~ Bx” RI ‘ & ne Swingin’ With The Saints : \ & for. 4 : rey ec Act coed ne MRP Pes with options! instrumental aecompaniment TRADITICHAL ‘ Soulfully, with a strong rhythmic pulse (d=ca.60) é eet ore any b 4. eres b r 4 ¥ t ‘ : ae | nano : : SOPRANO & ALTO fons aml. [A] Continue bend claps until one measure Before [B).) —== SS = as a —— Si Picnics: sweet char - i- of, ORB BASS (une; mE > Swing_low, char-i- ot that's acom-in’ to ab7 eb = +5 = oa —— x — —— T comin’ for to car-ry me_ home, Swing = if de a e —_—- +e t + = = a e = car-ry me home, I'm 2-tell-in’ you, { ebieb abs ausSee eee a ile low, sweet, sweet, old char - i- on (oot rE Eb Sete are swing down low. and just tell me you're eb chm hm? eb act com-in' for to car-ry me right. on home. ee B) «tary —————— Ea Swing down low, % swing down low, W's areomvin’,_i's a-comin’ to low, ——,_ sweet char > i-ot, , eb7 abr Gm? Fmt for to carry me em ie s- ee — * if there are more sopranos than altos, sopranos divide on the upper two notes. If altos are more numerous, they should divide on the lower two notes. Where only’ two notes occur, return to notmal S, A. division, All single notes are S, andni ow Leaeaa aaagce aiaza 2£¢ aeaeeqa2gaegaegqe8 @aeqaqaer @eaaasn PPcomin’ for to car-ry me home, ——— (stop band claps), ae ay rie = Se comin’ for to car- ry mtiy : Bright jazz feeling. in? (dsea.108) SS =p swing home, iE Bright jazz feeling,in2 (dz 4 ight jazz feeling, in 2 (deca. 108) ao 7 sweet char ~ comin’ for zo car-ry me nf on home. Swing low, sweet cous 1(f8) Fei? TEITEVITKELELTURETTUPER RE TTS tt ER BERETRT x BERRchar - e SN me home. — comin'for to car=ry ant aber Gms re 5 == pssaints comin" for com-in' for aber #0 get there friends, friends cm? I'm fd in, ob, when the saints be-fore 1 Fala do, Bhai? af- ter you, ob Gm? thsi Oh, when the comin’ for to F 82" SHOAMAHMOADANAAAAANAMANMANAMAAMAR ARMA R RAAT TT= SS Marche a iy oh, Lord, 1 want to be fo - car- ty me home, ors) abe when the saints march - comin’ tight abmai? cbs after you, comin’ for to car- ty me home._ Am? Dm? Gm? ebie Doot doot doo mp doot oot =ie siunt Wad ri I ‘oe deat dow daw dove dour ae OL ss; Emsi7i0 ‘ evita) Am? = i z z= Dwee doordoct doo doo — #4 Seat e718 Fig G7 gs ————— | £5 doo-ba-doo:dwee doo deot doot # doo be-doo-be-deo-ba1osee a char > ion 1 know it's Mp ee ee Conde 1 see a char-iot and it’s com-in' for me. a 07 oir nat The saints in glo - ty they'll all go ——onw’III..02] __¢®t6® ov[—_ere march ~ in! af ae. => y the — Oh, when the ob obreb saints go oh, when the saints go ebmtiab. ab ver heav-en for eos ter ni saints, go march-in’ Ebeutab the Ce XD RAMA MAM AAT DRA DRAB AARADAARAAMANAR AANA MAM A OEM lanane ee <«F aanum - ber 22 saints go march- in’ abeb want to in that num -—_—=—_——— ot, & dir) BF oc Shout: 1 real-ly wan-na abic 67/8 abm? gb? ¥ (bi = “As long 19 a few sopranos and a few tenors are able to sing their high Ab’s, the remaining sugranos tnd tenors should sing the lower Ab's with altos and basses, The cued notes are to be used only if both igh A's eannot be sung by at Teadt a few voices,