Alfie A Couple Of Swells Forty Second Street Happy Talk How Do You Keep The Music Playing? 1Get A Kick Out Of You 1 Only Have Eyes For You It Had To Be You Let's Call The Whole Thing Off Losing My Mind Love Is Here To Stay Mad Dogs And Englishmen Magic Moments Makin' Whoopee! My Baby Just Cares For Me My Funny Valentine ‘The Nearness Of You Night and Day Send In The Clowns Skylark Some Enchanted Evening Someone To Watch Over Me True Love What Are You Doing The Rest Of Your Life? What'll I Do? With A Song In My Heart You'll Never Know Younger Than Springtime BACHARACH & DAVID BERLIN WARREN RODGERS & HAMMERSTEIN LEGRAND, BERGMAN & BERGMAN PORTER WARREN KAHN GERSHWIN & GERSHWIN SONDHEIM GERSHWIN & GERSHWIN COWARD BACHARACH & DAVID KAHN KAHN RODGERS & HART CARMICHAEL PORTER SONDHEIM CARMICHAEL RODGERS & HAMMERSTEIN GERSHWIN & GERSHWIN PORTER LEGRAND, BERGMAN & BERGMAN BERLIN RODGERS & HART WARREN RODGERS & HAMMERSTEIN Production: Sadie Cook and Carole Staff Published 1995 © Intemations! Music Publications Limited Southend Road, Woodford Green, Essex IG8 SHN, England Reproducing this music in any form is legal and forbidden by the Copyright, Designs and Patents Act 1988 10 “4 20 28 32 KERR 43 56 60 7 72 63 76 SBES 94 98 102A COUPLE OF SWELLS Words and Music by IRVING BERLIN Moderatg, We're a cou-ple of swells, We stop at the best ho - tels, Wall Street Bank-ers are we, With plen-ty of cur-ren = cy. # : y |--——?P a es we pre-fer the coun-try far a - way fromthe ci- ty smells. o- pen up the safe but we for - got where we put the key. 7 iid We're a couple of sports. We're the fa-vour-ite lads © 1047 (renewed) trving Bertin, USA ‘Warner Chappell Mase Lid, London WIY 3FAe pride of the tennis courts. In June, Ju- ly, and Aug- ust, we look girls in the pic-ture ads. Wed ‘like’ to tell’ you who we’ kissed last F F r Fi Gr maj? Chaim Da e cute when we're dressed in shorts. night but we cant be cads. ? The Van- der- bilts have asked us The Van- der-dilts are wait - ing We dont know how to get there, no sir - ee But how are we to get there,that’s the rub HeREFRAIN up the Av-en-ue, but we have-nt got the price. Wewouldskate up the yacht, Wewoulddrive up the — Flt |r et FR Re Wewould drive Wewould sail up the Av-en-ue, but we have-nt got a a rr ? me UF cmaj7 Ce Cmaj7 Dav Dr dAveen-ue, but there is- at an-y ice, | Wewould ride on bi-ey-ole, but we but the horse we had was shot. Wewould ride on trolley ear, but we a eee ee SS ce Am? Cm D? G7 FdimG7 Cs Evaug, Fidim — : have-n't got a bike. Sowell walk up the Av-en-ue. Yes, well walk up. the have-n't got the fare. Sowell walk up the Av-en-ue. Yes, we'll walk up the > #3 ‘Cyaim —Dny 87 t f = e Av-en-ue,And to walk upthe Av-en-ue’swhatwe like. like. ‘Av-en-ue, Yes,wéll wali up the Av-en-ue ‘til were there. there. Sa ad” o br on Dm7G7 © Am? phaiyALFIE Words by HAL DAVID Music by BURT BACHARACH a What’sit all 2 -bout, ‘Very Slowly, Rubato Cmajoagaa Whats it = ‘when you sort it_ out, (© 1966 Famous Music Corp, USA ‘Warmer Chappell Music Led, London W1Y 3PA.bp? FD dim 7 Are we meant to take more than we give, are wemeant to be kind?. t ee be cruel. E ‘on -ly__to the strong, Dp BN din Sh AL fie, what will you lend on an old gold -en rulet F: q ee : there's a heaven a | is a ; es eS Ee a as ie i Some-thing © = yen non caaa z os Fo 1 believe in love, With - out true love we just ——Fag Un = til the you _find love _you've ———— m9 Am? Drsada) D9 s4eagm) Dm? fhen you walk let your heart fet a a ce mee r | 2” FORTY SECOND STREET Words by AL DUBIN Music by HARRY WARREN Moderately Em os New York, you'll find It's the part of lit’ - tle old. New York that (© 1932 M Witmark & Sons, USA B Feldman & Co Lad, London WC2H OEAHE i * # # se & Em6. Em Amt cr 8? # & 8 & poco rt, ———= p-fatempoEm Am cr5 Ey cms BMS Em Rae See F&F me SSS é ae ———— Py Cee oo it’s the love the mel- 0+ dy of, cr Bet Gma.Am, Gm from the Fif - ties, in - no- cent andAg i sex -y la- dies from the Eight-ies, who are in = dis - cree. They're = a me nal fanaa aa |e ame aa meet the € = lite, For - ty Sec-ond ay oo Em? A Em. cme BTS Em 2. em 7 Bf Fel iHAPPY TALK ‘Words by OSCAR HAMMERSTEIN IT Music by RICHARD RODGERS Allegretto grazioso Ff marcato FE Fe Gm Gn) Le2. Refrain Hap - Dy talk keep talk in? hap-py talk, | ; Pepe ~ Talk a- bout things you'd Rb Bbm F D169) Dm got-ta have a dream,— If youdon'thave a dream— How you gon-na be i eae E C i ice © 1949 Richard Rodgers & Oscar Harnmerstein I Copyrisht renewed Williamson Music owner of publication and allied rights throughout tbe woldGme Cine, have a dream come Verse = Talk a-bout a2 — moon Ploat- in’ in de Look-in’ like a Talk a-bout a star Look- in’ like a Peek -in' through de a Mil-y oon a lake Talk a-bout a branches of a tree; Talk a-bout a = Learn. in’ how to fly Mak-in’all de mu-sic he can make. Talk a-bout a boy Count- in’ all de rip-ples on de sea.III Refrain F F+ Gm G76) talk, keep talk- in? —hap- py talk, Gm? cr@) Fmj9 9 F Emaj7FT+ Bb Bbm F Dre) gotta have a dream, — If you don't have a dream How you gon-na have a dream come true!ILI Verse Talk a - bout a = P f ‘ tre “Gol - ly, Ba - by! g Fe F = bout a Vm a luck-y F6 i Fi Fe F = girl T#iF F6 Say - ttalk, keep talk - int a - bout things have hap you'd a G7) - py talk, dream SeGm dream_ cr come cm7 An’ you nev ~ NT FT have It 7 mf a you don't talk oO? 19Er) Moderate Ballad Cm7 ea Bhmaj7 a How do you make (© 1982 WB Music Corp, USA ‘Warner Chappell Music Ld, London WLY 3FA HOW DO YOU KEEP THE MUSIC PLAYING? Words by ALAN BERGMAN and MARILYN BERGMAN Music by MICHEL LEGRAND Fisus 7 et & mm) Il Gm7 m7 How do you keep the song from 17 pf r Bomaj7 Dm/AGm7 C7sus c7 2 lose your - self to Fnaj? Dm7 Em7o5 i a eu and nev- er lose way? How do you not run out of ‘And since we know we're al- ways chang -Gm7 Epmaj7 Om7 eo gh aes ae > > ‘You like to-ma-to and I like tomah-to; Po - ta-to, Po-tahto, To ma-to, To-mah-to! You, sai’- paril-la and I sa’ pa-rel-la; Va nil-la, va-ael-la, —Choctlate, —strawbry! > > >” = : 5 == Lets call the whole thing off! But If we call the whole thing off, Then we must oc om c Oo Eas Co Bm ro AmT Ie we ever partyThen that might break my heart! $0, if ye |? tne th ete ree Gaece oe ce you like pa-ja-mas And I like pajah-mas, ll wear pa-ja-mas and give up pa-jah-mas. you go foroysters And I go forersters, I'll or- der oysters and can-cel the ersters. = eer For we know we o Em? AmT Dy oe Em? Am? Dr e aI GET A KICK OUT OF YOU Words and Music by COLE PORTER Moderato verse i> My sto- ry is = be abr much too sad to be told, But prac-tic-'ly _ev-'ty-thing_ leaves me to-tal-ly I = ea Fm7_8b7 ep Fm? 87 b Fy2___ah7 6 The on - ly ex-cep-tion I know is the = Tre = res —= a a 7 o c pz, b —3— a —When I'm out on a qui-et spree Fight- ing v ao ee = in-ly the old en- nui, (© 1936 Hams Inc, USA, ‘amer Chappell Musi La, London WLY 3A» cr = — wo om ‘And I sud-deo-ly turn and seo_ your fab-u-lous face. a REFRAIN Fm? Fm Fm? Bb7 Ec Gm Fm? m6 Fm7 I get no kick from cham - pagne, 7, eb Gm Fm? 8b? » —al hol does - n't So tell me why should it be Gm7 Fm eb7 eb Gm fe That I get a kick out of you?30 Fm7 Fé Some like m7 ———n a cy even Cmé one riff eb That would Gm bore me 7 ter Fm? mB Fn? Tm sure that ————— g = z,Fm —F— the Fm Sbmé Fm FT T get_a__kick tho’ it's clear Pn? aby fm?__fm6_Fe7_*7 ly don't a - dore T get no kick in a Fly - ing too high cm Fm7 8b7 7 Dee ao ae 3* I ONLY HAVE EYES FOR YOU Words by AL DUBIN » Music by HARRY WARREN Moderato a =< si Daz p— tenderly = a an7, Ez, can't see an- y-one but you. > > and = => z ye ‘Diagrams for Guitar, Symbols for Ukulele and Banjo © 1934 Remick Music Corp, USA B Feldman & Co Led, London WC2H OEAwon- der if you if pocornt_ FA if too? Dm ae ber cn o7, ppy7 rerR. Fe fl ree at f @ tempo-con espress. —— ight? Are the ni T don't know _if_it’s cloud - pop tt | tir? 3 @ tempo-con-espres rg x Em SG Em if F ft i Ra — bright. "Cause I __on= ly have _eyes7 cz, Dp7 Ab? cz Fpe D, ae in =i 6B dear The moon may be high—— but I - can't see a thing in the ae my __F f c Dm7 S; Em ‘Cmaz a7 ate Ht Hal — sky 'Cause_I on- ly have eyes 3 = z Ea. c7, = Pps cz, SG crowd-ed av-e - t35 Gn sz, Da? opr Sa ry « Ey HH Hi tt 4IT HAD TO BE YOU Words by GUS KAHN Music by ISHAM JONES Moderate swing just give you your way. why must I glad. Why do I do just as you say, could be, should be mak-ing “me Seems likedreamslike I al-ways had, a oo —— ay 3. cme 27 30, a inet Ga) A BR a7 Ed Tt must have I’m think- ing ——. why dort I try_to for - get? it’s up to you-to ex - plain. Why do I sigh, Why am I blue? (© 1928 Remick Music Corp, USA EMI Music Publishing Lu, London WC2H OA.37 been that some-thing lov-ers call fate, kept_on_say- ing may-be, ba- by, I'll go a- way, someday,someway you'llcomeand say: Ee —— I saw them all, just could-n't fall 'til we “It's you I need,— and you'll be plead-ing in ——~ ae Dave. s. Dave a 7, REFRAIN A ah ah fl If HADTO BE YOU, IT HAD TO BE YOU, and fin- al-ly found____the some-bod- y who- p38 ny Didim, Could makeme be true,___________couldmakeme be blue And e-ven be glad, just to be thinking of you. Might nev-er be or try to be boss a— ty page a= but they would-a't do, an, fe Cee thrill,__ with allyour faults __ I love you still, eRe Gaim Q7 Gaim. ci : IT HAD TO BE YOU, won-der-ful you, __ HAD TO BE YOLOSING MY MIND Words and Music by STEPHEN SONDHEIM Slowly eb Ebs eb eo The sun — comes up, 1 think about you. ‘The cof - fee cup, 1 think about ——— ab GmiBbbass) ab Bho & you. want you so, It's like I'm los.ing my mind, The morn - ing ends, Ebs Eb ebn ab 1 think about you. I talk toftiends, —‘T think about you, And do— they know? Sa (© 1971 Heralé Square Music Co, USA Cain Musie Corp, London NWI 8BDGm(abbess) ab ‘Acst(-6) 07 Gm Gms? —— Its like 'm los.ng my mind. ‘er-noon, do-ing evry it-tle chore, a) =e om 7 Fm s) Fg. 7 ‘The thought of you stays bright Sometimes I stand inthe mid-dle of the floor, ——_ rte r Fm?(-8) Bho(suss) bby eb bys Not go- ing left, Not go. - ing right. 1 dim_ the lights And think a -bout ae E = SZ r = ‘= a tempo 6 cbt a rit, Sim{Bb bass) you,Spend sleepless nights To think a -bout you. You sid. you loved me, or were you ust being kind? = =~ mf 41a To Coda & ab Bb7i-9) eb cbs cbs enn cen) Oram 1 los.ng my mind? Oram { los.ing my — want you so, — It's lke I'm los-ing my mind, ee eon teh) ab Gm(abbers) ab Ar-6)07 Does no_ one know? It's lke Tm loving my mind. —_—— coda gp a LAMAGIC MOMENTS a Words by HAL DAVID. Music by BURT BACHARACH Slow Shuffle my, o fat o: ay ii} 3 a ——SS>—= SSS SS SS SS 11M never for- get the moment we kissed —thenightof the hay + ride, 2 The tel- e -phonecall that tied up the line for hours and hours, 2. The way that'we cheered whener- cf our team wasstoring a. touch” - down, 4 The penny ar seade, “the = ‘we played, the fun andthe prix - em SS =F tf Hs SS ies # as 1 Ex SS SS i i eo SS SS the Sat -ur-day dance 1, Jgot up the nerve tosendfY°"fsome flow - the tine thereto, eaten! uct a eee eee Raps === — SS as ——__—— m= 2 LS SAE De - =| + — “ 4 (© 1952 Famous Music Corp and Casa Davi Ine, USA. ‘Warner Chappell Music Lt, London WIY 3FA and MCA Muse Lu, London WE BIAAe cia nm retean ERE a if ig ; — SS SS ; =f =| Mg sk mo ments, mein = ‘ret we've been er whet shybmg Eg er Abetedanhy“ LOVE IS HERE TO STAY Music and Lyrics by GEORGE GERSHWIN and IRA GERSHWIN Con anima — ‘The more I read the pa-pers The less I com-pre~ hend ‘The ate [2 fe tee he ™P leggiero m7 Cdim co Fe Fam = Gm? 7th world and all its ca- pers And how it all will end. Noth-ingseemsto be —— Ve (© 1937.1938 (renewed) Chappell & Co ie, USA ‘Wamer Chappel Music Lid, Landon W1Y SFA7 C7 7 8b But that is-nt our af - fair; We've got some-thing —— — it he i Gmé a7. D or 9 per-ma-nent, I mean in the way. = Refrain 7 ts ver-y clear Our love is here to stays writ a7 7 p7 the Fmaj7 wb Gmé Ay mov - ies that we And in time may ae ~—— | a —_———., Our love is here to Gm? co tel- e phone and thelong, long the Rock - ies may crum-ble, Gib - ral-tar may tum-ble, Eb9 D7 ab Déim F Gm? 69 Theyre on-ly made of clay, But, rey50 MAD DOGS AND ENGLISHMEN INTRO. = ~ trop-i-cal climes there are cer-tain times of day. such a sur-prise for the East-ern eyes to see, (© 1932 Chappell Music Lid, London WIY 3EA. Words and Music by NOEL COWARD When all the ‘That though thest cit-i-zens re - tire To tear their clothes off and per - spire. Eng-lish are ef - fete, Theyrequite im - per - vi- ous to heat. a one of those rules that the great-est fools o - bey, Be-cause the white man rides evry na- tive hides in glee. Be-cause the sun is much too sul-try And one must a-void its ul-try- vio- let sim-ple crea-tures hope he Will im - pale his so-lar to-pee on a2 Pa -pa-la-ka pa- pa- la- ka pa- pa-la- ka Bo - ly -bo- ly bo- ly - bo- ly bo - ly - bo ly ie P oF =4l Cmaj7 or Pa-pa-la- ka pa-pa- la - ka + pa-la- ka Bo-ly - bo- ly bo - ly - bo= ly - ly - bo = ly F PF © Cmaj7 Fr or Di-ga-ri-ga di-ga-ri - ga + ga- ri - ga Ha-ba-nin- ny ha- ba-nin - ay + ba-nin - ny a ebmaj7 ‘Ab Bb3 Di-ga-ri-ga di-ga-ri- ga di - ga- ri - ga Ha-ba-nin-ny ha-ba-nin-ny ha- ba- nin - ny ra % Toney? ab Bb or = a na-tives grieve whenthe white men leave their buts, Be-cause they're seems suchashame whenthe Eng-lish claim the earth___That they give ob - vi - ous - ly de -fin- ite - ly Nuts! rise to such hi - lar- i - ty and mirths4 REFRAIN Mad dogs and Eng-lish-men Go out inthe mid-day sun. ZMad dogs and Eng-lish-men Go out inthe mid-day sun. The 8.Mad sand Eng-lish-men Go out inthe mid-day sun. ‘The t © r c cz 6° Dm a 2 Jap - an-ese dont care to, The "Chin-ese would- n't dare to, tough-est Bur-mese ban-dit Can nev-er un- der- stand it amall-est Ma -lay rab-bit De - ploresthis stu - pid ha - bit. | Hin - doos and Ar- gen-tines sleep firm-lyfromtwelve to one. But Ran - goon the heat of noon Is just what the na - tives shun. They | Hong Kong theystrike a gong And fire off a noon-day gun, To | FE ts c r c Dm or c ‘co | Eng - lish-men de - test a Si - es | put their Scotch or Rye down and lie re - pri- mand each in - mate whos in | iF | eePhil - ip-pines there are love-ly screens To pro-tect you from the glare. Inthe jun -gle town wherethe sun beats down To the rage of man or beast The man-grove swamps where the pyth-on romps There is peace fromtwelve till two. . Even Ma-lay States there are hats like plates Which the Bri-tish-ers won't wear. At Eng-lish garb of the Eng-lish Sa-hibMere-ly gets a bit more creased. In ca -fi-Bous lie a-round and snooze, Forthere’s noth-ing else to do. In twelve noon the na-tives swoon And no further work is done. But Bang - kok at twelve o'- clock They foam at the mouthand run. But Ben - gal, to move at all Is sel-dom,if ev- 2r done. But * ? a Fo Fm c r E Am 182 3 mad dogs and Eng-lish-men Go out inthe mid-day mad dogs and Eng-lish-men Go out in the mid-day mad dogs and Eng-lish-men Go out in the mid-day 73 60 © Cmj7ce c¢ — Bbe c c 55MAKIN' WHOOPEE! Words by GUS KAHN Music by WALTER DONALDSON, VERSE, Ev-ry time I hear thatmarch from am al- ways on the out - side look - ing (© 1928 Bregman Vooco & Cann Ine, USA. EMI Music Publishing Lud, London WC2H OBAfall - en bro - ther Wed - dings make a if you're not the groom theyre not so —_bad.__REFRAIN An-oth-er bride, an-oth-er June, An-oth-er sun - _nyhon-ey- Pf -moon, An-oth-er sea - son, an-oth-er rea - son__ formak-in’ whoop-ee!__ c Cm G Eb7 G A lot of shoes, a lot of rice, ___ the groomis ner - vous,_ he ans-wers Cm6 D7 G D7 G G7 S 5 + }e—s—# tbe. i twice. It's real-ly kill - ing_— that he's so will - ing___ tomakewhoopee!Pic-ture a lit-tle love-nest, | Downwheretheros-es cling, Pic-ture thesame sweet \ G7 A Cm6 G Gl love-nest, Think what a year can bring. He's wash.ing dish-es___ and _ba- by T\a Am Cm6 G clothes, _He’s so am-bi - tious__ he ev-en sews. Butdoritfor-get, folks, that’s what you get, folks, formak-in’ whoopee! Another whoop-eel Eb7 DT G GTF7 ETEbDTD? G DTaug re° MY BABY JUST CARES FOR ME Words by GUS KAHN, Music by WALTER DONALDSON Moderato ' Till ready SAG VOICE I'm so hap-py since the day I fell in love-in a great big way_ and the big sur - prise is some - one loves_ me too. © 1030 Bregman Vocco & Cona lnc, USA [EMI Msc Publishing Lid, London WC2H OBA6 G cv cr Guess it's hard for you to see_ Just what an- y-one_ can see in me— But it sim~- ply goes to prove what love can do. CHORUS ¢ My ba-by don't care for shows, My ba-by don't care for clothes, My ba-by don't care to own A nine or ten car - at stone, z PS ie Bm Bbdim Am. My ba-by just cares for = me! My ba-by don't care for My ba-by just cares for me! —____ My ba-by don't go for ————_ UFa Em AT D7 furs and— a - ces, — My ba - by don't care for high- toned big Rolls Royc-es, — There's sometimes a doubt’ a - bout her — ' FF > > plac - es.— My ba - by don't carefor rings, Or oth-er ex - pen-sive things, choic - es. My ba-by's not muchfor sports, Like rurnin ‘roundtemnis courts, = E79 Emaj7 ET Am FT She's sen- si - ble as can be,___ My ba~by don't care who I must say I'm glad that — Hasmade sucha fine se - My ba-by justcaresfor me! My ba-by justcaresfor me! nFND IN THE CLOWNS 7 Words and Music by STEPHEN SONDHEIM bento = Ebsust Tent it rich? => : ee =< last on the ground, you in mid - Lat at Bb/Eb Ab/Eb _Bb/Eb Ab/Eb Eb Ebsust Isn't it Don't you ap~ One who keeps tearing a- round, one who can’t i Where are the (© 1973 Reauifat Music and Revelation Music Pub Co, USA, ‘Warer Chappell Music Lid, London WIY 3FA,_Bb/Eb Fm/Eb Eb Gm Dm7 = —" = = = — = 5 —— EEE Te == SS cies? eee Jast when 1'2 stopped op-en-ing — pod sf —= fr —— Fy SS SSS fi fT AED f-& = arte f cmt Gsust Fm7(-5) Sure of my lines, Gm/Bb Eb6/Bb cen-trance No Ab6/Bb Bb/Eb FYV/A a gain with my u- su- al one is there.6s Bb/Eb Ab Eb Ebsus4 Eb Ebmaj9 Dom't youlove farce? My fault, fear 1 thought that rich, Is-n't it queer, Los_=_ing _my —— iz 4 Eb Abmaja AbG Bby/Eb you'd want what T! want. Sor-ry, my dear. But where are tle clowns? Quick, sendin tim ing_this late ‘inggy_ca- reer? ‘And where are the clowns? There ought to. be [1. Bb9/Eb Eb Ebsus4 Eb clowns. Well, may-be next year To ten = = Foon Join ELE EL aMY FUNNY VALENTINE Words by LORENZ HART Music by RICHARD RODGERS Moderato. 6 iaeacea BOT B eT Be -hold the way our fine-feath-ered friend his vir- tue doth pa - rade, Thou — p | molto semplice atempo cm BbT Eb e know-est not, my dim-wit - ted friend,The pic-ture thou hast made, Thy © 1937 Chappell & Co Ine, USA Warmer Chappell Mase Lid, London W1Y 3FA.oa va-cant brow and thy tous-led hair con oe OoOOOOOD>"D no-ble, up- right, truth-ful, sincere and slight- ly dop- ey gent, you're F cm Refrain isowly,with much expression pf. Ebe Val - en-tine,68 Fm G7 Fm G7 Cm a7 Your looks are laugh - a - ble, PF Bere le Fe t =| — Be FT a» om Fm Ae Un - pho-to - graph-a-ble, Yet, youre my fav - ‘rite work of _ oe ite if Abm Abe BT nf Bs Bi7 Eb BIT Is your fig - ure less than = = —=_ —|V7 Ee BhT Eb BIT Ebmsj7 G7 Cm mouth a lit-tle weak, when you speak, Are yousmart2______ dont change a hair = for me, Ab Eb FT__ poco @ poco orese. 7s a7 Not if, you care forme, Stay lit tle 2 Tet poco’ poco erese. fon EY mph sows Abe BIT Bach day is Val - en-tine’ Se SF matte cape. Ft ‘ i t v PeresSS OF YOU ‘Words by NED WASHINGTON Music by HOAGY CARMICHAEL din! Sve Molto moderato con espressione To rs te a VERSE Why do I just wither and for-get all re-sist-ance when you andyourmag-ic pass by? ian TF SSS SSS SS = + Myheart’s in a dith-erdearjwhen youre at ad but when you are near, Oh, my! — = — ‘ = = é = _ i — E t f id cLir¢e —~ —— SS] SSS = 5 5 ? it : REFRAIN Isnotthe palemoon that ex-cites me, that thrills and de-lightsme. Ob, SSS == A 7h r 4 ay dim | bmi Po Cai? DAF Raime? {© 1940 Famous Music Corp, USA, Warmer Chappell Music Lid, London WIY 3ATt is-ct your sweet con that brings this gen - sation, pp ewectceaercieat — iP Wsjustthenearnessof you, and I feel youso All my wild - estdreams come true. Tneedao soft lights to en. tr -chant me if youll on-ly grant me the right————" toholdyouev-er so tight. And tofeeLin the eight thencarnems af jen ~SCnatthe you chia he ei ree ed» NIGHT AND DAY Words and Music by COLE PORTER Moderato lei ‘mp poco a poco crese. eo 8 — ft o7 Like the beat, beat, beat, tom = tom; jun - gle shad - ows p = * (ee 2 SSS SS fan, Like the tick, tick, tock of the state-ly clock,as it stands a-gainst the 2 — = = oe = + = a ¥ ¥ wi? PS oe zt z 7 . a ? fF z or Abr ob : Like the drip, drip, drip, of the rain-drops, When the sum - mer show'r is (© 1932 Harms Inc, USA. ‘Warmer Chappell Msc Lid, London WIY 3FA.D Dm ow c cm c Bhmé c c7 c So a voice with-in me keeps re~peat = ing, you,_you, — Refrain cm cs a o7, —3 © Night and day —____ on y you. be-neath the oon and ————— Wreth- er near to me or w F i Iws no matter, dar- ling, 1 think “of © yoy" TEE i he i Th gt -n night and day. Day and night ‘That thislong - ing for you fol-lowswher-ev-er I go? 3 c Am ab bn? D7 Fim = D7 — = wis we — —In_ the roar-ing traf-fic's boom — In the ssivlence of my lone ~ly room, I 3 Fight and day. Night and day.eb c eb Fm eb = un-der the hide of me There's. an Oh, sucha hun- gry yearn its tor - ment won't be ab Em? D7 Dm? —— through ‘Til you Jet me spend my life mak-ing love— to you, day and night, Fi — night and day. — 15* SKYLARK Words by JOHNNY MERCER ‘Music by HOAGY CARMICHAEL Moderato _——— ~ rN ‘Sky =p) Ule6 td bs EN hi Have you an- y-thing to say to love can Ss —____ Where some-one's ——~ —_ = .—___ cot wait- ing to be kissed? Sky ———_lisve_you stan valley — I = eo ab Fm? BT thy Bb? cs ab © 1942 George Simon Musie Co and Edwin H Moris & Co Inc, USA Warner Chappell Music Lid, London WIY 3FA——— = = — green with spring, Where myheart cango a- jour-ney - ing Fe TT Ab Eb Ab Eb Eb Gm O-ver the shadows and the rain, to a blos-som-cov-ered lane? And in your aR *F Tone-ly flight Ab Eb6 Fm? Ey Eby Ab Ebdim Ane — Won-der-ful mu-sic, Faint as a will o' the wisp, Cra-zy as__@ loon, =~ Z8 But myheart is rid-ing on your = where, Won't you lead me re - nad - ing dont know if you ————————— wings; the can find these things, So if you see them an- y- aeING ‘Words by OSCAR HAMMERSTEIN I Music by RICHARD RODGERS Moderato c slowly with expression Some en-chant-ed eve - ning— You may see a stran - gey— 1© 1989 Richard Rodgers and Oscar Hammerstein 1 Copyright renewed ‘Williamson Music owner ofthe publication snd alied eights throughout the woldFmaj? ce Dm7 G7 Dm B crowd - ed* room And some-how you ———— You know e - ven _s_ a that lt Fir That some-where you'll see her Some _en- chant - ed eve - ning—— tf Some-one may be laugh - ing, a,81 You may hear her laugh- ing crowd - ed room co TF G7 Da —= Am c7 And night af-ter night, As strange as oa — Pret [tte The sound of her — laugh-ter will sing in amen ee aa eee Gio) G7 Cmai9_C Who can__ex- plain it? Who tenderly and legato aay2 Gi) G7 Fools give When you Cmajo c Am? you reas -ons, © Wise men find your true Some _en- chant - ed vr nev - er G m8 try. corese. molto, card I eve - ning eee if Tong ne | love ————_ >. =——— When you feel her call you _——_—— ma8 And make her your own, Or all through your 3 TL motto espr. = Dm Dm7 c7 c life you may dream = all a ~ > Gc) G7 Cmaio C Dm? er csc onc) G7 Cmajo © Once you have found her, Nev- er let her go. Once you have found her, PP. legatissimo Ae ae ea7 SOMEONE TO WATCH OVER ME ‘Music and Lyrics by GEORGE GERSHWIN and IRA GERSHWIN Schercundo =. —> is q Se ! PF a mai yma ED p Moderato, Bbmaj? xbo eb7 abmaj? cmt Sp eas 5 g3 t 1. There's K say - i s that love btind, Still were Of- tEntold,"Seek ahd 2. Wheoyouteall “a-lone, Life is never gay, And Tvegot to own Things are Patempo FT Fm? Bb7sus Bbis i * ye shall find? So Im ying to seck A certain lad Ive Took- ing grey. But know there's. some. one who will come my oe ——_ Eb Boll E? Fmt Bb7 Eb Ebmaj7 in mind. Look- ihg ev ~ ‘ry-where, Have - at some day. Though Tin by" my-self "1 should (© 1925 (renewed) Chappell & Co inc and New World Musi Co (Lid) adminsiered by WB Corp. USA ‘Wamer Chappel! Music Lid, London WIY 3FAEb? Abmaj7 Eb9 cm7 FT found bila yet ; He’s the big E-tair 1 can- not for-get. hate to be Sit- ting on theshelf; I pre-fer a knee! Fn7 BOTsus Bp1s EG. Eb Ab Eb oD7-9 On- ly man 1 ev-erThinkofwith re - gret. And Tim sure there's some-bod-y wholsmeantfor me. < tF Gn c Gn qm? 9 C7 =p : gh a oe q ad No fo-t-til w my mon-o - gram. knowtheresabeartthatis- alt hard or col oS : e ¥ ——F | tr Pe laqg= SS] : BD Gm7 cm7 FT BD Ab) Gn BT angen = = Tell ‘me, where is the shepherdfor lost lamb? | Some - where there is a hurdthat ! long to hold. § ; i eases ease re ea | ee | — by fo —s = = ‘un poco rail 8586 » REFRAIN. 597 Ab Abo ED FH? BbT rE? a tempo TheresasomeBody Tim longing to see: hope thathe Fm C7 FmAm7-5 BDLLBDTED GT+ Abmaj7_ BOT EbT 7 = — ae ‘i Some-onewhdll watch o-ver = me. Tin a lit-tlelambwhos ——~,__ a Ab abo kb Ff BoT Ee mm C7 Pm Tkoow I could Always be good To one whol ‘Al-thoughhe may not beors) Eb+ Ab wr ey Ebs Gm7 Eb DI-9 D7+, mansome Girls think of as hand-some To my heart > k=. 7 __m Ff BbT Er? Fm C7 Fm Am7-5 BDI Bb7 SS Sa 7S Fol-low my lead. Onhow [need Some-one to. watch o-ver — — = = = —e SS SS gig | gg88 Words and Music by COLE PORTER Moderate Valse tempo (© 1955 (unpub) & 1956 Cole Poner Musi Inc and Buston Hill Music Corp, USA. ‘Wamer Chappell Music Ld, London WILY 3FA.c Refrain (Rather slow) c Gdim, c I give to youWHAT ARE YOU DOING FOR THE REST 2 OF YOUR LIFE? Words by ALAN BERGMAN and MARILYN BERGMAN Music by MICHEL LEGRAND a A = Am (GH bass) (G bass) (FB bass) ee Fe fal i What Are You Do - ing The Rest Of ‘Your Life?_______North and south and east and WW legato Fmaj? fe rs of your life? 1_ have on= ly one re = quest + am Am Bm?-5 (6 bese ED sa (G# dass) x @ a v that you spend it all with me." All the sea-sons andthe times of your days.. 1) © 1969 EMI Catalogue Parmership and EMI U Catalog Inc, USA Worldwide print rights controled by Ware: Beos Publications In/IMP Lid2 Am i assy Fmaj? — All the nnick-els and the dimes of your days.. Let the rea-sons and the — ——— = Se ee all be-gin andendwith "me. see your face in fields of dawn and for-ests of the Ams? aomt Db7-9 Ghmayt ‘And when you “am cmt cr Fmaso Am. (GHbassy = lent wigh you make! Those to- mor-rows walt -ing deep in your eyes,Am Am (Chass) cefihassy Fmaj? a Li Es In the world of Tove you keep in. your eyes, Tl a - wak~ en what's a - Dp ae Pig = ae ii a ES —— sleep im your eyes. t_ may take a kiss of © twol Thru He Summer, win - te fall ‘spring and A FIg cebiss) Em? ens JET, ever will re-call of my life Ta pare = = %* WHAT'LL I DO? Words and Music by Moderate Waltz IRVING BERLIN ic} Dmg GTsus Go He pe iets mY tt was night IG Dm? EFRS —= ‘Tis bro = ken The moon - light (© 1924 lving Besin In, USA ‘This arangement © 1987 renewed) Irving Besin ‘Francis Day & Hunter Lid, London WC2H OEA1G GTsus GT E ‘mp Fem75 95 ui and 1 were tied Fm6 c7, EE 4 eto ed, = What" what! 1 2c Fm6 CE c7 itr Dmibs iG G7 what 1 zg Whats! 2 Dm F Fm6oe 2 = WhenI'm a - lone with on : ly dreams off f c Cm755 Dm? GT H i ’ caamenae. What I do? —* WITH A SONG IN MY HEART Words by LORENZ HART ‘Music by RICHARD RODGERS Allegretto moderato VERSE Though I ‘On, e al tF Put mp Eb cm Fm7 —-Bb7 Cm = Fm Bb7sus Bb7 know that we meet ev-‘Ty night ‘And we could-nt havechanged since the mogn’s not a moon for 2 night; ‘And these stars will not twink - le and Eb Bbm7 EbT Ab Last time, To my joy and de-light it} a new kind of love at first fife ‘cut And the words “ih my efrs will re - sound for_the rest of my e a Fm7 Ab ED cm Fm? BbT P Though it’s you and its I all the years. In” the morn - ing [ll find with de - ae = Eb Ab © 1929 Harms tne, USA, ‘amer Chappell Masic Lt, London WIY 38.time Ev-"ry meet-ing’s 2 mar- vel- ous pas - time light Not a note of our mu-sic is played out, It will ———__) > = Bbm7? —Eb7 Ab cb creas-ing-ly sweet,Sowhen-ev - er we hap-pen to meet be just as sweet,Andan air that I'll live to re - peat: reser iF i Eb om Fm Bb? ae REFRAIN Rather slow but with rhythm Eb ab Eb ET Bb Bbr+ p-mf __« temp With a song in my heart. be-hold_your Eb Bb? Eb - ble face, Justa song at the start, 9100 — But it soon is a hymn to Yourgrace. Whenthe mu-sic swells re ft a cm cm? AmT7-5 cm aS a z — lim touch-ing your hand; It tells that_youre —— the sound of your == stand - ing Fm = D7 G c7 Fm BOT Eb Heav- en op - ens its101 Can I help but re - joice That a song such as Eb a cm eapressive ours came to be? But I al-ways knew would live life ——_—_~_ mp g espressivo a cm cm/Bb Am7-5 FT Eb piu espre rath With a song in my heart for a. al a ee Piu espr.e rail ET Eb Ab6 Bb7 a tempo Mpepe Eb Eb° Eb ET BbT7 Bb7+(-9) ED ms= YOU'LL NEVER KNOW Words by MACK GORDON Music by HARRY WARREN Moderato << 4 3 mp VERSE, D&r-ling, Tm so blue with - out you T think a - bout _you_ the live. long day. Wien you ask me if Tm lone-ly,— then 1 have on- ly this to F oe 67 = chm c7 JREFRAIN tenderly) 142 YOULL NEV- ER KNOW just how much— “ awandif 1 tried, 7 2. You ssidgood bye, No d (© 1943 Bregman Vooco & Con Inc, USA, ‘Warmer Chappell Music Lid, Landon WIY 3FA103 s Ss = >, a, oe 5 = =a oe ee Youolght to hw, forties 1 tol jou mice at, Ee hee Mem fanaa a —_— SSS SS oA mihihe oo em dials ee lee th aia SS ae ra y fe Topp as Fe 8 = SSS 7 Gm? Cc? D? An? D° D7 pe D7 = at to & SSS SS eS JS prove that T love you, swear Tdont know how, YOULLNEVER KNOWifyou dow. = i = pesigsie 4 arte TE ——" - —S a as oe Bbm F AT Cm D7? Gm 4 >YOUNGER THAN SPRINGTIM. Words by OSCAR HAMMERSTEIN I Music by RICHARD RODGERS Moderato _ Sf expressive 2 VERSE © with warm expression © G # 4 =5 z =] S= = T touch your hand And my arms grow strong jj 4 j = = ll tempo _ | a J z - = = = i pie Like a pair of birds That burst with song. © 1949 Richa Rodgers and Oscar Hammerstein I Copyright renewed Williamson Musie owner of publication and ald rights throughout the world10s look down at your love - ly ————_._ And I hold the ba ZS t © Refrain (slowly, with great warmth) G Young - er than Spring - time Soft-er than star- light Pf c Am DG D are you. | Warm-er than winds of June are the gen-tle lips youGay-er than laugh-ter are you, Sweeter than mu- sie a —_ c 1 Am DG oD = SSS SSS j An-gel and lov - er, heav-en and earth are you to Be a a ae et oo | ES = is = G D7 (stay in slow tempo) @ — ape =107 Gay-er than laugh-ter swith passion <— ht Ss An - gel_and__lov - er, = en _and_earth | am ge SSS SS 3 sas z LEP = Sor gz 1c or ¥ — | = = = ‘2.6 on i fo} | ane © asinds Pp | =. = a * ea Co Li Area Ba pndBURT BACHARACH & HAL DAVID Alfie » Magic Moments - IRVING BERLIN A Couple Of Swells « What'llIDo? HOAGY CARMICHAEL The Nearness Of You Skylark NOEL COWARD Mad Dogs And Englishmen « GEORGE GERSHWIN & IRA GERSHWIN Let's Call The Whole Thing Off - Love Is Here To Stay + Someone To Watch Over Me - GUS KAHN It Had To Be You - Makin’ Whoopee! « My Baby Just Cares For Me « 43 94 70 76 50 25 46 36 56 60 MICHEL LEGRAND & ALAN & MARILYN BERGMAN How Do You Keep The Music Playing? ¢ 20 What Are You Doing The Rest Of Your Life? + 91 COLE PORTER 1 Get A Kick Out Of You - Night And Day » True Love + RICHARD RODGERS & LORENZ HART My Funny Valentine With A Song In My Heart RICHARD RODGERS & OSCAR HAMMERSTEIN I Happy Talk - Some Enchanted Evening « Younger Than Springtime STEPHEN SONDHEIM Losing My Mind - Send In The Clowns - HARRY WARREN Forty Second Street « 1 Only Have Eyes For You - You'll Never Know + 28 72 66 98 14 79 104 40 63 10 32 102