e201 ech ve Ate Geni nee CLASSIC GUITAR 100 BASIC EO (©1998 by ZEN-ON MUSIC CO., LTD.PREFACE ‘This book in two volumes contains 100 program works as the basic repertoires which can be considered suitable for < such as at concert, party, land event, etc. selected from the so-called to study and play at least once asthe classic guitarist or student. This first volume contains 65 works (68 pieces in total) of beginning to intermediate level. As all the works are tried to be placed throughout two volumes, the study and performance in this order will make the musical and playing ability progress naturally and smoothly. This order will, be useful in finding new works to suit the current playing level AAs every work is carefully fingered to show avoiding the characteristic one, i is desirable to study the most suitable fingering by studying how to express music. The arrangements for guitar are based on the original Compositions as much as possible, Though almost all works are written in modern notation, some works still remain in the ‘conventional style for easier reading and better understanding. Alter studying and playing 100 Basie Repertoires 1&1, itis recommendable to challenge further major works of individual ‘composers and to tackle contemporary works, as well. It is our sincere hope that this book will be used as the in any gui sr lesson or study and as a for any guitarist. ZEN-ON MUSIC CO., LTD, Uw MME, FIL 7 EI EERAB ERT SE COMED ELE DNSLOOPDS, HB -F 1 — PANY ARE BUS (AMCOMKIMT SLD 2H B20 8 C CARMEL S— bY —O100f8 8) ELTEEORYOTH. LO BVETI, MRS PRL AL DESH (268 HAL OONTHET. FMM, BBLTOMBMIMOK BH RORRIO RE) DRA SRT tb, EMIS PR WTEC ET, BME AMIN LON TOC CE MCSET. EL, COMMMCRAIESSILT, WEL AU EIHLUERERT CE STREET. MOORS NMMIL, MIR LOEB (OR RMP ELTREATHS LD, PROM OTOH C, RBOMT EME L TS CLARE EF. MOO, TE SROMBLBT OL GOILEL fo MHI, BRORME Ho THETA BET eRe DOLTSOADS, MAME REBEL THE LOH mDEt. HP ROY 9D VS BY 1008 1 THIS, BHEMRO MRO SUERIC GED CATOPREIES BROLET. AAMT Lo Ry RMS BANE MUAY ELT. BR EIR PEMD CLS SPUN RFD) ELTCRMORA SSE EH oth Et. PRS SaPR ITNTCONTENTS, sen an 10. i. 12, 13. 14, 15. 16. 17. 18, 19. ai. 22, iciliana, YF 7—F 4 KA ——————— Matteo Carcassi 2177 Etude =#3—F ii ———_—_—_——__— Ferdinando Carulli 4") Romanze Uy» %——____________— Johann Kaspar Mertz 21-7 Etude <42—K 4 $i) ———————_— Ferdinando Carulli_ #7!) Nocturne 779-2 ————_______—CarlHenze Av = HabaneraOp9_7\7<%-——____——- A Alba 7107 Larghetto 311’ yh} —————— Julio Salvador Sagreras #792 Barcarolle Op.51-1 #3 ———————— Napoléon Coste. 34h Tango No.1 Op.19-1 ¥=t 981% ———— José Ferrer. 72-1 Tango No.3 Op.19-3 97 953% ——— José Ferrer. 7x—v Hupff Auff 797-797 —————— Hans Newsidler_ 747-7 Rujero Y Paradetas V-\—UL/N57—9X% — GasparSanz Y% Etude Op.60-3 = #2—K 983% ————— Matteo Carcassi_ #9Y Maria Luisa ¥1)7 + 1-4 —————— Julio Salvador Sagreras #7 9% Andante Sentimental TYY 77 +t7FAYHI — A Alba TU? Estudio Op.31-5 £F2—K bis] ——————— Fernando Sor Estudio Op.60-22. £42—K x43 ———— Fernando Sor 7 Estudio 0p.35-22, =#a—F ufaiall (A3t) Fernando Sor 7 Etude +#2—¥ = ———————— Napoleon Coste. 2%6 Raindrops i #t, ———————————— GC. Lindsey #4 Sonatina Op.25 -YF4—- ———————— Nicol Paganini 7%: Valse Andantino Jy 7Y¥YF4—7 Antonio Cano #—7 Etude Op.60-20 = +2—F $20% —————— Matteo Carcassi MY Diferencias Sobre "Guardame Las Vacas" ("-% Wii) (2B HEH Luis de Narvaez F7S=A Prelude 71) 2—F ——————— Santiago de Murcia 00/7 Allegro 7 ———___— Santiago de Murcia 47 Estudio 0p.35-17 =F2—-F Fernando Sor Galop 0p.32-6 ¥+0¥7 —————__— Fernando Sor 7) Valse Op32-2. 7) Sei] ——————— Fernando Sor. 7» Romance De Amor BOuVYA Cancion Popular Espafiola A“ 47 Rat . Lagrima 3 7')¥ (i) Francisco Tarrega 9-L Adelita, 7-7)—¥ ———————— Francisco Tarrega 9 . Sonata Yt ———— Leonhard von Call 1” |. Almain 7) 24: —————___— Robert Johnson. . Pavana 78°77 — fp ——— Gaspar Sanz #1 ~ Se een Ree rete ee ee Car) 10 1 12 13 cv 15 16 7 18 19 20 22 23 24 2ESRBRR 32 35 37 38 — 39 40 41 42 45 46 4737. 39. 40. 41. 42, 43. 45. 46. 47. 48. 49. 50. 51. 82. 53, 55. 56. 57. 58. 59, 60. 61. 62. 63. 65. Pavana Il 7*77—+ Il] ———————— Luis de Milan 48 Fantasia XVI 7792/7 XVI Luis de Milan ————50 Saltaréllo #0 ¥yn ——_— Anonymous fF %83# ————_— 52 Estudio Op.6-12 F3—F 449 ————— Femando Sor 7 —————_—_— 53 Prelude, Sarabande, Bourrée (Suite in D minor) 7LYa—k, #9787, 7—L— (Hh = 5H) Robert de Visée ¥4-¥- —————_——56 Menuet 22022 =s@] ——————— Jean Philippe Rameau 4—- 58 Menuet 2202RLyb 4 kel ———— Jean-Philippe Rameau E—- ——— 60 Ouverture Fi —————____—_——- Ferdinando Carulli__ 4 11) ——————— 62 Endecha Y Oremus 27 F—FxEAL—LA — Francisco Tarrega ¥—L# —————— 66 Suefio (Mazurka) (~ X14) ——————— Francisco Tirrega_ 9-7. ————— 67 Marieta (Mazurka) Y=—¥ (~ XIV) —— Francisco Tarrega #—L#i —————— 68 PreludioNo.S 7L')2—K 985% ————— Francisco Tarrega 9-137 ————— 69 El Testamento D'Amelia_ 721) 7 itt Cancién Popular Espafola 242 Ri? ——70 Menuet Op.11-1 2%7b hs] —————— Fernando Sor 71” ————————71 Menuet Op.11-5 2%=yb = Sei Fernando Sor 71” ———____—72 Menuet Op.11-6 2%=yh 4 Sil] ————— Fernando Sor 7) ——————- 73 Menuet (Grande Sonate 0p.22) ARLyb FYE -VF4) Fernando Sor ¥7)y 74 Menuet (Deuxieme Grande Sonate Op.25) AX Lyb BAFFVK VIF) Fernando Sor 7)” 75 EINoi De La Mare J+ 407+ 9+-7—-L (BHOWF) Cancién Popular Espafola. 247 RE —— 76 Bourrée (Lute Suite I BWV996) 7—-L— (Ja—b ill ti 8 1%) Johann Sebastian Bach $y?) 77 Andante Largo Op5-5 TY ¥VF-Gt Fernando Sor)» 78 Venetianisches Gondellied Op.19-6 “= 2st Felix Mendelssohn-Bartholdy / Francisco Tarrega 4772-7 /7—-V¥ ——— 80 Tango 9 yf ——_____________— Francisco Tirrega 9—L¥ 82 Maria (Gavota) V7 (#%4yb) —————— Francisco Térrega ¥—bf —————— 84 Passacaglia 769 4}71)7 ———— Ludovico Roncalli 87) 86 Feste Lariane 7=27+9')7—% ————— Luigi Mozeani. €9:77-= ————_—— 88 Lachrimae Pavan O78" 7—% —————— John Dowland 7997" ——————— 92 Sarabande, Double (Partita No.1 for Unaccompanied Violin BWV 1002) PINE, BOT ERY AAT NFA 7 HSH) Johann Sebastian Bach $y) 95 Recuerdos De La Alhambra 79 77FO*MVI} FranciscoTérrega ¥—L ———————. 98 Index #5] 102Siciliana SEIT HT 1a Matteo Carcassi MaMayy é Se == Sa = rer SSS " F r * 7 t—f ; Ge ee Tad » : Gt = oF tT ros ope saa ' r St r D.C. al FineFerdinando Carulli Fay!)Romanze auyyz Johann Kaspar Mertz Adagio 1K. ty oad ror of Fh T FRFerdinando Carulli Fy) D.G.al FineNocturne DD9-Y Carl Henze CAvy PP morendoOpo DAF Habanera A Alba = a9 ? eet Tu = eg [oee aLarghetto DUIS Julio Salvador Sagreras JSFFLIRBarcarolle p51 Noa AK Napoléon Coste cs NaAb ee Harm.i2 “#0 = D.C. al FineTango No.1 Op.19 No.1 rt IE cs. 7 José Ferrer J. 72b—0Tango No.3 p19 Nos FEES! José Ferrer J. 7zb-0 Zz jd 2 fi 2 a im 4Hupff Auff DIT TOF Hans Neusidler H 749-8 9— Allegretto lk tt parteRujero Y Paradetas WA-TERIF IR Gaspar Sanz oy CHR wd : ;18 Etude Op60 No3 ‘Matteo Carcassi Andantino Sta -K B38 MayMaria Luisa WUT MA Julio Salvador Sagreras LS AILIA C5 a cs ; Allegro eg toad + * +r 7 $8 it te ~ + Z a G+ Ze sa Sire SSS eae > fr r See at W 4 tt tH oe \ ow RSL Hea Sy MI20 Andante Sentimental TYP YFRYFATI Andante lento cs. . ln rl vere ATEN Ling He al ral, torent g com espress be ‘ii. mosso ca cs. ca. ; animato Harm.t2 1 Harms ee ®21 f TT —~ ~ 1 — 7 7 P cs. pit animato cs oaae. a poco rit. Cpe ee =a : ; a tempo —- P con espress Harm,t2.-. Harm smorendo Harm.t2Estudio p31 Nos ZHa-k Me Andantino got ti dd * : ? ? t23 Estudio Op.60 No.22 Fernando Sor Allegro moderato stank a Ry 4Estudio 0p35 No22 SHa-K OL AE) Fernando Sor FvZFa-K = $i Napoléon Coste Andante N. 2k ay edi en d rel oud ea] > 7 7 dul ee 2 tr fF Pl oud], Se a= . (et 7 2 yo a Ss pe | 7 = Ba eee Woda, wo re —- Pog a £ 1. wd ‘ wha ; (apne se SS o = = 5 2 7 2 = I 7 DAS. al Fine26 G.C. Lindsey Lento legatissimo Gores ye wy 22 we ee27Sonatina Op.25 ITI Nicold Paganini ca. - NHS—= eo Oe! - apt 7 7 Q qyue- Itdi dddd 1 ia 4 i Jade ee SS ? ? r ! r ? wd 220m 73 - ¢ J110B 43 1s wid Jed aI MII sv30 Valse Andantino DWP TYP VFARD Antonio Cano Aa?Etude Op.60 No.20 eo ZFa-K M208 Matteo Carcassi Allegro brillante » Moauayy eres fDiferencias Sobre "Guardame Las Vacas" “PEARLS ERA Luis de Narvaez Lide+Us6x% Tiempo medio eePrelude 7eya-k Santiago de Murcia Side AvyT d ; 5 Sop 7Allegro Tyo Santiago de Murcia Sde VorEstudio (0p35 Nas? SPIER37 Galop Op.32 No.6 yey sense cx ndo Sor al FineValse p32 No2 Thy RE Fernando Sor Fyvw z= Harz D.C. al Fine39 Romance De Amor Envy zr Cancién Popular Espanola ASA RB eeLagrima DIN R Francisco Térrega. Andante FP o-UeAdelita THING42 Leonhard von Call L.von 143 Trio oz Menuett D.C. =44 Andantino en [08 te gs ee P Sra rrrr % 0: mf faeaaeaAlmain Thay Robert Johnson Ryary? cs. = red eg apaGaspar Sanz daw poy ca. $y fa odPavana I RFT Luis de Mitin Lide 397 os48 Pavana II RSF OL Luis de Milén Lide 397Fantasia XVI Dry PIT ML Luis de Mitin L.de 33751Saltaréllo dueyo Anonymous HERE oe @-D ; Z| a oH i Wt oi 1 WI aI oi + oI a) HII II ae HI al all Fy wt _ all + HI I I =a oi at + aI el al Fr vi — + Fl el + 1 oI) a oi + ol ol 1 ol + Hy BI my wh + 8h a | ll aa HH oa ei 4 =o a — oI tl eit 1 1 = ‘ill oa sil ae Vie on ll —si||)| @4iit | fone +l a] Hi a im al tl HI 4Estudio Op6 Nol2 ta-K 1a Fernando Sor Andante e Foy C3. Cs. 1. = 4 aii Bien cantada la parte superior55‘iam 9 Prelude eet Robert de Visée Rede ¥4¥= Sarabande PONTE y os ca > Ae) _ 1 19sBourrée Joe * | Ae i ae re v1 AyMenuet 2002RLyb =H ©-d I Jean-Philippe Rameau J.Ph. 9=— sul ponticello. ;, sultasto ca. ssl ponies sul ponticelto trrr? otrroo6UFUT UT r sul ponticello. } sultasto. sul tasto.59) sul ponticelto sul tasto. sul ponticello. ‘Menuet I D.C.Menuet 22OARL Ih 1B Jean-Philippe Rameau J.Ph 9%ca sul ponticello eel ; reeOuverture a) Ferdinando Carulli Bow) a ul “II WL NI) Beal $ ned, sa ie. P iii jd veer CL68Sail S.al CodaEndecha Y Oremus LYFOF HEAL DR ©- D Francisco Tarrega Endecha (x) Ryle +o 2d il Oremus (&5 454) Cx0. ca, Ace ce uel al67 Suefio (Mazurka) B(wKwn)y Francisco Tirrega > FIL = ; un poco eresc. zs sisi = Pa D.C al FineMarieta (Mazurka) VYL—9 (VA) Francisco Tarrega Pyle v Harm.12Cy Preludio No.5 TUs—-K BSH Francio Tarra Andante sostenuto cae C2..-. + C2. . aEl Testamento D'Amelia TAIT ORS ©-D Cancién Popular Espafola A847 Rid Harm. a ooOp. Not ARZh hea Menuet cz. I | ey w\ 3 ot ps sl sei i TaN 1 +f] oN) lin ry ey |e - \ * nue Hy yh ase 43 ashy $s teis raMenuet Op.11 NoS ARDG> =A : Fernando Sor @-D Rye Andante maestosoMenuet Op. Nob ARDob 4 Biel Andante maestoso Fernando Sor cs. a FoywMenuet Grande Sonate Op.22 fa ARENT IEE DFP) Fernand Sor D.C. al FineMenuet Deuxieme Grande Sonate Op.25 Femando Sor ARLIRB2IFZE IFS) Fy Allegro ; cs Trio D.C. al FineEl Noi De La Mare EME FF PHL (BORE) Cancién Popular Espafola cf Bel OL wate | BK)) Felix Mendelssohn Bartholdy / Francisco Tarrega PAY URSA2 BLT Harm. a Andante sostenutoil Les « | EF | a i a aL ahs “s 5M, “3M “\ fae] 3 wl nk 3 af Awe as ed 4 I q > 2 =| Y! s ise I; g | sole ic lis & 4a Sym f oe = ~ si 3H ie 8) HR * el Sw ] al ah | Soa] pal || AI i ~~ 7 ~ Soe Nee 1WII ?Maria (Gavota) SLT (HHH) Francisco Tarega= I iF i WH |e I A Harm.12 2 faa 2 TT fi > — Piza,86 Passacaglia Hoa AIT Ludovico Roncalli Laas) \ C3 — = “= a = 1 C3 3 fe Se S| e ewe fe 7, he tf 7 7 72 3 cs y87Feste Lariane J2AF-DITAR Luigi Mozzani Levys8990 Variaziéne Ia ami ami —_—_ = prrdersA zee reek verierrh RRR iz = Gl = = — = - 7 peearreleerareed oreareeMverlecelerrdeerlersleee = Ss SS ie1 oe ae 7 Fs See ed eg tee 6 testes 666) eee f = f —* a —— ? so —- —_— aa EE Tie see dee see vee92 Lachrimae Pavan ROMY T-* John Dowland LIDIE94from Partita No.1 for Unaccompanied Violin BWV 1002 Sarabande RR ITAADNY AVF —IBLBLY BRIE Johann Sebastian Bach ras ca. ca.Double KouRecuerdos De La Alhambra (estudio de trémolo) THVT IO BV Pre ra Pra SS é == = SS a SS afec RES ESS ===S==5 = a alae ey oF vee100 “id TEEPE, Baa Sas102 INDEX #3] Born — Died 1500 —c.1561 1500 — 6.1555 1508/9 — 1563 1510 — 1580 1563 — 1626 1588 — 1633 1583 — 1643 1640 —c1710 1650 — 1725 e17e 1683 — 1764 1685 — 1750, 1685 — 1757 1685 — 1759 1686 — 1750 e170 —18C 1725 — 1784 1767 — 1815 1770— 1841 178 — 1839 Composer & Tide Vol. - Page Las de Milin 392 36, Pavanall ~ ‘37. Pavana I 38. Fantasia XVI Luis de Narvien 7 1176.% 24, Diferencias Sobre “Guardame Las Vacas" Hans Neusidler| 747 9~ 11, Huptf Aut ‘Alonso Mudarra 7-9 82. Fantasia - John Dowland 7992 63. Lachrimae Pavan 73, Lady Hunsdon's Puffle === = Robert Johnson: 34, Almain ~~ Girolamo Frescobaldi 7V 22/6174 76, Aria Detta La Frescobalda| Gaspar Sanz “7% 12. Rujero Y Paradetas 5, Pavana ~~~ 66. Canarios -- oe 22-6 Robert de Visée 94— 41, Prelude, Sarabande, Bourrée (Suite in D minor)---=-~-+=--~ -- 1-56 Lardovieo Roncalli 227") 61, Passacagia ~ 86 Jean Philippe Rameau bet 42, Menuet--- 1-43 43, Menuet: 7 144 Johann Sebastian Bach 7° 56, Bourrée (Lute Suite 1 BWV 996) - 171 reade (Gat or Unaccompanied Cello BY 1007) === 178. Prelude For Lute BWV 999 ~ 79, Gavotte (Suite for Lute BWV 995) 91, Jesu, Joy Of Man's Desiring -- 97, Prehide BWV 998 ~ Domenico Scarlati 240-9974 86, Sonata K322/1.483 87, Sonata K-11/1.352 £88, Sonata K 380/123 Georg Friedrich Hindel A771 90, Sarabande - Sylvius Leopold Weiss 74% 67. Fantasie --- Santiago de Murcia 42/7 25, Pleludio- 26, Allegro ~ Karl Kohut 3/\"7h 75. Allegro (Sonata for Lute)- Leonhard von Call 7 33, Sonata oo Ferdinando Carulli #17") 2. Etude ~ 4 Ede --~ 44 Owerture Fernando Sor 71) 16. Estudio Op31 ~ 5 -- 17. Estudio Op.60 ~ 22 18 Estudio Op 35 ~ 22 - 27. Estudio Op.35 ~ 17 28. Galop Op.32 ~ 6 29, Vale Op:32 ~ 2 40, Estudio Op.6 — 12 50, Menuet Op.11 ~ I~ 51. Menuet Op.11 ~ 5 52, Menuet Op.11 ~ 6~ 58. Menuet (Grande Sonate Op 22) ----- 54, Menuet (Deuxieme Grande Sonate Op.25) ~ 57. Andante Largo Op. ~ 5 =~-~~-~ (68. Estudio Op.6 ~ 6 - 2 RB RISERS1781 —1829 1781 — 1858 1782— 1840 3792— 1853 1806 — 1856 1806 — 1888 1809 — 1847 1811 — 1897 1815 — 1888, 1835 — 1916, 1852— 1909 1860 — 1909 1867— 1916 1869 — 1943 1870-2 18721912 1872 — 1946 1879 — 1942 21943 1885 — 1944 (68, Estudio Op. 29 ~ 11 £89, Estudio Op 29 - 5 --~ 95, Gran Solo Op.14 =--~ 10, Variadons Sur Ar De La Flute Enchant “O Cera, Armonia" Mart) Op9- Mauro Giuliani 27.7 —: 74, Sonata In Do Maggiore Op.15 - 98, Grande Ouverture Op.61 Anton Diabelli 7747-2") 70. Menuet (Sonata I) 21, Sonatina Op.25 80, Romanza (Grande Sonata)--+--++--2-+---+ Matteo Carcassi 71/7 1 Siciana ------~ 13, Bude Op.60~ 3 ~ 23, Bude Op.60 ~ 20 ~ Johann Kaspar Mertz 207 3. Romanze ~~~ Napoléon Coste 2%} 8, Barcarolle Opt 19, Btude Felix Mendelssohn ~ Bartholdy | 4277122 58, Venetianisches Gondellied Op.19 ~ 6 Antonio Cano —7 22. Valse Andantino -~-~ Jean-Delphin Alard 7 —1 88, Estudio Brillante José Ferrer 7 ¥—1 9, Tango No.1 Op.19 ~ 1 10, Tango No3 Op.19 - 3 Francisco Tarrega 9—1#? 31. Lagrima ~ 32. Adela 45 Endecha Y Oremos ----- 46, Sueno (Mazurka) 47. Marieta (Mazurka) 48, Preludio No5 - 58, Tango : 60. Maria (Gavota) ~ 65. Recuerdos De La Alhambra 7. Mazurka ---- 72. Alboraia Caprcho) Isane Albéniz TV<= 2 ‘92, Tango Op.165 ~ 2 ‘94, Rumores De La Caleta ---- Enrique Granados. 797*% 99, Andaluza (Danza Espanola No.S)~ 1-31 1-68 BY SERERSRS Joaquin Malatz 2977 ‘98, Serenata Espaiola - Carl Henze A077 = 5, Nocturne 96, Choro Da Saudade~ Cancién Popular Espatiole X-°4Y Sil 30, Romance De Amor ~~ --1-39 49, EI Testamento DiAmelia- - --1-70 455, EINoi De La Mare 1 Anonymous. ff 7A 39, Saltarélo--------~ oe 108(Classic Guitar 100 BASIC REPERTORIES II HI— KH YI7T-VA—N— 100388 ‘CONTENTS 65 GSanz:Canarios 2A: AYA 67. S.L.Weise: Fantasie 74%: 7779 — 68 F Sor: Estudio Op6-6 Yu: 2¢2—¥ 15m 68. F.Sor: Estudio Op2011 7: =Fa—K BEM 70. A Diabeli: Menuet Sonatall) 747 <2"): ARE Ih (+92) TLR Tirega: Mazurka 9-U 272% bE 72. F-Tirvega: Alborada (Capricho) 9—U97: DW (2818) 73. J. Dowiand: Lady Hunsdon’s Putle BOND. 74 M.Giuliani: Sonata In Do Maggiore Op15. 72752739 7m 75. K Kohaut: Allegro (Sonatafor Lite) 9h: 7L-70 (Ja—b- 749) 78. G Frescobaldi: Aria Dea La Frescobalda 7VAS 709.77 2 71. J'S.Bach Prelude (Suite for Unaccompanied Cello BWV 1007) 7627: 7LY.2—¥ (NP <0 819517) 7A. 1.5 Bach Pree For Late BWV 98976970: 2—hOfO7 LI 2—F 4S. Bach :Gavote (Suite for Late BWV 995) 70: 277+) (Va—hALEM3 2) N. Paganini: Romanza (Grande Sonata) 702-5: Ue 97 (737K 743) 1S Sagreras:ElColibe 179%: BETH ‘AMudarra: Fantasia 29-9: 777997 UD. Alard/E. Trrega: Estudio Brillante 79—W/9—V%: 79— WOM BM ‘A Barrios M.: Vals Il Opa3. 7004 2:79 83H ‘A.Barrios M.:Vals IV Op8-4 204: 907 B48 .Searat Sonata K322/LAS ANNIY FATES ASEM D Scarat Sonata KIL/L352 A2N99 740779 NE Scarlatti Sonata K380/L28 2209974279 = 3 Sor: Estudio Op.29-5. 7:2 F2—F EM GF Hindel: Sarabande A274 :9207¥ 1S.Bach Jesu, Joy OfMan’s Desiring 1079: 22, ADMAORTE [Albéniz : Tango Op165-2 7MS= 2: 97 4. Malats/®. Tarrega: Serenata Espatiola ¥99°/9—D# AAV MAVI—F I. Albenia: Rumores De La Caleta T™\=2: ALOE F.Sor:Gran Solo Opt 70: 797-72 ‘ABarios M.:Chiro Da Saudade 042: 8LADYa—0 41.8. Bach Prelude BWV 998.767: 71) 2—| M. Giuliani: Grande Owerure Op 61. 7.2.7 —= : et E Granados: Andaluza (Danza Espatola No) 73K: 77 ¥ t= (247 Mi 5) F Sor: Variations Sur L'Air De La Flite Enchantée"O Cara, Armonia" (Mozar)) Op9 71: E—77 ROMA OEMS MM 72 0 aL e 5 a 6. 5 7 88 9. 0. 91 ox. s. 94 95. 96 sr. 98. 9 100. 9 p= by 7 LA bY MIA @ | ety — manne seroma —— sovesrancemacrimaverin ane 7) 31a RFT sean | TeL-mm-ee-s70 a iNgamRT ————aoae-2nasa|———__at-an-san un. ze ser oncoie ISBNsT8-4-11-20001-8320 (8141 80073488) on ORL! ISBN4-11-238201-4 C3073 ¥1800E 4 1D: