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  • Oblivion APiazzolla

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    Cem aydin
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    The document is a musical score for flute and guitar. It contains notation for the flute part across the top staff and guitar part below in Astor Piazzolla's composition "Oblivion". The score spans multiple pages and provides the melodic and rhythmic lines for both instruments over the course of the piece.

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    Original Title

    Oblivion_APiazzolla

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    The document is a musical score for flute and guitar. It contains notation for the flute part across the top staff and guitar part below in Astor Piazzolla's composition "Oblivion". The score spans multiple pages and provides the melodic and rhythmic lines for both instruments over the course of the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    490 views2 pages

    Oblivion APiazzolla

    Uploaded by

    Cem aydin
    The document is a musical score for flute and guitar. It contains notation for the flute part across the top staff and guitar part below in Astor Piazzolla's composition "Oblivion". The score spans multiple pages and provides the melodic and rhythmic lines for both instruments over the course of the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Oblivion

    Astor Piazzolla

       = 80  
    Flute  

                      
          
          
      
    7-String Guitar

      
                    

    4


    Fl.

            
          
     
      
     
       
         
    Guit.


     
            
         
    8

    Fl.

                                    

                  
     
    Guit.

     

                
        

    12

    Fl.

                    
    3 3 3

          
    3

            
       
    Guit.

      
     
             
    15

    Fl.

                         
         
           
        
    Guit.


                   

    18

    Fl.

                
                        
               
       
    Guit.

     
           
    2

      
       
    22

    Fl.

      
                 
                     
       
          
    Guit.

      
             
           
    26

     
    Fl.

          
                  
    3

    
            
          
    Guit.

       
      
                 
    30

     
    Fl.

         
             

        
    3 3

         
          
        
    Guit.


            
            
         
    34

     
    Fl.

     
          
        
        

      

             

    Guit.

      
         
        
      
    38


    Fl.

             
      
             
           
          
    Guit.

      
    
      
     
    42

    Fl.


       
          
        
        
      
    Guit.

     

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