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how to play a minor scale for a warm up. I started off by asking a lot of questions and I talked
way too much throughout the whole lesson. Although I was explaining the concept of minor, I
think that I could have done a better job of trusting their understanding. It is also easy to lose
their attention when this happens. I realized that I made a few mistakes when I was telling them
how to find their starting note too but I regained control and made sure everyone was confident
on their first note; I went around the room and told each student their note. I think after
reviewing and discussing, I could have done a much better job of giving them a more visual
representation of what we were doing. It was very helpful later on to write the notes out on the
board for them to visually see and to also further explain that the notes used are the same as
those in a Concert Bb scale. I also think that the whole concept could have been taught better
by starting simple and having them listen to a song in a minor key and comparing that to a major
For their book work, I decided to just get a run through to see what happens
which I both liked and disliked. I think it was great that I reminded them of the key signature but I
also should have let them speak the rhythm first or had them air guitar their parts while I played
it for them. On the positive side, doing a run through at first helps them discover some of the
things they might typically not think of or see from the start which I think is great for their
comprehensive reading skills. After this first run through, I decided to talk about their dynamics
that they were missing. To make this better, I could have either worked on crescendos and
dynamics in the earlier part of the warm up or broken apart the sections a lot more. Overall, they
still did a wonderful job of both watching and responding to the feedback I was giving them.
Teaching #2: I started off this lesson by reviewing the G minor scale they have been
practicing for a few weeks. I liked that I asked them what note they were starting on instead of
telling them. I tried my hardest to let them listen more and problem solve instead of me telling
them things to fix; I asked them if a certain scale was better going up than down to see if they
could tell they were slowing down on the way up. For the most part, they were able to discover
the issues themselves. After this, I did the scale in rounds which did not go as well as I had
hoped at all. It took them a few tries for them to understand how the round worked. I wanted to
talk less and see if they could understand just by watching but it sadly was not the case. My
intention for this was all about balance and blend as well and I don’t think they understood the
objective. Therefore, I could have told them beforehand what the purpose was along the way as
well. I did however tell them that I needed less of group 1 and more of group 2, etc., but they
had no idea why I did that. For balance purposes, I do like that I took percussion out for a few
minutes but it left them with nothing to do for that time. I have discovered though that sometimes
you have to break apart these sections for clarity as long as you are occasionally letting
everyone play a section while you are addressing sectional issues to avoid boredom.
For the second half, the band worked on Dark Fortress. I liked that I was trying to get
them playing as much as possible instead of talking. I tried my best to give instructions in as few
words as possible. I did notice that there was a lot of playing and pitter pattering in the
background which I should have done more by telling them to stay focused and not play while I
was talking. I also think that I did a good job of thinking on the fly as far as separating parts if I
heard something that needed to be addressed. The whole goal of this lesson was to not slow
down in certain sections and while I did address the slowing down. I could have assisted in
some way with a metronome or physically clapping. I think if I did this lesson again, I would use
more aids in tempo and I would also listen better to notes that are still being missed. At the
moment, it’s really hard to hear every single thing going on in the band but even after going
back and listening, there are so many students struggling with notes that I should have
addressed. I realized that sometimes, I need to go to the piano and physically play the note for
them or model it. I realized this because I told them they were playing the right pitch when they
actually weren’t.
Overall growth: Between both lessons, I believe I gained tremendous confidence and I
gained better flow of how the lesson went. I also think my variety of feedback was a lot better
than my initial recording; I didn’t always say “good” or “great” but instead, “it was better” or
“watch this part here.” I also asked better questions instead of those answered with a simple yes
or no. My ability to connect more with the students was also something really rewarding to see