AW. 2 Lesson 9 ASE Track #20 Fi, low second finger G and third finger A. first finger creating a half step interval between leaving a whole step between second and third finger. ‘The notes in the key of D on the E string are open E, first finger ‘The low second finger is placed on the string very close to the the two fingers. The third finger stays in its same postion & —®-©@—_®—_ A D G ae ‘Track #21 Rigaudon 7 Henry Purcell ’ (lift bow) A t 13 Scanned with CamScannerCRE ea n 10 Lesso ol called the time signature, Every, At the beginning of the firs taf jut after the key signature i8 8 SY™PC/ TT nes in this lesson ae in, found in the book so far has been in "eommon’ time which is the same as 47% or uber tells what ‘The top number in the time signature gives the number of beats per mensutt ana se tha ie Roc tag, kind of note is equal tone bea. In "eommon” time , marked with a Cand arent tl ies measure and the quarter note is equal to one beat. In 3/4 time there are three note is equal to one beat, Lavender’s Blue A mf ie ae Allegretto Ludwig van Beethoven mf 14 Scanned with CamScanner8 mas A slur is a markin, changing the directioy Lesson 11 ‘more notes. All notes connected by a slur are played without i connects two notes on the same pitch is called a tie. 8 that connects two or M Of the bow. A slur that Gavotte mf GR: mocxras Simple Gifts A x ‘Shaker Melody 15 Scanned with CamScannerv> THESE Track, 7 Lesson 12 A Accents Cents are found on notes that are to be emphasized or playe« done by applyi lyin; ae 4 stronger than notes around them. This ‘nee the note begins the pressure is lighteneg Fanfare Minuet Vv > A ft va > RE nck or King William’s March Jeremiah Clarke a a Va 16 Scanned with CamScanner