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What's The Real Secret Magic in The Magic Square?: Reserved
What's The Real Secret Magic in The Magic Square?: Reserved
Text copyright © Aug 27, 2012 Dr. Elizabeth A. Garner, All Rights
Reserved
www.amazon.com/Crimes-Art-Secret-Cipher-Albrecht-
ebook/dp/B00FNWKYMO
Dürer’s Melencolia I is the most debated image in all of art history, one of
his most magical, and one of his most heavily encoded.
http://www.youtube.com/watch?v=11gwCkF80xY
Dan Brown’s inclusion of Dürer’s magic square as part of the symbol clues
in his book the Lost Symbol was fiction. Nothing could be further from the
truth. The Lost Symbol was a great FICTION story but it has done nothing
but confuse the real coding that is held in Dürer’s Magic Square.
MEDIEVAL SUDOKU
Do you like to play Sudoku or do you know someone who does? Of course
you do! People in the Renaissance loved to play games as much as
everyone does today.
Magic squares were common in medieval times and everyone loved them
and many people owned them. They were sold at market fairs all over
Europe, and their availability was common. They were considered
amulets against disease, which was rampant in Europe. They were
manufactured in tin for the masses and in silver or gold for the wealthy.
But the most important point is to understand that anyone who saw the
magic square in this print in Dürer’s lifetime would not have connected
the symbol with alchemy or something arcane. They were games and
amulets and fun. Pilgrims often bought them, they were commonplace
and would attract buyers.
And anyone who saw the magic square in the print Melencolia was not
going to suspect that Dürer was using steganography, the art and science
Dürer did do something unusual with the numbers in this magic square,
which gives us a hint as to the message he was giving. He rearranged the
numbers from their usual order. Agrippa
(http://en.wikipedia.org/wiki/Marcus_Vipsanius_Agrippa) wrote much
about magic squares in his Occulta Philosophia and claimed that the
Tabula Jovis (http://www.scribd.com/doc/65262304/Adam-McLean-Dr-
Rudds-Treatisse-on-Angel-Magick) had magic properties. The Tabula
Jovis configuration of the 4 x 4 square was as follows:
4 14 15 1
9 7 6 12
5 11 10 8
16 2 3 13
The first thing that we must know about the Melencolia magic square is
that Dürer originally created this composition with the “9” in the third row
backwards. We know this because there is one existing copy of the
backwards “9” magic square in the British Museum.
Based upon how many copies of Melencolia are still existent, we can
assume that Dürer changed his mind very quickly about how obvious the
clue of the backwards “9” really was, and changed the copper plate to
represent a forward “9.”
People don’t often understand that artists made mistakes and were very
competent at fixing errors in woodblocks or copperplates in the
Renaissance. No one was perfect. In woodblocks, the mistake would be
http://www.albrechtdurerblog.com/real-secret- n-the-mag c-square/ 7/9
06.01.2019 What's the Real Secret Mag c n the Mag c Square?
cut out and a plug would be inserted and the correction made. In
engraved copperplates, the area would be buffed out and re-engraved.
So it wasn’t that big of a deal for Dürer to change the backwards “9” to a
forwards “9.”
OOPS!
Look closely at the “6” under the correction of the “5” in the first
box at left, third row from bottom. The “6” is clearly visible under
the “5.”
But no one pays attention to the correction of the “5” above the “9.” Dürer
had originally place the number “6” into that block and historians seem to
think that OOPS, he made a mistake. Not likely. Dürer was also known as
a famous scientist and mathematician during his lifetime, so the likelihood
that this master of math and master of engraving just happened to OOPS!
Put a “6” where a “5” should go is somewhat ludicrous.
But it’s a great way to hide a message! Something that most people in his
lifetime would just ignore, being delighted with “magic” of the numbered
square adding up to 34.
WHERE TO START?
And what no one has ever contemplated is this: HOW is this magic square
to be read? Do we start at the upper left hand corner? The lower left?
The upper right? Or the lower right? If Durer is passing a message
steganographically, e.g. hidden in plain sight, the people who are
supposed to get the message have to know how to read the code.
The reading of the magic square starts at the lower left hand corner. What
does that tell you?