Professional Documents
Culture Documents
ELT
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Issue 1 Vol. 1
Autumn 2021
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pixbygus
Welcome!
This is the motto for this new English Language Teaching publication from New Way Press Publishing Ltd. The ELT Mag was born out
of the idea of including all professionals in the sector. Creed, nationality, sex, place in the world where you work, etc do not matter to
us... Your ideas do. This magazine has been created for you by people like you: enthusiastic ELT professionals that want to share their
ideas with each other. That is what we at New Way Press Publishing strive to do, and we hope this first free issue shows that.
None of what is present here would have been possible without the hard work of the enthusiastic professionals that submitted their
contributions and believed in this project. We are very thankful to you all for trusting us with your work, and for being so very patient
with us all throughout the process. This magazine would not exist if it were not for you.
This publication would not have seen the light of day either if it had not been for our trusted assistant editor Lucia Marotta, who not
only helped us with editing but also contributed to this issue as well. We are very thankful to you Lucia for all the help and guidance
you have provided myself and the company throughout the process.
When one embarks on projects like this one tends to forget that visuals are a brand's statement. They also make up for that visual
aspect of a publication that can sometimes make or break its content. So I would also like to thank all the visual artists that
contributed to this issue and believed my words were enough to sustain their contributions. WE are hoping that this helps give you
the very much needed publicity you need, because you are amazing artists and we want to celebrate your work.
Last but not least, I would like to thank Penny Ur for contributing to this first issue. Penny and I have never met, but she was kind
enough to answer my email request and provide us with an article for this first issue. We at New Way Press Publishing admire Penny's
work and feel honoured to have worked with her on this first issue.
My last words go to Ben Dobbs, my business partner, who has blindly believed in my ideas from the get go and has not asked
questions or denied any requests. I am deeply grateful to you for this opportunity and I cannot wait to see what the future has in
store for us here at New Way Press Publishing.
Hope you all enjoy this issue of The ELT Mag as much as we enjoyed creating it for you all!!!
Mara Temi
Email us
the-elt-mag@new-way-press.com
IN THIS
A. R. Shearer
C h a n g i n g L a n d s c a p e s i n E a rl y C a re e r E LT .......................................
6
Aisling Ly
Ho w t o b e S u s t a i n a b l e i n A n y Wo rk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
8
E n v i ro n m e n t
Anahí Pesci
I G a s a R e s o u rc e fo r E LT P ro fe s s i o n a l s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10
Penny Ur
K e y T i p s fo r Te a c h i n g Vo c a b u l a r y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13
P.J. Ryan
E m e r g e n t l a n g u a g e a n d re a s o n s t o
p ro m o t e i t i n t h e c l a s s ro o m ....................................................
16
Gabriela Pozza
G o i n g t h e E x t r a M i l e : M a ke ...........................................................
18
Id i o m s S t i c k !
Maria Glazunova
Ho w t o t r a c k s t u d e n t s ' p ro g re s s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
20
Jim Fuller
Ho w t o G e t I n v o l v e d i n t h e ............................................................
22
B l o g o s p h e re P a r t 1
Seán Brophy
W h a t o n E a r t h i s a No u n P h r a s e?
Federico Pasquale
Ho w t o S e t u p y o u r o w n ........................................................
26
Online Educational Business
Patrick Spillane
Implementing Communicative
L a n g u a g e Te a c h i n g i n Mo n g o l i a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
28
Mikaela Armelini
Ne u ro s c i e n c e : E s s e n t i a l
Te c h n i q u e s fo r t h e C l a s s ro o m
....................................................
30
32
Lucía Marotta
Te a c h i n g E n g l i s h t o E l d e rl y S t u d e n t s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
Joana Arzberger
P re p a re Te a c h , R e p e a t . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
Cristina Gallego
& Belén Paoli
A. R. Shearer
The year was 2019. I had graduated with an MA-TESOL degree and had several job
interviews lined up. My enthusiasm quickly changed to discouragement as many of
these interviews were atrocious. My hiring committees were filled with gatekeepers
(Montgomery, 2020), using the fact that I was a freshly minted teacher as a reason
not to hire me. I finally found myself interviewing with someone who treated me
with respect and spoke to me as a professional. This interaction led me to my first
paid teaching job, with a non-profit in a major city in the United States of
America. Everything was going well until spring of 2020, when I found myself
jobless after the non-profit was closed due to COVID-19.
The prospects for a new job were incredibly slim as the entire world experienced
this pandemic. Borders had closed, so the prospects of going abroad for work were
non-existent. In the United States, schools, colleges, and universities were making
transitions to virtual learning. Hiring freezes (Davidson & Lambert, 2020) were put
into place at companies and teachers were being let go as programs got cut. It was
not the best time for new teachers early in their careers.
Those who graduated right in the heart of 2020 were also put in a precarious
position. They had spent most of their teacher training with face-to-face
instruction and were now being asked to teach virtually. So there we were, new
teachers, during a global pandemic, trained in face-to-face instruction but facing a
global industry-wide transition to online instruction, and one of the issues
gatekeeping us from prospective jobs was that we could not prove that we were
capable of transitioning to online teaching. Even now in 2021, I am finding myself
in job interviews where virtual instruction is a new limiting factor. Because I have
been teaching virtually one-to-one and working as an online language assessor for a
for-profit company, I have been able to leverage those virtual experiences.
However, sometimes this isn’t enough, despite me being fully capable of teaching
on Zoom and using learning management systems (LMSs) like Canvas or Moodle.
At times things have felt hopeless. I have questioned my direction and thought to myself,
“Oh no, what have I done with my life?” The saving grace was finding digital communities
for early career teachers, in the form of Twitter and organizations such as IATEFL,
CATESOL, ASCD, and TESOL International. I was able to participate in professional
development webinars and talks, get experience with virtual ELT design, and learn about
various LMSs. I also learned about other great platforms which I could integrate into online
teaching that would make online learning easy and student-centered, such as Pear Deck,
Voicethread, and Padlet. These communities afforded me the ability to take courses; attend
webinars, conferences, and talks; and gain friendships and collaborators.
Reading was also an important tool during this time. I learned about social justice issues
such as trauma-informed education, culturally responsive teaching, restorative justice
circles, and topics that were only superficially covered in my masters program (i.e.
raciolinguistics - Alim et al., 2016) and multilingual/translanguaging education). As an early
ELT educator living through what feels like continuous global chaos and a never-ending
COVID-19 pandemic, the future is unstable and not promising. Certain techniques and
methods we learned in school are now inapplicable to the current learning climate and we
are faced with an unclear vision of how the future of teaching will be shaped. However, the
connections made and communities built within online communities have the potential to
afford new teachers the support needed to persevere, no matter what the future looks like.
jayonherway
HOW TO BE MORE
SUSTAINABLE IN ANY
WORK ENVIRONMENT
AISLING LY
We love paper! Not really, but anyways. It’s important to try and use
less paper. If you’re printing off something, maybe think about printing
it double sided. Not only does it reduce the amount of paper you use,
but also makes it look neater. Also, if you have lots of scrap paper left
over you could, like me, write on the back of it as notes, or use it as
extra printing paper provided it’s not an important document.
Alternatively, you could have your documents all on your computer
or mobile phone, that way you don’t have to print it off.
IG as a Resource for
ELT Professionals
Anahí Pesci
As I am sure most of you have experienced, at the beginning of the pandemic we had to completely
redesign our lessons for an online context, considering that not all of our students would have
connectivity and that many of them (and us!) were experiencing the hardships, isolation and anxiety
that came with an unknown, deadly disease.
Mostly, my worries revolved not around having to get used to new technology (in fact, I found joy in
learning about new tools that have so much potential for enriching teaching-learning
environments), but rather around how to create meaningful learning activities in such a context,
considering that in Argentinean secondary schools in-person lessons were cancelled barely a week
after the school year had started (March 2020). In addition, in our attempt to make sure “contents
were not lost” and that students still “kept learning” what they were expected to, we soon fell into
the trap of grind culture. The amount of work for both students and educators piled up at an
overwhelming rate.
In this context, fellow educators on social media became a great company in many respects. In
particular, I started following (or looking more closely at) several Instagram accounts that bring
reflection, fresh ideas and perspectives, and interesting materials to our lessons. Though this social
network may one day become outdated, I believe its current potential for teachers is worth
highlighting.
In this context, fellow educators on social media Most importantly, ELT professional accounts
became a great company in many respects. In are a great way to connect with fellow
particular, I started following (or looking more teachers around the world that somehow
closely at) several Instagram accounts that bring share a similar educational philosophy. It is
reflection, fresh ideas and perspectives, and easy to lose perspective in a context that
interesting materials to our lessons. Though this demands hours (sometimes 12, even more) in
social network may one day become outdated, I front of a screen. I don’t know if you can
believe its current potential for teachers is worth relate, but I feel it is easy to forget our primary
highlighting.
aims as educators in the sea of daily tasks…
sometimes it is tempting to rely on the old
Of course, during the pandemic live talks became grammar exercises, both for us and for our
so much more frequent. In our case, as students.
simplify our lives, while still promoting creative in the sea of daily task."
and refreshing practices in our virtual
classrooms.
"Some
incredible IG
accounts bring
revitalizing
perspectives
into the
profession"
love and service. Furthermore, they help us These accounts are mostly for Spanish-
perceive the different contexts, practices, values speaking professionals (I think we are a great
that may be involved in education. What are bunch!). I will not say much, as you will
probably want to dive into them:
similarities and differences in the ways we think
@teachingteacup, @parentesis.educacion,
of English teaching, say, in Spain, in Chile, in @profe.pamela, @missnayasmoments.
Some of these educators work on
Of course, I could not finish this article without bilingual/dual programs, some others teach
foreign languages other than English, but all
suggesting some accounts that bring interesting
of them have brilliant ideas and inspiring
reflections and materials to social networks. They educational perspectives:
suggest that you embark on such an important IG accounts that are not specific to
foreign-language teaching
classroom:
@teachandtransform, @laviejadelenguaje,
@toocoolformiddleschool,
Hope you enjoy these accounts and discover @fivefootoneteacher, @mudandinkteaching.
When I started teaching in the late 1960s, I remember an English teaching inspector telling me: ‘Don’t worry
about teaching vocabulary: teach correct grammar and the learners will just pick up the vocabulary as they go’.
This was in the heyday of audio-lingual methodology, according to which learners needed primarily to
‘automatize’ grammatical patterns through a lot of imitation, repetition, and drills.
Even then, this seemed to me a not very effective – and rather boring – way of getting my learners to master a
new language. As time went on, I was happy to see attitudes changing: there was an increasing emphasis on
teaching learners to understand and convey meanings rather than just create correct sentences in the new
language. And if you are focusing on meaning-making, then you are inevitably going to devote more attention
Note that incidental learning – ‘picking up’ vocabulary through reading or listening, as recommended by my
inspector – is very slow and inefficient. It works for children learning their mother tongue, or ones who are
learning a second language through ‘total immersion’, because they have an enormous number of hours of
contact with the language every day. But most learners of English today are living in a non-English-speaking
country, and are exposed to English mostly, if not solely, through English lessons – often only four hours a week
or less. So most of our students’ vocabulary learning will be through our lessons, and we need to make sure that
the vocabulary learning procedures that we use are as effective as possible.
Here are some vocabulary-teaching tips which I hope you will find helpful. They are based on a combination of
my own teaching experience and evidence from the research.
Users of English probably need about 3000 words in order to understand and communicate at an intermediate
(B1) level (Schmitt & Schmitt, 2014), and at least twice that in order to cope with unsimplified reading texts. If
you are teaching in a school in a non-English-speaking country, that probably means teaching about twenty
new items a week (though obviously fewer for younger beginners and more for older or more advanced
learners). And you need to find time also to review. You’ll need, therefore, to devote a lot of time to vocabulary
teaching: my own recommendation would be about a quarter of total lesson time, and a similar proportion of
homework assignments.
17 september, 2011
If the students are aware how important it is to acquire a large English vocabulary in order to achieve
proficiency, then they are more likely to invest effort in learning it. It is worth devoting some class time at the
beginning of a course to a discussion of the issue – in the students’ mother tongue if you know it and if they are
PORTRAIT OF
not yet proficient in English. Not only will they understand why they are asked to work on vocabulary so much
in your course, but will also be more willing to cooperate if you ask them to invest effort and time outside the
classroom in vocabulary-enrichment assignments: finding and interviewing English speakers, for example;
THE MAN
watching movies or you-tube clips in English with subtitles (if any) only in English; noting English words or
phrases displayed
keep up in the street,
with the in movement
advertisements or on packaging of foods.
Learners do not remember a new word after one exposure. Or even two or three. The research indicates that in
order to remember a new item permanently, they probably need between 6 and 16 reviews (Zahar et al., 2001).
Our problem is, then, to make sure that there are enough opportunities for review, without our students getting
bored with repetitive tasks. So we need to vary the types of procedure (sentence-completion, multiple-choice,
dictation, brainstorming, matching, guessing, question-and answer, finding synonyms and opposites,
paraphrasing …), and make sure we use tasks that are likely to be interesting: getting students to relate the new
items to themselves, for example, or make up stories that use them.
Multi-word items
Vocabulary is not just words. It also includes multi-word items: phrasal verbs like look after, get away;
prepositional phrases like by the way, of course; binomials like to and fro, more or less – and more. These are
items that work like words in that they express a single idea, and are stored in the memory as a single ‘chunk’;
and their meaning often cannot be guessed by combining the meanings of the component words. So if you are
compiling a list of new vocabulary to be taught from a text and reviewed later, look out for these types of items
and include them in your list: don’t limit yourself to single words. And encourage students to write them down
as items to be learned.
Exactly how many times you need to review items depends not only on the difficulty
Vocabulary is
of the item and ability of the learner, but also on how effective the review procedure
is. A task that gets the learner to retrieve and produce the form or meaning from
not just words.
memory is much more effective than one that consists of only letting them see or hear
the item again, without demanding any effort of retrieval (Laufer & Rozovski-Roitblat,
It also includes
2015). So it’s better to run a quiz or some kind of sentence-writing or brainstorming multi-word
activity that gets students to use the new vocabulary themselves than just to remind
them of the form and meaning of the new items or tell them to study a word list.
items
Prioritize frequent words
Since we have limited time at our disposal for vocabulary teaching, and need to make sure that our
students learn as much as possible, it makes sense to prioritize those items which are likely to be most
useful for them, and not to waste time – particularly at beginner or intermediate levels – on teaching
advanced, relatively rare, words they are unlikely to need at this level. The most useful words are, on
the whole, those which occur most frequently in the language as a whole. So when you identify the
new vocabulary in a text, direct students’ attention mainly to those that are clearly more frequent.
Words that are needed for this text but unlikely to be encountered again soon will need to be
explained, but don’t invest too much effort in reviewing and testing them. If you’re not sure how
frequent a particular word is, look it up in a learner dictionary: most of the modern learner dictionaries
indicate the level of their headwords, based on frequency.
test.
mmarcesanchez
So, what are the majority of schools doing about it? We have courses and course books, but if
students are getting their information and practice elsewhere, and usually for free, are these
curriculums and materials meeting their immediate, local and/or global needs as we enter a
post-pandemic era? What else can we offer them? One thing that students need but cannot get
on their own is something largely marginalised in the classroom - real conversational practice
and the detailed analysis and feedback of the language that emerges from it. Wilberg (1987)
points out that it is the teacher’s responsibility not to provide the communicative content, but to
understand the student’s communicative needs first, then provide the framework for this input to
be practiced communicatively, and later analysed for present or missing linguistic features. Task-
based learning and other fluency-first and student-centered approaches allow real
communication and dialogue to flourish in the classroom. When students are given this level of
freedom, emergent language occurs and real learning that matters to them can begin.
To illustrate this way of thinking inside my classroom, I had two students who needed to prepare for a job
interview. The class brainstormed questions that could have been asked and they practiced answering them.
After each round of speaking, the content and language that emerged was then analysed, celebrated,
corrected and/or improved upon as a group. Keep in mind that the language is not restricted to one language
focus; all language systems are covered.
Below is an edited document on Google Docs I used to showcase the emergent language through the four
language systems during feedback (the document is normally a lot longer with fuller sentences produced by
the students). This language is improved upon by reformulating and recasting it for the students to use for
future performances. The students can access this record of work at any time, and their work and feedback is
never lost. Students love to learn new words, phrases and strategies from each other.
This can be utilised at the start of lessons or I encourage my students to take five minutes Put the students into groups.
pulled out when student energy levels start to to sit down and write down their thoughts after Prepare some recent errors that the
wane. Put students into teams and they stay most lessons about the language they have students have made into a form of
this way throughout your course. Teams score encountered and used, for instance, what they community advertisement where
points by answering questions on emergent did well, what problems they overcame, and people can rip the phone number
language covered in previous classes. Give where they are having trouble. During from; the errors being the phone
each team questions on slips of paper (I get formative assessment, they then summarise number. One document for each
my students to draw questions from my these ideas to help me, and them, get a clearer group. Stick the document on the
recycling toy bin). Record the points on a idea of where the student is with the language
wall. Students take one slip at a time
piece of paper so the students can see their I also encourage students to keep a vocabulary and try to correct it in their group.
position in the league. At a certain point in notebook. They write down new words that They race to the teacher to see if
the course, hand out prizes to all e.g. sweets. emerge from lessons into two or three full they got it right. They can select
This has helped to improve not only the sentences, without the aid of translation. another error if they did.
retention of the language covered, but student Oftentimes these words end up in the
attendance rates, too. If this seems a bit Language League, so this motivates my
ambitious, just use the questions without the students to keep a record of language.
league component.
Idioms provoke powerful imagery, which makes them fun to teach - aside from the endless creative
activities and games which, combined with the tips above, can make vocabulary-focused lessons
remarkably engaging. By using effective teaching strategies we can help learners memorise and
actively incorporate idioms into their language. After all, where there is a will, there is a way!
jayonherway
How to track
students' progress
Maria Glazunova
After every lesson, I give short online tests as homework based on the kind of grammar
that emerged. Then, students put their results in Google docs. In this way, I can see what
they still don't understand, and it gives me an idea for the direction of the next lesson.
As for the new emergent vocabulary - mostly chunks, not just separate words – I give
different tasks. For example, they record voice messages in Telegram/WhatsApp and use
Quizlet. One of my students' favorites is to write stories with these emergent items that I
carefully analyze and give feedback on.
At the end of every lesson, I ask students what 3 things they think they have improved (in
comparison to the previous lessons). As a result, they learn to analyze their progress,
develop the habit of noticing the good stuff too and gain self-confidence.
It also helps to see the direction for the following lessons, what homework to give, and
students are encouraged to suggest different ideas that can help them improve.
Sometimes, when we don’t see the progress, I can ask, “why is that so? What do
you think?”; and students tell me honestly their reasons and we negotiate
possible solutions. Sometimes, it is necessary to change our lessons' direction
because their motivation and priorities have been changed. Honesty between us
is essential.
I'm constantly keeping my finger on their English pulse because if I don't do this - the
price of misunderstanding and demotivation is too high. I encourage them to share
how they use the language outside the classroom (they could conduct a meeting with
foreign colleagues, etc.). This also adds up to their sense of achievement,
responsibility, and autonomy.
I’d say my biggest task is not to teach them the present perfect but to help dissolve the restrictions they place
on themselves (if they want to) and see their progress more adequately. That they start perceiving English as
a tool to get the result they need and help others, find pleasure and interest in the learning process. Once it’s
done - everything else falls into the right place.
Jim Fuller
Blogging is getting popular these days, but starting off can be scary. In this two-
part article, we will look at the what, why and how of blogging, so that you can
get started easily.
What is blogging?
Seems a silly question, but I think it’s a good place to start. In essence, a blog can be anything that you write about on
your own or another person’s website. I think that many teachers have this impression that blogging needs to be some
big academic endeavour, when in actual fact most blogs are not - some simply want to blog to keep a record of their
thoughts. Another important dimension to consider is the idea of professional identity and how blogging shapes this;
through blogging we can craft, or at least develop our own identity that we present to the wider ELT community and
ourselves (Barkhuizen, 2019). With this in mind, perhaps we can define blogging as the following:
‘A blog is: a record of your thoughts, opinions, or experiences that you put
on the internet on a website in an informal or academic manner with the
purpose of having other people read them; somewhere to write down your
thoughts that can be retrieved at a later date; and/or a tool that can be used
to shape and present professional identity.’
Why blog?
Earlier in the year, I carried out a very informal survey amongst ELT bloggers. I had 24 responses and what was
interesting was that the majority of participants (not only teachers) indicated that they had been blogging for less than
two years (45.8%). I can’t draw too many conclusions from this, but it does seem like there has been a little ‘boom’ in
blogging, perhaps due to the pandemic. My theory is that with the push to work online, ELT professionals have become
more tech-savvy, happy to experiment with online development tools, and see the value in blogging.
But, let’s look at some conclusions that can be drawn. It is clear that blogs help professionals develop, with 91.7% noting
that through blogging they have been able to do so. Of course, the ways in which each person may develop through
blogging is going to be different, but one thing is certainly true: blogging helps. Blogging falls under the category of
reflective practice and is important as it helps us articulate our thoughts and, through this articulation, ‘reshape
our practice as we become aware of what works and what doesn’t’ (Dragas, 2019).
What about jobs? When asked if blogging had helped
participants successfully gain employment, the
majority said no; although, there were still quite a
large number of people that said yes (45.8%). I
recently spoke with a number of directors about
blogging, and many noted that while blogs would not
be a deciding factor regarding a decision to hire
someone, they would certainly influence their
decision. In a sense, your blog acts as an online
portfolio - selling yourself to the world. Of course, this
has to come with a word of warning - what you post
is available to the whole ELT community so
remember that your opinions may not be shared
by all.
But there were many other reasons put down for starting a blog. Take a look at the following list:
4.2%
For fun
4.2%
To share knowledge
4.2%
From a personal perspective, I have found blogging to be a useful development tool, online CV as well as a way to
network with other like-minded professionals. Without blogging I would most likely never have got some of the
positions I have held or met some of the lovely ELT folk that I have. Neither would I have pushed myself to be as
critical as I have in certain areas.
It’s probably clear that I can’t answer the question for you - only you can. As a professional, you need to identify your
motivations for wanting to blog and from there you will have a much clearer understanding of what the benefits
might be and what you can write about.
photo.atelier.dg
The idea in essence is simple: short, practical and forward-thinking conversations
with different practitioners in the field of EFL and linguistics. We have what we
hope to be insightful discussions that are easy and quick to listen to and provide
you with practical tips and ideas for your teaching.
The podcast is produced and released through Oxford Language Performance (OLP)
and you can find it wherever you normally get your podcasts, or you can listen and
subscribe directly. If you do get a chance to listen, I really hope you enjoy it!
Federico Pasquale
Hi there! My name is Federico Pasquale and I’m the teacher from The Online Classroom. In
this opportunity, I’m going to tell you about my experience in setting up my own educational
business.
With schools closing down and companies laying It’s also important to give something to your
workers off as a result of the pandemic in March audience for free and show yourself on the
2020, I found myself in the need of generating platform too. This will help create confidence as no
work and reaching new students to go back to one wants to have classes with a stranger, but if you
teaching as soon as possible. Some colleagues show yourself, students will begin to know your
suggested creating profiles on different teaching online teaching persona and if they like your page,
platforms but the problem was that some of it’s likely that they will end up buying private lessons
these platforms only accept people who can with you. Of course, you need to be patient and
teach their native language. Another problem is have passion for what you do; starting an online
that there seem to be more teachers than teaching business doesn’t take just a few days. My
students and last but not least, some of them advice is: find something that you love and start
require you to teach a first lesson for free (from creating content about it, share it with your
20 minutes up to 1 hour). In the end, and after community of friends and students and then
trying some of these platforms, I decided to start advertise your teaching. After some time your
a new project from scratch. I knew it would take followers will already be in love with what you do
time but at least it would be mine. It was then and will be happy to pay for your services.
communicative approach.
When I began to co-teach, the reasons became Overall, it seems a cultural tug of war is
clear: many teachers had low levels of English being waged in Mongolia, both between
proficiency and were not comfortable tradition and modernity, as well as the
communicating in English. Furthermore, they influences of the three great powers who
tended to view themselves as university have long appreciated the strategic
lecturers rather than English Language importance of Mongolia’s geographical
Teachers, as evidenced in their email location, China, Russia and the USA, and
signatures, marked ‘lecturer’ and ‘senior classroom practice seems to reflect this
lecturer’.
struggle.
Neuroscience:
Essential Techniques
for the Classroom
Mikaela Armelini
pixbygus
According to MacLean (1990), the neocortex is the part of the brain that can find it very difficult to process
language when under stress, hence, the first thing we need to do as teachers is to help learners to calm down
and reduce stress. We should validate their feelings with our words and tone of voice and use short
sentences. Your focus here is connecting with the student. You can give examples of what you do when you
feel that way, such as “When I feel this way, I take a walk and that helps a lot!”. These are other phrases we
can say to students that will both validate their feelings and help them calm their emotional brain: “You are
allowed to feel…” “Let's talk when you're ready”; “It's okay to be…” “That's really tough, isn't it?”.
Raising awareness about the importance of bringing oxygen to the frontal lobe of the brain and training
students to take deep breaths when feeling distressed is key in terms of brain calmness and relaxation.
Another technique is to get students to tidy their desks for a minute or get them to drill a structure while
clapping. This activates several areas of the brain and also helps them calm down. In order to help learners
change their focus, you might carry out this activity: pick a color. Ask students how many things in that color
they can see around the room or out of their window. Then pick another color. This will help them to distract
for a bit and unwind.
Bearing in mind that behavior always communicates something, when students get
disruptive it might be because they are struggling with a task or activity that is too
demanding for them. An idea to help learners cope with the situation is to support our talk
with non-verbal strategies such as visual aids, multi-sensory options like gestures, facial
expressions, and sounds. As mentioned above, we should validate their feelings first and
also offer students alternatives to perform a task. Last but not least, it’s of utmost
importance to create a safe environment throughout the lesson. By establishing clear
routines, keeping instructions clear, using simple language, and breaking down instructions
into steps, we build a much more safe and positive learning environment where students
can rely on predictability.
As teachers of a foreign language, we should be aware of the role of our students’ brains
and emotions at the time of learning. Our main focus should be to work hard to foster a
relaxed classroom climate, to connect with our learners, validate their feelings, and give
them tools to manage stress. In this way, we are training them to become better learners
and also equipping them with powerful tools to improve their quality of life.
It’s inarguable that travel and international education at an early age cultivates an ear for a second
language, a gateway to learning about and feeling confident in the world. Yet this is inaccessible for
many due to economics, health and awareness. COVID stopped travel and, in many ways, leveled the
playing field, further spotlighting the need for immersive, travel-like experiences.
How might we build on the pandemic-sparked global awareness to develop desire to learn a second
language? How might we foster not just cross-cultural comfort but expectation of diversity? How do we
show greater welcome to new neighbors or students from other cultures who are on their way to
becoming bilingual or simply learning a foreign language? How might we?
One of the possible ways is by using international films as tools for cultivating cultural literacy. The visual
medium of short films exposes students to languages and cultural practices outside their day-to-day
experiences. Language educators are always worried about providing immersive opportunities for students
to hear and see languages spoken both natively and non-natively. One way of doing this, that can be
extremely engaging for students, is by replicating the international film festival atmosphere. We base our
answer on the research conducted in collaboration with the Berlin Film Festival’s Generation section, where
thirty-five from forty-five respondents mentioned learning language from cinema. That was exactly the case
of Felix Klein, who said that most of his English “came from movies,” from listening to languages spoken in
context. Language educators know exactly what Felix means. Likewise, director Bong Joon Ho supported the
idea last year at the Oscars when he pointed out that subtitles are really “a magic door.”
Additionally, there is another element intrinsic to immersing in an international short film that supports
language learning. This is empathy. Educators can also be leaders in underscoring empathy in language
learning. Why not? Global cinema is a simple, accessible learning tool. Why not use it?
The international film festival model helps students stretch and strengthen their empathy muscles through
film viewing and post-viewing discussion as well. The empathy in the stories is what stuck with regular film
festival goer Felix Klein, more than ten years after watching his earliest memory of an international film.
The film festival model presents a learning atmosphere matched only by travel itself for generating
empathy across cultures. Here is how empathy and language can come together in this model:
We recognize that some learners are lucky to have a parent or a teacher who has overcome the “bottom of
the screen” obstacles to engagement but learning from cinema shouldn’t be left up to luck. While many
educators are looking for authentic engagement with speakers in the second language, the international
film model can foster cultural literacy through interaction with international guests as well. Cultural
literacy is having empathy and curiosity for different languages, geographies, climate, culture and it can
start with simply asking what time it is somewhere else in the world.
The peer-to-peer learning in the film festival model is particularly profound. Educators know that lifelong
learning comes from vivid memories of momentous events. Therefore, we shouldn’t undermine the
enormous cognitive impact of cinema but instead use it to our advantage as a learning tool. One that
paves the way for greater understanding of cultural literacy, one that helps enrich and empower our
students’ cultural identity, as well as their social emotional literacy. Ghandi once said, “We but mirror the
world,” so let’s make the mirror as diverse as we can. Let’s screen films in the class through the
international film festival model. Let’s join the most noble trend—the one that aims to create more
empathy in the world, from the class to the outside world...and beyond!
Teaching these students poses a challenge to us teachers; it requires a lot of patience and dedication, and
many times we lack the theoretical knowledge as to what the cognitive characteristics of these students
are. We might wonder “What are these students’ characteristics?”, "How do these characteristics affect
these students' learning?" and "How should these characteristics affect our teaching?".
Let us start by defining these students and outlining their characteristics. According to the World Health
Organisation, considering biological factors, the chronological age to deem someone elderly starts at 60.
However, it is to be noted that these factors are not the only ones; as other elements of the individual context,
such as health, economic and social ones might contribute to slower or faster aging processes.
To begin with, we should have some considerations in relation to possible visual and auditory impairment;
enlarging font sizes, minimizing glare, making effective use of colour contrast, having a well illuminated
classroom, minimising background noise, and speaking more slowly when necessary are things which for sure
will facilitate input perception.
Another characteristic that elderly students may have is lower inhibitory control, which in class transpires as
poor ability to differentiate relevant from non-relevant information. Some steps we can take to tackle this
problem are adapting materials in order to make them more concise and straightforward (depending on the task,
the text and the level of our students, we could cut off some paragraphs or sentences). We could also work with
our students on filtering and selecting information (crossing out redundant phrases, for example) before
carrying out the language tasks required.
These students also present slower processing speed compared to younger adults, which means that
internalisation of new concepts will take longer. In order to help with this issue, we should reduce the speed of
our delivery, as doing so would provide them with more time to think over the new concepts, relate them to
their schemata, understand them and internalise them. We should also avoid various simultaneous stimuli, as
processing different stimuli at the same time would lengthen the internalisation process, especially
considering that another characteristic of elderly students is difficulty to concentrate and keep focused on one
single thing.
Older students’ low self-esteem and self-confidence in relation to learning can also have a huge negative
impact on their learning. Many times, elderly students come to the class thinking that they cannot do it, that
they cannot learn new things, and they feel particularly apprehensive when it comes to using technology and to
participating in classes which are shared with younger adults. One possible solution to the later problem is not
mixing these students with those of a younger age group. I am aware that this might not be possible in all
contexts, but if it is, doing so will greatly benefit students. By not being mixed with younger students, they
don’t feel judged, their affective filter is lower and hence they are more willing to participate, take risks and ask
for clarification. If this is not possible and students of significantly different ages are mixed, a good thing to do
is to bring their own experiences to the class; elderly people are full of valuable experiences which younger
people don’t have, and letting them share those experiences every now and then may rise their self-esteem and
encourage them to participate more often. When it comes to the use of technology, regardless of their
reluctance, digital tools should be used as they enhance and facilitate learning in several ways, but it has to be
noted that we should try to find user-friendly tools which won’t get in the way of their learning.
Teaching to the elderly can be challenging and it can often feel as if we are not progressing. However, by giving
some thought to what these students are like, how they learn and what we could do to help them, we should be
able to teach more efficiently and hence, to optimise their learning.
photo.atelier.dg
PREPARE
TEACH
REPEAT
Joana
Arzberger
It kind of feels like we are one class away from losing it: losing our files, losing our headsets, losing
ourselves in the abyss of reports and, sometimes, losing our cool when no one responds to our
questions. This online saga seems to have gone on for far too long and there is no clear end in sight.
From an outsider’s perspective, we, teachers, have it easy. We get to wake up later than usual, no
commute . We can teach from our bedroom or living room. We clearly do not have to worry about
wearing shoes. But is it really that simple?
When we would get up to go to teach in a physical classroom, most of our household concerns were set
aside for the hours we were out of the home. There was a routine at play. The simple fact of leaving your
house switched the teacher-mode on and got you ready (or somewhat!) for the teaching challenges ahead.
Then there was the staff room with familiar faces and idea swapping, along with jokes over the third cup
of coffee or tea, or even in the queue for the copier. Then standing up and walking to the classroom to set it
all up and Rocky (movie reference for the younger generation) your energy up to set the tone of the class.
Pair work or group work, one seating arrangement away. Even choosing to stay in the classroom during
the break was an option: ‘I have already walked today!’, you might have told yourself at times.
Home officing sounds quite appealing when the choice is ours and when we can work from a café or a park
to break the monotony of the domestic atmosphere. But that option was not viable over the last 15 months.
For teachers, leaving the premises of our homes was not really in the cards as we had to be on camera
throughout the duration of classes. Some teachers gambled with taking quick field trips to provide students
with more tangible realia and get them to engage in a ‘different setting’, you know, other than the teacher’s
office/ kitchen. And then, apart from sitting in front of a computer screen for hours attempting to interact
with students on the other side (lucky for those with a cameras-on school policy), there is the class
preparation.
The internet has made the prepping task as easy as clicking a button, literally: endless grammar
resources, ready-made lesson plans for newcomers and experienced teachers, the power of sharing
documents with no environmental impact and no excuse for students claiming they have lost the
handout from two minutes before (exaggerated, though it has been reported), even impromptu videos to
exemplify the new vocabulary in context. Have we, however, kept the same drive for preparing our
lessons? Have we played it a bit safer due to mental exhaustion? Some might have in the beginning
amidst the technical chaos. But after months of webinars, workshops, and training to make online classes
just as powerfully connective as the physical ones were, meetings have become great learning hubs for
those students open to the experience.
One thing is certain: whether it is in a week or six months, once classes resume to being face-to-face or
hybrid, it will take some time for the interaction to be as it once was. It is important to remember to
prepare with enthusiasm and ask for help when feeling stuck or uninspired, teach with gumption, either
from home, the classroom, in front of a screen with everyone able to see your pores or from behind a face
shield, and repeat the formula day in and day out, not forgetting to check in with ourselves. Sit up
straight, stand up, walk around, taking several deep breaths along the way. The silver lining is that we
are all in this together and it will be over.
H Y
W
T ?
N O CRISTINA
GALLEGO
&
BELÉN
PAOLI
It all started with a why not? Being a Methodology teacher and owning a language school in La Plata
(Argentina), I truly feel the need to use the performing arts to inspire my students and teachers to
learn the English language in a more effective and realistic way.
I started my search in Buenos Aires, where various companies staged plays in English with that
educational purpose. My idea was to take students and teachers there as an outing. Then, the first why
not? came to my mind. Why not take one of those companies to the impressive Coliseo Podestá
theatre in my town? After watching several plays followed by long meetings, I made up my mind. All of
them were fascinated to come to La Plata, a well-known university city, except one: Buenos Aires
Players (BAP). Its owner and founder, Celia Zubiri, has been considered the first and most important
playwright in English in Argentina, but she had failed in four attempts to show her plays in schools. But
in the end her why not? sealed our agreement.
mmarcesanchez
Now I was in need of a partner! There was so much to
do! Every single teacher I made the proposition to
panicked! It was then when my friend Belén, a
prominent event organizer came to my support with a
why not? Events Servicios Educativos was then born,
as a unique professional company to offer high
quality educational events in English in La Plata and
surrounding areas.
The Secretary of Education of Municipalidad de La Plata Last year, our why not reached the online world
first invited Events in 2012 to be the connecting link with and proved to be a complete success, thanks to the
educational institutions. With our Why not? we started renowned storytellers amazing collaboration. They
collaborating in the spreading of cultural events, such as were designed once again to amuse students as
the Bodies Exhibition in 2012, the first Book Fair Ciudad well as awaken their motivation to learn and fully
de La Plata in 2013, and the following ones in 2014 and comprehend the English language.
2015.
Argentina.
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