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Ralph Ellison, one of the best authors wrote Invisible Man. It was published
in 1952 and set new trends in the American African literature of those
times. The novel created a furor, winning the National Book Award in 1953
and creating a niche among the best English fictional works of the previous
century. Invisible Man outlines the story of an African American first-person
narrator who narrates his college ordeal of the battle royal and the attitude
of the white elite of the town toward the African American students. The
novel instantly proved a hit and became the best among the 20 th century’s
100 novels and an excellent bildungsroman (a literary genre that focuses
on the psychological and moral growth of the protagonist coming of age).
It happens that he gets admission to that college and takes Mr. Norton, a
trustee of that college, to the slave apartments beyond the campus area.
By chance, he stops by the cabin owned by some Mr. Jim Trueblood who
has already created a brouhaha by impregnating both his wife and
daughter in his sleep. Norton shook by this scandalous issue, asks the
narrator to find him a drink. The narrator hurriedly drives him to the nearest
bar filled with prostitutes and mental patients. When they enter the bar, Mr.
Norton confronts mentally unsound people and prostitutes enjoying life.
The pandemonium forces him to take assistance from the orderly who,
while saving Mr. Norton, is injured due to the melee created by the people.
The young man, however, musters up the courage to pull Mr. Norton out of
this mess and take him back to the college campus.
When he returns to the college, he finds Dr. Bledsoe, the president, fuming
at his home for showing insolence in taking Mr. Norton to that part of the
campus. Therefore, he thinks it better to expel the narrator who, though
gets many recommendation letters from him to assist him in the job market
yet he does not succeed in laying his hands upon anything. Later, he learns
that Mr. Bledsoe has rather ruined his entire career in both education and
the job market when it was revealed by young Mr. Emerson to the narrator
that the so-called recommendation letters contained nothing good about
the narrator, also stating that he’s unfit for work and had no intention of re-
enrolling him in the college. So, the son of Mr. Emerson suggests he seek
work in a paint factory where he works in different departments temporarily.
When the young man gets out of the hospital he heads for Harlem. While
walking on the streets of Harlem he faints and finds himself being taken in
by a kind old-fashioned lady Mary Rambo. She cooks for him, nurses him
back to health, and adopts him as her surrogate son. After this, he delivers
an impassioned speech that incites the crowd to attack the law
enforcement officials when an African American couple faces forced
eviction. When he flees, the Brotherhood leader, Jack chases him and
urges him to join hands with the group to help African Americans. His
joining the Brotherhood helps him understand his background. This takes
him into the politics of the Brotherhood but he comes to know that it is also
a white ploy from Ras the exhorter, though he feels unconvinced. Yet he
faces accusations of the same group for being over-ambitious. Again, he
faces criticism when the narrator delivers a rousing speech at Tod Clifton’s
funeral who went missing and was found selling dancing Sambo dolls on
the street. He was killed by the police while resisting the arrest.
Ralph Ellison adopted the jazz style in this novel, proving it could be
rendered into fiction. It is, however, based on sights as the narrator goes
through the ordeals one by one. He has carefully chosen words, showing
mastery of diction by putting the words at appropriate places, creating
refrains after every few lines. In fact, this style shifts from the prologue to
onward to another style with long and formal sentences and then again to
informality and colloquialism of the Southerners. Constant use of wordplay,
rhyme, slogan, and paradoxes has created Ellison’s own unique style that
is hard to imitate and hard to ignore.