49

HERE I AM
Words and Music by
JAMIE HOUSTON
Moderate Ballad
Eb Absus2
3fr 3fr


     

  
   
 
   




  
   
 
   

mf
    

Eb Absus2
3fr 3fr

 
     
   
They tell you a good

  
         
          
   

Eb Absus2
3fr 3fr


            
            
girl is qui - et and that you should nev - er ask why ’cause it on -
life to work it, so who cares if it’s not per - fect, say, “It’s close

                     
              
    
      
   
Cm7 Absus2
3fr 3fr

 
                
  
- ly makes it hard - er to fit in. You should be hap -
e - nough to per - fect for me.” Why should you hide

            
         
  

        
   
  
       
© 2008 Walt Disney Music Company
All Rights Reserved Used by Permission
50
Eb Absus2
3fr 3fr


     
                
 
- py, ex - cit - ed, ev - en if you’re just in - vit - ed, ’cause the win -
from the thun - der and the light - ning that you’re un - der, ’cause there ain’t

                    
                 
  
  
   
   
Cm7 Absus2
3fr 3fr

 
              

   

- ners need some - one to clap for them.

no - bod - y else you want to be. If how you’re liv -
 
          
    
           
 
   
  
       
F7sus F7 Abmaj7

 
           
             

It’s so hard just wait - ing in a line that nev - er moves. It’s
- ing is - n’t work - ing, there’s one thing that - ’ll help: you’ve got to


           
  
       
       

   
        
     
F7sus F7 Abmaj7

 
                 
   
time you start - ed mak - ing your own rules. You’ve got to
fin - ’lly just stop search - ing to find your - self.

           
     
           

   
      

 51
Eb Bb/D

3fr

 
                    

scream un - til there’s noth - ing left, with your last breath say “Here I am,


                    
 
           
    

       

Cm7 Abmaj7
3fr


               
here I am.” Make them lis - ten ’cause


              

 
 
   
  
       
Eb Bb/D
3fr


                
   
there’s no way you’ll be ig - nored, not an - y - more, say, “Here I am,


                


   
 
         
     
        

1
Cm7 Abmaj7
3fr To Coda 
 
            
here I am.” Here I am,

 
             
  
   
  
       
52

Eb Bb/D
3fr

   
           
  
ah, ah, ah. Here I am,

   
              
       
    
        

Cm7 Ab
3fr 4fr

 
     
       
    
ah, ah. You on - ly get one

 
      
    

          
  
     
  
      
2
Abmaj7 F

 
               
Here I am. The world

 
    
             
       
   
        
   
Ab[add2] F
4fr

 
                    
bet - ter make some room, yeah, move o - ver, o - ver,

 
                    
        
   
        
    
 53
Ab[add2]
4fr
D.S. al Coda
            
       
’cause you’re com - ing through, ’cause you’re com - ing through. Got to

            
       


  
 

 


     
          
Abmaj7 Eb
CODA 3fr

   
             
Here I am, ah, ah, ah.

   
    
         
      
   
      
   
Bb/D Cm7
3fr

  
              

Here I am, ah, ah, ah.

  
   
         
       

      

        

Ab
4fr

 
      
 
 
Here I am.


 

 

 
 

 