Lov INTONATION EXERCISES -=s4 Quintet through complete en _ VERNE REYNOLDS WW Trigram Music Inc.Rarely has an addition to the brass literature had the impact generated by this collec- tion-of intonation exercises. While chamber literature has grown steadily over the past two decades, practically nothing has been introduced to aid chamber groups — often without conductor or coach — in developing the art of flawless intonation and com- patible timbre. ‘These exercises, developed and arranged by the homist of the Eastman Brass Quintet, are invaluable tools in formulating a keen sense of ensemble unity; they are excellent ear training aids for brass players of any age or accomplishment. This publication must be a part of every-chamber music library. It is, by any standard of measure, a significant contribution to our literature. David Kuehn Professor Music California State University, Long Beach150 Intonation Exercises - ~ * For Brass Octave and Unison Ist Trumpet in BP 2nd Trumpet in BE Horn in F ‘Trombone Tuba ©Copyright 1985 by Trigram Music Ine. _ 1888 Century ark East, Century City, California Y0t47 Intemational Copynigit Secured’ Printed in US.A. All rghte HevervedPerfect FifthPerfect FourthUnison, Octave, Perfect Fifth, Perfect Fourth 5610Minor SixthMajor Third, Minor SixthMajor Third, Minor Third, Octave, Perfect Fifth, Perfect Fourth 104Minor Third 109 110Major Sixth Minor Third, Major SixthMajor TriadMinor Triads2 : Major seconds Major Sevenths oe 13923 Minor Seventh, Major Second 144 42 S Minor Sevenths Major Seventh~ Tritone Minor Second, Tritone, Major Seventh Giovanni P. da Palestrina (1514-1594)Kyrie, From Missa Octavi Toni us Orlando Ditasso (1532-15926 Padua 49 Johann Schein (1586-1630)27 Galiarda Johann Schein (1586-1630) 34132