a`y` `4` `t`i`m`e`s`}
p
G¨'9/B¨ A¨Ð G¨^ A¨'9/C
[b_a_s_s_ _e_n_t_e_r_s_ _2_n_d_ _x_,_ _d_r_u_m_s_ _s_n_e_a_k_ _i_n_ _3_r_d_ _x_]
[A] G¨'9/B¨ A¨Ð
G¨^ A¨'9/C G¨'9/B¨ A¨Ð G¨^ A¨'9/C
1.
G¨'9/B¨ A¨Ð F/A A¨13 A'9/C© BÐ A^ A¨7“
2.
G¨'9/B¨ A¨Ð F/A A¨‹7(13) G¨^ D¨'9/F E^ E¨‹7
[a_l_t_o_ _&_ _t_e_n_._]
[B] alto A^ B^ C©^
ten.
f
bass walks in 5
A^ D^ G©‹7'4 (horns, unis.)
[C] A'9/C©
BÐ A^ B'9/D© A'9/C© BÐ A^ BÐ A^ To Coda
(div.)
mp
Transcribed by Ville V. (2012)
2
[d] {g`u`i`t`a`r` `s`o`l`o`}
G¨'9/B¨
A¨Ð G¨^ A¨'9/C G¨'9/B¨ A¨Ð G¨^ A¨'9/C
G¨'9/B¨ A¨Ð F/A A¨13 A'9/C© BÐ A^ A¨7“
G¨'9/B¨ A¨Ð G¨^ A¨'9/C G¨'9/B¨ A¨Ð G¨^ A¨'9/C
G¨'9/B¨ A¨Ð F/A A¨‹7(13) G¨^ D¨'9/F E^ E¨‹7
A^ B^ C©^ A^ D^ G©‹7'4
bass walks in 5
A'9/C© BÐ A^ B'9/D©
till cue
on cue
A'9/C© BÐ G^ A^ BÐ A^
C©‹7 G©‹7 C©‹7 G©‹7 C©‹7 G©‹7
A‹7 B‹7
[h_o_r_n_s_ _b_k_g_d_,_ _a_d_d_ _o_n_ _c_u_e_]
on cue
A‹7 B‹7 C©‹7 A^#11
[F]
pn.G¨'9/B¨ A¨Ð G¨^ A¨'9/C D.S. al Coda
p
3
{t`e`n`.` `s`o`l`o`}
G¨'9/B¨ A¨Ð G¨^ A¨'9/C G¨'9/B¨ A¨Ð G¨^ A¨'9/C
[r_h_y_._ _b_k_g_d_,_ _a_d_d_ _o_n_ _c_u_e_ _-_ _s_t_a_r_t_ _s_o_f_t_l_y_ _a_n_d_ _b_u_i_l_d_ _g_r_a_d_._]
till cue
G¨'9/B¨ A¨Ð F/A A¨13 BÐ A^ A¨7“
A'9/C©
on cue
ritard.
A'9/C© BÐ A^ A¨7“
Alternate guitar voicings in Intro, and bars 1 - 4 of A (guitar sounds one octave lower than written):
G¨/B¨ F‹/A¨ E¨‹/G¨ A¨/C