MARCEL MOYSE Tone Development Through Interpretation for the Flute (and other wind instruments) The study of expression, vibrato, color, suppleness and their application to different styles = @ McGINNIS & MARX MUSIC PUBLISHERS 201 West 86 Street New York 10024— pee : eel 2 MARCEL MOYSE Tone Development Through Interpretation Contents Menon A 12 So Register: low aaa Dynamic: soft (p, pp) 32 4g _gStmehony ia 6 minor Sant -Sating : B ‘ni Lemetroar Bonnet Register: low 2 Dynamic: loud (y, gp) Air tess. — Boenm ss _ a lt Trovatore ) SPSS =Sa= 4 as hie Russe aSormen 4 2S = sz a? Sonete Rernecke. Air Ecossais | giATemers 7 Be La Tranate, Overon 16 wea Aur Danovs Li Wrovatore Se 0 GHEE La Traviata 10 2 La lune sur un chateau en ruine iz CJ 0 RS ee La TroviatG 33. Register: low Lakme _ ~, Debio Diversified expression 34 aS ae @._glvcitvrds Lana¥enor Dons Liscra di Lammermoor a Pomzet 23 5 Set Sy Paap eS ——— - Se a Be Ut Trovatore 25 Stl AL The tegmt 26 3 Register: ibe to middle Suppleness, delicacy and color variation Samton ond Datita Saint -Saens Reicmect Fantare mélancolique y rovatore = Agnus Dat Brrec 30 ge. SSR 40 Ey ee =F Ferree Jagenaige D 4 ESE Register: high La Traviata Suppleness (p, pp) ° aE aes eee Srphony mC mnar Sant. tSaens TannhawserJotwe gmo pa ogue Aemotious La Traviata Verdi Ui Tovatore, ng Ee 45 = Veedi Aur Eeoseais Boehm oo, weber P Willien Tell Bossi = 58 IN Trovatore A Verdi Saint. Scéns | 59 Verdi La Traviata ————__ et ae Eee= 60 Werther F 61 All three registers o Fullness of tone 62 Rigoletto 63 All three registers Diversified expression Mors et Vite Gounod Yee. Samson and Dalila, Saint-Saens Overon Weber 66Ave Maria ¥ x, Bath-Gounod Lucia ammersooe Donizetti Meditation: Thais Massenet Gorm Bizet Fantaisie Lo Norms Bellin 73 H Interpretation of classical . pieces 80 Trie Senata 81 = = 82 83 84 | mn Saphe Massenet 74 Be Mireille Gounod Beethoven re = ee 3 eee =] 867 Sapo Massenet Beethoven 16 Giant Ger oy Gi a Tristan and Isolde “Wagner ioc Mazzone el ae 88 = ot Lattague du Moulin Violin Sonata N23 Violin Sonata Ne2 Bacht i \ MON FILS, LOUIS Tone Development Through Interpretation MARCEL MOY: Adagio @ = 68 Symphony in C Minor - St. Séer po <== Sp = =p RT Se pee a Madera tzo3ael Allegretto J =16 Lucia di Lamtmermoor - Donize! Sp empre legate = SS] Adagio 4 =60 Air Ecossais~ Boe 6 Copytighse 1982, by Josef Mars Printed New. corrected editionAndante 4 = 68 ar L Air Russe Quasi Andante _¢ =60 a Sonate - Reinecke a P misterioso = x Andante con moto ¢ = 92 Air Ecossais - Boehms Adagio #= 60 e Frei schiitz - Weber av p = P= —S aim... Pe oe PP PP Moderato ¢ = a4 1 a doiciss. cantabile am = ——— f a dotcris~* cantabile * Oberon. Weber 6 dim. con espress: PRP9 Andante mosso d = 12 La Traviata - Verdi dole imo doicissime Andante 4 = 60 La lune sur un chateau en ruine - TakiAndagte d= 63 Manon- Massen ze —— e5pressivo: “f P doux ty bE ———espresivo dum PRP espressivo i ay Tempo all. 2) See ee (Pro crescendo & poo a poofu “ Andante assai sostenuto J=54 46S IL Trovatore - VerdiAllegretto moderato J=48 Tales of Hoffman - Offenzach == SS SSS — SS SS "sonore = onmer & witardande ——Werther: Entr'acte - Massenet Moderato J=6 F pleins sons ef soutenu — f SeeAllegretto 4: 46 William Tell - Rossint * costenuta Andante con moto 4= 86 LL Trovatore - VerdiAndante J =60 La Traviata - Verdi = — Gee te < + aia 4 doltisime = cantabile con espress 66 cantabile cen esprene ig $Lucia di Lammermoor - Donizetti. A Larghetto #768 2 expressive proce crest, SS sn 4 a tempo a ae i Lucia di Lammermoor - Domzetti7 & Ul Trovatore - Verdi Andantino 2:72 25 tutto mezza voce SS espressivo es. - es = allarga nolo Still as the Night - Bohm ae emeoSamson ana Dalile- Saint-Saen Andante ¢ = 84 Ss poco crese. poco animate aa ae 2 aeLargnetto 4 Lucia @ Lammermoor - Donizetti Il Trevatore - Verdi+ Maestoso 4 > 38 Agnus Deis Bize 1 Pp4 — es cresc. moltoa Symphony in C Minor - St Saens Nay Oberon- Weber Se EeThe Last Rose of Summer Cat - P Ss 5 ap +o |p) Bon Timnar PPP perdendosi ian iS Andante J 260 s Pele, P Je ¥ = mE aN Pate ee A atenre dim Perdendoss Ptr, ~ Lakmé - DelibesModerato agsai Allegretto 4 = 126 Lucia di Lammermoor -Donizett! ~ —=—= PP sempre isnt ser tr eters Andante mosto d= 112 sb 5 ip aaleaetinne - mezza voce 66 doterssimeLakmé -Delibes fig e PP = Se pxo crescendo —— f a Fall - Settee t22e xeon tet 2. afer EE PP2 Bale Andantino moderate Fantaisie mélancolique - Reichest ——— <_ (flite and prenoy . 38 z a GREE en x ° we CB) tras retenuRéverie: Fantaime Japonaise - Lut Ss — dolce a rae PPP cue? La Traviata - ve 65 = allarg. ¢ morenda PPPEvening Star: Tannhduser - Wagner ee Andante tranquillissimo ¢ = 48 = = —— P dolce pose ral wallSe Andante cantabile = 138 La Traviata - Verd poste Tip es 6 PP 4 volonté SS29 a are Oberon- Weber Fitard” 4°_ The Swan - Saint-Saéns P Lento SsAndante J =69-——> 31 Rigoletto - Vexgi2 William Tell - Rossin er, — 2 Allegro moderate_9 = $20 sestenutoAllegro d = ioe Il Trovatore - Verdi Cantabile ————ay = PP sto vere Cantabile ‘Cantabile Canrabite Andantino 2: ez La Traviata - Verdi & . a “BY gett —— SEAndante J = 60 2 synare () atempo £ Oberon - Weber Tl Trovatore - Verdi35 La Traviata - Verdi “cadenea Andantino Pus as William Tell - Rossini fe Bel abe @36 = = E = nae ~ dam, “ppb f fo Fa pfot La Traviata - Verd 60SS pairion and37 Werther - Massenet38 oa 4. Andgnte molto con espressivo > La Juive - Halévy 62 SS = ee Sere rd = % Sel 2 2 t am ~~ “* A ee cres . - - cen - - a piacere A _ 239 ~ Werther - Massenct ‘Moderato 4*62 63 z cape ‘comet ewe 66 rest. f all -Faust - Gounod ‘Sow EES temo 12 a wt4 Mors et Vita - Gounod sears dim... . Samson and Dalila - Saint. Satine fp ‘ert ay Andantino @ =68~ + , dolcissimo € Cantabile assus :) Gn pees Tee eo @ Bee CSpressive ——,Ave Maria - Bach: Gounod aN Andante con moto # = 12 “Pood vit Lucia di Lammermoor ~ Donizetti a PsTUTE, SIMONA a WIE, ante religioso J = Go Meditation + Thais - Massenet < nV ~ on poco a poco appassignato_~, =i) co pik 7 : FP cppassionato& Con amore # = 60 - 180 Carmen - Bizet 70 E P espressif. ——— aa mE45 Andante ¢) = 72 Air Ecossais‘ Fantaisie - Tulow gieeceterenditraithen SateAndante sostenuto assai > 3132 La Norma- Belli BgSFe SS47 Sapho- MassenetJoe Mireille ~ Gounod (nS ete pepe 2 2 2 z -y a i o% ratenant Keermen Allegro J- = 152 =‘Alege Sapho* quil est loin mon pays - Massenet 76 Rec: ita tif, SEA f sonore ral. a 7 | ——— ? eres. — (erallendrisgant) a tempo See P doux et soutenu pu PP un peu plus agitesu Werther? Clair de Lune - Massenet Lent J.=50, trés calme et contempiatif = bien chanté et soutenus avee un sentiment pénétrant Ty 2 PL'Attaque du Moulin- Bruneau Lent 4 J 766 ; 78 te = SS == fF avec unpeu plus de mouvt = Eyer seeer rs53 Larghetts J=50 i Don Pasquale: Nocturne - Donizetti eaLarge - Hande55 Andant. —— Quartet - Mozart 82 > poco crerc. — aN 4 . 2 wv te te “> 7Andante }=132 Hociivaw< cuspin B43 = P Lt pee1, Andante Rondo Capriccioso - Saint-Saéns ta epee —piftlte ¢ pre RN Paw mollo riterdando59 (Ft) Adagio cantabile ee Romance in F vislin)~ Beethoven AL fe ! Sor aie 2A 86 HE0 =a 66m espressive SS61 Pe leggiero me ieee fafet ater fie PE ferete phere pri} —— = et \ | , a W. is Th: Violin Concerto - Beethoven Larghetto 87 pe te 2 cantabile fe = eS v oe Am oo — LB Sy Fe oe a == Ere pi gee Se ee tey 3 Poe 2X =f65 Sonata N@3 (Violin and piano)-Bach —Andante un poco Sonata N?2 (Violin and piano) ~Bact erescbap Ba hergS Mua eter i, s i « a i —— feft $e be + ULL Me uy 4 7 q an ck a th t ve 22B oe Me “Ee EY ra Es CEE ey 2 AA: a> f a F£ i P="pp PrP pop pop p>—pPp pop