Wake

Up, Get Up, Get Out There

Arrangement by Nami Suzuki Composed by Shoji Meguro
Lyrics by Benjamin Franklin
Vocals by Lyn Inaizumi

 
         
               
       
 = 128


              
  
   


           

  

                           
         
5 


          
         
       

                
                         


   


         
 

9

  
   
 
         
        
       
      
vb

                 

            



     
         

13

   
  
   
  
     
     
             
Who

    
The

  va bassa
    
              
             

17

             


am I? Am I not u nique? May be I'm not here at

        
tak ers Are all sick at heart Their faces hid ing their

        
              

 
20

          

        
all Look, the fak ers Blind ing us with lies The

      
fear They look down on All the rest of us Like


                     
       
  
23

              

            
break ers of us all Oh, it's use less

    
they're some spe cial breed Who's the high lord


           
             
     
26

        

  
 
 

     
       
What could it mean to be here? Can we make a

 
Who thinks he's bet ter than us? Ain't it a

      

      
  
                  
1.

  
    
29

 
                     


         
dif frence If we don't break out ta here?
crime, that? Is there a mis -

     

2
                       
  
               


32

       
        


Wake up get up get out there Raise your voice a gainst

    
out there There's more to life than

          
              
 
 
35

        


      
            
 
l iars Feed your an ger like fire Why does

    
there way if you'd live you can not stay Why does

  
               
   

     
       
38

  
             
no bod y want change? Just i mag ine you're

       
no bod y want change? Let your voi ces ring

   

   
              
       

41

    
     
    
        
out there Swatt ing lies in the mak ing

 
      
out, yeah Take the mask off and be free


             
               
    

44

           

       
Can't move fast with out break ing If you hold on life won't change

   
Find your self in the de bris If you hold on life won't change

   
 
3
 
  
               

   
47 to 1, 2

    

    
           
                 


  

    
                     
   
51

  
           
3

   
       

  
               
   
55

                 
 
       
          

  
               
  
59

 
                 
           
 
   
               
  
63


          
            
            
4
     

 
  
               
   
67


 
                      
   
 
       va bassa      

    ͡   
           
     

2.

  
71
5

                 

                

3 3

  
- sion for us?

 
  

   
        
     
 
     
        
74

             
         
        
Who'd kill a mil
Who is that high lord

  

     
      

  
    

 
77

And   as
 
              
              
       
lion of us? the bell tolls

  
    
        
               
     
80

           



           

is there no re mis sion for us? Wake up get up get

    
D.S. 1
5
      
   

                 
 Coda 2

Coda 1

     
83

  
             
             
Wake up, get up get

 
D.S. 2