a G.SCHIRMER'S GSS > OCTAVO CHORUSES 10 ~——0UDLEY Buck 10 — ~~ DUDLEY BUCK 10 ~~~ duDLeEY BUCK 15 ——— DUDLEY BUCK DUDLEY BUCK EDW. CAMPION DENZA DvoRaK . OVORAK ovoRaK DvoRsK DVORAK . OVORKK DvORAK ovokkK . BVORAK ovorsx \. OVORKK Dvorak DvoRaK Cc, W. COOMBS 10———C. W. CoomBs 12———C. W, COOMBS ———C. w. coomas ALBERT A MACK 1 ——— EDUARDO MARZO WILSON G. SMITH ——MYLES 8, FOSTER MORNING INVOCATION, PRETTY GOOD WORLD, ~ EVENING HYMN. : LAUGHTERTOWN, eee _ _ «BEDTIME, THERE, LITTLE GIRL. IF | BUT KNEW, ROSES EVERYWHERE. THE FUGITIVE THE BIROLING. THE PARTING, PARTING WITHOUT SORROW, THE PLEOGE OF LOVE. FORSAKEN. SAD OF HEART, THE MODEST MAIDEN, feet THE RING, ‘i +. CONFIDENCE 7 : «THE CAPTIVE MAID. + COMFORT. THE WILD ROSE. : : ALJUNE DAY, . THE SLUMBER.SONG OF THE SEA é SONG OF THE BELLS. UNDER THE SILENT STARS (Christmas). 7 ate ocToBeR, THE NIGHT IS FAR SPENT (Advent). ~ THE LAND OF DREAMS. When ordering state: Octavo Choruses for Women’s Voices, and Number only. (3 Pans) (3 Parts) (3 Parts) @ Pans) (3 Parts) (6 Parts) (4 Pars) (2 Parts) (2 Parts) (2 Parts) (2 Pans) (2 Parts) (2 Pars) (2 Pans) (2 Pas) (2 Pars) (2 Parts) @ Parts (2 Pans) @ Pans) (2 Parts) (4 Pars) (Pons) (3 Parts) § Parts) (6 Parts {2 Parts) G Parts) SLES G.SCHIRMERS 5 NEW YORKDas Véglein. . The Birdling. Andante. PP Flie - ge, Vog- ein, flie- ge Hie thee, bird ling, hie thee ge, Vog- lein, flie- ge thee, bird ling, hie thee Andante. 2 PP i. ber das Ge. bir. ge, flie- ge, Vig-lein, flie - ge now be-yond_the moun - talus, hie thee, bird-ling, hie — thee ——— — — i= ber das Ge - bir - g flie - ge, Vg-lein, flie- ge now be- yond the moun - tains, hie thee, bird-ling, hie — thee din. ii-ber je-nen Bir-ken-hain, — flie - ge, lein, lie o-ver yonder wood-y plain, hie thee, ling, hig Rir-ken- hain, wood-y plain, thee, a eee f Jain 10164 Copyright, 1904, by G Schirmer.A e Vog-lein, flie- ge ii - ber Je-nen Bir-ken- hain. bird-ting, hie thee 0 - ver yonder wood-y plain. ores. A= Vig-lein, lie - ii. ber je-nen Bir-ken- hain. bird-ting, hie thee o- ver yonder wood-y “as Ean spite Ach,wenn’s miglich wii - re, wenn es Gott ge- Iam wait-ing lone - ly, — Pray-ing Heav'n that Ach,wenn’s méglich wii - re, wenn es Gott ge- Iam wait-ing lone - ly, — Pray-ing Heavn that din ————— P_idin, PP wiihr - te, mich mit mei-nem lie-ben Soh-ne heut’ zu freu’n, on - ly 1 maysee my dar-ling love to- day a - gain, ee dim. wihr - te, mich mit mei-nem lie-ben Soh-ne heut’ zu fren'n, on ly I may see my dar-ling love to- day a - gain, == _ din. —_Meno mosso. 5 molto rit. mich mit meinem Sohn zu frewn. see my dar-ling love a - gain molto rit mich mit meinem Sohn zu frew’n. see my dar-ling love a - gain. Meno mosso. Quasi Tempo I. “molto rit ——— | ain PP , ee Ach, es ist__ nicht még - lich, und ich leid’ un - sig - lich, Ah, my heart is . fail . ing, Woe is um- a - vail - ing, Dp =——" Ach, es ist nicht még - lich, und ich leid’ un - sig - lich, Ah, my heart is fail ~ ing, Woe is un- a - vail - ing, a e @, Jf ist__ nicht még - lich, von ein-an-der sind wir weit; ah, my heart is fail - ing! All too far_are we —a- part! von ein-an-der sind wir wei ing! All too far are we * ist nicht még - ah, my heart is failnein, noch Ah, to. nein, woch Ah, to - hew- te day— my heu - te day my tees ists heart nicht’ még-lich, von nicht még-lich, von fail. ing, All fail- ing, All —— an - der far are Du kannst Andre ‘Thou wilt soon for- get Du kannst Andre Thou wilt soon for- get sind we wir a lie - ben, me. ben, weit! part! ich will And’re I will not re- gret ich will Andre will not re- gret ~ Piu_mosso. = =~ © aha ae a 7 an - der sind wir weit! far are we oa + part! ben, und ver-gessen thee, Fain would { for ben, und ver- gessen thee, Fain would I for-Ann EEE EE EEO eee eee ee ee Eee eee Eee aceaaa poco rit. will ich Alles oh - ne Leid, Al. tes, Al- les oh - ne get the woethat fills my heart, fain for- get what fills my —=—— 0c0_ rit. will ich Al-les oh - ne Leid, Al- les, Al- les oh - ne get the woe that fills my heart, fain for-get what fills my ‘poco rit. Andante quasi_Tempo I. Pp Je. der bleibt fiir Far from me, as Leid. Je - der bleibt fiir heart: from = me,_ Andante quasi Tempo I. sich al- lein. Al - les soll ver - ges-sen sein! 1 from thee, All for-got our love shall b sich al- lein. ver - ges-sen sein! 1 from thee, All for-got our love shall be! 19164—M, MEYER.OLBERSLEBEN . 0... —M. MEYER.OLBERSLEBEN. =. 0, se 4552, 15———M, MEYER-OLBERSLEBEN Ceaaaed 4562, 10-——H,R, SHELLEY. oe 4509, 15) — — — KREMSER-SPICKER (with Harp [or Piano] and Organ) 10—-—-L.OENZA : zee — — FAURE-SHELLEY HARRY ROWE SHELLEY == CHAS, VINCENT —— CHAS, VINCENT When ordering, state: Octavo Choruses for Women's THE MOONLIGHT FAY. (3 Pans) + __ WAYSIDE FLOWER. (3 Parts) THE SMITH OF LOVE. (3 Parts) +. GOD IS LOVE, (3 Parts) HYMN TO THE MADONNA. (4 Parts) . .DAISY.TIME, (2 Parts) Ipoaow.ormo wiessier” 7.” . "our jai ScHOoL. (Par) LOOPY STAR, |...” SWEET JESU, HEIVENKING. (Part) LOH SHELLEY” “(Chvismas Cac O CHILD OF WARY'S GENTLE CARE. (3 Pars JOD IOH, CLOUGHLLEIGHTER ss (Chisiman Cer) CHRIST TS BORN. (2 Part JOLLA, R SHELLEY (From The Soul Tumphant) FAITH, HOPE AND LOVE. (@ Pars BGO. 6 COW en HOW LOVELY ARE THY DWELLINGS. (@ Pars) 15 — — — MEHUL-SPICKER, PRAISE THE LORD WITH SONGS OF REJOICING. (@ Parts) oo—J. ROGERS (Qeappels) SWEET AND LOW. Ct Par) one. beNzn SET NSPRING. (3 Pats) ia benz PALE, BROKEN FLOWER. ( Pars) i= aU beNzA ee TEMORK TE Party foo =U beNZa Tie Cask’ ano'THe wicHTINGALe, | Eq Pen 30 ———L. OENZA se WHITE BUTTERFLY, 162 (Parts) 10 ——U DENA 7. SuwweR sreezes 122 @ Pars) | 12 — = DENZA «7.7 (With Soprano Solo) THE BEES. [© (2 Part) as, 10 ——L. DENZA ae, GOOD.NIGHT |s (4 Pa) gate eer DeNeA ESE «|. GARDEN OF FLOWERS. J (2 Parts) TLiww E HAESCHE” .. SONGS OF HELLAS. or 1 or2 Volos = pains SHeLeey 7, SONGS OF HELE GHPSIES. (3 Pan) 7 SANTA MARIA G Parts) THE CASTANETS' SONG (3 Parts) THE NIGHT BELLS (2 Parts) BRIGHT SUMMER (2 Parts) — KING HALL . THE SKYLARK (3 Parts) FRANK L. SEALY . THOU, © GOD, ART PRAISED (3 Parts) ——. HUNTINGTON WOODMAN WITH REVELS AND WASSAILS (4 Parts) ——L DENZA 7 FAIR DAFFODILS (3 Parts) -—L. DENZA . NIGHTS OF MUSIC (3 Parts) —— SUMNER SALTER . GOODNIGHT @ Parts) —-= SUMNER SALTER : THE BANDERJACKET (3 Parts) —ALOENZA HOW CAN | FORGET YOU? (2 Parts) ——L. CARACCIOLO . |. (Tuscan Follesong) NEAREST AND DEAREST (2 Parts) ——L. CARACCIOLO . ” (Tuscan Folk-song} A STREAMLET FULL OF FLOWERS (2 Parts) 15———JOUBERTI-SPICKER. .. +. SERENADE TO JUANITA (3 Parts) 25 —— —C. HERING 6 HUNGARIAN SONGS (3 Parts) 15 ——— FANING-SPICKER THE MILLER'S WOOING (4 Parts) 30 — — — BARNBY-SPICKER SWEET AND LOW (4 Parts) VOICES OF THE WOODS (3 Parts) AT THE GALMY BREATH OF SPRING (2 Parts) DOWN BY THE SEA (2 Parts) WHEN THE DAY IS PAST (2 Parts) Voices, and Number only. 36S! G.SCHIRMER# NEW YORK