eR eee EC Poe i a a \ y 3 7 SONGS ea Ty a EO ui) or in Peat PETER FRAMPTON SO cy Bl Pearl ins Pinch Me Sele ra ’ 7 eee ) Bah wud g NO Se TT aL Ti ae woh” f a Vue: ON: THE AGDUSTIC ws mia ’ 25 TAM ag s RYAN fra 3 ¢ Ore An fe # i pases tere BN TTT 6 ek F remagetettme ctr sont fr any toe F into sei gies" cotere eyes ee | F era ete come int” were nay pane he oot s cout wa but st ve FP cole than tks ous « 6 {5 ke 9 cream you ty to remember but it's gone . ‘DF ‘Then you _ try to scream but it only comes out as a yawn ver you ry tose te wot bod ar ft der : nti we me's oat youie ier * act yy et ae 2 be ution wt 8 F smepret inn ctdy "oro al ey Paterna.” Ato wth msi on . ‘ke adn ton te Noe Ft dns it sone i nes * camo sis untomy am” seep nay we aterace ° (crows Samo oF G An GF Pinch me pinch me ‘cause rm stil _ asleep 6 am G FG am G Please God tellne that sm stil asleep F 6 oF G c Onan ening sch sis shard te i et 1 carr * wa ie etre ns F ci o voice uur tere" fs ae ou ay derwes F s core to ‘could leave but just stay Ai my stuffs hore anynay (chon) es ek Tying ogre out what a ths stor 6 Fe c Ting to see the word beyond your font door c DFE Tying 0 gue out what a hss for As heard on Barenaked Ladies’ Reprise reconding MAROON (© 2000 WB MUSIC CORP (ASCAP)& TREAT BAKER MUSIC GOCAN) Al Rights Administered by WE MUSIC CORP. ‘Al Rights Reserved Used by Permission WARNER BROS. PUBLICATIONS US. INC, Iam, FL 33014 urea ieme 53Elderly Woman Behind the Counter inaSmalltown == By MIKE MCCREADY, DAVE ABBRUZZESE, JEFF AMENT, STONE GOSSARD and EDDIE VEDDER. D Cade 8 A B & at Em. ca Senet Wan 77 ‘Ds Seem Avan yn ava D cade ¢ cues 6D cams coat 6 1 soertorecgizeyourace "autre aoe ac D cade G cuca "6. caeg9"" 6 cad ‘Comat th cance ofthat youre Ls acai pw me cate 8 cade 4 cue ok itech tarpete Iwenrasee Depa Att oes ee EN Me catty 9 cade GD culty goat 6 Fest ast hye at” ey hrs ag yey Daten ofl «ba P Sher [ore ya bes)" Neots, oo 0 alse ean oe esa taal 6 Meyeu woud ea mec hy erat wt joe sick potest xaos Php tas wat no wan see D cal 6 came 6 Dcat 6 6 Taste antag cee eas urn Dcaldy G caaty GD caddy 6 Caueh G Butrowhae you me and ere” 10m) ets nd hs yak nay aio cole GD cast cath 6 Fos sts ey ean) Pers ac hs ty pet ros en a cate A cata [chang by mot charg ata Smal own pees my ate * i As heard on Pearl Jams Epic recording VS. (© JUMPIN’ CAT MUSIC (ASCAP), PICKLED FISH MUSIC (ASCAP), WRITE TREATAGE MUSIC ASCAP) 'SCRIBING C-MENT SONGS (ASCAP, PRI MUSIC, INC. (ASCAP) & INNOCENT BYSTANDER (ASCAP) ‘ARs bio PCKLED 1S MUSIC ameitered by WE MUSIC CORP Al Rights Reserved." Used 8) Permission lam, FL 33014 ‘By CHRISTIAN BURNS, MARK BARRY, ‘STEPHEN MeNALLY and PHIL THOMALLY Em7 Gadd D 85 BRR & women TT) PTET: —m = Dsus2 Am on 1 = donmurote V = upatnoke nr exes Bysetmefee fom msm *haniato fe sete sy tegen asm tn ent cota ® veyauinanyy " tabgsben re iane Cort inert mgr sed samionmencinorte ‘oa sua cw 65am oct az ‘caseraviom’ mate" anitmesncte iio ereiam soaone "Ad ner notegh fs wat can de bo) colt 6s Den cade cS am tye ak Dre aby MS Yo tnd 9 eros) add GS" Dem tm mia yh nace af (vat ute caaiy os 0 em os eect he ty Bo Yovarete are and cat et ya g0 conte sD en cates ees te wet auto row out og and ca, em cose > mn Cay 65. Den ‘o(tyou es een mace eu oy vse [niyavie take Eby wo em ‘iponiayetaunyloe i Th Kb my ating “ae treet ons As heard on BEMak'sTestar/Holhpwood recnling SOONER OR LATER Copyright © 1999, 2000 STRONGSONGS LTD. and BMG MUSIC PUBLISHING 7D, ‘ARIS for STRONGSONGS LTD. the US. and Canada Controlled and Administered by EM! APRIL MUSIC INC. ‘A Rights for BMG MUSIC PUBUSHING LTD. Acminsared Dy BMG SONGS, INC. ‘A Rights Reserved. erational Copyright Secured. Used by Petsson. ‘Reprted by Permission of Ht Leoraré Corporation 4 moneWord by BILLIE JOE ARMSTRONG, Music by GREEN DAY A ° os i & fe ” pene’ }/ ? 7 ? / ? 7 ? WS aoe ADGD A So aoe Ao og Riba) Oi 8. Ti waple vc reuters yas Santaton eatin dt Question everyting Or sutup ade aves ot auerty Avg DD ADG DAD & 9 Seeman ie Meyimpac you aity opentemacticey «= «ADS OS eet ao rs ° aig tet aig ts Carta et veteran me Ket eaclciten Serctatnegs NO oS yy sD ‘aD 6 4 arg Ure wt wong vit ater you eso fom bumpersticker reve Ad > xo eD \ fans ew neg wy onto ‘nig te wo wong se met” arte he GB oo pani te Tistapblesmeraronanen. fs bate: Ao DAD wo eons ees ° sD A 0 6s Sac rc on Youbet ss te cperan Te oe at ey res ‘As heard on Green Day/s Reprise recording WARNING ‘© 2000 Wa MUSIC CORP (ASCAP)& GREEN DAZE MUSIC (ASCAB). Al Rights Acminctered by WE MUSIC CORP, A Rights Resorvod Used by Permission ae aS PUBLICATIONS U' IN. Mam 32014 Ay Fim 8m / Pace . . ‘was arg antle cul sil er awhile gp tv vt ee D “ on Sismo satay Sy tse aa oy a to Bates badge x ‘you wisedme we You ce st een Fay creme a se D fm 0 Fm Drm Fm Cpt oer cree ores one Orr fae 8 erou enya Soe” it estate Serov pie me rch uere fone D ‘cm Bn ow p a 0GD sew Se ee Se re Cte oe ere me he yee ets cores bt eof han starter ‘As heard om the CBS/Monument recording THE ALL-TIME GREATEST HITS OF ROY ORBISON 1019 (Renewed) BARBARA ORBISON MUSIC COMPANY, ROY CRBISON MUSIC COMPANY 8 ACUFF-ROSE MUSIC INC. ‘Al Rights for BARBARA ORBISON MUSIC COMPANY AND ROY ORBISON NUSIC COMPANY administered by WARNER-TAMERLANE PUBLISHING CORP ‘Al Rights Reserved Used By Permission (WARNER BROS. PUBLICATIONS US. INC, Miami, FL 33014By PETER FRAMPTON D Dnai? Bm BB Tous att Bom 7a smth) LUTTE . nar wena ne our ekg, Tas egy as om ‘Bsc 0 ee be he ct ‘ming eh nate wo "he Sn oo anna wero Bn 6 en 6 ‘wart yo 0 sho me the way evry dey (went yo to show me the Way yah > mu? Wal can eno reason Yor Wg on your nes an ibe cD ore att When somone ops aap an saberge skimming ina dre mal? en ry | fee ging own Thre has ta bef to play my prt ‘As heard om Peter Frampton’s AM recording FRAMPTON COMES ALIVE! (1975 ALO MUS CORE. & MUAGES ARTISTS MUSE LD. ‘Al igh Reserved Used by Permission. WARNER BROS PUBLICATIONS US ING, Mari FL 33018 By GORDON UIGHTFOOT (Capo 2: All chards sound one whole step higher than writen (hey of P8). E 8 Ea imme TTD A fal suse 6 Wall Someone thought feting but al realy want know an 6 ‘wen you 0 stow meth way ver cay x) a Gg An ‘wane yu dy ater cay yeah > ‘att wonder fm cea, am ae can bee tis happening to me Arsust 6 ‘watch you wten yout step an | wnt to tke your ove (past chon to end He . 5 ‘cans herr ock erst ress_ atom where you do wt you co cafes a > e Sundoan you bar aa care rou been crepe’ un yback ts 2x) 8 . She's bot ki ke aqueanin aso’ ream Ash she ty wba he fey mesne a o Sometimes nk i's a shane woen fi beter oan t rm et pan 3 e ran lone every rove ta nce st PK you fst mike As heard on Gordon Lighfoot's Reprise recording CORD'S GOLD (01973 MOOSE MUSIC LTD, All Rights Reserved Warne RS PUBLCATIONS US. Ml 7.2008 a > f Sn eter aa oe ence any se 0 © Somatnes eek sv en fe Fm wn when fn sagan 8 . ‘ansehen aedans She's aac warn ote et ma a > e ‘Setnes tn t's shame when gael beter wes me pon h ° . Sc utc ten cords a ° Smet nk so en el ten Wr when kanby STEVEN PAGE & ED ROBERTSON ‘Transcribed by Andy Aledort F5 of Intro (090) “Moderate Rock J = 96 1 3 etfs) Pa Pat Pm % [B) Verses (0:8, 118.237) 1.its the porect tine of 2 ite the perect time of On an evening such as Pik Py Pa Pa PM PM i | nna ge Consign espn Ann Brough ih. 11 ack he er and ve en wot a tat he 6 couse em[© Chorus (053,200,219) Hes te 2 den you ty to renenber bul ts gone Then you ty fo sceam bit ony canes om m8 2 yom Wien you {8% (Pen m0) {Pinch me) ee 6 fs ore 25 trawohot ty fo ste the world beyond your font door tm a step) @ ce Take you tine ‘cause the way | rhyne's gonna make you smile When you reaze that a guy my sin might tke a while st (Please od et me) ac 6 Fs FE(in Fo C3 $4 (lnalad wea tg et oat eer Pe ~ (tm ‘sill asleep) ¢ a rf rf a A ps Shai Coie Please God tell me that tm fll ‘asleep {go back [B) i es oh Ss mw oe @ Coda 0a ‘Trying to figure out what allthis for tm ‘sl aaleop) ft € ¢ @ a 6 ° Th 7 ‘yng to seetneworidbeyond yourtont door Ting t fou out what ats is tr ¢m stl slop) tm stil asleep) af 6 FS @ c 6 tro 38) (whacleurd ele. gular slo) Fe c 6i \CCREADY, DAVE ABBRUZZESP, JEFF AMENT, ‘Transcribed by lef Perix )SSARD and EDDIE VEDDER i 3 a no es Z ts Ee ae . a om |S are catching up with me bm Caddo 6 Caado J et ema Pi? Bs om ‘arrose "Wan pretens ploed ie ay ns ie [B} 1st Pre-chorus (022) place ' Bane a te tunes aig pies 8 cast a 4 Gr. 2 (eon) aie 1 woh td seen the piace bat no one's over ‘As heard om Pearl Jams Epic recording VS. (© UNIV’ CAT MUSIC (ASCAP), PICKLED FISH MUSIC ASCAP), WRITE TREATAGE MUSIC (ASCAP) ‘SCRIBING C-MENT SONGS (ASCAP), PRI MUSIC, INC. (ASAP) & INNOCENT BYSTANDER (ASCAP) ‘All Its O/B/0 PICKLED FISH MUSIC admiisered by WE MUSIC CORP. ‘Rights Reserves Used By Prmasion WARNER BROS. PUBLICATIONS US. INC, Man, FL 30014 © comme[Bland verse (109 1 ‘swear 1 recognize: 2 cage ae Gur. plays Rhy. Fig. 1 four times snle Pu rd Ry Fg-2 Rly. Fig. -[B)2nd Pre-thorus (36 1 changed by not changing am Cad a cada gq, 07 1M Rl Pe. 2 sil 3rd Verse (132) 31 just want seream Halo D cas ap 46,171 pays Ry. Pig four mes sine—— [El2ei chorus 221 Vets nd tgs tay te = Dae: Ge 6 cut 8 erst Stier Hears and thoughts they fade fade nay D Co os 2009 a8 6 (ples 3 times an fade es)Back Here By CHRISTIAN BURNS, MARK BARRY, ‘Transcribad by ef erin ‘STEPHEN MeNALLY and PHIL THOMALLY ‘Chords for Gtrs. 1-3 (standard tuning). Em7 Cad D os Em ous? Am Gtr, 4 is in open G tuning (ow to high: DG D G BD). intro 00, GB) sstand and ver ons. Moderately 4 = 106 ‘ ‘oot me fee trom this misery oe 280° 1 tod You ts ‘even made You ey 08 cam) 1 Ge 2 ple Ry Fl 1 second ime oe wf: take Pe ie Prechorus (24 a eS wione ‘And ther'snothing in thisword| can do nwt you'r couse 65 ° em tering tar et) reds Dose ” af ie cs 2 et vine ‘ay Tip, Fa wp ona As heard on BBMak’sTeltar/Hollywood recording SOONER OR LATER Copyrgnt © 1999, 2000 STRONGSONGS LO. and BMG MUSIC PUBLISHING LTD, - A Rights for STRONGSONGS LTO fn the US. and canada Conlled and Administered by EMI APFEL MUSIC INC. 'AL Rights for BMG MUSIC PUBLSAING LTD, Agminstere by MG SONGS INC. Al RightsReserved merational Copyright Secured. Used by Permission, Reprinted by Permisien of Hal Leonaré CorporationMiss you Want you Need youso _—Unill you're os ° end RTA ‘ly Fig 1A (3rd tne) To Coda 4 (ip ahaod omens. 42) beck Thon'sa fring inde 1 want youts non ey ~~ Cedd9 cc ge Em You are the one and cant lot you go ‘And wonderAre you ever coming backin my We ‘caulehere! on ° 2 0 alone ‘And there's nothing inthis world can do Cais G Ds En cece 34-64, 34nd of ausDS S$ et Coda TF cates 29 ‘rok valent cast 5 . tn cas o tn Gr plays Ry. Pig. Lie Gi, pha Rhy. Fig, 1A eice Gir pla RITA 2 Tere neneee FQ Coda 245 Outro 230) ee Youarethe one andi cart Until youre back here baby Unt you're (Til youre back hore baby att es D- Em cat 5 > Em Gir {poy Rhy Fig 1 Gir 1 plays Ry Fig. five nes Gr. Fig 1A Gre 2 plans Ws Pip TAT nines wi wh ec 2 cut een due) {ealing Inside want you to know ‘You are the one and cant ‘Unt you're backhere baby Uni you're backhere baby ‘nal youre (TM you're back here baby TW youre back yout back) cao s . Em Ca 6 D Em Gir pss Ry. ig ove Gir. 2playe Ry. Fig. fA tee cit 0 Rit (play 3 ies afd om) as ": summa ieorme 67ShowMeTheWay By PETER FRAMPTON ‘Transcribed by Alex Hour Gtr. 1 chords (12-string acoustic in open G tuning: D G D G B D, low to high). D Dmaj7 8m BbS Gadde Att G idee!) 7 so ore ot ee i ee t Bat eee: Gtr, 2 chords (electric in standard tuning), D Dma7 Bm Bb6 Bios. Mt & rs 0 becsth fee cc teat at me Ta Hod Fe no Jt ona Bn be 08 D 1 ok sieseryaons) 2-75 D Dai? en 8s a9 Rix Piet end Ry. Fig (f:2¥¢s0rg oe) . Dai en Bhs Cas G1 ply Ry. Fg 1 ice o me ‘As heard on Petr Prampton’s A&M recording FRAMPTON COMES ALIVE! (©-1975 ALMO MUSIC CORP. & NUAGES ARTISTS MUSIC LTD. ‘All RightsReserved Used by Permission (WARNER BROS. PUBLICATIONS US. INC, MAM FL 9014Bh Vers 1129 (Uy woner bow yo elag Tee gg I ie ‘ean see no. reason You're (enti) Te Code (skp oheod ro(B) Tho stars ore out and shining butalll reelywant to know ‘Well someone thought aleeling butalll rally want to know ‘Oh won't watch you when youve sloping md | vento” yeer low ait Pa Rhy Fig jae end iy. Fl. 4[Est and 2d Chores 7.209 = how nete wey vey ay Iwat pu ‘oeten nate 7 6 at > Dai? Bn Bie Cad gn Ry, Fle 6 DB) catar sete ican oraiy Gir. 1 plays Rhy Fig. — 8 Gr, ae faa Br Be ade 0 Ona? Gir 1 pips Ry. Fig. 2 i ae ani a 7 sun wou ictuTenS tate pales ss 3 Grr, 1 plays Rig. Fig. 4 Pion cee ‘oshowneine way cry cay ‘want E tostow mete ay fan andy tant G2 sy Fe 5 6 at Sean an wee oh a om ons ure 71Words by BILLIE JOE ARMSTRONG, Music by GREEN DAY ‘Transerbal by Mat Scharf oe oe eS & Intro (009 Moderate Rock = 121 05 & 0s As D5 Gr. t(aons) oN Ff 2,00) Py. Fig. end Rhy. Pg % [B) intend 2na verses 7.129 ; Tis . (2ndime) ‘This isa ple ence reser is ny test fe ‘your ability to operate. Tat Of rech of chien” dortena wk "Wo sinngers Get your 2 Bete homes and seletyseled onmaies 1a you renanber Cte et ay Cason polce tw Fes beter not mete ‘santation Expiration tale Question everything s 05 as 05 @% 05 ‘As heard on Groen Day's Reprise recording WARNING (© 2000 WA MUSIC CORP. (ASCAP) & GREEN DAZE MUSIC (ASCAP) ‘Al Rights Acminisered by WB MUSIC CORP. ‘Al Fights Reserved Used by Permission (WARNER BROS. PUBLICATIONS US. INC, Mam) FL 39014cot tet fmt ai ne os phos : va slr Varios tn 1 cm | te om tate ely ogous Ot tee van Se (2) Waring ue von be 1s 25 « 5 A > Gir 2 por iy Ft tend a Ry 1 GF hot 09 ded 4 ti ch ee ora ao (olay 4a) “ig Fp? sonalne of adverse (2nd tine) To Code 4 (tp ahead meas. 21) 1 witout ate 1 say 1 say Hi “HH 5 6s bs 22a plays Ry. Fig. plays Ry. Fig. 2 end Ry. Fig.2 Ges ” 13. Sestienase) 2 Ds Ghat Cue (g0 back to [B] and take repecss) is 6 os eis im 0s 0s 2p Pte plates ae Q Coda 220) warning the withoet warning waning Use witout warning AS 05 65 D5 a5, cy Gu. 2 plays Rly. Fi. ‘Gr. 2 plays Ry. Fig. 21 Gia lane ‘ut ‘smmunaa aus 73(D] riage cae wot TR tt natn ones — ands " communion id you remember py the vay 5 05 av 2 (8.9 Gis, 1. 2and play Rly. Fi. 3 hve times Gir and ot 2 (play 3 times) Gon? o shut Wp and be etn ot thonty 45 0 6 ONG. Warring Live tout waning waning Ce without vari warning ve wthout vaning waning ve wthout vaming Ne aioe os D5 s 05 a eer Rett G2 ast F howtre «5 | sy 1 say 1 sy ‘This is a publ service announcement This is only 2 tet 6 05 a5 cy 65 Ds: a NC. % (play Aes) Gir ad 2 74 sac wun soreBy GORDON LIGHTFOOT Transcribed by Andy Aledo All gtrs. capo 2 Alchord shapes aa tablature postions are relative the capo. All notes and chords sound one whole step higher than written (key of F4). A eo & & R&S & lane xo Moderately d= 106 es lecring roasts 4 or (teens) B)utverse oxo see her iin’ = beck = inher satin ‘dress in @ room where you do ‘whatyou don't confess: 5 85 5 9 BvFigt cena Rhy. Fig ‘As heard on Gordon Lightfots Reprise recording GORD'S GOLD ‘©1973 MOOSE MUSIC LT. Al Rights Reserved. Usoc by Parission (WARNER BRS. PUBLICATIONS US INC, Mam, FL 23014 omnms tours 75‘Sandown you beter tate care 1 fd you'vebeen crepin’ round my eck stare a 4 o 5 [DJ 2nd Verse (xs) Shw's been lokn’ fhe a queen ina galore cream and she don't lnays sry what sto a end hy, Fig. 2) reat [E) 2nd Chorus es, realy means ‘Sometimes fh ts a shame whan get ela! betiar when tm 5 Gr. play Rly Fg. 2 A D a i 2% Ge Si6strg le) feat? — m0 pain Somefines 1 hinkite shame whee | get foie! beter when fm 76 seo caeme pain Lt can na e ta My [lama verse zz ‘picture every — move theta man could make ‘getting lost = inher Howie? is your iret mistake. Grr. | plays Rhy. Fig. 1 5 &S gy oe 2 ie 3rd Chorus (131) Sundown you beter take care” fd youve bean crepin’ ‘round my back stairs er 1 pleys Ry Fg. 2 A D 5 as - o~ when! feel tke fmwinin! when Fn losin? again . 5 [Guitar Solo 122) ‘am aa sume 77(Hath verse 229 ‘m0 hor look’ fast inher tdd ome shot a harblovi’ woman gale 5 Gir, ays Ry. Fg. 1 owe [Dr choras 250 see ewe ‘oneines 1 tin ts a ame aan es * ees 1 $2 MG pays Ry Fig. 2(24 8 brs oni) get fed’ beter when tm feelin’ no. pin ‘Sundown you beter taecare it D 5 a find you'vebeen crop’ Yound my back ars Sundown you better tance itt D 5 a . te 1 ploy Rhy. Fig. 2 (bars $-9.nly) ‘amu yoaa arne 78find you've Been rep’ Yount my beck — stare Sometimes 1 rr 1 pleys Ry Fig 2 (bars 5-9 oly) fink ts asin when feel ke fm winin! when fm Join) again A D 5 Bloutr oy & faeCrying By ROY ORBISON and JOE MELSON ‘Transcribed by Matt Schargass Gtr. 1: Acoustic guitar in standard tuning, D D+ G Gm ay Fem Bm fe e oe SS ee” = el Tat Sart Ben an iat Tr Gtr. 2: Elec. baritone guitar tuned a perfect fifth below standard tuning (low to high: A DG CE A). BD) nvere 029 we 1 could (Gr time) was aright ‘le while Butt saw you lastnight You held my Pa po *Unepam mang and gt wach wih Boh Rar rouphone—af hand t0 tight as you stopped to say hallo, ‘Ab you wished me wal Yeu De GNC on r) could tel that td been n D Fin | v plow As heard on the CBS/Mononentrecnting THE ALL-TIME GREATEST HITS OF ROY ORBISON ©1961 onowed) BARGARA ORBISON MUSIC COMPANY, ROY ORBISON MUSIC COMPANY & ACLFF ROSE MUSC. NC ‘A Rh for BAREARA ORBISON MUSIC COMPANY AND AO" ORBISON MLS COMPANY xmnistre by WARNER-TAMERLANE PUBLSHNG CORP, Alig Resend Usee By Permission anne 0S PUBUCATIONS USN, Mam, 23014b= Se a was over you but ifs a rier ee te ee ° on 2 omnia) adore but daring what cant » 6 Neo. iy. Fa 8 aMdont lave mo and 1 abways, be. 0 ae ont over you ee eying over you rom you're’ gone nd (Goh) Fin 6 ra (Gr I lays Bh. Fig B ace pet j tron this moment on PH be ening crying 8 a B OF ” Qu 1 pls Rly. Fl | A 7 a eee aed ey