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foam | De fine oo coated = PPB scouas ing to kiont eWaneacteues oF byic 4 Th to Woh eeeueee | treme definition of Iyate: the Cureeks urea the team Doete. b mean c. poenee suns a] a single voice te the cecompamimert a \Ly instaumert Thus, in dre Oreck Lhe petsennd note Comrprebrensi Pe i conception muse ane orAL eyed! m the team. fe The oxbrd Dictionee Reconolon a Mynie is ‘mo He nome ba a ¢ hont poem, uswelly dini edl nc lee oma Lucey cA PALS Sing Frat poets Ow Huy ills ok sentaments Thus, thre basic op wolty ae byie e feeling ( a Heeeg hte 4 f peom Shell cowleum both — Hough - well as Peeling bud ~ Iyate feeling Be omeeAe | the Hoes Ud. Modern cadictsm emphasizes subjective coms ot of Hyg hye deco ding Hoge que Wyte poet dtc ty Nirah all He worlel; She subjectihes ah. outta persone declingys cond fhen expresses +he ‘g 1 tw Poms OIppAopaterve IN <"* supjectivily. “Tae ahi. Ae > Bee on utb erence of PeAsc,,; subjectivity, emotive ond) imag inedtine: Pebpten, Ges A mone staple bottrnslont Tie (yate tums on Some single Hiro wg ict ok feeling oh llusetee Sen Uw choractenised m ‘4s mode boy brcwiby cobowting of fimmrcun Poesions onal a Keptclby of movermeut. There 6, however, a tendency CUM ony Sma cathics te emphasize ee li ve thine of fae lye : Vs tong Ache eyrecbaty Ai ge subsective ok pecsonol Cortent. Rut ther one diffiatly tnvoled im His concept , ‘) i A poems urtdely Aecepuized) eee cle not Irene ow sevy- tuke quetty m 4 cAthcrs ange eed Hye cn ile by Aefers to eb eN Praulieic ohh a gests oul amd inward son, Perleps, He mest arceptolale vaering ole Finiti on af fare ih peer Cx pes St Mm poets leery pelt pense fo obayt ring. Whatete the sul on re mettod of BG taco uy Boot tre heart Nba ae peasoncl note om oT ecu VON. Coe eee Fc nce CUAO DOF e pL Call F Re a Mier ie Dott ou 1 Bit in | A lukic UR Cae Shoot poem. dy ib Sing te emottm, sthuatim yuuses cn some. necessarily baiek® 4 Wow Oh experience, vu wb % cheep we a patel Wee me ee.) custoined fox et OUP Cc amare cage Geel eettem whieh commot be_ perterl because tromsiert Chemperary) onc 4H b\ une ena: The Ware, Hreachnre, dt of Cowt entreiti on, Me Karwmony iw essentiold m | 4 ! Eu chy good ly colledl "Uojate cw fy f Bee ee hak mohy of moe, melody of ] ANE fcr neture, the bysic prrase- Creoel yates cantimeuns trip. By th ve des not aclmit amy oliyaessi emss mportemt Had Le } clos exued. Arott= i yuretily to The lye c has frown He ver oAfth ef the word pro Oo ee insted Lyre’, ie Ddhet byaits are meet i (be Su . coll lycies ore rot ¢ nae et 7) es Moss, musical oul Hao vy not alw ys Sto>y musical qrotty Ub je Hoe. truth an a ened, a ercol lyric sings omd damees m tHe Keo Lasens Che lycte poet chooses wuecls snot merel; for the 8 of Hee mea bu cbso Poa fhe sounds. He wrung es Hom 5 as tr procluee word muse osidt Ce effectie ethyl of Th men. Sn all goed lyrics “the melody matkbes tHe mottea and the thytt fi He treme! % also pees intensifies Hrowy ct ancl feeling. eg, in Pippee's Song, hepentition of scruind 1 \ { ae Eo and \y! give a Atak poche Chaurm to He prem. Pape leven Such 04 assemerneeCrcpec + r Htim & vewel sermds), ollit exection Cay > ee Litton of conscnot Smimds), chemeatopoeig ek. alse hele te eee mut celily poirn. Te Conelicle tb com be cura a Sie w subjectiwe but not ecutol; yon phicel, BE otional byt not olisre paseli vy ee ot tu least, shod but a) m™ mae —

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