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  • The Promise Eb Sax

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    chris castano
    10 views3 pages
    The document appears to be a musical score for an alto saxophone solo piece titled "When in Rome". It contains notation for multiple verses and a chorus section. The score uses traditional musical notation of notes, rhythms, dynamics and other markings across many lines to notate the saxophone part.

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    Original Title

    The Promise Eb sax

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    The document appears to be a musical score for an alto saxophone solo piece titled "When in Rome". It contains notation for multiple verses and a chorus section. The score uses traditional musical notation of notes, rhythms, dynamics and other markings across many lines to notate the saxophone part.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views3 pages

    The Promise Eb Sax

    Uploaded by

    chris castano
    The document appears to be a musical score for an alto saxophone solo piece titled "When in Rome". It contains notation for multiple verses and a chorus section. The score uses traditional musical notation of notes, rhythms, dynamics and other markings across many lines to notate the saxophone part.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    THE

    PROMISE
    When in Rome
    Eb alto saxophone

      7    
                
     = 118

       
        
    3 3

                
    5


           
    3

     
    3

                  
    9 (2 voice)

    
    (1 voice)

          
      
    3 3

             

    13


    2 2

            
            
    3

               
    17 2

                                  
     
    21

     
             
        2  
                  
    1


    25


       
    (2 voice)

                 
    3 3

           

    31


    1

          2        2  


    3 (2 voice)

                   
    36


           
     2  2       
    3 3 3

    
         
    1 
      
    41


                     
    2

         
    46

                      1    
        
         
    49

                  
    2

         
        
    53

                          

       
    56

    
          
     
        
     
             
     
    1


    60
    ( PIANO SOLO ) 1

     2
                       
    2

    
               
    70 1

            
               
    2

       
         
    CHORUS
    74

                
                
       
    1
    78

              
             
       
            

    1

     
    82

     

                         
    2

           

    85 1

    2
            
                  
    3

           
    88 1

    2
     

             chris
         
    94

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