Global Economy Newsletter

Hemisphere Gold Inc. (HPGI)

Current: $1.00
Market Alert - Strong Buy

Gold investors find safe haven as the US Dollar continues

to drop throughout 2007.

Market Status:

Since 2006 market annalists predicted gold to hit $800 per ounce within
two years. Gold has hit $812 an ounce just one year later due to depleted
gold supplies and a falling US Dollar.

In an effort to find more gold, recent findings of large Gold deposits

in Suriname has turned this small country into a modern day gold rush.

Hemisphere Finds Gold!

Hemisphere Gold.s Properties are sitting right in the middle of the largest
gold mines in the region and advanced exploration has already found gold
deposits as high as 3.55 ounces/ton. This region has already become know
as the Gold Belt.

6 Reasons To Own HPGI

1: Gold is on a Bull Run, climbing over $200 an ounce in just 9 months.

2: Gold demand is at record highs and is expected to continue increasing.
3: Hemisphere has the cutting edge technology and financial team to take
this all the way.
4: Hemispheres property sits right in the middle of the Gold Belt where
over 50 million ounces of gold have already been extracted.
5: Recent findings have pushed share prices up over 120% in the last
30 days.
6: Gold is a traditional safe haven for investors in times of trouble
as it keeps its value greater than currency.

Hemisphere is launching a full scale marketing campaign with coverage

already found on sites like Stockguru.com. With huge results already
confirmed HPGI is moving into the final stages of exploration.
This leaves nothing left but mining a large deposits in a primed market.
HPGI should be on the top of your list for your next investment consideration.
While the production design and effective soundtrack try to rescue it, there’s j
ust too much wrong to salvage.
The surrounds are rarely used for anything other than the music though, with the
rest of the audio aspects staying up front.
A major restoration could probably make this look some better, but that’s also n
ot likely to be cost-effective for a public domain movie, sadly.
Nothing really to complain about here.
It’s nothing special but it does pull together a fairly extensive gallery of dem
onic art that may be of interest.
This brief feature covers some interesting elements and deserves a quick viewing
.
com, Washington -The expatriate group has got so large that the job of the Sprin
gbok coach who takes over from White next year would have been impossible.
Highly recommended on the technical front.
Combs doesn’t get much to do except be lit from below and glower menacingly.
He also discusses a laundry list of guest stars, which include David Ogden Stier
s, Richard Kind, and Mitch Pileggi.
But the history of the film itself is almost just as intriguing, making this DVD
release even more important.
Thierry is also the estate agent for Dan and Laura as they search for a new apar
tment.
Waddilove’s contributions are just as worthwhile, offering some surprisingly com
ical anecdotes and engaging production info.
and its reviewers and writers.
Following this energetic tale, the second half of the season shifts gears and be
comes inconsistent.
However, the presentation remains top-notch throughout each episode.
com, Washington -The expatriate group has got so large that the job of the Sprin
gbok coach who takes over from White next year would have been impossible.
We also learn a bit about the creation of the unconvincing game boards.
This latest work, adapted from Alan Ayckbourn’s play, looks into the lives of si
x Parisians who all find themselves struggling with love and relationships in th
e modern world.
Crothers is always worth watching, but otherwise this is a saccharine mess, like
so much of Spielberg’s output.
The visual effects of the space battles and complex new worlds look better than
ever, which creates a more believable experience.
He also discusses a laundry list of guest stars, which include David Ogden Stier
s, Richard Kind, and Mitch Pileggi.
And that’s true whether the sets are practical or mattes or miniatures; there’s
always an epic scope to the proceedings that makes it feel like the major produc
tion it was.
Giving fans a new perspective would enhance the sets from very good releases to
must-own collections.
The specific songs Evans chose for his film are highlights of both bands’ catalo
gs, and work brilliantly within the story’s context.
As it is, it’s too late for that, but I love it just the same, regardless of its
weaknesses and eccentricities, or maybe because of them.
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It sounds excellent, with good range and nice percussion resonance.
As one would expect for a low-budget rehash of an already sad mess, the script d
oesn’t make much sense and the acting isn’t worth much.
The consummate silent film actor for that reason, he overcomes the makeup to cre
ate an unforgettable character that is both sympathetic in his pathos and amusin
g in his childlike delight.
Ayckbourn has established a set-up in which his characters overlap, however impr
obable some may find the ways in which they do so.
Another difficulty is the presence of tough, dramatic sci-fi like Battlestar Gal
actica that challenges the viewer and reveals the dark side of each character.
Once inside, the house goes into lockdown and the ghosts come out, leading to th
e expected body count mayhem.
But it managed all of these with panache and it still holds up well for the most
part.
Since I wear glasses already, it took a while to get them properly adjusted, but
they come across reasonably well in three dimensions.
Andy Mikita spends too much time on plot summary that is obvious to anyone who w
atched the episode.
Anderson does provide some engaging comments with his typical casual demeanor, b
ut I would have enjoyed a lengthier interview.
The story is weak at times, but this is still a powerful character study that tu
gs at our heartstrings on many occasions.
If he could have only had a deeper, more realized story, this might be Evans’ bi
g breakthrough.
Depressing and hard to love, Private Fears in Public Places still packs an emoti
onal punch, with performances and direction that eclipse a standard script.
But the history of the film itself is almost just as intriguing, making this DVD
release even more important.
Miller and First Strike.
Blake contributes an "audio essay" which in my neck of the woods qualifies as a
commentary, since it’s both full-length and scene-specific.
As with his comments on And Now The Screaming Starts.
Not for nothing did Universal call this a "Super Jewel.
Instantly following this surprise, it becomes crystal clear just how important t
he plodding, initial scenes are to the rest of the picture; a sly, interesting d
irectorial tactic.
It’s a film made for a cult following, one I hope it develops over the years.
The other gem is Progeny, which reveals the existence of human-form Replicators,
who might be unstoppable.
I didn’t notice any edge enhancement or other artifacting at any point.
I’d sure have liked to have heard from Dante and Miller, though.
After struggling early to escape the shadow of its origins, the show has develop
ed into a consistent, often-inventive alternative to more serious fare.
Dante can’t resist the in-jokes, many of which are quite enjoyable, such as Anth
ony’s father being portrayed by William Schallert, the ultimate TV dad.
Solid black and shadow levels combine with a near complete lack of grain and dir
t to complete this nice transfer.
Andy Mikita spends too much time on plot summary that is obvious to anyone who w
atched the episode.
Merge the DTD Many of the published DTDs are split into multiple modules.
John Landis offers up both the first segment and a brief prologue featuring Dan
Aykroyd and Albert Brooks as two likeable doofs on a cross-country drive.
But it’s certainly happy that we have what we do.
com, Washington -The expatriate group has got so large that the job of the Sprin
gbok coach who takes over from White next year would have been impossible.
Witchfinder General has been labeled a horror film, though by all standards ther
e are no traditional elements of the genre here.
Disc producer David Shepard includes a beautiful facsimile of the program sold a
t the roadshow presentations, and there’s also a small flyer with production not
es by Blake.
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d Clientfinder.
As one would expect for a low-budget rehash of an already sad mess, the script d
oesn’t make much sense and the acting isn’t worth much.
His films get very few screenings outside the major cities, so we should be grat
eful for whatever scraps we get.
Kind returns later in Irresponsible, which provides only a slightly better episo
de.
Dialogue is always crisp and clear, remaining easy to understand throughout.
While the production design and effective soundtrack try to rescue it, there’s j
ust too much wrong to salvage.
Nobel Peace Prize Laureate Archbishop Desmond Tutu and other global church lead
ers and campaigners have welcomed a ruling from the Madras High .
Following this energetic tale, the second half of the season shifts gears and be
comes inconsistent.
The result is easily the least of the four.
Waddilove’s contributions are just as worthwhile, offering some surprisingly com
ical anecdotes and engaging production info.
Martin Gero does his best writing in a story that could not have been easy to cr
eate.
Witchfinder General has been labeled a horror film, though by all standards ther
e are no traditional elements of the genre here.
It sounds excellent, with good range and nice percussion resonance.
Shadow detail, a must in a gloomy setting such as this one, is excellent, suppor
ting nice definition while avoiding brightening up the surroundings.
As expected, this decision leads to unfortunate consequences that will play a co
nsiderable role in the fourth season.
Andy Mikita spends too much time on plot summary that is obvious to anyone who w
atched the episode.
And this DVD is as good a place as any for it to start.
Miller gives it everything he’s got, but the original is just too indelible to f
orget.
The souvenir program even contains a letter confirming that there is nothing tha
t the Church finds offensive in the film.
Instead, he does the smart thing with what he has to work with; adding a touch o
f visual flair, utilizing the gorgeous Canadian locations to his advantage.
This brief feature covers some interesting elements and deserves a quick viewing
.
The specific songs Evans chose for his film are highlights of both bands’ catalo
gs, and work brilliantly within the story’s context.
Scrambling to keep them from reaching our home, the team must take desperate mea
sures.
Much of this can be attributed to the acting, though, with the always-reliable R
ickman serving as the film’s centerpiece.
This feature contains impressive stunt footage of the hand-to-hand battles, whic
h include some nasty bruises for Jason Momoa.
Clean and hiss-free, with voices clear and well-balanced, there isn’t really any
thing to find fault with.
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And this DVD is as good a place as any for it to start.
If he could have only had a deeper, more realized story, this might be Evans’ bi
g breakthrough.
And that’s true whether the sets are practical or mattes or miniatures; there’s
always an epic scope to the proceedings that makes it feel like the major produc
tion it was.
He also discusses a laundry list of guest stars, which include David Ogden Stier
s, Richard Kind, and Mitch Pileggi.
Giving fans a new perspective would enhance the sets from very good releases to
must-own collections.
But it’s certainly happy that we have what we do.
Providing lots of notable material, this feature is one of the best of the set.
There’s a wide range of greyscale throughout, and it enhances the viewing experi
ence substantially.
In any event, it’s more than welcome to see.
One such BSS tune plays during an amazingly moving scene near the end, and will
remain entrenched in your mind for days.
If it is The Sea Urchin then it is in all likelihood Chaney’s second film appear
ance.
Spielberg’s segment is typically soft but there’s good clarity in all of the oth
ers.
Instead of flying around in a typical ship, they live in a souped-up version of
Atlantis that dwarfs our expectations.
Hiss and noise are nonexistent.
com, Washington -The expatriate group has got so large that the job of the Sprin
gbok coach who takes over from White next year would have been impossible.
Instantly drawn to this young, spunky, aspiring writer, Alex agrees to give her
a ride home.
The rendition includes color tints reflecting the tinting on the original print,
and blue night scenes cover up much of the wear.
The star extra on the HD DVD is a feature that allows you to "Play the Movie You
r Way.
It takes some quick thinking by a crew member to avoid a possible injury.
The supporting cast doesn’t quite measure up, though Miller is not bad and Torre
nce is quite memorable.
This feature contains impressive stunt footage of the hand-to-hand battles, whic
h include some nasty bruises for Jason Momoa.
All materials created specifically for digitallyOBSESSED!
That’s a pity, but I guess I can’t imagine you ever getting John Landis to talk
on a commentary about this film.
His films get very few screenings outside the major cities, so we should be grat
eful for whatever scraps we get.
This latest work, adapted from Alan Ayckbourn’s play, looks into the lives of si
x Parisians who all find themselves struggling with love and relationships in th
e modern world.
Mission Directive: Sateda featuring Director Robert C.
While at least there was a glimmer of an explanation for the ghosts’ malevolence
the first time around, they just seem to be on a search and destroy mission thi
s time out for no particular reason.
It’s nothing special but it does pull together a fairly extensive gallery of dem
onic art that may be of interest.
It’s certainly worth a listen, and he’s occasionally critical of Chaney’s perfor
mance so don’t think his dedication to his topic makes him a sycophant.
Bloom who offers a number of oldsters a chance at reliving their childhood, with
mixed reactions.
Miller’s direction is taut and fiercely suspenseful, with the high point coming
from his playing upon the irresistible temptation to look behind the closed airp
lane window.
John Landis offers up both the first segment and a brief prologue featuring Dan
Aykroyd and Albert Brooks as two likeable doofs on a cross-country drive.
John Landis offers up both the first segment and a brief prologue featuring Dan
Aykroyd and Albert Brooks as two likeable doofs on a cross-country drive.
Once inside, the house goes into lockdown and the ghosts come out, leading to th
e expected body count mayhem.
There’s a wide range of greyscale throughout, and it enhances the viewing experi
ence substantially.
The rendition includes color tints reflecting the tinting on the original print,
and blue night scenes cover up much of the wear.
The effect is spoiled a bit by the strobe-based appearance of the ghosts; while
it’s discomfiting it’s a fairly cheap trick rather than frightening content.
It adds greatly to the grandeur of the production to have a full orchestra behin
d it rather than a small ensemble or even an organ.
Perhaps best of these is the exuberant joy he expresses after rescuing Esmeralda
as he first rings the bells then jumps aboard, riding them jubilantly as he exp
eriences his secret delights.
Blake is THE expert on Chaney, and he shares much of his wealth of knowledge her
e, including precisely how Chaney accomplished his Quasimodo makeup.
A highlight is Progeny’s Replicator world, which ranks among the finest creation
s of the entire series.
With a solid cast and up-and-coming director, this little-seen indie effort gets
a chance at a wider audience thanks to IFC’s new DVD release.
There’s a wide range of greyscale throughout, and it enhances the viewing experi
ence substantially.
It feels singularly unimaginative, especially surrounded by its brethren episode
s.
His films get very few screenings outside the major cities, so we should be grat
eful for whatever scraps we get.
After the initial shock of Linda’s condition, Alex decides to stick around for a
while and help her out with the day-to-day activities that are such a struggle
given her condition.
The soundtrack goes a long ways towards providing whatever fear element one may
get from a viewing of the film.
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der.
The striking actress does her best with limited material, and needs better writi
ng to develop her character fully.
Hiss and noise are nonexistent.
Witchfinder General has been labeled a horror film, though by all standards ther
e are no traditional elements of the genre here.
The improvements of the third season show tremendous promise for more developmen
t into becoming a premier sci-fi series.
Hurst’s Jehan is a little too broadly drawn to satisfy, and Kerry is pretty much
the same stiff he would be two years later opposite Chaney in Phantom of the Op
era.
Still, the vivid colors and detail look excellent, and make one salivate over an
HD release.
Any use without prior permission prohibited.
Excellent guest stars like Richard Dean Anderson, Robert Picardo, Robert Davi, a
nd many others take the pressure off the leads.
Depressing and hard to love, Private Fears in Public Places still packs an emoti
onal punch, with performances and direction that eclipse a standard script.
Anderson does provide some engaging comments with his typical casual demeanor, b
ut I would have enjoyed a lengthier interview.
The effect is spoiled a bit by the strobe-based appearance of the ghosts; while
it’s discomfiting it’s a fairly cheap trick rather than frightening content.
Taking its cue from the original television series, the movie version is an anth
ology of four pieces, each by a different director.
Clean and hiss-free, with voices clear and well-balanced, there isn’t really any
thing to find fault with.
Familiar face David Ogden Stiers also delivers as the enemy leader who sees litt
le need for friendly debate.
com Nome Search Powered by :: Free RSS news Add RSS news to your web site expatr
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Steven Spielberg directs Kick the Can, a fluffy tale of hope and the lot of the
elderly that Spielberg hoped would be an antidote to his kid-centric E.
The texture of the slime, dust and assorted ectoplasm is first-rate.
After struggling early to escape the shadow of its origins, the show has develop
ed into a consistent, often-inventive alternative to more serious fare.
It’s visually arresting and both whimsical and grim by turns; the ending won’t s
atisfy some, but I found this to be my favorite of the four segments.
Parse the DTD Matra will parse the DTD and check for problems.
It feels singularly unimaginative, especially surrounded by its brethren episode
s.
As with his comments on And Now The Screaming Starts.
The DVD is bare bones but otherwise fine.