Johann Sebastian Bach

ARIA
"Schafe können sicher weiden"
for 5 guitars
tr. Harry Nigohosyan from the piano version by Egon Petri

Harry Nigohosyan: Poplars /2017/

 Aria
"Schafe können sicher weiden" BWV 208

 
               
tr. Harry Nigohosyan

 
J.S. Bach



from the piano version by Egon Petri
 = 50

          
Classical Guitar

         



Classical Guitar

    
            


Classical Guitar


                


Classical Guitar





               
Classical Guitar

                       




3

      
                
Guit.

  
Guit. 


Guit.                

                
Guit.

  
              
Guit.
 
                     
5

Guit.


                     


  
Guit.

            
     


Guit.

                        


Guit.

        
               
Guit.

               
        
8

                   
Guit.

        


Guit.

   
           



Guit.

                    


   
Guit.

    
             
   
 
Guit.

2
                
      
11

             
Guit.

        


              
Guit.

Guit.      

Guit.                  

             
   
Guit.

           
      
     
14

  
Guit.

              

    


      
Guit.

       
 



Guit.

Guit.                         

  
                     
Guit.

3
       
            

17


Guit.

                  
Guit. 

Guit.               

                


Guit.

Guit.                 

                       


19

      
  
Guit.

                
Guit. 

Guit.                 

             
  
Guit.


                
Guit.

4
 
                     

21

Guit.

                        


      
Guit.

         
  


Guit.

                        



Guit.

            
         
 
Guit.

                         

24

Guit.

  
                   


         
Guit.

     



Guit.

Guit.                         

  
                   
 
Guit.

5
      
             

27

                      
Guit.

Guit. 

        
Guit.          

                


Guit.

Guit.                 

     
                   

29

     
Guit.

     
         


Guit.


              


Guit.

                


Guit.

    
            
Guit.

6
                
            
31

          
Guit.

              


     
Guit.

     
  
     


Guit.

Guit.                         


                       
Guit.

        
              
   
34

  
                       
Guit.

Guit.   

          
Guit. 

Guit.                         

  
                   
 
Guit.

7
             
              

37

              
Guit.

           
   

        
Guit.

  
Guit.    

Guit.                         

            
           
Guit.

    

40

 
Guit.

  
Guit. 

Guit.     

     
Guit.

    

Guit.

8
 Aria
Classical Guitar 1 "Schafe können sicher weiden" BWV 208

          
    
tr. Harry Nigohosyan J.S. Bach



from the piano version by Egon Petri
 = 50

      
       




3

 
            
          
4

               


      
7

                         


    
10

       
         



13

 
                
   


 
16

      
       


19
                 
              
20

                                 



23

              
     



27

       
                  

29

               


     
31


                   



34

       
                  

36

            

39

2
 Aria
Classical Guitar 2 "Schafe können sicher weiden" BWV 208

                        

tr. Harry Nigohosyan J.S. Bach


from the piano version by Egon Petri
 = 50

          
      


            
4

           
    
                

7

                    


     
 
11


                    
 


15

                     

18

   
  
                
20

  


                           
23


                       

27

          
                
29

                

    
32

 
          
                
35

                 
     
 
38

2
 Aria
Classical Guitar 3 "Schafe können sicher weiden" BWV 208

 

tr. Harry Nigohosyan

    
J.S. Bach

                                 
 
from the piano version by Egon Petri


 = 50

 

                              
           

7



      

                                   

14

 
                                   
   
21

 

                         
          

28

                           

 
33

                
39
 Aria
Classical Guitar 4 "Schafe können sicher weiden" BWV 208
tr. Harry Nigohosyan J.S. Bach


           
from the piano version by Egon Petri
 = 50




                  
              
6


                  
11

                   

16

     

21

     

26

                                    

31

                                    

36
 Aria
Classical Guitar 5 "Schafe können sicher weiden" BWV 208
tr. Harry Nigohosyan J.S. Bach


                  
from the piano version by Egon Petri
 = 50

            



                        
5

    
   
9

 

 
                        
14


          
                    
18

 
                          
22


                               
26


                 
30

              


                               
34

         
           
38