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Caryatids
A caryatid (Greek: Καρυάτις, plural: Καρυάτιδες) is
a sculpted female figure serving as an architectural
support taking the place of a column or a pillar
supporting an entablature on her head. The Greek
term karyatides literally means "maidens of Karyai",
an ancient town of Peloponnese. Karyai had a
famous temple dedicated to the goddess Artemis in
her aspect of Artemis Karyatis
The origins of the term are unclear. It is first
recorded in the Latin form caryatides by the Roman
architect Vitruvius. He stated in his 1st century BC
work De architectura (I.1.5) that the female figures
of the Erechtheion represented the punishment of
the women of Karyæ, a town near Sparta in
Laconia, who were condemned to slavery after
betraying Athens by siding with Persia in the Greco-
Persian Wars. However, Vitruvius' explanation is
doubtful; well before the Persian Wars, female
figures were used as decorative supports in Greece
[5] and the ancient Near East.
The ancient Karyæ ("Walnut Trees") supposedly
was one of the six adjacent villages that united to
form the original township of Sparta, and the
hometown of Menelaos' queen, Helen of Troy. Girls
from Karyæ were considered especially beautiful,
tall, strong, and capable of giving birth to strong
children.
A caryatid supporting a basket on her head is called
a canephora ("basket-bearer"), representing one of
the maidens who carried sacred objects used at
feasts of the goddesses Athena and Artemis. The
Erectheion caryatids, in a shrine dedicated to an
archaic king of Athens, may therefore represent
priestesses of Artemis in Karyæ, a place named for
the "nut-tree sisterhood" – apparently in Mycenaean
times, like other plural feminine toponyms, such as
Hyrai or Athens itself.
The later male counterpart of the caryatid is referred
to as a telamon (plural telamones) or atlas (plural
atlantes) – the name refers to the legend of Atlas,
who bore the sphere of the heavens on his
shoulders. Such figures were used on a
monumental scale, notably in the Temple of
Olympian Zeus in Agrigento, Sicily.
Ornamental hydrolics
Greco-Egyptian origin in treatises of the School of
Alexandria. 3rd BC Fontanieri such as Francini and
Buontalenti creaked the water marvels, autumata,
organ pipes and giocchi d’ acqua (water jokes) that
would douse unspecting visitors who triggered its
jets with an innocent footfall. THerei new mecahnics
was built on a body of theorems said to have been
proposed by Alexandrian physicists and
mathematicians know as Ctesibius and Hero. These
men had explored the expanding properties of
water under heat and had experimented with the
effects of air pressure and controlled vacuums.
Mentoined by Vitruvius , their treatise were known
druing the Middle Ages from Latin and Arabic
manuscripsts. By the sixteenth century these
manuscript were published in Italian.
River Tiber
Imperial river revered as the very bloodstream of
the state
Bomarzo