Sonata

for Clarinet and Piano

Dedicated to the fabulous clarinetist, Theodore Johnson
1-Frenetic
Joseph Fried

        
 
allegro


         
A Clarinet

              
       
              
                
  
 

   



Piano

 


                   
                  
 leggiero

 
9

            
A Cl.

                  

 
    
         
                   
 
 


        
Pno.

 

         
                           


   
risoluto
16


A Cl.

                  

 
 


  
risoluto

  
         
                      
  
Pno.

 
        

        
       
24 

    
A Cl.


3

 
   
            

  
                      


Pno. 

    
                
    
         
33 

A Cl.

    
         
3

               
     
                      
            
Pno. 

   

                     
          
  
41


A Cl.

  

3 3

                     



     
  
                     
           
Pno. 

  

    
                       



   
50


A Cl.

 
               
6

   
            
        

Pno.

2
   
  
         
     

57  cantable


A Cl.

            
                        
cantable

   
                       
      
Pno. 



                       
     
risoluto


misterioso



66


A Cl.

                  
             
    
Pno. 

                   
    
73


A Cl.


                 

     


    
 
          
 
  
Pno.

 

   
              
      

81

   
A Cl.

            

     
           
        
Pno.

  
3
 
               
   
    
87 rit.


A Cl.

       
                     
            
    
Pno.

a tempo

            
        
cantable

  
95

  
A Cl.
3

             




          
       
Pno. 

          
              
 
 
103


A Cl.

 
                       
    
   

  
   



      
Pno.

       
    

111

 
A Cl.

  
      
 

      
     

Pno.

4
       

     
  
         
             
114 agitato

A Cl.

         
         


      
      

Pno.

            
                  
  
119

A Cl.

         
  
  

        
     


 
Pno.

               
      
             
     
123

A Cl.

            
    
  










 
Pno. 

         
       
128 molto agitato

A Cl.

      

  
   
                 
          
Pno. 


   
5
    
       
       


135

A Cl.

                    
     
   
         
    
Pno.

  
            
     
140

A Cl.

       
  
           
     
      
   
      
Pno.

                  

145

 
A Cl.

               
           
     
    
        
     
    
Pno.

   
     
      
151


A Cl.

        

        
 
Pno.


6
  
          
   
        
 
154

  
             
A Cl.

 
  

         
      

Pno.


              
     
159


A Cl.

             

 

        
   

Pno.

  
         



164


A Cl.

                      

      

     
     
   
        
Pno. 

                     
       
  
170

      
A Cl.

    
3

  
3

                     
 
                
     

Pno.

  
7
     
                
    
 
177 rit.

 
A Cl.

         

          



  
   

   
        


 
Pno.

             

  
         
a tempo 

 
185


      
A Cl.

             

       
3

                




   
Pno.   



       
         
  
  
195

A Cl.

          
                  
 
            
      



Pno.

       
204 rit.

    
A Cl.

                

                

      
    
Pno.

8
 a tempo

                         
  
leggiero

     



209

       
A Cl.

                 
     
 
         
       

   
 
        

 


    
Pno.

   

          
    

   
    

 risoluto

 
215

  
A Cl.

                    
  
risoluto

  
 
   
                          
       
Pno.

 

        
           
      
222

   
A Cl.

 
3

     


      
      

       

              

Pno. 

                
         
    
 
230

A Cl.

 
3

                 


    
               
         
Pno. 

  9
              
       
      
        
238


A Cl.

  
                          
      
                    
             
Pno.

  

           
  
     
 
   
    
   
246

A Cl.

   
3 3

               
       
6

    
                
           

Pno.

 

    
                  
  



254

 
A Cl.

            

                


   
    
     
         
       



Pno.

           
    
  

262

  
A Cl.
3

                      

        
   
Pno.

10
    
           
     
    
268 crescendo


A Cl.

       
        
              
         
Pno.

         
        
   


   
277

  
A Cl.

                    

 
  
    


  
 
 

  
   
Pno. 

 

  
             
      
    
283 


A Cl.

              
          
           
       
Pno. crescendo

  
    
   
rit.


288

      
A Cl.

       
    
 
     
   


   
Pno.


11
 Sonata for Clarinet and Piano
Dedicated to the fabulous clarinetist, Theodore Johnson
1-Frenetic

                 

Joseph Fried

   
                  
       
   
risoluto


allegro leggiero

       
A Clarinet

                    


           


   
17

      
A Cl.

                     
  


   
25 
A Cl.

              
      
3

          
        
 
34

           
A Cl.

         
3

     
    
  
41

A Cl.

    
3 3

             

                



  
50

A Cl.

                          



6


  


     
cantable misterioso


59 
A Cl.

                             


    
  
70 risoluto

   
A Cl.

                      
        
  
80

A Cl.
                        
         
a tempo

 

89 cantable
rit.

         
A Cl.


                    
3

 


  
101

    
A Cl.

            
 
          

              
111 agitato

      
A Cl.

            
                        


 
117

 
    

        
A Cl.

 
             
      
 
123

A Cl.

          
                   
    
molto agitato


128

A Cl.

                  

         
140

A Cl.

                               
      

150

    
A Cl.

                                
  
  
157

       
A Cl.

                                    


  
 
170

      
A Cl. 3

          
3

           a tempo
   
  
179 rit.

A Cl.
 
3
2
         
             
            

192

A Cl.

              
                            


   
a tempo

 
leggiero risoluto
207

          
A Cl.

              


   


 
 
217

      
A Cl.

                   
      
  

225


A Cl.

                  
3

         


   


      
 
234

A Cl.

                    
3

            
  
241

    
A Cl. 3

                    
3

         
 
  
250

A Cl.

 
                                
6 

        
259

    
A Cl.

               
         
3

     
crescendo


271

            
A Cl.

       



    
    

281

  
A Cl.

     
 



 
rit.
288

A Cl.

3
 Sonata
2-Somber
Joseph Fried

              

Adagio (50 measures per minute)

A Clarinet

  
                    

     
              

Piano 

            
           

14 risoluto

A Cl.

                         
  


         

                    

   


     
Pno.


risoluto



        
           

27
dolce

A Cl.

         


      
        
dolce


              
 
         


  
Pno.


  
   
      
        

37

A Cl.

 
                       
   
         
                   
              

Pno.

 
    
                

50

A Cl.

   
                 
       
      

  
                                
      
Pno. crescendo

             
    
 
63

              
  
A Cl.

             



        
                 
                       
Pno.


                            
    
75

A Cl.

      
                     
    
    
              
     

 
 
 
 
  

     
  
 
Pno.


2
                      
        
 
89

           
A Cl.

    
        
                      
    
 
      

      
         
   
 

 

 

Pno.



                       
     

102

            
A Cl.

              
                         
 
                        
            
         
Pno. 

               

115

A Cl.

     
                      
  
 
      

                   
 
Pno.

3
           
     
130 lentando (about 42 measures per minute)
rit.

     
A Cl.

   
                
                
affecttuoso

                            
          
       
Pno. 

crescendo 

   
               
   
140

A Cl.

                             
 

                               
  
Pno.


            
        
 
150

A Cl.

                            
    
affecttuoso


       
                     



 
Pno.

4
   
          
   

160 atempo

A Cl.

  
                  
                   
   
Pno.

         

169

A Cl.

  
           
      
         
Pno.

      

178

A Cl.

              
 
          
Pno.

5
           
          
 
184 risoluto

A Cl.

          
        


          
    

    
                        


  
Pno.

  
risoluto



          
    
    


195
dolce

A Cl.

     


                      
dolce

       
                  
    


  
Pno.

        
          
206

A Cl.

                        
       

      crescendo
            
      
 
Pno.

6
   
            

216

A Cl.

              
        

 

            
  
          
Pno.

              
   

225

A Cl.

   
                   
crescendo


               
          
crescendo


Pno.

                
  
     
234

A Cl.

     
    
   


    
     
 
  
  
                  
    
Pno. 

    
       



244 rit.


A Cl.

      
              



              
  
     

Pno.


7
 Sonata
2-Somber

           
Joseph Fried

   
       
Adagio (50 measures per minute)


risoluto

A Clarinet

     
              
    



dolce
24

A Cl.

           

           

35

  
A Cl.

             
    
46


A Cl.

      
            

57 
A Cl.

               
    
68

A Cl.

          
            
    
80

A Cl.

               
       

89

A Cl.

              
     
 

 


99

A Cl.

  lentando (about 42 measures per minute)

     
            
109

A Cl.
      
             
  
140

A Cl.

      
        

  
150

A Cl.

         
           
atempo

    
158 risoluto

A Cl.

      



        
       
187

A Cl.

         
           

dolce
197

A Cl.

                 


       
208

A Cl.

            
       

220

A Cl.

     
crescendo

       
     
230

A Cl.

       


               
 
240 rit.

A Cl.


2
 Sonata Joseph Fried

     
             
3-Joyous

  
   
Allegro

 
A Clarinet

 
                                        

          
     
     


  
Piano

           
     
 
7

 
A Cl.

 
                       
           

   
       
              
  
Pno.


suddenly softer

suddenly softer

      
            
    

12

    
A Cl.

                 

    
    
       

                     

   
 
    
Pno.


     
  
                          
 
   

18

  
A Cl.

 
               


            
    
    
 
 
            
  


   
Pno.


                             


  
a tempo


26 rit.


A Cl.

        
      
 
              
    

Pno.

        
    
                
 

32

                
A Cl.

                  
3

       
 
3 3

    
            
 
      
    
Pno.


                  
   
39

 
A Cl.

                            
3

  
3

     
3 3 3
3

                
      
      

3


3 3
Pno.

2
    
                  
 

46
1.

       
A Cl.

           
3

          
   
3 3

    
3 3 3 1.

 
     
             
      
Pno. 3


                    
    
53 2.

A Cl.

  
3

 


     
                        
2.


                     
     


 
Pno.

                  
   
  
59

A Cl.

    

               
       
3


3 3 3

    
3

                     
       
           
Pno. 3

3
3 3 3 3

3
  
    
         


66

         
A Cl.

    
                
3

 
3

                
     
      
Pno. 3
3

             
            
     
72

 
A Cl.

                              
     
 
       
              
Pno.


                             
   
76

              
A Cl.

        
  

             
   

Pno.

  
           
      
 
80

A Cl.

                 
3


                  
Pno.

4
                  
        

84

A Cl.

         
         
            
3

 
      
                    
     
Pno.

                     
              
90

   
A Cl.

                 

     
             
        
Pno.

   
                      
             
 
93

      
A Cl.

              
       
        
               
Pno.


  

    

100

 
A Cl.


  


        

 
     
   
Pno.


5
         
       
    
 
  
103


A Cl.

                     
                   
                
       



Pno.

           
      


  
109

   
A Cl.

           
                   
       
       
                    
   
Pno. piano subito


 
                       
piano subito

 
 
114


A Cl.

                        
                    

                          

        
Pno.


                   
             
      
121 rit

  
A Cl.

              
                
                
   
Pno.

6
      
       
  
a tempo
128


A Cl.

       
    
    
      
 
   
Pno.

     
 
    
131


A Cl.

     


    

      
 
Pno.

  
       
  
134


A Cl.

      
 
    
  


Pno.

 
               
 
136


A Cl.

     

      
  
Pno.

7
     
         
 

138

                  
A Cl.

  
3

            
3

 
               
                 
 
3

 
3 3 3 3

  
Pno. 3

      
         
 
    
144 3

           3  

A Cl.

      
3


3

   
3 3
3 3

         
    
3 3
Pno.

   
           
 
3
148

    3  3
      
A Cl.

        
3

      
3

 
         
 
 
3

  
3 3

     
Pno. 3

  
3

3 3
3

8
 Sonata Joseph Fried

                        
     
3-Joyous

  
   
  
Allegro

                               
A Clarinet

      

10

    
      
A Cl.

              
            
 
18

  
A Cl.

                      
          



a tempo


26 rit.

            
A Cl.

       

               
32

    
                 
A Cl.

            
 
3


40

A Cl.

                           
3 3 3
3

     
1. 2.
49

                

A Cl.

          
3

  
3



57

      
A Cl.

             
3

   
3

 
3 3

  
3


66

                                     
A Cl.


   
3

   
73

                             
A Cl.

     
 
79

A Cl.
3
  
                             


84

A Cl.

               
                       
3

90

                            
A Cl.

  
    
94

         
A Cl.

  
                   
     
102

                                 
A Cl.

 


  

110

               
A Cl.

 
          
              
118

                          
A Cl.

 
   
rit a tempo
127

           
A Cl.

       
       
131

    
A Cl.

                             

136

   
             
A Cl.

 
3

 
3

 
    
142 3

3   
A Cl.

         
3 3

     
 
3 3


3
148

A Cl. 3

3 3 3
2