foam
| De fine oo coated =
PPB scouas ing to kiont eWaneacteues oF byic
4 Th to Woh eeeueee | treme
definition of Iyate: the Cureeks urea the
team Doete. b mean c. poenee suns a] a
single voice te the cecompamimert a \Ly
instaumert Thus, in dre Oreck
Lhe petsennd note
Comrprebrensi
Pe i
conception muse ane
orAL eyed! m the team.
fe The oxbrd
Dictionee
Reconolon a
Mynie is ‘mo He nome ba a ¢ hont poem,
uswelly dini edl nc lee oma Lucey
cA PALS Sing Frat poets Ow Huy ills ok
sentaments Thus, thre basic op wolty ae
byie e feeling ( a Heeeg hte
4 f peom Shell cowleum both — Hough
- well as Peeling bud ~ Iyate feeling
Be omeeAe | the Hoes Ud.
Modern cadictsm emphasizes
subjective coms ot of Hyg hye deco ding
Hoge
que Wyte poet dtc ty Nirah all He
worlel; She subjectihes ah. outta
persone declingys cond fhen expresses
+he‘g 1 tw Poms OIppAopaterve IN <"*
supjectivily.
“Tae ahi. Ae > Bee on utb erence of PeAsc,,;
subjectivity, emotive ond) imag inedtine: Pebpten,
Ges A mone staple bottrnslont
Tie (yate tums on Some single
Hiro wg ict ok feeling oh llusetee Sen
Uw
choractenised m ‘4s mode boy brcwiby
cobowting of fimmrcun Poesions
onal a
Keptclby of movermeut.
There 6, however, a tendency CUM ony Sma
cathics te emphasize ee li ve thine of
fae lye : Vs tong Ache eyrecbaty Ai ge
subsective ok pecsonol Cortent. Rut ther
one diffiatly tnvoled im His concept
, ‘) i A
poems urtdely Aecepuized) eee cle not
Irene ow sevy- tuke quetty m 4
cAthcrs ange eed Hye cn ile by
Aefers to eb eN Praulieic ohh a gests oul
amd inward son, Perleps, He mest
arceptolale vaering ole Finiti on af fare ih
peer Cx pes St Mm poets leery pelt
pense fo obayt ring. Whatete the sul
on re mettod of BG taco uy
Boot tre heart
Nba ae peasoncl noteom oT ecu
VON. Coe eee
Fc nce CUAO DOF e pL Call
F Re a
Mier ie
Dott ou 1
Bit in |
A lukic UR Cae Shoot poem. dy ib
Sing te emottm, sthuatim
yuuses cn some.
necessarily baiek® 4 Wow
Oh experience, vu wb
% cheep we a patel Wee me ee.)
custoined fox et
OUP Cc amare cage Geel
eettem
whieh commot be_
perterl because
tromsiert Chemperary) onc 4H b\ une
ena: The Ware, Hreachnre, dt
of Cowt entreiti on, Me
Karwmony iw essentiold m | 4
! Eu chy good ly
colledl "Uojate cw fy f
Bee ee hak mohy of moe, melody
of ]
ANE fcr
neture, the bysic
prrase- Creoel yates
cantimeuns trip. By th ve
des not aclmit amy oliyaessi emss
mportemt Had Le }
clos exued. Arott= i
yuretily to
The lye c has
frown He ver oAfth ef the word pro Oo
ee insted Lyre’, ie
Ddhet byaits are meet i (be Su
. coll lycies ore rot ¢ nae et7)
es Moss, musical oul Hao vy not alw ys Sto>y
musical qrotty Ub
je Hoe. truth an a ened, a
ercol lyric sings omd damees m tHe Keo
Lasens Che lycte poet chooses wuecls snot
merel; for the 8 of Hee mea bu
cbso Poa fhe sounds. He wrung es Hom 5
as tr procluee word muse osidt Ce
effectie ethyl of Th men. Sn all goed
lyrics “the melody matkbes tHe mottea
and the thytt fi He treme! % also
pees intensifies Hrowy ct ancl feeling.
eg, in Pippee's Song, hepentition of scruind
1 \ {
ae Eo and \y! give a Atak poche
Chaurm to He prem.
Pape leven Such 04 assemerneeCrcpec
+ r
Htim & vewel sermds), ollit exection Cay > ee
Litton of conscnot Smimds), chemeatopoeig
ek. alse hele te eee mut celily
poirn.
Te Conelicle tb com be cura
a Sie w subjectiwe but not ecutol; yon
phicel, BE otional byt not olisre paseli vy
ee ot tu least, shod but
a) m™ mae
—