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    Anderson
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    The document appears to be a musical score or diagram showing the instrumentation and parts for a song. It includes vocal, acoustic guitar, electric bass, and drum parts represented with symbols. Lines and boxes are used to notate the instrumental parts and rhythms across multiple repetitions of the song structure.

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    criação

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    The document appears to be a musical score or diagram showing the instrumentation and parts for a song. It includes vocal, acoustic guitar, electric bass, and drum parts represented with symbols. Lines and boxes are used to notate the instrumental parts and rhythms across multiple repetitions of the song structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views3 pages

    Criação

    Uploaded by

    Anderson
    The document appears to be a musical score or diagram showing the instrumentation and parts for a song. It includes vocal, acoustic guitar, electric bass, and drum parts represented with symbols. Lines and boxes are used to notate the instrumental parts and rhythms across multiple repetitions of the song structure.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    criação

    Anderson Anderson
     = 120
     4   
    Voz  4 
     
     4        
     
    Violão acústico  4  

    Baixo elétrico
      44  
           

    

    44                  
    
     
    Bateria                 
         

    5
      
    Vo.     
     
                   
           
    Viol.              

    B. El.
                 
       
                                   
    Bat.                 
           
    9
    
    Vo.      
     

       
            
           
    Viol.     
            

    B. El.
                

       
              
    Bat.             
                   
           
    13
     
    Vo.      

             
      
           
    Viol.          
      
          
    B. El.                   
                      
    Bat.                             
           
    17
     
    Vo.     

               
       
    Viol.            

    B. El.
                       
     
                                   
    Bat.                  
           
    2
    21
       
    Vo.  
       
        
    Viol.     

    B. El.
                 
       
              
    Bat.             
                   
           

    25
     
    Vo. 
     
    Viol. 

    B. El.
     

           
    Bat.       
     

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