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  • O Bêbado e A Equilibrista: Caio Maciel

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    This document is a short story told entirely through symbols. It follows the journey of a drunk man and an equilibrist. Over the course of their meeting, they find companionship and understanding in one another, despite their differences. Through this unexpected friendship, they are both able to find moments of clarity and peace.

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    O_Bbado_e_a_Equilibrista_sol

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    This document is a short story told entirely through symbols. It follows the journey of a drunk man and an equilibrist. Over the course of their meeting, they find companionship and understanding in one another, despite their differences. Through this unexpected friendship, they are both able to find moments of clarity and peace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views2 pages

    O Bêbado e A Equilibrista: Caio Maciel

    Uploaded by

    caio maciel
    This document is a short story told entirely through symbols. It follows the journey of a drunk man and an equilibrist. Over the course of their meeting, they find companionship and understanding in one another, despite their differences. Through this unexpected friendship, they are both able to find moments of clarity and peace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    O

    Bêbado e a Equilibrista

       
        
    Caio Maciel

        

       
              
    5

         
           
    9

         
                  
    13

     
             
              
    17

     


                      
    21


                  

    25

        

     
                                  
    29

                 


            
    34


                                          
    39
     
    2

           
                            
      
    45

     

         
                 
          
    51

      

      
                                        
    57

                          
     
                
    63


                                 
          
    68

           
                
    74

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